The Well-Tempered Ear

Songs by Black composers trace their cultural realities in a free online UW performance TONIGHT of “Verisimilitudes.” Plus, the five winners of this year’s Beethoven Competition perform Sunday.

April 24, 2021
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

ALERT: This Sunday, April 25, from 3:30 to 5:30 p.m. the five winners of this year’s Beethoven Competition at the UW-Madison will perform in a winners’ concert. Included in the program are the popular and dramatic “Appassionata” Sonata, Op. 57, and the famous and innovative last piano sonata, No. 32 in C minor, Op 111. Here is a link to the YouTube video: https://www.youtube.com/watch?v=eMF0Hd1MJwMg. Click on “Show More” and you can see the full programs and biographical profiles of the winners.

By Jacob Stockinger

The concert could hardly be more timely or the subject more relevant.

Think of the events in and near Minneapolis, Chicago and elsewhere in the U.S.; of the Black Lives Matter movement and social protest; of the political fight for D.C. statehood and voting rights – all provide a perfect context for an impressive student project that will debut online TONIGHT, Saturday, April 24, at 7 p.m.

The one-hour free concert “Verisimilitudes: A Journey Through Art Song in Black, Brown and Tan” originated at the UW-Madison’s Mead Witter School of Music. It seems an ideal way for listeners to turn to music and art for social and political commentary, and to understand the racial subtexts of art.

Soprano Quanda Dawnyell Johnson (below) created, chose and performs the cycle of songs by Black composers with other Black students at the UW-Madison.

Here is a link to the YouTube video: https://youtu.be/-g5hjeuSumw

Click on “Show More” to see the complete program and more information.

Here is the artist’s statement: 

“Within the content of this concert are 17 art songs that depict the reality of the souls of a diasporic people. Most of the lyricists and all of the composers are of African descent. In large part they come from the U.S. but also extend to Great Britain, Guadeloupe by way of France, and Sierra Leone.

“They speak to the veracity of Black life and Black feeling. A diasporic African reality in a Classical mode that challenges while it embraces a Western European vernacular. It is using “culture” as an agent of resistance.

“I refer to verisimilitude in the plural. While syntactically incorrect, as it relates to the multiple veils of reality Black people must negotiate, it is very correct. 

“To be packaged in Blackness, or should I say “non-whiteness” is to ever live in a world of spiraling modalities and twirling realities. To paraphrase the great artist, Romare Bearden, in “calling and recalling” — we turn and return, then turn again to find the place that is our self.

“I welcome you to… Verisimilitudes: A Journey Through Art Song in Black, Brown, and Tan”

Here, by sections, is the complete program and a list of performers:

I. Nascence

Clear Water — Nadine Shanti

A Child’s Grace — Coleridge-Taylor Perkinson

Night — Florence Price (below)

Big Lady Moon — Samuel Coleridge-Taylor

II. Awareness

Lovely, Dark, and Lonely — Harry T. Burleigh

Grief –William Grant Still (below)

Prayer — Leslie Adams

Interlude, The Creole Love Call — Duke Ellington

III. The Sophomore

Mae’s Rent Party, We Met By Chance –Jeraldine Saunders Herbison

The Barrier — Charles Brown

IV. Maturity

Three Dream Portraits: Minstrel Man, Dream Variation; I, Too — Margaret Bonds (below)

Dreams — Lawren Brianna Ware

Song Without Words — Charles Brown

Legacy

L’autre jour à l’ombrage (The Other Day in the Shade) — Joseph Boulogne (Chevalier de Saint-Georges, below)

The Verisimilitudes Team

Quanda Dawnyell Johnson — Soprano and Project Creator

Lawren Brianna Ware – -Pianist and Music Director

Rini Tarafder — Stage Manager

Akiwele Burayidi – Dancer

Jackson Neal – Dancer

Nathaniel Schmidt – Trumpet

Matthew Rodriguez – Clarinet

Craig Peaslee – Guitar

Aden Stier –Bass

Henry Ptacek – Drums

Dave Alcorn — Videographer

Here is a link to the complete program notes with lyrics and composer bios. And a preview audio sample is in the YouTube video at the bottom: https://simplebooklet.com/verisimilitudesprogramnotes#page=1


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Wisconsin Baroque Ensemble performs rarely heard instrumental and vocal music this Saturday night

February 8, 2018
2 Comments

By Jacob Stockinger

The Ear has received the following announcement to post:

The Wisconsin Baroque Ensemble (below, in a photo by John W. Barker) invites you to a concert of Baroque chamber music on this Saturday night, Feb. 10, at 7:30 p.m.

The concert is in Saint Andrew’s Episcopal Church (below), 1833 Regent Street, on Madison’s near west side.

Members of the Wisconsin Baroque Ensemble include: Nathan Gigilierano – baroque violin; Brett Lipshutz – traverse flute; Sigrun Paust – recorder; Charlie Rasmussen – baroque cello; Consuelo Sañudo – mezzo-soprano; Monica Steger – traverso, harpsichord; Anton TenWolde – baroque cello; and Max Yount – harpsichord.

Tickets will be sold at the door only: $20 for the public, $10 for students.

For more information: Call (608) 238 5126; email info@wisconsinbaroque.org, or visit www.wisconsinbaroque.org

A reception will be held after the concert at 2422 Kendall Ave., second floor.

The program is:

Johann Friedrich Fasch – Trio Sonata for flute, violin and continuo

George Frideric Handel – Sonata for recorder and basso continuo, Op. 1, No. 7

John Dowland – “I Saw My Lady Weep”

Barbara Strozzi (below) – “Vane le mie speranze” (Are My Hopes in Vain?)

Pierre Guédron – Cessés mortels de soupirer” (Weep No More, Mortals)

Jean-Baptiste Barrière – Sonata for violoncello and basso continuo, Book 3, No. 4

INTERMISSION

Johann Joachim Quantz – Trio Sonata for recorder and flute in C major (in the YouTube video at bottom)

Tommasso Giordani – Duo for Two Violoncellos, Op. 18, No. 3

Nicola Matteis –  Selections from “Ayres for the Violin,” Books 1 and 2

Michel Pignolet de Montéclair – “La Bergere” (The Shepherdess), Cantata for solo voice, flute and violin.


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,255 other followers

    Blog Stats

    • 2,309,394 hits
    June 2021
    M T W T F S S
     123456
    78910111213
    14151617181920
    21222324252627
    282930  
%d bloggers like this: