The Well-Tempered Ear

Classical music: Finals of the Leeds Piano Competition take place this weekend. Here is some background by a judge from the solo semi-finals and an Internet portal to hear the concerto finalists.

September 12, 2015
1 Comment

By Jacob Stockinger

Since 1963, the Leeds International Piano Competition in England has brought us such keyboard luminaries as Radu Lupu, Murray Perahia, Mitsuko Uchida, Christopher O’Riley and Andras Schiff as well as Alessio Bax, who will perform in Madison on Sunday, afternoon, Jan. 17, this season with his wife Lucille Chung at Farley’s House of Pianos.

The competition, held every three years, has been taking place over the past two weeks. (You can hear the 2012 winner Federico Colli discuss why the Leeds is important and has helped his own career in a YouTube video at the bottom.)

leeds competition-auditorium logo

This weekend you can take in the finalists in their concerto performances.

Here is a link to the competition home page:

http://www.leedspiano.com

Here is a link with an Internet portal.

But it also features some fascinating background and commentary from a judge or juror about the solo semi-finals.

http://www.classical-music.com/blog/leeds-piano-competition-2015-semi-finals

Happy listening.


Classical music: The UW-Madison and the Bach Dancing and Dynamite Society will hold FREE events this coming Sunday to help bring neglected Jewish music and culture “out of the shadows” of history. Part 1 of 2.

August 26, 2015
3 Comments

By Jacob Stockinger

The Ear’s friends at the University of Wisconsin-Madison School of Music and with the Bach Dancing and Dynamite Society write:

The U.S. component of a major international research project, “Performing the Jewish Archive,” led by the University of Leeds, in England, has attracted significant funding to shine new light on forgotten works by Jewish artists.

The University of Wisconsin–Madison and the City of Madison are uniquely situated as the sole hosts for the project’s performance events within the United States; one of the premier public research-intensive universities in the world, located in a community that lives and breathes diverse arts, while striving for social change.

Here, in Madison, under the leadership of Teryl Dobbs (below top), Chair of Music Education at the UW-Madison, “Out of the Shadows: Rediscovering Jewish Music, Literature and Theater” will be a full-day event held on this Sunday, August 30, 2015. Local partners include the UW-Madison School of Music, Mosse-Weinstein Center for Jewish Studies, the Mayrent Institute for Yiddish Culture, and the Arts Institute at UW-Madison; and the Bach Dancing & Dynamite Society.

Teryl Dobbs

Out of shadows poster

Here is a schedule:

Sunday, August 30, 2015

Events that are free and open to the public in Madison include:

  • 12:20-2 p.m. | Sound Salon, Mayrent Institute for Yiddish Culture

Explore sound archives with Sherry Mayrent (clarinet) and Henry Sapoznik (tenor guitar, below) – both in a lecture and concert format. The Mayrent Institute holds over 9,000 Yiddish recordings from the first half of the 20th century.

BDDS Henry Saposnik

UW-Madison School of Music – Mills Hall; 3561 Mosse Humanities Building, 455 N. Park St.

  • 2:30-4:30 p.m. | Concert, Bach Dancing & Dynamite Society

Six members of Bach Dancing and Dynamite Society will perform neglected and suppressed Jewish music from the early 20th century. (Details will be posted tomorrow.)

First Unitarian Meeting House, Atrium Auditorium (below, in a photo by Zane Williams), 900 University Bay Dr.

FUS Atrium, Auditorium Zane Williams

  • 7-10 p.m. | Two-act Cabaret Evening“Laugh With Us” and “I’m a Stranger Here Myself.”  “Laugh With Us” is based on an original cabaret written by four young Czech Jews in the Terezin ghetto (below), staged by Minneapolis performers Sara Richardson, Ryan Lindberg, and Craig Harris, from research and with commentary by project co-investigator Dr. Lisa Peschel. “I’m a Stranger Here Myself” by New York actor Mark Nadler who will perform music written by French and German Jewish or gay (or both) songwriters during the age of the Weimar Republic.

Overture Center for the Arts, Promenade Hall, 201 State Street

terezin

Registration is required for the free events by visiting: http://eepurl.com/bttx_9

The Sunday, August 30 event will be the precursor to a longer event, which will run May 1–5, 2016, in Madison. This event will include the partners mentioned above as well as the UW-Madison Department of Theatre and Drama, Wisconsin Youth Symphony Orchestra, and Madison Youth Choir.

ABOUT PERFORMING THE JEWISH ARCHIVE

The global project, Performing the Jewish Archive has been awarded $2.5 million by the Arts and Humanities Research Council (AHRC), in England, under its Care for the Future: Thinking Forward Through the Past theme.

Led by Dr. Stephen Muir (below) of the University’s School of Music in Leeds, Performing the Jewish Archive will bring recently rediscovered musical, theatrical and literary works by Jewish artists back to the attention of scholars and the public, and stimulate the creation of new works.

Stephen Muir Leeds

A multidisciplinary team across four continents are focusing on the years 1880-1950 –– an intense period of Jewish displacement –– to explore the role of art in such upheaval.

The three-year “Performing the Jewish Archive” project involves a large number of partners, exploring archives, delivering community and educational projects, holding at least two international conferences and a series of symposia at the British National Library, as well as mounting five international performance festivals––in the United States (Madison, Wisconsin), the Czech Republic, South Africa, Australia and the United Kingdom.

Says Muir: “We are a unique combination of scholars from a diverse range of subjects, crossing traditional disciplinary boundaries––even integrating scientific research methodologies at the heart of an arts-led investigation. We seem to have caught the imagination of a huge range of organizations––both Jewish and non-Jewish––all interested in the Jewish artistic past and how it impinges on all of our futures.”

Dr. Muir is joined by Co-Investigators Dr. Helen Finch, School of Languages, Cultures and Societies, University of Leeds; Dr. Lisa Peschel, Film, Theatre and Television, University of York; Dr. Nick Barraclough, Psychology, University of York; Dr. Teryl Dobbs, Chair of Music Education, University of Wisconsin-Madison; Dr. Joseph Toltz, Sydney Conservatorium, University of Sydney; and Dr. David Fligg, Leeds College of Music.

More information can be found here:

http://ptja.leeds.ac.uk

http://www.music.wisc.edu/performing-the-jewish-archive/

TOMORROW: Members of the Bach Dancing and Dynamite Society discuss the music they will perform.

 

 

 

 

 

 

 


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