The Well-Tempered Ear

Classical music: Pianist James Giles will replace Ya-Fei Chuang for TONIGHT’s recital at Farley’s House of Pianos

April 6, 2019
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By Jacob Stockinger

The Ear has received the followed announcement from Farley’s House of Pianos about its solo recital tonight.

“We are sad to announce that pianist Ya-Fei Chuang has sustained an injury that will prevent her from performing for us TONIGHT and teaching a master class on Sunday. It is our intent to reschedule her as soon as her health and schedule permit.

“In the meantime, we are very fortunate that James Giles (below), of Northwestern University, is able to step in and perform for us, and we are excited about the program and repertoire he has shaped for us.

“We apologize for this last-minute change, but are excited to introduce James Giles to our Salon Piano Series audience, and look forward to seeing you TONIGHT at 7:30 p.m. at 6522 Seybold Road, on Madison’s far west side near West Towne Mall.”

His recital at Salon Piano Series will include works of Johannes Brahms, Franz Schubert, Isaac Albeniz, Ignaz Jan Paderewski, Leopold Godowsky and others.

An artist’s reception will follow the concert.

Tickets are $50 in at the door ($10 for tickets) and $45 in advance at:

https://www.brownpapertickets.com/event/3499200

For more information about the master class, including participants and repertoire, call Farley’s at (608) 271-2626 or go to:

https://welltempered.wordpress.com/2019/04/04/classical-music-acclaimed-pianist-ya-fei-chuang-plays-works-by-schubert-liszt-and-ravel-this-saturday-night-at-farleys-house-of-piano/

Giles has been praised as “a technically polished, elegant pianist” (Sibelius Academy, Helsinki), “with a riveting intelligence given to everything he play[s],” (Wigmore Hall, London), a “distinctive interpretive persona [and] beautiful pianism … direct and unmannered” (Alice Tully Hall, New York). His Paris recital at the Salle Cortot in 2004 was hailed as “a true revelation, due equally to the pianist’s artistry as to his choice of program.” (You can hear Giles playing the Humoresque by Robert Schumann in the YouTube video at the bottom.)

Giles regularly performs in important musical centers in America, Europe, and Asia, in solo and chamber recitals and as concerto soloist. A native of North Carolina, he studied at the Manhattan School, the Juilliard School, Eastman School of Music, and at Oberlin College. He was awarded a Fulbright Grant to study in Italy with the legendary Russian pianist Lazar Berman.

Coordinator of the Piano Program and Director of Music Performance Graduate Studies at Northwestern University, Giles is director of the Amalfi Coast Music Festival during the summers, and was director of the 2017 American Liszt Society Festival.


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Classical music: Organist and composer Chelsea Chen debuts at Overture Hall on Tuesday night

February 18, 2019
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By Jacob Stockinger

Organist Chelsea Chen (below) makes her Madison debut on this Tuesday night, Feb. 19, at 7:30 p.m. in Overture Hall as part of the Madison Symphony Orchestra’s Concert Organ series.

Ticket information is below.

Chen brings to her Overture Hall premiere an array of widely known classical pieces plus her own original composition.

Chen’s performance begins with Ola Gjeilo’s Sinfonietta and Edvard Grieg’s First Peer Gynt Suite, Op. 46— continuing with Chen’s original work, the Taiwanese Suite, Camille Saint-Saens’ Finale from “Organ” Symphony No. 3, Ad Wammes’ Miroir, and finally, selections from Gustav Holst’s The Planets.

Composer Gjeilo (below) has praised Chen’s interpretation of Sinfonietta, which the organist has performed at the Walt Disney Concert Hall in Los Angeles and the Kimmel Center in Philadelphia.

The First Peer Gynt Suite, Op. 46, by Grieg is one of the most easily recognizable compositions within the musical art form. Subtitled “Morning,” it is the first of two suites that Grieg (below) transcribed from Henrik Ibsen’s 1867 Norwegian play Peer Gynt.

The opus, albeit a short first movement from the suite, intends to instill imagery of the sunrise over the North African desert. Despite this, it is more commonly associated with the sweeping mountains, fjords and lakes that mark Norway’s landscape.

Chen’s own Taiwanese Suite combines the dynamic range of the organ with inflections of traditional Asian folksongs. It is composed of three movements: “Hills in the Springtime,” “Moonlight Blue” and “Mountain of Youth.”

Inspired by the works of Richard Wagner, Franz Liszt and others, Saint-Saens (below) composed a variety of arrangements and selections for numerous occasions. By age 10, the French composer and child prodigy had given his first concert. His Finale from “Organ” Symphony No. 3 is, as some consider, the pinnacle of his body of compositions. (You can hear Chen’s playing of the Finale from the “Organ” Symphony by Saint-Saens in the YouTube video at the bottom.)

Miroir was composed by Dutch composer Ad Wammes (below) for Stephen Taylor to celebrate the organist’s appointment to the Nicolaïkerk, a church in the Netherlands. In an unconventional mirroring — hence the title — the right hand repeats the higher voices in the same pattern throughout the song, whereas the left hand varies texture, voice and tone in the lower registers. The result is a calming, low hum that is lifted by the glistening echoes of the upper registers.

To Holst, The Planets suite could be framed as “a series of mood pictures,” with its seven movements. Ironically, Holst (below) seemed to heavily dislike his explosive popularity resulting from the suite’s compositional structure. Despite his supposed negativity towards the piece, its inherent superb qualities of each movement — no two are alike — became a staple of evocative composition.

Following an academic career at the Juilliard School and Yale University, Chelsea Chen has practiced under the tutelage of known names in the musical world, such as Paul Jacobs and John Weaver. For more information about her, go to: https://madisonsymphony.org/event/chelsea-chen/

Single Tickets are available for $20 each and can be purchased online at http://madisonsymphony.org/chen, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two tickets for $10 each. More information is at: https://madisonsymphony.org/studentrush

Discounted seats are subject to availability, and discounts may not be combined.

This performance is sponsored by Friends of the Overture Concert Organ (below) that was custom-built by Klais Orgelbau of Germany. Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund. With a gift from Pleasant T. Rowland, the Madison Symphony Orchestra commissioned the Overture Concert Organ.


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Classical music: Tonight brings an all-Bach organ recital at Overture Hall. At the UW-Madison, this week brings music for band, brass and strings

October 23, 2018
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By Jacob Stockinger

TONIGHT, Tuesday, Oct. 23

At 7:30 p.m. in Overture Hall, Paul Jacobs (below) will perform an all-Bach program. Jacobs, who is the only organist to have won a Grammy Award, is the chair of the organ department at the Juilliard school in New York City and was the teacher and mentor of Greg Zelek, who is the new organist for the Madison Symphony Orchestra.

Heralded as “one of the major musicians of our time” by Alex Ross of The New Yorker and as “America’s leading organ performer” by The Economist, the internationally celebrated Jacobs combines a probing intellect and extraordinary technical mastery with an unusually large repertoire, both old and new. He has performed to great critical acclaim on five continents and in each of the 50 United States.

Jacobs made musical history at age 23 when he played Bach’s complete organ works in an 18-hour marathon performance on the 250th anniversary of the composer’s death. (You can hear Jacobs play Bach in the YouTube video at the bottom.) Jacobs has premiered works by Samuel Adler, Mason Bates, Michael Daugherty, Wayne Oquin, Stephen Paulus, Christopher Theofanidis and Christopher Rouse, among others.

During the 2018-19 season, Jacobs will perform the world premiere of John Harbison’s “What Do We Make of Bach?” for organ and orchestra with the Minnesota Orchestra under conductor Osmo Vanska; with the Cleveland Orchestra he will give the American premiere of Austrian composer Bernd Richard Deutsch’s “Okeanos” for organ and orchestra.

For more details about Jacobs, his complete all-Bach program and tickets ($20), go to: https://madisonsymphony.org/event/paul-jacobs/

WEDNESDAY, Oct. 24

At 7:30 p.m. in Mills Hall, the UW Concert Band will perform a FREE concert of music by Leonard Bernstein (excerpts from “Candide”), Vincent Persichetti, Percy Grainger, Mark Markowski and Steven Bryant.

For more information about the performance and the program, go to: https://www.music.wisc.edu/event/uw-concert-band-fall-concert-2/

THURSDAY, Oct. 25

At 7:30 p.m. in Mills Hall, the Wisconsin Brass Quintet and special guest UW percussionist Anthony DiSanza (below, in a photo by Katherine Esposito) will perform a ticketed concert of genre-bending music by Michael Tilson Thomas, Pat Metheny, Modest Mussorgsky, Alan Ferber, James Parker and David Sanford.

Admission is $17 for adults, $7 for students and children.

For more information about the performers, the program and how to purchase tickets, go to:

https://www.music.wisc.edu/event/wisconsin-brass-quintet-with-anthony-disanza-professor-of-percussion-2/

Members of the Wisconsin Brass Quintet (below, from left, in a photo by Michael R. Anderson) are: Daniel Grabois, horn; Mark Hetzler, trombone; Matthew Onstad, trumpet; Tom Curry, tuba; and Alex Noppe, trumpet.

SATURDAY, Oct. 27

At 8 p.m. in Mills Hall, the Pro Arte Quartet will perform a FREE concert.

The program features: the String Quartet in C Major, D. 46 (1813), by the young Franz Schubert; Three Rags for String Quartet (“Poltergeist” from 1971, “Graceful Ghost” from 1970, and “Incinteratorag” from 1967) by William Bolcom; and the String Quartet in E minor, Op. 44, No. 2 (1837), by Felix Mendelssohn.

For more information about the Pro Arte Quartet and its long, historic and fascinating background, go to: https://www.music.wisc.edu/event/pro-arte-quartet-3/

Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer, are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)


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Classical music: Here are practicing tips from pianist Emanuel Ax who uses software to help correct wrong notes

September 28, 2018
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By Jacob Stockinger

Even professional musicians can find practicing to be an ordeal.

“Ax is back,” says the publicity.

That’s because world-famous pianist Emanuel Ax (below, in a photo by Lisa-Marie Mazzucco) is back in Madison to help open John DeMain’s 25th anniversary season with the Madison Symphony Orchestra.

Ax will perform the monumental and fiendishly difficult Piano Concerto No. 2 by Johannes Brahms tonight, Saturday night and Sunday afternoon.

It is a piece that Ax performed live some 200 times before he would agree to recording it.

Here is a link to more about the MSO concerts with the famous pianist:

https://welltempered.wordpress.com/2018/09/26/classical-music-this-weekend-pianist-emanuel-ax-helps-conductor-john-demain-opens-his-25th-season-with-the-madison-symphony-orchestra/

And here is a link to a story about how Ax, who describes himself as a slow learner and who teaches students at the Juilliard School in New York City, practices. It contains his own tips and also talks about special software he uses to detect and correct wrong notes that is available to students and amateurs :

https://lifehacker.com/how-emanuel-ax-makes-piano-practice-less-of-a-slog-1826402441

And as a follow-up, here is a short example of the many YouTube videos of master classes with Emanuel Ax. This one small passage in a sonata by Ludwig van Beethoven gives you a good idea of the hard work that goes into the 50-minute concerto by Brahms:


Classical music: The third annual Madison New Music Festival features three world premieres and 25 composers, and takes place this weekend with three concerts

August 7, 2018
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By Jacob Stockinger

It has been a good year for new music in Madison, which has often seemed inhospitable to that music in the past.

Among major contributors have been the LunART Festival of contemporary women composers; programs by the UW Symphony Orchestra and other UW-Madison groups and individuals; the Madison Opera; the Bach Dancing and Dynamite Society; the Willy Street Chamber Players; and the Oakwood Chamber Players. Plus, The Ear is sure there are many other contributors he is overlooking.

But the largest share of the credit has to go to a three-day annual festival of living composers that will take place for the third year this coming weekend. (Photos from last year’s well-attended festival are by Max Schmidt.)

Here is an announcement from the festival with the details:

The third annual Madison New Music Festival will take place this coming Friday, Aug. 10, Saturday, Aug. 11, and Sunday, Aug. 12.

The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes.

Founded by Madison native composer Zachary Green (below bottom), the festival presents new works by some of the world’s leading living composers, shines a spotlight on new music created in Wisconsin, and shares underplayed music of the 20th and 21st centuries with the Madison community.

Every concert will also have a world premiere of music that has never been heard before. On the opening night, Conduit is performing a new piece by Kyle Tieman-Strauss called Abject. The next day, organist Tyler Jameson Pimm premieres his new piece Psalm 22. Then on Sunday, listeners get to hear the premiere of They’re Still Here by BC Grimm, featuring music for nine different instruments (all of which will be played by Grimm himself).

Over the course of three concerts around town, we are featuring a total of 17 musicians playing the works of 25 composers, all of which were written in the last 50 years.

Though each concert has a different theme, every performance features music by Wisconsin composers, composers of color, and both men and women.

Fifteen of our musicians were born, raised or currently reside in Wisconsin, but we’re bringing several back to town just for the festival. They include members of the Madison, Milwaukee and Quad City symphonies; and graduates of Juilliard, the Manhattan School of Music, Mannes Conservatory, Northwestern University, and, of course, the UW-Madison.

We invite you to join us for the following three concerts:

CONCERT 1: Sounds of the ‘60s and Beyond – Friday, Aug. 10, at 7:30 p.m.

Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. There will be a cash bar, as well as opportunities to explore the exhibits.

Where: Madison Museum of Contemporary Art (MMOCA), 227 State Street

Who: Caitlin Mead, soprano; Heather Zinninger Yarmel, flute; Kristina Teuschler, clarinet; Jeremy Kienbaum, viola; Alex Norris, violin, and Zou Zou Robidoux, cello; and Conduit (below, Zach Manzi, clarinet and Evan Sadler, percussion).

Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle T. Strauss, David Lang and Andy Akiho

CONCERT 2: Sounds of Reflection – Saturday, Aug. 11, at 2 p.m.

The festival continues with an afternoon program invoking spirituality, morality and reflection. Organ interludes will be interspersed throughout the program of vocal and instrumental music.

Where: Bethel Lutheran Church, 312 Wisconsin Ave.

Who: Greg Zelek, Madison Symphony Orchestra organist (below); Jeremy Kienbaum, viola; Satoko Hayami, piano; Tyler Pimm; organ; Kristina Teuschler, clarinet; Alex Norris, violin; Micah Cheng, cello; Caitlin Mead, soprano; and Scott Gendel, piano.

Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania Leon, John Musto and Scott Gendel

CONCERT 3: Festival Closing Party 2018 – Sunday, Aug. 12, at 7:30 p.m.

Kick back a drink as local musician BC Grimm plays his original works for instruments from cello to Chinese Guqin zither, followed by a set of music for solo strings. Then, the musicians from all three concerts come together for a performance of the 1973 piece “Stay On It” — heard in the YouTube video the bottom — by Julius Eastman (below).

Where: Robinia Courtyard, 829 East Washington Avenue

Who: BC Grimm, Jeremy Keinbaum, Aaron Yarmel, and All Festival Performers

Program: BC Grimm, Philip Glass, Ursula Mamlok, Aaron Yarmel, and Julius Eastman

All individual concerts are $15 for general admission, $5 for students. You can also subscribe to all three concerts for $35.

For more information, please visit our website http://madisonnewmusic.org or find us on Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).


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Classical music: Madison Opera’s FREE 17th annual “Opera in the Park” takes place this Saturday night in Garner Park

July 16, 2018
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By Jacob Stockinger

Madison Opera’s annual Opera in the Park (below) celebrates its 17th year on this coming Saturday night, July 21, at 8 p.m. in Garner Park on Madison’s far west side, near West Towne Mall.

The annual FREE and family-friendly concert of opera and Broadway favorites closes the company’s 2017-18 season and provides a preview of the 2018-19 season.

A Madison summer tradition that often attracts over 15,000 people (below, in a photo by James Gill), Opera in the Park is an evening of music under the stars that features selections from opera and Broadway.

This year’s Opera in the Park features four soloists: soprano Elizabeth Caballero; soprano Brenda Rae; tenor John Lindsey; and baritone Levi Hernandez.

Caballero (below top) and Hernandez (below bottom) recently starred in Madison Opera’s acclaimed production of “Florencia en el Amazons” last spring.

Lindsey (below) is making his debut, and will return to the company as the Prince in Antonin Dvorak’s Rusalka in April, 2018.

Rae (below) is also making her Madison Opera debut. She did her undergraduate work at the UW-Madison’s Mead Witter School of Music before going on to the Juilliard School and an international career. She is singing Cunegonde in Candide at Santa Fe Opera this summer, and is performing at Opera in the Park in between performances there.

The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra (below top, in a photo by James Gill), conducted by Gary Thor Wedow (below bottom), who has guest conducted Opera in the Park before.

The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW-TV’s 27 News co-anchor George Smith (below).

Opera in the Park  is the most wonderful and most unique performance we give at Madison Opera,” says Kathryn Smith (below, in a photo by James Gill). “We have beautiful voices performing music from many centuries in many languages, while thousands of members of our community relax together under the same night sky. It truly shows how music and opera can connect us. I am so grateful to all of our supporters for enabling us to produce this free concert every summer, harnessing the community-building power of music.”

Opera in the Park 2018 features arias and ensembles from Cavalleria Rusticana and Pagliacci, which open the 2018-19 season in November; Stephen Sondheim’s A Little Night Music, which will be performed in February; and Antonin Dvorak’s Rusalka, which will be performed in April. (You can hear the beautiful “Song to the Moon” from Rusalka — a signature aria for superstar soprano René Fleming — sung by Frederica von Stade, in the YouTube video at the bottom.)

The program also includes selections from La Bohème, Turandot, La Sonnambula, The Marriage of Figaro, El Niño Judío, La del Soto del Parral, My Fair Lady, Candide, On the Town, and more. For a complete list of repertoire on the program, which is subject to change, go to: https://www.madisonopera.org/2018-2019-season/oitp/

As always, this evening will include one number conducted by the audience with light sticks (below).

Garner Park is located at 333 South Rosa Road, at an intersection with Mineral Point Road. Parking is available in the CUNA Mutual Group and University Research Park lots across the street.

Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park. On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time.

The rain date for Opera in the Park is Sunday, July 22, at 8 p.m.

While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations and individuals.

Sponsors of Opera in the Park 2018 are:  the BerbeeWalsh Foundation, the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, the Evjue Foundation – the charitable arm of The Capital Times, Hooper Foundation, MG&E Foundation, Johnson Bank, National Guardian Life, Wisconsin Bank and Trust, the Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.

Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.

RELATED EVENT: Prelude Dinner at Opera in the Park 2018 is on Saturday, July 21, at 6 p.m. in the park under a tent.

This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community. The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, a complimentary light stick, and a reception with the artists following the performance. Tickets are $145 per person or $1,100 for a table of eight. More information is available at www.madisonopera.org

Madison Opera is a non-profit professional opera company based in Madison, Wisconsin. Founded in 1961, the company grew from a local workshop presenting community singers in English-language productions to a nationally recognized organization producing diverse repertoire featuring leading American opera singers and emerging talent.

A resident organization of the Overture Center for the Arts, Madison Opera presents three annual productions in addition to the free summer concert Opera in the Park and a host of educational programming.


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Classical music: This Sunday, Beverly Taylor retires as associate conductor of the Madison Symphony Orchestra. Kyle Knox will succeed Taylor starting this fall.

June 29, 2018
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By Jacob Stockinger

The Madison Symphony Orchestra (MSO) has announced that Associate Conductor Beverly Taylor (below) will retire from her current position after 22 years, effective this Sunday, July 1.

Taylor will continue to serve as Director of the Madison Symphony Chorus (below, in a  photo by Greg Anderson).

She will also continue as the Director of Choral Activities at the University of Wisconsin-Madison’s Mead Witter School of Music, where she conducts many groups including the Choral Union (below) and the Concert Choir.

Kyle Knox (below) will become the MSO’s new Associate Conductor, effective in the 2018–2019 season.

“I am delighted that Beverly will continue to work with the Madison Symphony Chorus. The chorus has improved steadily under her direction and will sing some very difficult music in the coming seasons,” said MSO music director John DeMain (below, in a photo by Prasad). “I also want to thank Beverly for the outstanding help she has given me in the preparation of our concerts over the years.”

“I’ve loved my time as associate conductor of the symphony, and will continue as chorus director,” says Taylor. “But I’m looking forward to more time for guest conducting, visiting friends and family and finishing the two books I’m at work on. I also have a grant to write a basic conducting textbook, and I’m finishing a handbook on how to develop a musical interpretation.”

John DeMain says he looks forward to Knox joining the MSO. “I think Kyle Knox is a natural to step into the associate conductor position. He has distinguished himself in the past few years with his work at the University of Wisconsin, Madison Opera and the Middleton Community Orchestra (below, in a photo by John W. Barker). He also successfully led the MSO in last year’s Concert on the Green.

“His recent appointment as Music Director of the Wisconsin Youth Symphony Orchestras (WYSO) is a testament to his brilliant talent and will dovetail easily with his duties with the MSO. I so look forward to our working together and welcome him to our Madison Symphony Orchestra family.”

Knox is also very pleased with his appointment.

“My history with the MSO goes back a few years and I have long admired the work of Maestro DeMain and this wonderful group of musicians,” he says. “It is an honor to have been selected for this opportunity and I look forward to happy years of service and collaboration.”

BACKGROUND BIOGRAPHIES

Beverly Taylor has been the Associate Conductor of the Madison Symphony Orchestra and Director of the Madison Symphony Chorus since 1996 and Director of Choral Activities at UW-Madison since 1995.

Prior roles include conductor of the Boston Bar Association Orchestra, Music Director of the Back Bay Chorale, and Associate Director of Choral Activities at Harvard University.

Taylor has been a guest conductor at the Arthur Rubinstein Philharmonic Orchestra in Poland, the St. Louis Symphony Chorus, the Vermont Symphony, the Harvard Chamber Orchestra, the Madison Opera, the U.S. Air Force Band and Orchestra, the Harvard Radcliffe Collegium Musicum, and the Wellesley Chamber Singers.

She graduated from the University of Delaware and Boston University School for the Arts and received a fellowship with Chorus America and an orchestral fellowship at Aspen.

Kyle Knox will take over the dual positions of Music Director of WYSO and Associate Conductor of the Madison Symphony Orchestra beginning in the 2018–2019 season.

Past and upcoming conducting credits include Mark Adamo’s Little Women with the Madison Opera; Benjamin Britten’s Albert Herring and The Turn of the Screw, and Transformations; with UW-Madison’s University Opera; the Madison Symphony Orchestra’s 2017 Concert on the Green; Johann Strauss Jr.’s Die Fledermaus and Gilbert and Sullivan’s The Gondoliers and H.M.S. Pinafore with the Madison Savoyards; as well as UW Music Clinic’s High School Honors Orchestra.

Other concerts include Carousel, Sunday in the Park with George, and Sweeney Todd (2018) with Middleton Players Theatre, Jon Deak’s The Passion of Scrooge with Oakwood Chamber Players, as well as regular appearances with the Middleton Community Orchestra.

He was formerly a clarinetist with Milwaukee Symphony Orchestra, the Santa Fe Opera and Philadelphia Orchestras, and was on the faculty at UW-Milwaukee. Festivals credits include Tanglewood, Spoleto (Italy), Santa Fe Chamber Music, and Bowdoin College, among others. His debut album, the first commercial recording of Conrad Susa’s chamber opera Transformations, will be released in the summer of 2018 on iTunes. He holds degrees from Juilliard School and the UW-Madison. He  is married to MSO concertmaster Naha Greenholtz. 


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Classical music: This Sunday afternoon, the Pro Arte Quartet and the Hunt Quartet team up for chamber music masterpieces by Mendelssohn and Schubert at the Chazen Museum of Art. You can hear the FREE concert live or stream it

May 5, 2018
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By Jacob Stockinger

This weekend, on Sunday at 12:30 p.m., the University of Wisconsin-Madison’s Chazen Museum of Art offers monthly Sunday chamber music concert with two masterworks featuring the ensemble-in-residence at the museum for more than 30 years: the Pro Arte Quartet.

The program is, in essence, a showcase for master and apprentice ensembles.

This weekend’s “Sunday Afternoon Live From the Chazen” will feature the UW-Madison’s Pro Arte Quartet in the last string quartet – No. 15 in G major, D. 887 — by Franz Schubert.

That’s the same quartet the opening of which was used so effectively by Woody Allen in the soundtrack of the great film “Crimes and Misdemeanors.” (You can hear the opening movement, played by the Juilliard String Quartet, in the YouTube video at the bottom.)

For more about the dramatic historical background of the Pro Arte Quartet (below, in a photo by Rick Langer) — now the oldest surviving string quartet in history — go to: https://www.music.wisc.edu/pro-arte-quartet/

Then, after intermission, together with the graduate student Hunt Quartet, the Pro Arte Quartet will perform the wonderful Octet in E-Flat Major, Op. 20, by Felix Mendelssohn, who composed this masterpiece at 16.

The Hunt Quartet is the graduate string quartet for the Mead Witter School of Music. As project assistants within the School of Music, the quartet performs concerts at the School of Music, University events, as well as community outreach.

Members work closely with faculty, including the Pro Arte Quartet, and with cello Professor Uri Vardi as their principal coach. Other artists who have worked with the Hunt Quartet include violist Nobuko Imai, violist Lila Brown and members of the Takacs String Quartet.

The quartet is also the integral part of the Madison Symphony Orchestra’s “Up Close and Musical” program, visiting area schools to teach students about fundamentals of music and the string quartet. This fall, the Hunt Quartet visited Lindbergh Elementary, Stoner Prairie Elementary, Blessed Sacrament School, Sauk Trail Elementary, Thoreau Elementary and Shorewood Hills Elementary.

The Hunt Quartet is sponsored by Kato Perlman and the Madison Symphony Orchestra.

This year’s members (below, from left, in a photo by Katrin Talbot) are Kyle Price, cello; Vinicius “Vinny” Sant’Ana, violin; Blakeley Menghini, viola; Chang-En Lu, violin.

 

The concert starts at 12:30 p.m. CDT in Brittingham Gallery 3 and will runs until about 2 p.m. It is free and open to the public. You can attend in person. But you can also live-stream the concert.

Here is a web page with more information about the groups, the program, attendance and a link for streaming:

https://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-with-the-pro-arte-quartet-may-6/


Classical music: Want to know about Chinese classical music composers in our time? Read this story about the six-day Juilliard festival that starts today

January 19, 2018
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By Jacob Stockinger

Classical music – like everything else in China – has undergone momentous changes over the past few decades.

The importance of Western classical music in contemporary China is not seen only through the construction of new conservatories and opera houses; or through the many outstanding instrumentalists, especially pianists such as Lang Lang, Yundi Li, Haochen Zhang and Sa Chen, who have won prizes in Western competitions and become major performers.

Chinese composers have also left their mark, as the Juilliard School in New York City will prove over six days, starting today, during this year’s “Focus” festival.

One such older composer is Chou Wen Chung (below, in a photo by Andrew Reneissen for The New York Times).

A much younger composer is Chen Lin (below in a photo by Dawes Li).

You will find some but not a lot of their music on YouTube – yet.

But The Ear bets that many of the 33 Juilliard performances will soon find their way to social media.

Anyway, here is a link to the comprehensive preview in The New York Times, which also features some sound and video samples.

https://www.nytimes.com/2018/01/12/arts/music/juilliard-china-music.html


Classical music: The Madison Symphony Orchestra introduces its new organist at this Saturday’s FREE Farmers’ Market concert at 11 a.m. in Overture Hall

August 24, 2017
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By Jacob Stockinger

Greg Zelek (below) is the new organist for the Madison Symphony Orchestra.

Zelek will make his official debut at the FREE Farmers’ Market organ recital this Saturday morning at 11 a.m. in Overture Hall of the Overture Center, the home of the MSO Concert Organ built by Klaisorgelbau of Germany.

Zelek is succeeding Samuel Hutchison, who has retired.

Here is a link to a previous blog post with more details about Zelek, a graduate of the Julliard School in New York City, and his impressive background:

https://welltempered.wordpress.com/2017/06/30/classical-music-madison-symphony-orchestra-names-greg-zelek-as-its-new-principal-organist/

His virtuosic program this Saturday morning includes music by Johann Sebastian Bach, Franz Liszt, Claude Debussy, American church composers Powell Weaver and Leo Sowerby, and Cuban composer Ernesto Lecuona. (Sorry, no word about specific pieces. But you can hear Zelek playing Lecuona’s well-known “Malagueña” in the YouTube video at the bottom.)

The program will last about 45 minutes.

No tickets or reservation are needed, and all ages are welcome.

For more information, visit:

https://www.madisonsymphony.org/farmers


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