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By Jacob Stockinger
Get out your datebooks and calendars.
Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.
The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/
Using the search engine on this blog, you could also consult whenever individual or group you want. You could print it out and have it in hand instead of the usual brochure, which will not be printed this year. See a previous blog post: https://welltempered.wordpress.com/2019/08/19/classical-music-the-uw-madison-school-of-music-will-not-have-a-complete-brochure-for-the-new-season-go-to-the-website-and-sign-up-for-an-email-newsletter-the-30th-karp-family-labor-day-concert-is-s/
Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.
Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/
Tuesday, Sep 3, 2019 |
Karp Family Concert |
7:30 PM |
Mills Hall |
Sunday, September 29, 2019, |
Jessica Martin & John O’Brien – Nordic song recital |
4:00 PM |
Morphy Hall |
Monday, Sept. 30, 2019 |
Beth Wiese, Tuba, Guest Artist Recital |
7:30 PM |
Morphy Hall |
Friday, October 4, 2019 |
Pro Arte Quartet |
8:00 PM |
Mills Hall |
Sunday, Oct. 6, 2019 |
Chanticleer |
7:30 PM |
Mead Witter Hall |
Tuesday, Oct. 8, 2019 |
Wind Ensemble |
7:30 PM |
Mead Witter Hall |
Friday, October 11, 2019 |
UW-Madison Symphony Orchestra |
8:00 PM |
Mead Witter Hall |
Sunday, October 13, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
Tuesday, October 15, 2019 |
Contemporary Jazz & Blue Note Ensemble |
7:30 PM |
Collins Hall |
Wednesday, October 16, 2019 |
Wisconsin Brass Quintet – Faculty Concert Series |
7:30 PM |
Mead Witter Hall |
Thursday, October 17 |
Jazz Faculty Quintet with special guest Michael Dudley, trumpet |
7:30 PM |
Collins Hall |
Monday, October 21, 2019 |
Afro-Cuban Jazz Ensemble and UW Jazz Orchestra |
7:30 PM |
Play Circle |
Tuesday, October 22, 2019 |
Concert Band |
7:30 PM |
Mead Witter Hall |
Wed, October 23, 2019 |
Jazz Composers Group & Jazz Standards |
7:30 PM |
Collins Hall |
Thu, October 24, 2019 |
Parry Karp with Eli Kalman, piano |
7:30 PM |
Collins Hall |
Friday, October 25, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
Saturday, October 26, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
Sunday, October 27, 2019 |
Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert |
1:00 PM |
Collins Recital Hall, Hamel Music Center |
Wed, October 30, 2019 |
Master Class with Violist Nobuko Imai |
6:30 PM |
Collins Hall |
Thu, October 31, 2019 |
Violist Nobuko Imai with Pro Arte Quartet |
12:00 PM |
Collins Hall |
Fri, November 1, 2019
|
Madrigal Singers |
8:00 PM
|
Mead Witter Hall |
Sat, November 2, 2019 |
Alicia Lee, faculty clarinet |
8:00 PM |
Collins Hall |
Sun, November 3, 2019 |
Wind Ensemble |
2:00 PM |
Mead Witter Hall |
Fri, November 8, 2019 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
Sat, November 9, 2019 |
UW Chorale |
8:00 PM |
Mead Witter Hall |
Thu, November 14, 2019 |
UW-Madison Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
Fri, November 15, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
Sun, November 17, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
2:00 PM |
Music Hall |
Tue, November 19, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
Sat, November 16, 2019 |
Low Brass Ensemble |
4:00 PM |
Collins Hall |
Sat, November 16, 2019 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
Sat, November 16, 2019 |
Timothy Hagen, faculty flute |
8:00 PM |
Collins Hall |
Fri, November 22, 2019 |
UW Concert Choir |
8:00 PM |
Mead Witter Hall |
Fri, November 22, 2019 |
Pro Arte Quartet |
8:00 PM |
Collins Hall |
Fri, November 22, 2019 |
UW Jazz Orchestra |
5:00-7:00 PM |
Rathskeller |
Saturday, Nov 23, 2019 |
Undergrad Audition Day |
All day |
|
Sat, November 23, 2019 |
World Percussion Ensemble |
12:00 PM |
Music Hall |
Sat, November 23, 2019 |
Brass Ensembles |
1:00 PM |
?? |
Sun, November 24, 2019 |
UW Concert Band with Winds of Wisconsin |
5:00 PM |
Mead Witter Hall |
Mon, November 25, 2019 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
Tue, November 26, 2019 |
Opera Scenes |
7:30 PM |
Music Hall |
Mon, December 2, 2019 |
Piano Studio Recital |
6:30 PM |
Collins Hall |
Tue, December 3, 2019 |
Jazz Composers & Contemporary Jazz Ensembles |
7:30 PM |
Collins Hall |
Wed, December 4, 2019
|
Jazz Standards Ensemble & Afro-Cuban Jazz |
7:30 PM
|
Collins Hall |
Thu, December 5, 2019 |
UW-Madison Symphony Orchestra & UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
Fri, December 6, 2019 |
Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty |
8:00 PM |
Collins Hall |
Sat, December 7, 2019 |
UW & Madison Metropolitan Jazz Festival |
Final Concert, 3:00 PM |
Mead Witter Hall |
Sat, December 7, 2019 |
Choral Union: Ralph Vaughan Williams’s “A Sea Symphony” |
8:00 PM |
Mead Witter Hall |
Sun, December 8, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
2:00 PM |
Luther Memorial Church |
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
4:00 PM |
Luther Memorial Church |
Sun, December 8, 2019 |
All-University Strings |
4:30 PM |
Mead Witter Hall |
BEGIN 2020 |
|||
Sun, January 26, 2020 |
Annual Schubertiade |
3:00 PM |
Mead Witter Hall |
Sat, February 1, 2020 |
Christopher Taylor and Friends — Beethoven Symphony Extravaganza |
8:00 PM |
Mead Witter Hall |
Wed, February 5, 2020 |
Daniel Grabois, horn |
7:30 PM |
Collins Hall |
Thu, February 6, 2020 |
UW Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
Sat, February 8, 2020 |
The Knights |
8:00 PM |
Mead Witter Hall |
Sun, February 16, 2020 |
UW Wind Ensemble |
2:00 PM |
Mead Witter Hall |
Monday, February 17, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
Tue, February 18, 2020 |
Concert Band |
7:30 PM |
Mead Witter Hall |
Thu, February 20, 2020 |
Parry Karp, faculty recital |
7:30 PM |
Collins Hall |
Fri, February 21, 2020 |
Marc Vallon & Friends |
8:00 PM |
Collins Hall |
Sunday, Feb 23, 2020 |
Les Thimmig, faculty recital |
2:00 PM |
Collins Hall |
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
Fri, February 28, 2020
|
Pro Arte Quartet |
8:00 PM
|
Collins Hall |
Sat, February 29, 2020 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
Fri, February 28, 2020, |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
Sun, March 1, 2020 |
University Opera – Mozart’s Così fan tutte |
2:00 PM |
Music Hall |
Tue, March 3, 2020 |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
Sun, March 1, 2020 |
Winds of Wisconsin |
5:30 PM |
Mead Witter Hall |
Wed, March 4, 2020 |
Afro-Cuban Jazz Ensemble & Jazz Composers Group |
7:30 |
Collins Hall |
Thu, March 5, 2020 |
Blue Note Ensemble & Jazz Standards Ensemble |
7:30 PM |
Collins Hall |
Sat, March 7, 2020 |
UW-Madison Symphony Orchestra with guest pianist Wu Han |
8:00 PM |
Mead Witter Hall |
Sun, March 8, 2020 |
University Bands |
2:00 PM |
Mead Witter Hall |
Tue, March 10, 2020 |
Percussion Department Recital |
7:30 PM |
Collins Hall |
Weds March 11, 2020 |
UW Jazz Orchestra |
7:30 PM |
Play Circle |
Wednesday, March 11, 2020 |
Wisconsin Brass Quintet – Faculty Concert Series |
8:00 PM |
Mead Witter Hall |
Thu, March 12, 2020 |
UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
Fri, March 27, 2020 |
Le Domaine Musicale with Marc Vallon and Friends |
8:00 PM |
Collins Hall |
Sun, March 29, 2020 |
Concert Band |
2:00 PM |
Mead Witter Hall |
Sun, April 5, 2020 |
Beethoven Competition Winners’ Recital |
3:30 PM |
Collins Hall |
Sun, April 5, 2020 |
“Symphony Showcase” Concerto Winners’ Solo Concert |
7:00 PM |
Mead Witter Hall |
Sat, April 11, 2020 |
Chorale |
8:00 PM |
Mead Witter Hall |
Fri, April 12, 2019 |
Perlman Trio Chamber Concert |
3:00 PM |
Collins Hall |
Tue, April 14, 2020 |
Opera Scenes |
7:30 PM |
Music Hall |
Wed, April 15, 2020 |
Contested Homes: Migrant Liberation Movement Suite |
7:30 PM |
Mead Witter Hall |
Thu, April 16, 2020 |
Pro Arte Quartet |
7:30 PM |
Collins Hall |
Fri, April 17, 2020 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
Sat, April 18, 2020
|
UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni |
8:00 PM
|
Mead Witter Hall |
Mon, April 20, 2020 |
Afro-Cuban Jazz Ensemble & Blue Note Ensemble |
7:30 PM |
Collins Hall |
Tue, April 21, 2020 |
Jazz Standards Ensemble & Jazz Composers Group |
7:30 PM |
Collins Hall |
Wed, April 22, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
Thu, April 23, 2020 |
UW Jazz Orchestra with the UW Honors Jazz Band |
7:30 PM |
Music Hall |
Fri, April 24, 2020 |
Concert Band and Wind Ensemble |
7:30 PM |
Mead Witter Hall |
Sat, April 25, 2020 |
All-University Strings |
2:00 PM |
Mead Witter Hall |
Sat, April 25, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
8:00 PM |
Mead Witter Hall |
Sun, April 26, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
7:30 PM |
Mead Witter Hall |
Sun, April 26, 2020
|
University Bands | 2 PM | Mead Witter Hall |
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The fourth season of the Madison New Music Festival (below, in a photo from 2017 by Max Schmidt) will take place this coming Friday, Aug. 9, through Sunday, Aug. 11.
The Madison New Music Festival is an annual, weekend-long celebration for the Madison community of classical works written by contemporary composers.
In four concerts – three with admission and one free — the festival will showcase Wisconsin-based composers and performers of new music, as well as world premiere performances by guest artists.
Tickets for each concert are $15 for adults and $5 for students. Subscriptions to all three concerts are available for $35. For more information, go to http://madisonnewmusic.org or to Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).
Here is the line-up:
Concert 1: Music from Wisconsin – Friday, Aug. 9, at 7:30 p.m.
Where: Madison Museum of Contemporary Art (227 State St.)
What: In anticipation of this fall’s Wisconsin Triennial and the Madison Museum of Contemporary Art, this concert spotlights all Wisconsin-born, -based, or -educated composers, curated by pianist Robert Fleitz (below, with a toy piano he often performs on), whom The New York Times called “mesmerizing.” Joined by young local musicians, Fleitz explores music created right here in their own backyard.
Concert 2: World Premieres – Saturday, Aug. 10, at 7:30 p.m.
Where: First Unitarian Society of Madison’s Atrium Auditorium (900 University Bay Drive)
What: Internationally acclaimed violist Anne Leilehua Lanzilotti and Wisconsin-born pianist Karl Larson (below top) will give the world premieres of new viola sonatas from three of the world’s leading composers: Andrew Norman, Anna Thorvaldsdottir and Scott Wollschleger. In addition, local cellist James Waldo will kick off the evening with a premiere of a work for solo cello by University of Wisconsin-Madison professor Les Thimmig (below bottom).
Concert 3: SistaStrings – Sunday, Aug. 11, at 2:30 p.m.
Where: Robinia Courtyard (829 East Washington Avenue)
What: The concert features the Milwaukee-based sister duo SistaStrings (below, in a photo by Adam Ryan Morris). Violinist Chauntee Ross and cellist Monique LaDora Ross blend their training as accomplished classical instrumentalists with “R&B and a touch of gospel influence that culminates in a vibey, lush sound.” The sisters will play tracks from their new and acclaimed Extended Play recording in the cozy courtyard. (You can hear them in the YouTube video at the bottom.)
Partner concert: Madison New Music Ensemble (FREE concert) – Sunday, Aug. 11, at 5 p.m.
Where: Memorial Union Terrace (800 Langdon Street, below)
What: Join the newly formed Madison New Music Ensemble (below top), led by UW-Madison composer Joseph Koykkar (below bottom), at the Memorial Union Terrace as part of their Summer Serenade series. The group will perform works by Koykkar, Ian Clarke, Gabriela Lena Frank, Gareth Farr and Kirsten Volness.
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By Jacob Stockinger
Spring Break at the University of Wisconsin-Madison starts on Saturday. But there are noteworthy concerts right up to the last minute.
THURSDAY
On this Thursday night, March 14, at 7:30 p.m. in Mills Hall, the acclaimed Wisconsin Brass Quintet (below, in 2017, in a photo by Michael R. Anderson) will perform a FREE concert.
The program by the faculty ensemble includes music by William Byrd; Isaac Albeniz; Leonard Bernstein; Aaron Copland; David Sampson; Anton Webern; Joan Tower; Ennio Morricone; and Reena Esmail.
For more details, including the names of quintet members and guest artists who will participate as well as the complete program with lengthy notes and background about the quintet, go to:
https://www.music.wisc.edu/event/wisconsin-brass-quintet-3-14-2019/
FRIDAY
On this Friday night, March 15, at 7:30 p.m. in Mills Hall, UW-Madison bassoonist Marc Vallon (below, in a photo by James Gill) – who worked in Paris with the renowned 20th-century composer and conductor Pierre Boulez – will host another concert is his series of “Le Domaine Musical” that he performs with colleagues.
Vallon explains:
Every year, I put together a concert devoted to the masterpieces of the 1950-2000 period. We call it “Domaine Musical,” which was the group founded in Paris by Pierre Boulez in the 1950s. Its subtitle is : “Unusual music for curious listeners.”
“The series offers Madison concert-goers an opportunity to hear rarely performed music of the highest quality, played by UW-Madison faculty, students and alumni.
“The program features a deeply moving piece by Luciano Berio, O King, written in 1968 after the murder of Martin Luther King Jr.” (You can hear “O King” in the YouTube video at the bottom.)
The all-modernist program is:
Pierre Boulez (below), Dialogues de l’Ombre Double (Dialogues of the Double Shadow) for solo clarinet and electronics.
Luciano Berio (below), O King and Folk Songs.
Also included are unspecified works by Karlheinz Stockhausen and Timothy Hagen.
Guest performers are Sarah Brailey, soprano (below); Alicia Lee, clarinet; Leslie Thimmig, basset horn; Sally Chisholm, viola; Parry Karp, cello; Timothy Hagen, flute; Yana Avedyan, piano; Paran Amirinazari, violin; and Anthony DiSanza, percussion.
For more information, including a story about a previous concert in “Le Domaine Musical,” go to:
https://www.music.wisc.edu/event/le-domaine-musical-with-marc-vallon/
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By Jacob Stockinger
Chad Hutchinson (below) is starting his second season at the University of Wisconsin-Madison’s Mead Witter School of Music by putting his own stamp on programming with an intriguing, all-American and all-20th-century concert that combines music for the concert hall with music for plays and films.
The FREE concert by the UW Symphony Orchestra is in Mills Hall this Friday night, Oct. 12, and starts at 8 p.m. with an informal pre-concert talk by Hutchinson (below) at 7:30 p.m.
Hutchison recently won one first prize and two second prizes from The American Prize for work he did – in opera conducting, orchestral conducting and orchestral programming — at the University of Minnesota and the University of South Dakota.
For more details, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-3/
The Ear asked Hutchinson how, after his first year, he feels about the UW-Madison.
He answered: “What makes the UW-Madison special is the camaraderie and support of the students, faculty and staff across the numerous disciplines within the Mead Witter School of Music.
“I’m thrilled to be back working with the orchestra (below), opera and conducting students and collaborating with the amazing faculty here. Seeing the “light bulb” moments when students realize and achieve a new level of competency for themselves and the ensemble is the best part of the profession.”
Here are his thoughts about the program:
“The UW-Madison Symphony Orchestra opens the 2018-2019 season with a program of three influential American composers. This concert will highlight the juxtaposition of traditional classical music and compositions heavily influenced by folk, jazz and the blues.
“A common thread throughout the concert is the idea of firsts and exploring new ideas as a composer.
“The Overture to “The School for Scandal” (1931) of Samuel Barber (below) was the first piece that he composed for full orchestra and is based on the Restoration comedy by Richard Sheridan.
“This performance will be the debut of one of the Symphony Orchestra’s new doctoral conducting students Ji-Hyun Yim (below). Ji-Hyun (Jenny) comes to Madison after completing a Master’s Degree in Orchestral Conducting from the University of North Texas.
“The second piece on the program is one that I have wanted to program for quite some time. The “Afro-American” Symphony (1930) of William Grant Still (below, in a photo by Carl Van Vechten), his first symphony, is widely regarded as the first large-scale piece of symphonic repertoire composed by an African-American and performed by a major symphony orchestra.
Each movement’s title is influenced by short poems by the 20th-century African-American poet Paul Laurence Dunbar (below, in 1890).
“Since the Barber and Still were composed within one year of each other in 1930-1931, I wanted to show the dichotomy of the straight-ahead classical world and the other side of classical music in the late 1920s and 1930s that was being heavily influenced by the more popular music of the time.
“Lastly, we feature the first and only film music that Bernstein composed. “On the Waterfront” (1954), an Oscar-winning film directed by Elia Kazan that starred Marlon Brando (below) and Eva Marie Saint, shows Bernstein writing simultaneously for the symphonic hall and the big screen.
“This work will feature UW-Madison professor of saxophone and composition Les Thimmig (below) and will showcase many soloists within the orchestra. While not programmed as often as his music from West Side Story or On the Town, I believe that Bernstein’s unique use of color, rhythm and melody in this work – heard in the YouTube video at the bottom — speak for themselves.”
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By Jacob Stockinger
Last weekend brought the fifth annual Brass Fest to the University of Wisconsin-Madison’s Mead Witter School of Music.
This week, wind music takes center stage at the UW-Madison.
Here is a listing of the FREE events — except for the concert in Baraboo on Friday — that are open to the public:
WEDNESDAY
On this Wednesday, Oct. 3, at 7:30 p.m. in Mills Hall, the veteran Wingra Wind Quintet (below), made up of UW faculty members, will perform a FREE program called “I Hate Music,” taken from the title of a song cycle by Leonard Bernstein. (You can hear a song, sung by Barbara Bonney, from “I Hate Music” in the YouTube video at the bottom.)
The composers are all American and include Bernstein as well as Aaron Copland, Lukas Foss, David Diamond and Walter Piston.
The guest artist is soprano Sarah Brailey, a UW-Madison alumna, who just excelled last week in Baroque music by Johann Sebastian Bach and who has established a national reputation while winning high praise from The New York Times.
For details about the specific pieces on the program as well as more background about the Wingra Wind Quintet (below, in a photo by Katrin Talbot), which was founded in 1965, go to:
https://www.music.wisc.edu/event/wingra-wind-quintet-4/
FRIDAY
On Friday, Oct. 5, at 7:30 in the Al Ringling Theatre in Baraboo, the Wingra Wind Quintet will team up with the celebrated Pro Arte Quartet (below in a photo by Rick Langer) and guest double bassist Kris Saebo, to perform Franz Schubert’s Octet for winds and strings, D. 803. For more information, including purchasing tickets, go to: http://www.alringling.org/events
This coming Friday, Oct. 5, at 8 p.m. In Mills Hall, the UW Wind Ensemble (below), under conductor Scott Teeple and two graduate student conductors –- Ross Wolf and Cole Hairston — will perform a FREE concert of varied music from Giovanni Gabrieli and Johann Sebastian Bach to Peter Ilyich Tchaikovsky and Ralph Vaughan Williams.
For more the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-3/
SUNDAY
On Sunday afternoon, Oct. 7, at 2 p.m. in Mills Hall, UW professor of composition and jazz saxophone Les Thimmig (below) will present a FREE 10-year retrospective of his compositions for different kinds of clarinets.
Also performing are his faculty colleagues clarinetist Alicia Lee (below) and pianist Jessica Johnson.
For information about Thimmig and the concert’s program, go to: https://www.music.wisc.edu/event/faculty-recital-compositions-of-les-thimmig-solo-and-duo/
At 4 p.m. on Sunday, Oct. 7, in Morphy Recital Hall, guest flutist John Bailey (below), who teaches at the University of Nebraska-Lincoln, gives a FREE lecture and recital of music by Wolfgang Amadeus Mozart, Philippe Gaubert and Theodor Blumer. Sorry, no specific works are mentioned.
Bailey will be joined by UW pianist Daniel Fung.
For extensive background about Bailey, who is a member of the Moran Woodwind Quintet, go to: https://www.music.wisc.edu/event/guest-artist-recital-and-lecture-john-bailey-flute/
ALERT: The superb Willy Street Chamber Players are back from a week of free and Community Connect concerts. They resume their regular summer series this Friday at 6 p.m. in Immanuel Lutheran Church, 1021 Spaight Street. The guest artist is UW-Madison saxophonist Les Thimmig who will play six arias from the opera “Porgy and Bess” by George Gershwin. A rarely heard String Quintet by Alexander Glazunov ends the program. Tickets are $15.
The last concert is next Friday, July 27, and features flute, clarinet and piano soloists in music by Luigi Boccherini, Sergei Prokofiev, Andrew Norman and Johann Strauss/Arnold Schoenberg. For more information, go to:
http://www.willystreetchamberplayers.org
By Jacob Stockinger
The Ear has been asked to post the following announcement:
The early music vocal ensemble The Mendota Consort (below) invites you to an evening of madrigals from Israelsbrünnlein, a collection by the 17th-century composer Johann Schein. (Editor’s note: You can hear an excerpt in the YouTube video at the bottom.)
Vocalists who are dedicated to Renaissance polyphony, The Mendota Consort will present a story of ancient Israel though dramatic 1623 treatments by Schein (below) of sacred texts.
Admission is free with donations kindly accepted.
The Madison performance is this Saturday night, July 21, at 7:30 p.m. in Luther Memorial Church (below), 1021 University Ave.
Other performances are:
Tonight, Thursday, July 19, at 7:30 p.m. in Saint Edward’s Montessori School, 1129 Bellevue Ave., in Eau Claire.
Friday night, July 20, at 6:30 p.m. in the Cathedral Church of All Saints, 818 East Juneau Ave., in Milwaukee.
You can learn more and follow the group on Facebook at: https://www.facebook.com/TheMendotaConsort/
By Jacob Stockinger
The Willy Street Chamber Players (below) remains one of The Ear’s favorite chamber music ensembles, which his why he named it “Musicians of the Year” in 2016.
Here is a link to that posting:
Nothing has changed, although some programs hold more appeal than others, as you would expect for anyone.
What’s not to like about the Willys?
The Willys emphasize friendliness and informality, putting a premium on accessible communication with the audience. You never get that snobby or exclusive feeling that some classical music concerts exude.
The price is right — $15 for each concert, $40 for the series of three — plus a FREE community concerts at the Goodman Center (below) and another FREE community concert at the Union Terrace.
The playing is always first-rate by both group members and guest artists. Many of both groups are local and come from the UW-Madison’s Mead Witter School of Music or play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Middleton Community Orchestra and other groups.
The programming is always inventive and eclectic. The music the Willys play includes both old and new works, familiar and unfamiliar composers, classic and contemporary music.
The Friday night concerts start at 6 p.m. and last 60 to 90 minutes, giving you plenty of time to do something else to kick off the weekend. (See the YouTube video by Paul Baker at there bottom.)
True to their name, at the post-concert receptions the Willys serve snacks that promote businesses on the east side. And trust The Ear, the food is very good.
Here is a link to the new season, the group’s third:
http://www.willystreetchamberplayers.org/calendar.html
And here is a link to the Willys’ outstanding, informative and well organized website where you can find much more, including the full programs; the names of the core players; how to order tickets; how to donate and support The Willys; the names and location of the food providers; the rave reviews by several critics; favorite east side restaurants; frequently asked questions; and more (don’t ignore the heading FAQ on the home page).
http://www.willystreetchamberplayers.org
You can order season tickets and, if you go to the home page and look at each concert under Summer Series, individual tickets. You can also click on the box “Tickets Available.”
It all starts Friday, July 6, at 6 p.m. in the usually well attended Immanuel Lutheran Church (below), 1021 Spaight Street.
The Ear can hardly wait.
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