The Well-Tempered Ear

Classical music: Don’t miss tango weekend at the Bach Dancing and Dynamite Society

June 15, 2016
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By Jacob Stockinger

If there was ever a genre of music created specifically for the talented, eclectic and fun-loving musicians of the Madison-based Bach Dancing and Dynamite Society, it is surely the tango.

It is hard to imagine a more perfect kind of music because it seems so suited to the temperament of the BDDS and its participants. The tango and BDDS simply seem made for each other.

BDDS 25th poster

The sexy and sensual tango has become both a popular and populist form of South American dance music. It started in brothels and then went mainstream. Then it crossed over into the classical repertoire, thanks to composers Astor Piazzolla, Carlos Guastavino and others.

If you have heard the BDDS perform tangos before, you know how captivating the performances are.

This weekend, the BDDS Silver Jubilee season will feature two programs with tangos, arranged by Pablo Zinger (below), a Uruguayan native who now calls New York City home.

Pablo Zinger at piano

Last time they performed, Zinger and his BDDS colleagues were absolutely terrific. The Ear will never forget the BDDS version of Piazzolla’s “Oblivion,” a fantastic, soulful and heart-breaking piece of music. (You can hear another version of “Oblivion” in the YouTube video at the bottom.)

Here are links to the program with tango this weekend to be performed at the Playhouse in the Overture Center and in the Hillside Theatre (below) at Frank Lloyd Wright’s Taliesin compound in Spring Green:

http://www.bachdancinganddynamite.org/schedule.php

taliesin_hillside2

Besides tangos, there will also be music by Maurice Ravel (Piano Trio); Arnold Schoenberg (Chamber Symphony); Franz Schubert (Piano Trio No. 1); Joseph Haydn (Piano Trio No. 25, “Gypsy Rondo”); and movie music by Nino Rota, Henry Mancini and Luis Bacalov.

But featured prominently are tangos by Uruguayan composer Miguel del Aguila (below top) and by Argentine composer Astor Piazzolla (below bottom), who turned to the tango of his native land at the advice of Nadia Boulanger, the famous French teacher of Aaron Copland, Philip Glass and others.

Miguel del Aguila

astor piazzolla

If you are looking for a preview sample, you can of course go on YouTube. But you could also listen to the new CD of South American tangos by BDDS co-founder and co-artistic director Stephanie Jutt, who teaches at the University of Wisconsin-Madison School of Music and who is also principal flute of the Madison Symphony Orchestra.

Not long ago, Jutt (below) spent a sabbatical year in Argentina, if The Ear recalls correctly. She clearly fell in love with tango music and is anxious to share her enthusiasm with others. That enthusiasm and her flair for the dance form show in the terrific performances on the CD.

Stephanie Jutt with flute

The new CD (below), on the Albany label, features pianists Elena Abend and the versatile arranger-pianist Pablo Zinger, whom you can hear live this weekend. It features 20 modern Latin American and Spanish works by Piazzolla and Guastavino as well as by Angel Lasada, the Brazilian composer Heitor Villa-Lobos and the Basque composer Jesus Guridi. (It is on sale at BDDS concerts for $15.)

Stephanie Jutt tango CD

Dance has always inspired classical music. Historically, the tango seems a natural modern progression from the Baroque minuets and allemandes of Johann Sebastian Bach, the Classical landler of Haydn, the Romantic waltzes of Franz Schubert and Frederic Chopin, the Hungarian Dances of Johannes Brahms and the Slavonic Dances of Antonin Dvorak.

But don’t take The Ear’s word for it.

Go listen for yourself. And be captivated, be transported. You won’t be disappointed.


Classical music: Learn more about the waltz — and other forms of dance music — and why it endures in classical music. Then tell The Ear about your favorite waltz and waltz composer.

June 22, 2014
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By Jacob Stockinger

The Ear spent much of the past weekend listening to dance music.

To the tango, to be specific, the new tango or “nuevo tango.”

He heard eight or 10 sexy and bittersweet tangos that were played superbly by the Bach Dancing and Dynamite Society, which was certainly helped by the presence of pianist Pablo Zinger who played with New Tango master and Argentinean composer Astor Piazzolla. (You can still catch the two BDDS concerts with tangos — and much more — TODAY at 2:30 and 6:30 p.m. at the Hillside Theater at Frank Lloyd Wright’s Taliesin compound in Spring Green. For details, visit, www.bachdancinganddynamite.org)

I will have more to say about those concerts later this week.

But all that South American dance music brought to mind what is no doubt the most popular dance of Western European classical music: the waltz. (Below are people dancing the Viennese waltz.) Music is so tied to the dance.

viennese waltz

The great music blog “Deceptive Cadence” that is written by NPR recently featured an overview of the waltz with history and some very fine sound samples.

I thought the history was a little skewed or thin. Personally, I wish the blog had said how the waltz -– which by now we so identify with aristocratic nobility and with elegance – evolved out of rougher peasant dances, including the landler. You can hear the similarities especially in Landler movements by Franz Joseph Haydn (below) and even Wolfgang Amadeus Mozart and Ludwig van Beethoven.

Haydn

I would also like to have heard a wider range of waltzes and waltz composers. Sure, there is the Strauss family. But some of my favorites are the smaller waltzes by Franz Schubert (below top) and Frederic Chopin (below bottom) to say nothing of Franz Liszt, Johannes Brahms, Antonin Dvorak, Maurice Ravel, Claude Debussy and Dmitri Shostakovich among others.

Franz Schubert big

Chopinphoto

But the waltz is a huge subject and the NPR essay is a fine starting point.

Here is a link to the NPR posting:

http://www.npr.org/blogs/deceptivecadence/2014/06/18/322930952/a-rhythm-thats-waltzed-away-with-hearts

And here is a popular YouTube video, with more than 1.3 million hits, of the great pianist Arthur Rubinstein playing one of The Ear’s all-time favorite waltzes, which has just the right hint of bittersweetness, by one of the all-time great waltz composers, Frederic Chopin.


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