The Well-Tempered Ear
Classical music: Members of the Chamber Music Society of Lincoln Center will give two concerts this week as part of the centennial season of the Concert Series at the Wisconsin Union Theater
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Think of it as one anniversary celebrating another anniversary.
This week, four members of the Chamber Music Society of Lincoln Center in New York City will be giving two concerts as part of the Concert Series at the Wisconsin Union Theater (below).
The Chamber Music Society is marking its 50th anniversary and is in town this week to help the WUT’s Concert Series celebrate its 100th anniversary.
Here is a link with more background about the special programming for the anniversary season: https://welltempered.wordpress.com/2019/03/30/classical-music-personal-experience-artistic-excellence-and-historical-importance-drew-pianist-wu-han-and-cellist-david-finckel-into-planning-next-years-centennial-season-at-the-wisconsin-u/
The first concert is tomorrow — Thursday night, March 5 — at 7:30 p.m. in Shannon Hall at the Memorial Union. The program features two piano quartets and a violin sonatina.
The Ear has seen the Society players before in Madison and has never heard them give anything short of a first-rate performance.
The piano quartets are the Piano Quartet in A Minor, Op. 1, by Czech composer Josef Suk; the Piano Quartet No. 1 in G Minor, Op. 25, by Johannes Brahms; and the Violin Sonatina in G Major, Op. 100, by Antonin Dvorak. (You can hear Chopin Competition winner and South Korean pianist Song-Jin Cho, play the Gypsy Rondo finale from the Brahms piano quartet in the YouTube video at the bottom.)
Personal ties link all three works. Brahms greatly admired Dvorak and helped launch his career. And Dvorak was both the teacher and father-in-law of Suk.
The performers (below, from left) are violinist Arnaud Sussmann, pianist Wu Han, violist Paul Neubauer; and cellist David Finckel.
The wife-and-husband team of Wu Han and David Finckel are the co-music directors of the Chamber Music Society and also the artistic advisors who helped the Wisconsin Union Theater put together its centennial season.
Says Han: Chamber music is a form of music that has the ability to provide comfort in difficult times, escape and inspiration for all. The Musical America’s Musician of the Year award winner adds that it’s those very things that drive her to continue to make music.
The performance is part of the new David and Kato Perlman Chamber Music Series. More information about the Chamber Music Society of Lincoln Center can be found on their website.
There will also be a pre-concert performance by students of the Suzuki method in Sonora Strings (below) beginning in Shannon Hall at 7 p.m.
For more background as well as how to purchase tickets ($10-$50), go to: https://union.wisc.edu/events-and-activities/event-calendar/event/chamber-music-society-of-lincoln-center/
SATURDAY NIGHT
On Saturday night, March 7, at 7:30 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Ave., pianist Wu Han (below top) will perform with the UW Symphony Orchestra under the baton of its director and conductor Oriol Sans (below bottom).
The program is the Suite No. 1 from the chamber opera “Powder Her Face” by the contemporary British composer Thomas Adès; the Piano Concerto No. 3 in C Minor, Op. 37, by Beethoven; and the Symphony No. 2 in D Major, Op. 73, by Brahms.
Tickets are $30 for the public, $25 for Union members and UW faculty and staff; and $10 for UW students. For more information about Wu Han and to purchase tickets, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/wu-han-with-uw-symphony/
“Wu Han brings to the Wisconsin Union Theater not only a passion for music, but also authentic excitement about inspiring a love of music in others,” said Amanda Venske, Concert Series coordinator of the Wisconsin Union Directorate (WUD) Performing Arts Committee.
The students of the UW-Madison Symphony Orchestra (below, with the UW Choral Union in the background) will have the opportunity to learn from Han as they prepare for the Saturday performance.
Patrons can purchase tickets online or at the Memorial Union Box Office. The Wisconsin Union Theater team offers discounted tickets for University of Wisconsin-Madison faculty, staff and students as well as Wisconsin Union members.
Other upcoming Concert Series performances are by violinist Gil Shaham with Akira Eguchi on March 28, and superstar soprano Renée Fleming on May 2. The Concert Series is the longest running classical music series in the Midwest.
Tags: #AkiraEguchi, #AntoninDvorak, #ArnaudSussmann, #BlogPost, #BlogPosting, #BoxOffice, #BritishComposer, #CampusArtsTicketing, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #ChamberOpera, #ChopinInternationalPianoCompetition, #ChoralUnion, #ClassiclaMusic, #CommunityEvent, #ConcertSeries, #ContemporaryOpera, #DavidandKatoPerlmanChamberMusicSeries, #DavidFinckel, #FacebookPost, #FacebookPosting, #Father-in-Law, #FredericChopin, #GilShaham, #GypsyRondo, #HamelMusicCenter, #HomeWebsite, #husband-and-wife, #JacobStockinger, #JohannesBrahms, #JosefSuk, #KatoPerlman, #LivingComposer, #LudwigVanBeethoven, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MemorialUnion, #MusicalAmerica, #MusicianoftheYear, #NewYorkCity, #OriolSans, #PaulNeubauer, #PianoConcerto, #PianoQuartet, #PowderHerFace, #RenéeFleming, #SaturdayNight, #Seong-JinCho, #ShannonHall, #SouthKorea, #SouthKorean, #SuzukiMethod, #SuzukiStrings, #SuzukiStringsofMadison, #TheEar, #TheMidwest, #ThomasAdès, #Thursdaynight, #UniversityofWisconsin-Madison, #UWChoralUnion, #UWSymphonyOrchestra, #ViolinSonata, #Wife-and-Husband, #WisconsinUnionTheater, #WuHan, #YouTubevideo, admire, adviser, Akira Eguchi, anniverary, anniversary, Antonín Dvořák, Arnaud Sussmann, artistic, Arts, audience, award, baton, Beethoven, blog, box office, Brahms, British, Campus Arts Ticketing, career, celebrate, cellist, Cello, centennial, Chamber music, Chamber Music Society, Chamber Music Society of Lincoln Center, Chopin, Chopin International Piano Competition, Choral Union, Classical music, classicalmusic, comfort, composer, Concert, concert series, concerto, conductor, contemporary, David and Kato Perlman Chamber Music Series, David Finckel, difficult, director, drive, Dvorak, escape, event, excitement, exposure, Facebook, faculty, finale, first-rate, form, forward, Frédéric Chopin, Gil Shaham, gypsy, gypsy rondo, Hamel Music Center, Han, hear, home website, husband, inspiration, Jacob Stockinger, Johannes Brahms, Josef Suk, Kato Perlman, launch, learn, like, link, living, Love, Ludwig van Beethoven, Madison, Mead Witter Foundation Concert Hall, Mead Witter School of Music, member, Memorial Union, Midwest, Music, Musical American, Musician of the Year, New York City, night, opera, Orchestra, Oriol Sans, Passion, Paul Neubauer, performance, performer, personal, Pianist, Piano, Piano concerto, players, post, posting, Powder Her Face, prepare, program, provide, Quartet, Renée Fleming, Saturday, Season, see, Seong-Jin Cho, Shannon Hall, share, society, soloist, Sonata, sonatina, soprano, South Korea, South Korean, staff\, Student, Suite, Suk, superstar, Suzuki, Suzuki Method, Suzuki Strings of Madison, symphony, tag, Teacher, The Ear, Thomas Ades, Thursday, tickets, ties, times, town, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Choral Union, UW Symphony Orchestra, UW-Madison, Viola, Violin, violinist, violist, Website, wife, winner, Wisconsin, Wisconsin Union Theater, Wu, Wu Han, YouTube
Classical music: Recorder virtuoso Piers Adams solos in baroque and contemporary concertos this Friday night with the Wisconsin Chamber Orchestra
3 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
During his long and successful tenure with Wisconsin Chamber Orchestra (below), music director and conductor Andrew Sewell has established a reputation for championing unusual repertoire and booking young or relatively unknown soloists as well as for offering insightful interpretations of classic masterworks.
But Sewell (below) seems to be surpassing himself with the concert he will lead this Friday night, April 19, at 7:30 p.m. in the Capitol Theater of the Overture Center.
For one, the concert features the British recorder virtuoso Piers Adams (below), who established his own reputation as a part of the unusual baroque quartet Red Priest, the nickname for Antonio Vivaldi, who was indeed a priest in Venice with flaming red hair. (In the YouTube at the bottom, you can sample Adams’ virtuosity as he makes bird calls on the recorder while playing a section of “Spring” from Vivaldi’s “Four Seasons.”)
You can also go to the following websites for more information about Piers Adams:
https://en.wikipedia.org/wiki/Piers_Adams
The Ear can’t think of another time any major group in the area offered a soloist on the recorder – a baroque wooden flute-like instrument — except for the Madison Early Music Festival.
True to form, Adams will perform baroque music with the WCO – specifically, the Concerto for Recorder in C Major by Georg Philipp Telemann.
But to add to the more unusual aspects of the concert, Adams will also perform a contemporary work with the WCO – specifically, a 1994 recorder concerto by the English composer David Bedford (1937-2011, below) that was commissioned by Adams and has proven popular both on a recording and in concert.
For more information about Bedford, go to:
https://en.wikipedia.org/wiki/David_Bedford
To round out the program, Sewell has programmed two other rarely heard works: the “Brook Green” Suite by Gustav Holst, best known for “The Planets”; and the Serenade in E-Flat Major, Op. 6, by the Czech composer Josef Suk (below), a very accomplished violinist and composer who studied with Antonin Dvorak and then became his son-in-law.
https://en.wikipedia.org/wiki/Josef_Suk_(composer)
For more information about the concert, including tickets ($12-$80) and notes on the performers and the program, go to:
https://wisconsinchamberorchestra.org/performances/masterworks-iv-4/
Tags: #AndrewSewell, #AntoninDvorak, #AntonioVivaldi, #BaroqueFlute, #BaroqueMusic, #BirdCalls, #BlogPost, #BlogPosting, #CapitolTheater, #ChamberOrchestra, #CommissionedMusic, #DavidBedford, #FacebookPost, #FacebookPosting, #FourSeasons, #GeorgPhilippTelemann, #GuestSoloist, #GustavHolst, #JosefSuk, #MadisonEarlyMusicFestival, #MeadWitterSchoolofMusic, #MusicalInterpretation, #MusicDirector, #NewMusic, #OvertureCenter, #PiersAdams, #RecorderConcerto, #RedPriest, #SoundSample, #StringSection, #ThePlanets, #UnitedKingdom, #UniversityofWisconsin-Madison, #VeniceItaly, #WisconsinChamberOrchestra, #YouTubevideo, Andrew Sewell, Antonín Dvořák, Antonio Vivaldi, Arts, audience, Baroque, baroque flute, Baroque music, bird, bird calls, birds, blog, Book, British, brook, Capitol Theater, chamber orchestra, champion, classic, Classical music, commission, Compact Disc, composer, Concert, concerto, conductor, Czech, David Bedford, Early music, English, ensemble, establish, Facebook, flute, forward, Four Seasons, Georg Philipp Telemann, green, group, Gustav Holst, hair, information, insight, instrument, interpretation, Italy, Jacob Stockinger, Joseph Suk, like, link, live, long, Madison, Madison Early Music Festival, Marriage, masterwork, Mead Witter School of Music, Music, Music director, New Music, nickname, notes, novelty, Orchestra, Overture Center, performer, Piers Adams, planet, priest, program, Quartet, recorder, recorder concerto, recording, Red Priest, repertoire, reputation, sample, Serenade, share, soloist, soloists, son-in-law, spread, Spring, standard, string section, strings, study, successful, Suite, surpass, symphony, tag, tenure, The Planets, ticket, UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unusual, UW-Madison, Venice, Viola, Violin, violinist, virtuosity, virtuoso, WCO, Wisconsin Chamber Choir, word, young, YouTube
Classical music: Personal experience, artistic excellence and historical importance drew pianist Wu Han and cellist David Finckel into planning next year’s centennial season at the Wisconsin Union Theater
3 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Now that Spring Break is over and subscription tickets are available for the Wisconsin Union Theater’s special centennial celebration next season – which includes superstar soprano Renée Fleming and pianist Emanuel Ax — here is an email interview that pianist Wu Han and cellist David Finckel (below, in a photo by Lisa-Marie Mazzucco), the wife-and-husband consultants and planners of that season, granted to The Ear.
For more about the season and tickets, go to two websites:
https://union.wisc.edu/visit/wisconsin-union-theater/seasonevents/concert-series/
Could you briefly introduce yourselves to readers and tell them both your past and current activities?
We have been performing on the world’s many concert stages for almost our entire lives. In addition to our careers as concert performers, we serve as the founding Artistic Directors of Music@Menlo, the premier chamber music festival in Silicon Valley, as well as the Artistic Directors of the Chamber Music Society of Lincoln Center (CMS) in New York City.
Our main responsibility as concert performers is to give the best concerts we possibly can, and we are constantly striving to achieve the highest possible level of artistry in our performances.
In our roles as artistic directors, our responsibilities lie in the programming, casting and designing of concert series and chamber music projects for our organizations. At CMS, this includes designing the programming for our seven different satellite series around the country, plus international partnerships in Taiwan, Korea and Europe.
We are also involved in chamber music programming endeavors beyond Music@Menlo and CMS, having just completed a first-ever chamber music residency at the Society of the Four Arts in Palm Beach, Florida. Furthermore, Wu Han is serving as Artistic Advisor to Wolf Trap Chamber Music at the Barns, which entails thematically programming eight concerts per season for the 2018–19 and 2019–20 seasons.
As artistic directors, we spend much of our time putting ourselves in the shoes of our listeners, measuring their experience and receptivity to chamber music of all periods and styles, and putting together the best programs and artists who will move our audiences forward into ever-increasing engagement with and love of the art.
David was the cellist of the Emerson String Quartet for 34 seasons, and we have been performing together as a duo for about 35 years, and continue to do so as one of our main performance activities.
What are your personal relationships to the Wisconsin Union Theater, and what do you think of it as a concert venue?
Our engagement with the Wisconsin Union Theater goes back quite a few years, but certainly not even close to the beginning of the Theater’s distinguished history. For any performer setting foot on its stage, there’s a sense of slipping into an ongoing tradition of artistic excellence that makes us feel both privileged and obligated to do our best.
The Wisconsin Union Theater and its story in American cultural life is larger than any of us; only the music we play rises above and beyond it all, and as performers, our lucky moment is to represent that incredible literature in a venue as significant and storied as the Wisconsin Union Theater. (Below is the theater’s main venue, the renovated and restored Shannon Hall.)
Why did you agree to be artistic advisors and artists-in-residence for the centennial season? Did your personal experiences in Madison play a role in that decision?
As seasoned artists, we deeply admire and respect the very special place in the classical music tradition and history that the Wisconsin Union Theater (below) inhabits, and the invitation to participate in the Theater’s 100th anniversary was an honor for us to receive. Our experiences playing on this distinguished stage and forming a relationship with the local audience have made our pursuit of the common goal of artistic excellence in the centennial season incredibly fulfilling.
Of course, having performed there in the past gave us a hint of confidence through our familiarity with the place, but we must say we have learned perhaps double what we knew originally through this planning process. Without interfering, but at the same time sharing our uncompromised commitment to artistic excellence, we hope that our presence during the process has been useful, and we know that we look so much forward to seeing the careful thought and hard work of all involved come to fruition.
Is there a unifying or guiding principle to the season you have put together?
The guiding principle behind our work on this historic season is artistic excellence, which in our opinion is what most inspires audiences and best serves the art form of classical music.
Our area of expertise is chamber music, and, as we wanted to share the best of what we can do with the Theater, our focus has been on ensuring that the chamber music offerings during this historic season, and hopefully beyond, reflect the best of the world of chamber music.
In our suggestions, we looked for variety of instrumentations, of composers and periods—in other words, giving as much of an overview of the art as we could within a season.
What would you like the public to know about the Wisconsin Union Theater and the upcoming centennial season?
In the Theater’s centennial season, the audience will have the opportunity to savor a variety of different genres of chamber music, from solo piano to vocal music, as well as a sampling of the very best works of the chamber music canon. Between these various genres, the great composers left a wealth of chamber music that could sustain the art form on its own, but that’s still only the tip of the iceberg.
Our chamber music offerings will include the Kalichstein-Laredo-Robinson Trio, which has a long history of performing for the Madison audience. Their December program will include celebrated cornerstones of the piano trio repertoire, including Mendelssohn’s D minor Trio and Beethoven’s “Archduke” Trio. (You can hear the opening of the Archduke Trio in the YouTube video at the bottom.) Both pieces have achieved monumental historical significance through their influence in propelling the art form forward from the Classical period to the Romantic period.
The Escher String Quartet performance in January represents the best of the next generation of young string quartets. Their program includes a quartet by Franz Joseph Haydn—the father of the string quartet genre—and the sole quartet of none other than revered violin virtuoso Fritz Kreisler, who performed in the Wisconsin Union Theater nearly a century ago. Kreisler set foot on the Theater’s stage numerous times, and his rarely heard string quartet nods to the Theater’s long, distinguished history. David will join the Escher Quartet for the beloved Schubert Cello Quintet, which is the “desert island” must-have piece for many music lovers.
Furthermore, in March, we will bring two of the most fantastic musicians in the world to join us for a program of Antonin Dvorak, Josef Suk and Johannes Brahms. This multigenerational cast of musicians includes the incredible young French violinist Arnaud Sussmann (below top, in a photo by Matt Dine) as well as the most important violist of our generation, Paul Neubauer (below bottom). This program is all about the passing down of the baton and the continuous investment in the next generations of artists: Brahms was the one who discovered Dvorak, and Dvorak in turn discovered Suk.
Tags: #AntoninDvorak, #ArchdukeTrio, #ArnaudSussmann, #ArtForm, #ArtisticDirector, #Artists-in-Residence, #BlogInterview, #BlogPost, #BlogPosting, #CelloQuintet, #ChamberEnsemble, #ChamberMusic, #ChamberMusician, #ChamberMusicians, #ChamberMusicSocietyofLIncolnCenter, #Classicalperiod, #ConcertSeries, #DavidFinckel, #DesertIsland, #EmanuelAx, #EmersonStringQuartet, #EscherStringQuartet, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FranzJosephHaydn, #FranzSchubert, #FritzKreisler, #Hard Work, #HardWork, #JohannesBrahms, #JosefSuk, #KalichsteinLaredoRobinsonPianoTrio, #LudwigVanBeethoven, #Music@Menlo, #MusicalGenre, #MusicLover, #Must-Have, #NewYorkCity, #PalmBeach, #PaulNeubauer, #PersonalExperience, #PersonalRelationship, #PianoTrio, #RenéeFleming, #RomanticMusic, #RomanticPeriod, #ShannonHall, #SiliconValley, #SocietyoftheFourArts, #SopranoSinger, #SpringBreak, #StringQuartet, #TheEar, #ThePast, #ViolinVirtuoso, #VocalMusic, #Wife-and-Husband, #WisconsinUnionTheater, #WolfTrap, #WuHan, #YouTubevideo, activities, activity, advisor, American, anniversary, Archduke Trio, Arnaud Sussmann, Art, art form, Artistic director, artistry, artists, Arts, audience, baton, Beethoven, best, blog, Brahms, Canon, casting, celebration, celist, Cello, centennial, choral music, Classical, Classical music, Classical period, classicalmusic, commitment, composer, Concert, concert series, concerto, confidence, consultant, country, cultural, culture, David Finckel, desert, design, dinstinguish, distinguished, duo, Dvorak, email, Emanuel Ax, Emerson String Quartet, engagement, Escher String Quartet, Europe, excellence, expertise, Facebook, familiarity, festival, Florida, forward, Franz Schubert, French, Fritz Kreisler, generation, genre, guiding, Haydn, historic, historical, History, iceberg, importance, important, inspire, instrumentation, international, interview, investment, island, Jacob Stockinger, Johannes Brahms, Joseph Haydn, Joseph Suk, Kalichstein-Laredo-Robinson Trio, Korea, learn, life, Love, lover, Ludwig van Beethoven, Madison, member, Mendelssohn, monumental, move, multigenerational, Music, music lover, New York City, obligate, opera, Palm Beach, partnership, passing, past, Paul Neubauer, performer, period, personal experience, personal relationship, Pianist, Piano, piano music, Piano Trio, planner, planning, post, posting, presence, principle, privilege, process, programming, Q&A, quintet, reader, Renée Fleming, Renovation, residence, residency, restoration, Romantic, Romantic period, satellite, savor, Schubert, Season, Shannon Hall, shoes, Silicon Valley, society, Society of the Four Arts, solo, Sonata, soprano, special, Spring Break, stage, star, story, String quartet, style, subscription, superstar, Taiwan, The Ear, theater, thought, ticket, tradition, unifying, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, variety, venue, Viola, Violin, violinist, violist, virtuoso, vocal, vocal music, wealth, Website, Wisconsin, Wisconsin Union Theater, Wolf Trap, work, works, world, Wu Han, years, young, YouTube
Classical music: Superstar soprano Renée Fleming and pianist Emanuel Ax headline the 100th anniversary of the Wisconsin Union Theater’s Concert Series next season
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
The Ear has received the following major announcement to post about the Wisconsin Union Theater, which The Ear calls “the Carnegie Hall of Madison” for its long and distinguished history of presenting great performing artists.
The Wisconsin Union Theater (below top, with Shannon Hall below bottom) is delighted to announce the schedule for its 100th Concert Series during 2019-20.
In this celebratory year, we introduce two exciting additions: A transformative gift by Kato Perlman establishes the David and Kato Perlman Chamber Series, ensuring the world’s best chamber ensembles continue to perform as a regular feature of the Concert Series.
Additionally, two Concert Series performances will take place in the Mead Witter School of Music’s new Hamel Music Center (below). We look forward to increased collaborations with the school of music.
The 100th anniversary series was curated by the Wisconsin Union Directorate’s Performing Arts Committee, with wife-and-husband advisors pianist Wu Han and cellist David Finckel (below, in a photo by Tristan Cook), who are celebrated musicians and directors of several festivals of classical music and also serve as co-artistic directors of the Chamber Music Society of Lincoln Center. (You can hear them performing music by Johann Sebastian Bach in the YouTube video at the bottom.)
The first season of this distinguished series was in 1920-1921, and featured soprano May Peterson, violinist Fritz Kreisler and pianist Benno Moiseiwitsch.
Nineteen years later, in 1939-1940, the series moved to the newly opened Wisconsin Union Theater. The first season in the Wisconsin Union Theater featured bass singer Ezio Pinza, cellist Emanuel Feuermann, violinist Joseph Szigeti, pianist Robert Casadesus and, the highlight, contralto Marian Anderson.
Through these 99 years, numerous renowned, accomplished and prominent classical musicians have played in the series, the longest continuous classical series in the Midwest. Some made their debut here and continued returning as their fame rose.
See this article for an interview with former WUT director Michael Goldberg about the history of the series.
The schedule for the 100th Concert Series, including the inaugural David and Kato Perlman Chamber Music Series, is:
Oct. 6 – A cappella choral group Chanticleer, Hamel Music Center. Program To Be Announced
Nov. 2 – Pianist Emanuel Ax (below), Shannon Hall. All-Beethoven program, including Piano Sonatas Nos. 1, 2 and 3.
Dec. 6 – The Kalichstein, Laredo and Robinson Piano Trio (below), Shannon Hall. “Canonic Etudes” by Robert Schumann; Piano Trio No. 1 in D minor by Felix Mendelssohn; and Piano Trio in B-flat major “Archduke” by Ludwig van Beethoven.
Jan. 25, 2020 – The Escher String Quartet (below), featuring David Finckel, Shannon Hall. Quartets by Franz Joseph Haydn, Fritz Kreisler and Franz Schubert.
March 5, 2020 – Chamber Music Society of Lincoln Center – featuring David Finckel, Wu Han, Paul Neubauer and Arnaud Sussman, Shannon Hall. Sonatine by Antonin Dvorak; Piano Quartet by Josef Suk; Piano Quartet No. 1 in G Minor, Op. 25, by Johannes Brahms.
March 7, 2020 – Wu Han with the UW Symphony Orchestra, Hamel Music Center. Program TBD.
March 28, 2020 – Violinist Gil Shaham (below) with pianist Akira Eguchi, Shannon Hall. Program TBD.
May 2, 2020 – Special Gala Concert with Renée Fleming (below). Shannon Hall. Mixed Recital.
All programs are subject to change.
Subscriptions will be available starting March 18, 2019. Subscribers benefits include: access to the best seats, 20% off the price of single tickets, no order fees, a free ticket to Wu Han’s performance with the UW Symphony Orchestra, and the opportunity to be first to purchase tickets to Renée Fleming’s 100th Anniversary Gala Concert.
Find more information about the series and the artists at www.uniontheater.wisc.edu. Subscriptions will be available on March 18 at www.artsticketing.wisc.edu.
Tags: #ACappellaMusic, #AkiraEguchi, #All-Beethoven, #AntoninDvorak, #ArchdukeTrio, #ArtisticDirector, #BaroqueMusic, #BassSinger, #BennoMoiseitwitsch, #BlogPost, #BlogPosting, #CarnegieHall, #ChamberEnsemble, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #ChoralMusic, #ClassicalMusician, #ConcertSeries, #ContraltoSinger, #DavidFinckel, #EmanuelAx, #EmanuelFeuermann, #EscherStringQuartet, #EzioPinza, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FranzJosephHaydn, #FranzSchubert, #FritzKreisler, #GalaConcert, #GilShaham, #HamelMusicCenter, #husband-and-wife, #JaimeLaredo, #JohannesBrahms, #JohannSebastianBach, #JosefSuk, #JosephKalichstein, #JosephSzigeti, #KalichsteinLaredoRobinsonPianoTrio, #KatoPerlman, #LincolnCenter, #LudwigVanBeethoven, #MarianAnderson, #MeadWitterSchoolofMusic, #MichaelGoldberg, #MusicFestival, #NewYorkCity, #PerformingArtists, #PianoConcerto, #PianoMusic, #PianoQuartet, #PIanoRecital, #PianoSonata, #PianoTrio, #RenéeFleming, #RobertCasadesus, #RobertSchumann, #SchoolofMusic, #ShannonHall, #SharonRobinson, #SopranoSinger, #StringQuartet, #SubscriptionConcert, #TheEar, #TheMidwest, #ToBeAnnounced, #UniversityofWisconsin-Madison, #UWSymphonyOrchestra, #VocalMusic, #VoiceRecital, #Wife-and-Husband, #WisconsinUnionDirectorate, #WisconsinUnionTheater, #WuHan, #YouTubevideo, a cappella, access, accomplished, addition, advisor, Akira Eguchi, anouncement, Antonín Dvořák, Archduke Trio, Artistic director, artists, Arts, audience, Baroque, bass, Beethoven, Benno Moiseiwitsch, Canon, Carnegie Hall, cellist, Cello, centennial, chamber ensemble, Chamber music, Chamber Music Society of Lincoln Center, Chanticleer, choral music, Classical music, classical musician, collaboration, composer, concerto, contralto, curated, David Finckel, debut, director, distinguished, Emanuel Ax, Escher String Quartet, etude, Ezio Pinza, Facebook, fame, feature, fee, Felix Mendelssohn, forward, Franz Joseph Haydn, Franz Schubert, free, gala, gift, Gil Shaham, great, Hamel Music Center, highlight, History, husband, inaugural, information, interview, Jacob Stockinger, Jaime Laredo, Johann Sebastian Bach, Johannes Brahms, Josef Suk, Joseph Kalichstein, Joseph Szigeti, Kato Perlman, like, LIncoln Center, Lincoln Center for the Performing Arts, link, long, Ludwig van Beethoven, Madison, Marian Anderson, Mead Witter School of Music, Michael Goldberg, Midwest, Music, Music festival, New York City, performer, performing artists, Pianist, Piano, Piano concerto, Piano Quartet, Piano sonata, Piano Trio, post, posting, program, prominent, recital, regular, Renée Fleming, renowned, Robert Casadesus, Robert Schumann, schedule, School of Music, seat, Shannon Hall, share, Sharon Robinson, singer, Sonata, Sonatine, soprano, star, String quartet, subscription, superstar, tag, TBA, The Ear, ticket, University of Wisconsin–Madison, UW Symphony Orchestra, violinist, vocal music, voice, voice recital, wife, Wisconsin Union Directorate, Wisconsin Union Theater, Wu Han, year, YouTube
Classical music: Today is the summer solstice. Here is information about the solstice plus 20 pieces of classical music to mark the coming of summer
1 Comment
ALERT: Today is the fifth annual Make Music Madison. More than 300 FREE outdoor performances will be featured at some 100 venues. For information about artists, kinds of music, places and times, go to: http://www.makemusicmadison.org
By Jacob Stockinger
Today is Thursday, June 21, 2018.
The summer solstice arrives in Wisconsin early today at 5:07 a.m. Central Daylight Time.
If you want to know more about the summer solstice, here are two stories from NBC and The Washington Post with some interesting information you might not know:
https://www.nbcnews.com/mach/science/what-summer-solstice-ncna884991
Quite a few composers and works of classical music celebrate the coming of summer.
Twenty of the best-known are featured on a blog at the famous classical radio station WQXR FM in New York City. Here is a link:
https://www.wqxr.org/story/20-summertime-classical-pieces-maximum-chill/
The blog posting features many terrific sound samples, including such well-known works as “Summer” section from “The Four Seasons” violin concertos by Antonio Vivaldi.
Still, some of the titles – including the famous Overture to “A Mid-Summer Night’s Dream” by Felix Mendelssohn – are not accompanied by sound.
That includes one of The Ear’s favorites, “Knoxville, Summer 1915” by the American composer Samuel Barber with words by the journalist and documentarian James Agee.
Here it is, in a much-praised recording by soprano Dawn Upshaw, in the YouTube video at the bottom.
Here’s hoping summer is better in this part of the country than spring was, what with record cold in April and record rainfall in May that seems to be continuing with disastrous flooding in June.
Happy Summer, all.
Tags: #AntonioVivaldi, #AntonWebern, #BlogPost, #BlogPosting, #CentralDaylightTime, #DawnUpshaw, #EdvardGrieg, #FelixMendelssohn, #FrankBridge, #FrederickDelius, #GabrielFaure, #HectorBerlioz, #JamesAgee, #JosefSuk, #Knoxvile, #MarkO'Connor, #MidsummerNight'sDream, #MikhailGlinka, #NaturalDisaster, #NBCNews, #NedRorem, #NewYorkCity, #PeterTchaikovsky, #PeterTchaikowsky, #SamuelBarber, #SergeiProkofiev, #SummerSolstice, #TheWashingtonPost, #ViolinConcerto, #ViolinMusic, #WilliamGrantStill, #ZoltanKodaly, April, Arts, Bach, Baroque, Berlioz, blog, Cello, Chamber music, choral music, Classical music, cold, Compact Disc, composer, concerto, country, Delius, disaster, documentarian, documentary, Early music, flood, flooding, georgegershwin, Gershwin, Glinka, Grieg, information, Johann Sebastian Bach, Johannes Brahms, journalism, journalist, June, Kodaly, Madison, Mark O'Connor, May, Music, NBC, Ned Rorem, New York City, news, Overture, posting, Prokofiev, Radio, rainfall, solstice, soprano, station, Stonehenge, storms, Suk, Summer solstice, Summer1915, Tchaikovsky, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal music, Webern, wet, William Grant Still, WQXR-FM
Recent Comments
The Well-Tempered Ear 