The Well-Tempered Ear
Here are the nominees, winners and trends of the 2023 classical music Grammys
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By Jacob Stockinger
Chances are good you have already heard about Beyoncé and Lizzo, about Bonnie Raitt and Harry Styles, and how they won their Grammy awards last Sunday night.
But it is not by chance that you have to scroll way, way, way down the list of Grammy nominees and winners to find the ones for classical music. (It comes a third from the end, just before the list of short-form and long-form videos.)
No doubt it is in part a question of respect. Classical is not even listed with other “Musical Genres” on the Grammys’ home website while you will find: Pop; Rock; R&B; Country; Rap; Latin; Global; Gospel and Contemporary Christian; New Age; Jazz; and Alternative.
It seems like the most important thing to say about classical music is that pop star Beyoncé (below above) surpassed the record for individual Grammys previously held for decades by the late Hungarian-born conductor Sir George Solti (below bottom). He had won 31, she has won 32. But it seems like an unfair comparison since The Ear suspects many more categories are open to Beyoncé and her pop music than were open to Solti and classical music.
But even more than respect, it is a question of popularity and money.
We mustn’t forget that the Grammys are above all an industry event designed to reward those who make the commercial recording industry flourish.
Still, there are trends to take note of.
You’ll notice that quite a few of the nominees and winners have performed had their music performed in Madison. They include composers Caroline Shaw and Kevin Puts; the Imani Winds and Valerie Coleman; the Attacca Quartet; singer Will Liverman; Third Coast Percussion; Hilary Hahn; and producer Judith Sherman (below, in 2016)), who has overseen recent recordings by the UW-Madison’s Pro Arte Quartet and won many such Grammys.
Also, just as in Madison this has also been a big year for performers and composers of color — Black, Indigenous, Latin and Asian — as well as women composers and performers. Florence Price, Valerie Coleman and Jessie Montgomery (below and in the YouTube video at the end of her composition “Strum”), who is now composer-in-residence at the Chicago Symphony Orchestra and was just named Composer of the Year by Musical America; and Valerie Coleman.
Local presenters and performers can be proud of reflecting the same priorities. They include: the University of Wisconsin-Madison School of Music; the Wisconsin Youth Symphony Orchestras (WYSO); the Madison Symphony Orchestra; the Madison Opera; the Wisconsin Union Theater; the Wisconsin Chamber Orchestra; the Willy Street Chamber Players; the Bach Dancing and Dynamite Society; Edgewood College; and Wisconsin Public Radio and WORT-FM among others.
See for yourself which ones you caught and which ones you missed.
Here is a list of the classical music winners of the 65th annual Grammy awards. It is provided by the insightful Australian arts and culture journal Limelight Magazine:
The 2023 Grammy Awards: Classical winners announced
And here is the complete list of the Grammy nominees along with the winners, so you can compare them all, find out details and judge for yourself. The Ear thinks many of the nominees are often just as worthwhile to check out and listen to as the winners:
https://www.grammy.com/awards/65th-annual-grammy-awards-2022
What do you think of the Grammy nominees and winners?
The Ear wants to hear.
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Classical music: Superb music-making offset awkward acting and dancing in a concert that the Bach Dancing and Dynamite Society gave last weekend. This summer’s last BDDS concerts are tonight, Saturday and Sunday
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By Jacob Stockinger
Here is a special posting, published belatedly but in time for this weekend’s upcoming closing concerts – two performances each of two programs — of the current summer season by the Bach Dancing and Dynamite Society.
It is a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.
Performance photos were taken by Dick Ainsworth for BDDS.
By John W. Barker
One of the two programs of the Bach Dancing and Dynamite Society’s second weekend this season was held in the Overture Center’s Playhouse last Saturday night.
The associations of its three works with war were somewhat strained, most of all for Robert Schumann’s Three Romances, Op. 94. They were composed in 1849 for the options of oboe and violin or clarinet with piano.
On this occasion they were presented in a transcription for bassoon, made by the performer, Adrian Morejon (below). He played these brief and lovely pieces beautifully, but I confess I would have liked them more if one of the stipulated, higher-range instruments had been used.
The first major work was from the contemporary American composer Kevin Puts (below), called Einstein on Mercer Street. It is a kind of cantata, a half-hour in length, cast in five sections, each beginning with spoken words but moving to singing.
The text, whose origins were not made clear, purports to represent the thinking of Albert Einstein in his last years in Princeton, N.J., as he contemplates his place in science and in the creation of the atomic bomb.
The vocal part was written for baritone Timothy Jones (below center), who performed it this time, delivering it with confident eloquence. To tell the truth, though, a lot of his words, spoken and sung, did not come through clearly, at least for where I sat.
Though the vocal writing goes through one ear and out the other, there is a lot of very pleasant melodic music in the score, and it occurred to me that, with a little tightening, the work could nicely be left just to the instrumental ensemble (violin, cello, flute, clarinet, trumpet, percussion and piano), the vocal part dispensed with — heresy, of course.
The second half of the program was devoted to the classic work of 1918, L’Histoire du Soldat (The Soldier’s Tale), originally with a French text by the Swiss writer Charles Ferdinand Ramuz, and with brilliant music, in the style of blues, jazz and ragtime by Igor Stravinsky.
The spoken text, in a rhymed English translation, calls for three actors: a narrator, a Soldier and the Devil. Jones was quite good as the narrator, but well enough could not be left alone.
With utter arbitrariness, the character of the Soldier was turned into the soldierette “Josie,” so that the Prince he woos and wins becomes a “Princess.”
This absurdity was absolutely pointless, save, perhaps, to allow the two co-directors of the festival, Stephanie Jutt and Jeffrey Sykes (below) to play soldierette and the Devil against each other. In hilarious costumes, the two did well enough, Sykes especially, but the gender change grated all the way through the piece.
And there was another problem. The work was not only written for actors and musicians, but also with dancers in mind. No choreography survives, and the use of dancers in performances of the work is patchy.
Here we had hip-hop dancer Blake Washington introduced during the Three Dances movement as the recovering “Prince,” with a lot of spastic shivering and shaking that suggested more of painful decomposition than recovery.
The stars of the piece, however, were the seven outstanding instrumentalists: violinist Axel Strauss; David Scholl, double bass; Alan Kay, clarinet; Morejon, bassoon; Matt Onstad, trumpet; Dylan Chmura-Moore, trombone; and Anthony di Sanza, percussion. With truly superb playing, they upheld the high standards of the musicians that the BDDS brings us.
For more information about BDDS’ closing concerts this weekend – featuring guest soprano and critically acclaimed UW-Madison alumna Emily Birsan and music by Mozart, Schumann, Saint-Saens, Fauré, Ravel, Prokofiev, Barber and other composers in Madison, Stoughton and Spring Green tonight, Saturday and Sunday, go to: http://bachdancing.org/concerts/festival-concerts/
Tags: #AlbertEinstein, #AmericanComposer, #AmericanRecordGuide, #AtomBomb, #BachDancingandDynamiteSociety, #BassoonMusic, #BluesMusic, #CamilleSaint-Saens, #ClarinetMusic, #ClassicWork, #EinsteinonMercerStreet, #EmilyBirsan, #FluteMusic, #GabrielFaure, #GenderChange, #IgorStravinsky, #IsthmusNewspaper, #JazzMusic, #JeffreySykes, #JohnW.Barker, #KevinPuts, #L'histoiredusoldat, #MadisonEarlyMusicFestival, #MauriceRavel, #MedievalHistory, #MelodicMusic, #OboeMusic, #OvertureCenter, #PianoMusic, #PrincetonUniversity, #RagtimeMusic, #RobertSchumann, #SamuelBarber, #SergeiProkofiev, #SpokenWord, #SpringGreen, #StephanieJutt, #StoughtonOperaHouse, #StoughtonWisconsin, #TheDevil, #ThePlayhouse, #TheSoldier'sTale, #TrumpetMusic, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #ViolaMusic, #ViolinMusic, #VocalPart, #WolfgangAmadeusMozart, #WORT-FM89.9, Actor, alumna, American, Arts, atom bomb, Bach, baritone, Baroque, Bassoon, blue, Cantata, Cello, Chamber music, choreography, clarinet, classic, Classical music, composer, costume, Creation, dancer, Devil, Early music, emeritus, Emily Birsan, English, Faure, flute, French, gender, heresy, instrumental, Isthmus, Jacob Stockinger, Jazz, Jeffrey Sykes, Johann Sebastian Bach, John W. Barker, Jutt, Madison, Madison Early Music Festival, Madison Symphony Orchestra, melodic, MEMF, Mozart, Music, Musician, N.J., Oboe, performer, Piano, pleasant, prince, Princeton, Princeton University, professor, Prokofiev, Ragtime, Ravel, Romance, Saint-Saens, science, Singing, song, soprano, spoken, Stephanie Jutt, text, The Playhouse, transcription, Trumpet, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal music, war, Wisconsin, Wolfgang Amadeus Mozart, words, Writer
Classical music: The impressive second weekend of four concerts by the Bach Dancing and Dynamite Society adds elements of theater and dance to chamber music
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By Jacob Stockinger
The second weekend of the three-weekend summer series of concerts by the Bach Dancing and Dynamite Society features two performances each of two programs.
The programs in this 27th season with its “Toy Stories” theme – “Play-Do(h)” and “GI Joe” – will be performed at The Playhouse (below) of the Overture Center on Friday and Saturday night at 7:30 p.m.
Sunday performances are at the Hillside Theater (below) at Taliesin, at the Frank Lloyd Wright compound in Spring Green, at 2:30 and 6:30 p.m.
Each program introduces elements of drama, using a narrator, and of dance.
The works include “The Kitchen Revue” by Bohuslav Martinu and “The Masked Ball” by Francis Poulenc as well as “Einstein on Mercer Street” by American composer Kevin Puts and “The Solder’s Tale” by Igor Stravinsky. (You can hear the first part of the Stravinsky work — “The Soldier’s March” — with Jeremy Irons narrating and the composer conducting in the YouTube video at the bottom.)
The baritone singer is Timothy Jones (below top), a longtime favorite of BDDS audiences, and Milwaukee-based hip-hop dancer and choreographer Blake Washington (below bottom), who is returning for his second season with BDDS.
Here is a link to the introduction and complete schedule to the entire summer season, including a FREE concert of “American Haiku: for violin and cello this coming Wednesday night:
Also included this weekend are various works for bassoon, flute, oboe, clarinet, trumpet, double bass and percussion by Alexandre Tansman; Georg Philipp Telemann, Gabriel Pierné and Robert Schumann.
A bonus to notice: This year for the first time, at the Hillside Theater at Taliesin, Enos Farms is offering picnic dinners that can be ordered, then picked up and eaten outside or in the Taliesin dining room. For food reservations, go to Tickets at http://bachdancing.org
Tags: #AlbertEinstein, #AlexandreTansman, #AmericanComposer, #AxelStrauss, #BachDancingandDynamiteSociety, #BaroqueMusic, #BassoonMusic, #BlakeWashington, #BohuslavMartinu, #ChamberMusic, #DoubleBass, #EinsteinonMercerStreet, #EnosFarms, #FluteMusic, #FrancisPoulenc, #FrankLloydWright, #GabrielPierné, #GeorgPhilippTelemann, #GIJoe, #HillsideTheater, #Hip-HopDance, #IgorStravinsky, #JeffreySykes, #JeremyIrons, #JohannSebastianBach, #KevinPuts, #KitchenRevue, #LauraMedisky, #MaskedBall, #MercerStreet, #OboeMusic, #OvertureCenter, #PercussionMusic, #PicnicDinner, #PlayDoh, #RobertSchumann, #SpringGreen, #StephanieJutt, #Taliesincompound, #ThePlayhouse, #TheSoldier'sTale, #TimothyJones, #ToyStories, #ToyStory, #TrioSonata, #TrumpetMusic, #USArmy, #YouTubevideo, American, Army, Arts, Bach, baritone, Baroque, Bassoon, Blake Washington, Cello, Chamber music, choreographer, choreography, Classical music, composer, Conducting, conductor, dance, double bass, Early music, Enis Farms, farm, flute, free, GI, haiku, hip-hop, Jeremy Irons, Johann Sebastian Bach, kitchen, Madison, march, Martinu, Milwaukee, Music, narrator, Oboe, percussion, performance, Piano, picnic, program, reservation, revue, singer, Sonata, Telemann, theater, theatre, toy, Toy Story, trio, Trumpet, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal music, Wisconsin, YouTube
Classical music: This weekend kicks off the 27th annual summer season of Bach Dancing and Dynamite Society concerts with the theme of musical works as toys to be “played” with for serious fun
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By Jacob Stockinger
Four performances on this coming Friday night, Saturday night, Sunday afternoon and Sunday night will open the 27th annual summer concert series of the critically acclaimed but always informal and light-hearted Madison-based Bach Dancing and Dynamite Society (below and in the YouTube video at the bottom).
There will be six programs in 12 concerts performed in three venues over the next three weekends.
The venues are: The Playhouse in the Overture Center (below top) at 7:30 p.m.; the Stoughton Opera House (below middle) at 7:30 p.m.; and the Hillside Theater (below bottom) at Taliesin, the Frank Lloyd Wright compound in Spring Green, at 2:30 and 6:30 p.m.
Ticket prices are $43, or $48 if you want a prime seat at the Overture Center. For more information, go to: http://bachdancing.org/tickets/season-tickets/
This opening weekend features a lot of flute music and a lot of string music plus some unusual arrangements or transcription and music by unknown women composers.
As usual, BDDS has lined up a series of impressive local talent as well as favorite guest performers, including the critically acclaimed soprano Emily Birsan (below top) and bass-baritone Timothy Jones (below bottom).
Also on the schedule is a Madison-based hip-hop dancer and choreographer, Blake Washington (below), for two pieces during the second weekend: Igor Stravinsky’s “The Soldier’s Tale” and Francis Poulenc’s “The Masked Ball.” In addition, four players from the BDDS Dynamite Factory – the apprentice school of BDDS for emerging performers – will take part.
Again, as always, there is a unifying theme to the season. This year it is “Toy Stories,” playing off the idea of “playing” pieces of chamber music.
Here is a background and overview story that appeared this week in The Wisconsin State Journal: http://host.madison.com/wsj/entertainment/music/bach-dancing-and-dynamite-gets-playful-with-toy-stories/article_918d38c4-1eba-5196-822e-2b2616eddb75.html
Here is an explanation from UW-Madison graduate and San Francisco-based teacher and pianist Jeffrey Sykes (below left), who co-founded, co-directs and performs in the series with retired UW-Madison and Madison Symphony Orchestra principal flutist Stephanie Jutt (below right):
“When we were kids, we would ride our hobby horses around the back yard pretending to be knights on a quest. We’d race our Slinkies down the stairs, cheering their contorted yet gymnastic moves. We made crazy cyborgs with our Mr. and Mrs. Potato Heads. The cyborgs would fight for world domination, and then they’d sit down to tea with our dolls. We cuddled our stuffed animals as we prepared for bed, confessing our deepest dreams and aspirations to them. How easily those toys sparked our imaginations and transported us to fantastic realms!
“I’m a grownup now, sort of, and while I might get a short-lived bang out of newfangled tech toys, I’ve mostly left behind the dolls, bears and rubber ducks (below) of my childhood. The “toys” that really light my fire are incredible pieces of chamber music that have their own personalities; that delight me, surprise me, cry with me, and laugh with me.
CHAMBER
“Performing chamber music is called “playing” for a good reason. Ask any artist who joins BDDS for our festival: chamber music is a magical way to recapture the spirit of imaginative play that came to us so easily as kids.
“We cherish favorite old toys — the great chamber works of Bach, Mozart, and Brahms, for example. Yet we can also delight in the new toys that come our way — the music of Gabriela Lena Frank (below top), Paul Wiancko (below middle) and Kevin Puts (below bottom).
“Whether these new playthings become favorite old friends, who’s to say? One thing’s for sure, we’ll never know unless we play with them.
“BDDS’s 27th season theme is TOY STORIES, and co-artistic director Stephanie Jutt and I have organized each of our programs around a quirky take on iconic toys.
“To celebrate the festival’s age, we’ve also scattered various “27s” across our programs. In the spirit of imaginative play, rather than spell ing everything out, here are some clues to what you’ll hear this June.
TEDDY TALKS. Just change the motto “ideas worth spreading” to “music worth hearing” and you have our modus operandi. In this case, we have all sorts of Teddies talking to us through their music: I wonder what they’ll say.
AMERICAN GIRLS. Proud and multi-ethnic, they have been coming on strong as composers for a hundred years, and here’s the proof!
PLAY DO(H). C Major is the most malleable of keys.
GI JOE. War is no game, but it has inspired some seriously imaginative music.
RUBBER DUCKY, YOU’RE THE ONE. Sesame Street’s beloved Ernie adored his bath toy: see who else jumps into the tub.
TRANSFORMERS. I’m amazed how a couple of twists and turns can transform a few unassuming blocks into something breathtakingly complex.
“Join us June 8-24 for TOY STORIES in Madison, Stoughton, and Spring Green. We’ll play together with some irresistible toys and have ourselves some serious fun.
“With a bang!”
For the schedule of performances, with times and places, go to: http://bachdancing.org
For the full programs, including the many new or neglected composers and works to be performed, go to: http://bachdancing.org/concerts/festival-concerts/
For a complete list of performing and helping personnel, go to:
http://bachdancing.org/concerts/cast-crew/
And for a complete and impressive list of BDDS repertoire throughout the years, listed in alphabetical order by the composer’s last name, go to:
http://bachdancing.org/about/repertoire-through-the-seasons/
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