By Jacob Stockinger
The Ear has received the following information to post about a local opera production that is both exciting and an inspired choice to mark February as Black History Month:
For more information about the cast and the production as well as about purchasing tickets ($25-$114), go to:
With music by Swiss composer Daniel Schnyder (below top) and a libretto by writer and poet Bridgette A. Wimberly (below bottom), the acclaimed opera “Charlie Parker’s Yardbird” tells of the legendary jazz musician and the people closest to him.
The opera, which melds jazz and opera, is set on the day that saxophone great Charlie Parker died in 1955. As his body lies unclaimed in a New York City morgue, Parker returns in spirit to the jazz club Birdland, determined to compose a final masterpiece. Family and friends blend in and out of his memories, including his three wives, his mother, his friend Dizzy Gillespie and even his drug dealer.
Charlie Parker’s Yardbird premiered in June 2015 at Opera Philadelphia (below is tenor Lawrence Brownlee, in a photo by Dominic Mercier, in the title role of Charlie Parker in the Philadelphia production) and was subsequently presented by the company at the Apollo Theater in New York City in April 2016. (You can hear an excerpt in the YouTube video at the bottom.)
The New York Times praised it for its “pulsing, jazz-infused score,” while the Wall Street Journal said, “its rhythms snap and swing, its melodies – including real arias – seize the ear, its ensembles crackle with energy.”
Madison Opera will be only the second company to present this work, which is sung in English with projected text and runs 90 minutes without an intermission.
“I saw Charlie Parker’s Yardbird when it premiered in Philadelphia and instantly knew it would be a perfect opera for Madison,” says Kathryn Smith (below, in a photo by James Gill), Madison Opera’s general director. “The very American story and the exciting jazz-inflected music fit perfectly into our ever-expanding range of repertoire.”
She adds, “It’s not a straightforward narrative of Parker’s life, but rather elements of his life as refracted through his memories and imagination, and particularly his relationships with the women in his life.”
Madison Opera’s cast includes both debuts and returning favorites, as well as a number of singers who created their roles in the world premiere.
Joshua Stewart (below), a young American tenor who has sung at La Scala, Bayerische Staatsoper, and Opera de Lausanne, debuts in the tour de force role of Charlie Parker.
Angela Brown (below) returns following her performance at Opera in the Park 2016 as Addie Parker, Charlie’s mother, a role she created in Philadelphia.
Will Liverman, who sang Figaro in Rossini’s The Barber of Seville here in 2015, sings jazz legend Dizzy Gillespie, a role he created in Philadelphia.
Krysty Swann debuts as Rebecca Parker, Charlie’s first wife. Angela Mortellaro, who sang Galatea in Handel’s Acis and Galatea in 2013, returns as Doris Parker, Charlie’s third wife, a role she created in Philadelphia.
Rachel Sterrenberg debuts as Chan Parker, his final wife, a role she created in Philadelphia. Baroness Pannonica de Koenigswarter, in whose hotel suite Parker died, is sung by Julie Miller in her Madison Opera debut.
Directing this production is Ron Daniels (below), who staged the world premiere and was the opera’s dramaturge, involved in the creation and workshop process.
John DeMain (below, in a photo by Prasad) conducts, with members of the Madison Symphony Orchestra in the pit.
DeMain says: “I am so happy to be a part of Madison Opera’s Midwest premiere of Charlie Parker’s Yardbird. Parker was consumed with music, breathing it day and night. All of us who are passionate about performing and listening to music can identify with this phenomenal musician and will not want to miss this jazz-infused opera, the perfect expression of Parker’s range and depth as a musician.”
Composer Daniel Schnyder will attend the opening night performance and join Smith for the Pre-Opera Talk that evening at 7 p.m. in the Wisconsin Studio.
In addition to the performances, Madison Opera and its community partners are hosting a series of related events, collectively known as “Extending the Stage,” which culminate in a concert of Charlie Parker’s music with composer Daniel Schnyder and the UW-Madison’s Blue Note Ensemble.
These events include Opera Novice; community previews; Opera Up Close; discussions of the life and music of Charlie Parker (below); and presentations of rare jazz films.
All events are open to the public and the majority are free of charge.
RELATED EVENTS: EXTENDING THE STAGE
Opera Novice: Jazz Opera? Friday, Jan. 20 | 6-7 p.m. The Margaret C. Winston Madison Opera Center, 335 W. Mifflin Street. FREE and open to the public
New to opera? Passionate about Puccini, but not sure about a jazz opera? Join General Director Kathryn Smith for a short, fun, and informative evening exploring the history of jazz and opera, including a live performance of an aria from Charlie Parker’s Yardbird. With plenty of time to ask questions, it’s the perfect jump-start for the opera-curious.
Community Preview of Charlie Parker’s Yardbird, Tuesday, Jan. 24 | 7-8 p.m. Capitol Lakes Retirement Community, 333 W. Main St. FREE and open to the public
Join a Madison Opera staff member for a multimedia look at Charlie Parker’s life, the history of the opera Charlie Parker’s Yardbird, and some insights into Madison Opera’s production.
Opera Up Close, Sunday, Feb. 5 | 1-3 p.m. The Margaret C. Winston Madison Opera Center, 335 West Mifflin Street. Admission: $20; free for full-season subscribers and full-time students with ID; $10 for two-show subscribers. Tickets available at the door.
Come even closer with a behind-the-scenes preview of Charlie Parker’s Yardbird. A multimedia presentation on Charlie Parker and the history of this opera will be followed by a roundtable discussion with the leading artists of Madison Opera’s production. There is no better way to get “up close” to this acclaimed new opera.
A Charlie Parker Concert and Discussion with Daniel Schnyder and the Blue Note Ensemble Thursday, Feb. 9 | 7:30 p.m. Morphy Recital Hall, UW-Madison. FREE and open to the public
Composer Daniel Schnyder joins UW-Madison’s Blue Note Ensemble for an evening featuring music by Charlie Parker, with solos performed by both Schnyder and UW-Madison saxophone students. The evening includes an aria from Charlie Parker’s Yardbird and a discussion about Parker and the opera with Schnyder, UW-Madison Professor of Saxophone Les Thimmig, and General Director Kathryn Smith.
Pre-Opera Talks: Friday, Feb. 10 |7 p.m. and Sunday, Feb. 12 | 1:30 p.m. Wisconsin Studio at Overture Center. FREE to ticket holders
Attend an entertaining introduction to Charlie Parker’s Yardbird one hour prior to curtain. On Friday night, composer Daniel Schnyder will join General Director Kathryn Smith to talk about the piece. Be sure to arrive early, as space is limited.
An Evening of Rare Jazz Films: Alicia Ashman Library. Friday, Feb. 3 | 7 p.m.; Goodman South Madison Library. Tuesday, April 11 | 6 p.m. FREE and open to the public (Below is footage of Charlie Parker playing and of people discussing the man and his artistic achievement.)
Jazz archivist Gary Alderman will present and explain films of the historically significant innovators of modern jazz, including the only two known existing videos with sound of Charlie Parker.
Among the other musicians shown will be those relevant to Parker’s music and career, including Lester Young, Coleman Hawkins, John Coltrane, Dizzy Gillespie and Miles Davis.
The Life and Music of Charlie Parker: DeForest Area Public Library: Monday, Feb. 13, 6:30 p.m.; Alicia Ashman Library: Friday, Feb. 24, 7 p.m.; Fitchburg Public Library: Sunday, Feb. 26, 2 p.m.; Oregon Public Library: Friday, March 10, 6:30 p.m. FREE and open to the public
UW-Madison Professor of Saxophone Les Thimmig (below) will talk about Charlie Parker’s life and music, as well as the history of bebop.
More information is available at www.madisonopera.org/education.
By Jacob Stockinger
It will be a busy weekend at the University of Wisconsin-Madison School of Music.
Events include a FREE orchestra concert on Sunday afternoon for the Wisconsin Academy’s marking of the centennial of the extinction of the passenger pigeon.
But there is also a FREE cello recital on Saturday night and a voice faculty showcase concert on Sunday evening.
Here are details.
At 8 p.m. in Mills Hall, cello Professor Parry Karp (below left), who also plays in the Pro Arte Quartet, will play a FREE recital with his longtime pianist partner Eli Kalman (below right), who teaches at UW-Oshkosh and did his doctoral work at the UW-Madison School of Music.
The program includes the Sonata in C Minor for Piano and Violin, Op; 30, No. 2 (1802), by Ludwig van Beethoven as transcribed for cello by Parry Karp, who also transcribed all the violin sonatas by Johannes Brahms; the Sonata in E-flat Major for cello and piano (1922) by Ettore Desderi; and the Concerto for Cello and Orchestra, Op 22 (1945) by Samuel Barber.
REMEMBERING THE PASSENGER PIGEON
On Sunday, Nov. 2, at 2 p.m. in Mills Hall, the UW Symphony Orchestra will perform the Wisconsin premiere of “The Columbiad,” preceded by a talk by acclaimed emeritus wildlife professor Stanley Temple (below).
The concert is part of a two-day symposium on the 100th anniversary of the demise of the fabled passenger pigeon. It features a short talk by Stanley Temple, Beers-Bascom Professor Emeritus in Conservation, University of Wisconsin-Madison and Senior Fellow, Aldo Leopold Foundation.
Learn more here.
On the occasion of the 2014 centenary of the extinction of the passenger pigeon, the Wisconsin Academy of Sciences, Arts and Letters and the UW-Madison Department of Forest and Wildlife Ecology invite the public to join in an exploration of the sobering story of the passenger pigeon (below is a photo of a stuffed real passenger pigeon) and what it can tell us about the ongoing extinction crisis and our relationship with other species.
Events include the Wisconsin premiere of The Columbiad, a symphony by Anthony Philip Heinrich, performed by the UW Symphony Orchestra. The Columbiad created a sensation at its premiere in Prague in 1858 and will be performed once again this fall at UW-Madison and Yale University. (You can hear the beginning of the work as performed at Yale in early October in a YouTube video at the bottom.)
Heinrich was inspired by witnessing vast flocks of passenger pigeons in 1831. Known in his day as “the log cabin composer” and “the Beethoven of America,” Anthony Philip Heinrich is the only important composer of the early 19th century to have experienced the North American frontier as he did. He saw Niagara Falls, he encountered Native Americans and slave musicians, and he witnessed the astonishing migration of giant flocks of passenger pigeons.
To learn about the national effort, please see Project Passenger Pigeon.
Here are related events and links:
A staged reading of a new play about the passenger pigeon by The Bricks Theatre
Saturday, November 1, 2014 from 7 to 9 p.m.
UW-Madison Biotechnology Auditorium, 425 Henry Mall
An afternoon documentary screening and panel discussion on the demise of the passenger pigeon
Saturday, November 1, 2014 from 1 p.m. to 4 p.m.
UW–Madison Union South, Marquee Theater
1308 W. Dayton St.
Stanley A. Temple is the Beers-Bascom Professor Emeritus in Conservation in the Department of Forest and Wildlife Ecology and former Chairman of the Conservation Biology and Sustainable Development Program in the Gaylord Nelson Institute for Environmental Studies at UW–Madison. For 32 years he held the academic position once occupied by Aldo Leopold, and during that time he won every teaching award for which he was eligible. Temple has a PhD in ecology from Cornell University where he studied at the Cornell Lab of Ornithology. (below is a photo of one mass shooting of passenger pigeons.)
At 7:30 p.m. on Sunday night, Nov. 2, in Mills Hall the UW-Madison voice faculty presents an evening of chamber music featuring the solo voice. Featuring a premiere, “White Clouds, Yellow Leaves,” written by composer and saxophone professor Les Thimmig (below).
Participants includes: Mimmi Fulmer and Elizabeth Hagedorn, sopranos; Paul Rowe, baritone; with Karen Atz, harp; Thomas Kasdorf, piano; Marc Vallon, bassoon; Parry Karp, cello; and many students and faculty from the UW-Madison School of Music.
Tickets are $10 with students getting in for FREE. Tickets will be available at the door as well as online or at the box office. Please see this link.
Here is the full program:
“Don Quichotte à Dulcinée” (1934) by Maurice Ravel (1875-1937) Chanson Romanesque; Chanson épique; Chanson á boire with Paul Rowe, baritone, with Thomas Kasdorf, piano.
“La lettre” by Jules Massenet (1842-1912)
“Absence” by Georges Bizet (1838-1875)
“L’invitation au voyage” by Emmanuel Chabrier (1841-1894) with Elizabeth Hagedorn, soprano; Marc Vallon, bassoon, with Thomas Kasdorf, piano, and Karen Atz, harp.
“Barcarolle” by Charles Gounod (1818-1893) with Elizabeth Hagedorn, soprano; Paul Rowe, baritone, with Thomas Kasdorf, piano.
“Long Pond Revisited” (2002) by Lori Laitman (below, b. 1955). From poetry by C.G.R. Shepard: “I Looked for Reasons,” “The Pond Seems Smaller,” “Late in the Day,” “Days Turn,” “Long Pond Revisited” with Paul Rowe, baritone; Parry Karp, cello.
“White Clouds, Yellow Leaves” (2013) by UW-Madison composer Les Thimmig (b. 1943) fromTexts derived from 8th- and 9th-century Chinese poetry with Mimmi Fulmer: mezzo-soprano; Mi-Li Chang: flute, piccolo, alto flute; Kostas Tiliakos,: English horn; Marc Vallon: bassoon; Sean Kleve: percussion; Karen Atz, harp; Paran Amirinizari: violin; Rachel Hauser: viola; Andrew Briggs: violoncello; and Les Thimmig: conductor.
Here is a link to the full program with program notes:
Tickets are $10 for the public; students get in free.
By Jacob Stockinger
Bassoonist Marc Vallon and saxophonist-clarinetist Les Thimmig, who both teach and perform at the University of Wisconsin-Madison School of Music, are emerging as two of the most interesting, eclectic faculty members, who display a variety of gifts and talents, at the UW School of Music.
Vallon (below, in a photo by James Gill) not only performs bassoon music from the Baroque and Classical eras, he is also a conductor who will lead two performances later this month of Johann Sebastian Bach’s “Mass in B Minor” for the Madison Bach Musicians.
Thimmig plays jazz as well as classics, and recently finished his three-concert exploration of trios by the American composer Morton Feldman.
Here are the details that were sent by Marc Vallon to The Ear:
“I thought I would let you know about my next musical adventure.
“In the 1960s, French composer and conductor Pierre Boulez (below) had a group, called Le Domaine Musical, that played contemporary music mixed with early music by Bach, Dufay and Guillaume de Machaut — unusual music for the time.
“As an homage, Les Thimmig and I are reviving the concept in a FREE concert on this coming Friday, April 4, at 6:30 p.m. in Morphy Recital Hall.
The program includes Four Pieces for Clarinet and Piano, Op.5 (1920), by Alban Berg (below top); Twelve Notations (1945, in a piano version performed by Maurizio Pollini in a YouTube video at the bottom) by Pierre Boulez (born 1925); “D’un geste apprivoisé” for bassoon and tape (1997) by Jose-Luis Campana (born 1949); and ) “Sequenza VII” for oboe (1969) by Luciano Berio (below bottom, 1925-2003).
After intermission, we will perform “Kontra-punkte for 10 instruments” (1953) by Karlheinz Stockhausen (below top, 1928-2007); and the Brandenburg Concerto No. 3 (dedicated in 1721) by Johann Sebastian Bach (below bottom, 1685-1750).
There will be a presentation of the pieces and an introduction to “Kontra-Punkte” by Lee Blasius (below, in a photo by Katrin Talbot), who teaches music theory at the University of Wisconsin-Madison School of Music.
The performers include: Mi-Li Chang, flute; Kirstin Ihde, piano; Sung Yang Sara Giusti, piano; Kai-Ju Ho, clarinet; Les Thimmig, bass clarinet; Mary Perkinson, Baroque and modern violin; Eric Miller, baroque and modern cello; Joe Greer, trombone; Jessica Jensen, trumpet; Rosalie Gilbert, harp; Ross Duncan, bassoon; Kangwon Kim and Nate Giglierano, baroque violin; Sally Chisholm, Ilana Schroeder and Erin Brooks, baroque viola; Martha Vallon, Anton ten Wolde, Baroque cello; John Chappell Stowe; harpsichord; and Marc Vallon, bassoon.
By Jacob Stockinger
Call it Brass Week in Madison.
Concerts this week will feature three different brass instruments: the tuba, the French horn and the trumpet.
The Ear guesses it is all due more to happenstance than planning.
But whatever the origin, Brass Week begins Tuesday night at 7:30 p.m. in Mills Hall at the University of Wisconsin-Madison School of Music with a FREE recital by tuba professor and composer John Stevens, who will retire at the end of this semester.
It continues on Wednesday at 7:30 p.m. in Mills Hall with a FREE recital by French horn professor, who also is the latest addition to the Wisconsin Brass Quintet, Daniel Grabois.
And then on Thursday, Norwegian trumpeter Tine Thing Helseth will start her three performances as soloist in concertos by Haydn and Alexander Arutiunian with the Madison Symphony Orchestra under John DeMain.
Helseth will be featured in a separate Q&A on this blog tomorrow.
But here are details, drawn from the UW School of Music calendar of events, about the first two concerts.
UW tuba professor John Stevens (below) will perform three well-known masterpieces – the Horn Quintet by Mozart, the “Songs of a Wayfarer” by Gustav Mahler and the Horn Trio by Johannes Brahms– all adapted for the tuba.
Guest artists include violinist David Perry, violist Sally Chisholm, cellist Parry Karp, all of the UW Pro Arte Quartet, and UW pianist Martha Fischer.
John Stevens (below with his instrument) has enjoyed a distinguished career as a teacher, orchestral, chamber music, solo and jazz performer and recording artist, composer/arranger, conductor and administrator. He has performed with every major orchestra in New York and was a member of the New York Tuba Quartet and many other chamber groups. He was principal tubist in the Aspen Festival Orchestra; toured and recorded with a wide variety of groups including Chuck Mangione, the American Brass Quintet and the San Francisco Ballet; and was the tuba soloist in the original Broadway production of BARNUM.
Stevens has released two solo recordings; an LP of his own compositions titled POWER (Mark Records, 1985) and a CD titled REVERIE (Summit Records, 2006). He joined the UW-Madison faculty in 1985 and, in addition to his other duties, was the Director of the School of Music from 1991 to 1996 and 2011 to 2013.
As a composer and arranger with over 50 original compositions and almost as many arrangements to his credit, Stevens is internationally renowned for his works for brass, particularly for solo tuba, euphonium and trombone, tuba/euphonium ensemble, brass quintet and other brass chamber combinations. He is the winner of numerous ASCAP awards and has received many composition grants and commissions.
In 1997 Stevens (below, composing at his Madison home and at bottom in an interview in a YouTube video) was commissioned by the Chicago Symphony Orchestra to compose a tuba concerto. This work, entitled JOURNEY, was premiered by the CSO, with tubist Gene Pokorny as soloist. Recent compositions include the CONCERTO FOR EUPHONIUM AND ORCHESTRA, SYMPHONY IN THREE MOVEMENTS, a composition for wind band commissioned by a consortium of 14 American universities, and MONUMENT for Solo Tuba and String.
And here is a link to a long story by local writer Paul Baker about Stevens, his career and the activities surrounding his retirement this semester. It appeared on the outstanding blog “Fanfare” at the UW-Madison School of Music:
The program by horn professor Daniel Grabois (below, in a photo by James Gill), who also curates the SoundWaves program at the Wisconsin Institutes for Discovery, and pianist Jessica Johnson will perform a program of “All in the Family: 21st Century Music by UW-Madison Composers.”
The works include “Gossamer Snowfall, Crystalline Pond” (2000), by UW saxophone professor Les Thimmig (below); the world premiere of “War Suite” (2014) by Alex Charland (1. War Song, 2. Dirge, 3. Ballad); “Indigo Quiescence” (2000) by Les Thimmig; “Soliloquy in June” (2000) by Les Thimmig; the world premiere “Antilogy” (2014) by Daniel Grabois; Sonata for Horn and Piano (2008) by John Stevens; and “Song at Dusk” (2000) by Les Thimmig .
Daniel Grabois is Assistant Professor of Horn at the University of Wisconsin-Madison School of Music. The former Chair of the Department of Contemporary Performance at the Manhattan School of Music, he is the hornist in the Meridian Arts Ensemble, a sextet of brass and percussion soon to celebrate its 25th anniversary. With Meridian, he has performed over 50 world premieres, released 10 CDs, received two ASCAP/CMA Adventuresome Programming Awards, and toured worldwide, in addition to recording or performing with rock legends Duran Duran and Natalie Merchant and performing the music of Frank Zappa for the composer himself.
The author/composer of two etude books for horn, Grabois has appeared as a frequent guest with the Chamber Music Society of Lincoln Center, and has performed in New York and on tour with the Orpheus Chamber Orchestra, the Orchestra of St. Luke’s, and many other ensembles. He also appears on over 30 CD recordings, and has recorded a concerto written for him by composer David Rakowski. Grabois taught horn for 14 years at The Hartt School, and has taught courses on the business of music at both the Hartt and the Manhattan School of Music.
By Jacob Stockinger
It is only Wednesday, and already twice this week I have already spotlighted two big and important upcoming music events at the University of Wisconsin-Madison.
On Friday night is the second SoundWaves lecture-concert at the Wisconsin Institutes for Discovery. Here is a link to that post:
Also on Friday night is the first of three performances of George Frideric Handel’s opera “Ariodante.” The performance marks the opening production of this season at the University Opera. Here is a link to that post:
But you know the semester is starting to wind towards its end when you start seeing the concerts pile up.
So consider what else in the way of smaller events is happening – what other FREE and PUBLIC concerts – at the UW-Madison during the rest of the week.
Thursday night at 7:30 p.m. in Mills Hall, UW guitarist Javier Calderon (below) will give a FREE and PUBLIC recital on the UW Faculty Concert Series.
The program includes: “Ancien Lute Dances” by Abel Carlevaro; Variations, Op. 9, by Fernando Sor; Suite for Lute No. 1 BWV 996, by Johann Sebastian Bach; ”Cafe 1930” by Astor Piazzolla; “Three pieces” by Manuel Ponce; “Aire de Bolivia’ by Gaston Caba; “Torre Bermeja,” “Pavana Capriccio” and “Sevilla” by Isaac Albeniz.
When Javier Calderon played his solo recital debut at Carnegie Hall, The New York Times called him “…a virtuoso with poetic sensibility.” Since then many composers, including the eminent American Alan Hovhaness and Lawrence Weiner, have been writing and dedicating guitar concertos and solo pieces to Calderon.
At age 17 Javier Calderon thrilled the audience of his native city of La Paz, Bolivia the evening he played with the Bolivian National Symphony Orchestra. Then he was invited to the Marlboro Music Festival in Vermont.
Soon after, the legendary Andres Segovia awarded the young guitarist a scholarship to study under his tutelage in Spain. Calderon, who is also an accomplished cellist, studied interpretation with Janos Starker. Javier Calderon now tours extensively in the United States, Europe, South America and the Far East.
He appears regularly as concert soloist with orchestras including the St. Louis and Atlanta symphonies and the Minnesota Orchestra and in solo recitals throughout the world. Javier Calderon has performed chamber music concerts with cellist Yo-Yo Ma and has been featured at numerous international music festivals.
Professor Calderon (below) founded and heads the UW-Madison guitar program.
TROMBONE AND PIANO
On Saturday night at 6:30 p.m. in Mills hall, UW-Madison trombonist Mark Hetzler (below top, in a photo by Katrin Talbot) and UW pianist Martha Fischer (below bottom) will present a special program – FREE and open to the PUBLIC — on the Faculty Concert Series.
It is called “Meditations and Visions: The Music of Anthony Plog and Anthony Barfield” and consists of two modern works that feature lyricism and technical virtuosity in a rich romantic language.
On Sunday at 1:30 p.m. in Mills Hall, UW saxophonist Les Thimmig will perform the second of three installments presenting the late-period Trios of American composer Morton Feldman. It is FREE and OPEN TO THE PUBLIC.
Also performing will be Jennifer Hedstrom, keyboards; and Sean Kleve, percussion. This performance will present Feldman’s “Crippled Symmetry” (1983). The next concert in the series is February 2, 2014.
On Sunday at 8 p.m. in Morphy Hall, duo-cellists German Marcano (a UW-Madison alumnus, below top) and Pablo Mahave-Veglia (below bottom), will present a FREE and PUBLIC program on the Guest Artist Series.
The program includes “Tonadas,” by Diaz and Galindez, arranged by German Marcano; Suite in C Major, BWV 1009 by Johann Sebastian Bach; “Sonsoneo” by Alvarez; ”Cello Tango” by Federico Ruiz; and Sonata for Two Cellos by Jose Maria Castro.
Marcano and Mahave-Veglia will also be giving a FREE and PUBLIC master class on Monday October 28 at 12:15 p.m. in Mills Hall.
On Sunday night at 7:30 p.m. in Mills Hall, UW cellist Parry Karp (below), who heads the chamber music program at the UW-Madison School of Music and who performs with the Pro Arte Quartet, will be featured in a FREE program of piano trios.
Karp will perform violinist Suzanne Beia and pianist Thomas Kasdorf, who is also a UW alumnus.
The program includes: the Piano Trio in G Major, Op. 1 No. 2, by Ludwig van Beethoven; the Piano Trio in G Minor, Op. 26, by Antonin Dvorak; and the Piano Trio in D Minor, Op. 32, by Anton Arensky. (Its gorgeously lyrical and Romantic slow movement — an elegy — is below in a YouTube video.)