The Well-Tempered Ear

Classical music: On Thursday and Friday nights, brass music and a modernist homage to Martin Luther King round out UW-Madison concerts before spring break

March 13, 2019
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By Jacob Stockinger

Spring Break at the University of Wisconsin-Madison starts on Saturday. But there are noteworthy concerts right up to the last minute.

THURSDAY

On this Thursday night, March 14, at 7:30 p.m. in Mills Hall, the acclaimed Wisconsin Brass Quintet (below, in 2017, in a photo by Michael R. Anderson) will perform a FREE concert.

The program by the faculty ensemble  includes music by William Byrd; Isaac Albeniz; Leonard Bernstein; Aaron Copland; David Sampson; Anton Webern; Joan Tower; Ennio Morricone; and Reena Esmail.

For more details, including the names of quintet members and guest artists who will participate as well as the complete program with lengthy notes and background about the quintet, go to:

https://www.music.wisc.edu/event/wisconsin-brass-quintet-3-14-2019/

FRIDAY

On this Friday night, March 15, at 7:30 p.m. in Mills Hall, UW-Madison bassoonist Marc Vallon (below, in a photo by James Gill) – who worked in Paris with the renowned 20th-century composer and conductor Pierre Boulez – will host another concert is his series of “Le Domaine Musical” that he performs with colleagues.

Vallon explains:

Every year, I put together a concert devoted to the masterpieces of the 1950-2000 period. We call it “Domaine Musical,” which was the group founded in Paris by Pierre Boulez in the 1950s. Its subtitle is : “Unusual music for curious listeners.”

“The series offers Madison concert-goers an opportunity to hear rarely performed music of the highest quality, played by UW-Madison faculty, students and alumni.

“The program features a deeply moving piece by Luciano Berio, O King, written in 1968 after the murder of Martin Luther King Jr.” (You can hear “O King” in the YouTube video at the bottom.)

The all-modernist program is:

Pierre Boulez (below), Dialogues de l’Ombre Double (Dialogues of the Double Shadow) for solo clarinet and electronics.

Luciano Berio (below), O King and Folk Songs.

Also included are unspecified works by Karlheinz Stockhausen and Timothy Hagen.

Guest performers are Sarah Brailey, soprano (below); Alicia Lee, clarinet; Leslie Thimmig, basset horn; Sally Chisholm, viola; Parry Karp, cello; Timothy Hagen, flute; Yana Avedyan, piano; Paran Amirinazari, violin; and Anthony DiSanza, percussion.

For more information, including a story about a previous concert in “Le Domaine Musical,” go to:

https://www.music.wisc.edu/event/le-domaine-musical-with-marc-vallon/


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Classical music: Prize-winning UW-Madison conductor Chad Hutchinson talks about the FREE and unusual all-American, all-20th century concert he will perform with the UW Symphony Orchestra this Friday night

October 9, 2018
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By Jacob Stockinger

Chad Hutchinson (below) is starting his second season at the University of Wisconsin-Madison’s Mead Witter School of Music by putting his own stamp on programming with an intriguing, all-American and all-20th-century concert that combines music for the concert hall with music for plays and films.

The FREE concert by the UW Symphony Orchestra is in Mills Hall this Friday night, Oct. 12, and starts at 8 p.m. with an informal pre-concert talk by Hutchinson (below) at 7:30 p.m.

Hutchison recently won one first prize and two second prizes from The American Prize for work he did – in opera conducting, orchestral conducting and orchestral programming — at the University of Minnesota and the University of South Dakota.

For more details, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-3/

The Ear asked Hutchinson how, after his first year, he feels about the UW-Madison.

He answered: “What makes the UW-Madison special is the camaraderie and support of the students, faculty and staff across the numerous disciplines within the Mead Witter School of Music.

“I’m thrilled to be back working with the orchestra (below), opera and conducting students and collaborating with the amazing faculty here. Seeing the “light bulb” moments when students realize and achieve a new level of competency for themselves and the ensemble is the best part of the profession.”

Here are his thoughts about the program:

“The UW-Madison Symphony Orchestra opens the 2018-2019 season with a program of three influential American composers. This concert will highlight the juxtaposition of traditional classical music and compositions heavily influenced by folk, jazz and the blues.

“A common thread throughout the concert is the idea of firsts and exploring new ideas as a composer.

“The Overture to “The School for Scandal” (1931) of Samuel Barber (below) was the first piece that he composed for full orchestra and is based on the Restoration comedy by Richard Sheridan.

“This performance will be the debut of one of the Symphony Orchestra’s new doctoral conducting students Ji-Hyun Yim (below). Ji-Hyun (Jenny) comes to Madison after completing a Master’s Degree in Orchestral Conducting from the University of North Texas.

“The second piece on the program is one that I have wanted to program for quite some time. The “Afro-American” Symphony (1930) of William Grant Still (below, in a photo by Carl Van Vechten), his first symphony, is widely regarded as the first large-scale piece of symphonic repertoire composed by an African-American and performed by a major symphony orchestra.

Each movement’s title is influenced by short poems by the 20th-century African-American poet Paul Laurence Dunbar (below, in 1890).

“Since the Barber and Still were composed within one year of each other in 1930-1931, I wanted to show the dichotomy of the straight-ahead classical world and the other side of classical music in the late 1920s and 1930s that was being heavily influenced by the more popular music of the time.

“Lastly, we feature the first and only film music that Bernstein composed. “On the Waterfront” (1954), an Oscar-winning film directed by Elia Kazan that starred Marlon Brando (below) and Eva Marie Saint, shows Bernstein writing simultaneously for the symphonic hall and the big screen.

“This work will feature UW-Madison professor of saxophone and composition Les Thimmig (below) and will showcase many soloists within the orchestra. While not programmed as often as his music from West Side Story or On the Town, I believe that Bernstein’s unique use of color, rhythm and melody in this work – heard in the YouTube video at the bottom — speak for themselves.”


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Classical music: Wind music is in the spotlight this coming week at the UW-Madison

October 2, 2018
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By Jacob Stockinger

Last weekend brought the fifth annual Brass Fest to the University of Wisconsin-Madison’s Mead Witter School of Music.

This week, wind music takes center stage at the UW-Madison.

Here is a listing of the FREE events — except for the concert in Baraboo on Friday — that are open to the public:

WEDNESDAY

On this Wednesday, Oct. 3, at 7:30 p.m. in Mills Hall, the veteran Wingra Wind Quintet (below), made up of UW faculty members, will perform a FREE program called “I Hate Music,” taken from the title of a song cycle by Leonard Bernstein. (You can hear a song, sung by Barbara Bonney, from “I Hate Music” in the YouTube video at the bottom.)

The composers are all American and include Bernstein as well as Aaron Copland, Lukas Foss, David Diamond and Walter Piston.

The guest artist is soprano Sarah Brailey, a UW-Madison alumna, who just excelled last week in Baroque music by Johann Sebastian Bach and who has established a national reputation while winning high praise from The New York Times.

For details about the specific pieces on the program as well as more background about the Wingra Wind Quintet (below, in a photo by Katrin Talbot), which was founded in 1965, go to:

https://www.music.wisc.edu/event/wingra-wind-quintet-4/

FRIDAY

On Friday, Oct. 5, at 7:30 in the Al Ringling Theatre in Baraboo, the Wingra Wind Quintet will team up with the celebrated Pro Arte Quartet  (below in a photo by Rick Langer) and guest double bassist Kris Saebo, to perform Franz Schubert’s Octet for winds and strings, D. 803. For more information, including purchasing tickets, go to: http://www.alringling.org/events

This coming Friday, Oct. 5, at 8 p.m. In Mills Hall, the UW Wind Ensemble (below), under conductor Scott Teeple and two graduate student conductors –- Ross Wolf and Cole Hairston — will perform a FREE concert of varied music from Giovanni Gabrieli and Johann Sebastian Bach to Peter Ilyich Tchaikovsky and Ralph Vaughan Williams.

For more the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-3/

SUNDAY

On Sunday afternoon, Oct. 7, at 2 p.m. in Mills Hall, UW professor of composition and jazz saxophone Les Thimmig (below) will present a FREE 10-year retrospective of his compositions for different kinds of clarinets.

Also performing are his faculty colleagues clarinetist Alicia Lee (below) and pianist Jessica Johnson.

For information about Thimmig and the concert’s program, go to: https://www.music.wisc.edu/event/faculty-recital-compositions-of-les-thimmig-solo-and-duo/

At 4 p.m. on Sunday, Oct. 7, in Morphy Recital Hall, guest flutist John Bailey (below), who teaches at the University of Nebraska-Lincoln, gives a FREE lecture and recital of music by Wolfgang Amadeus Mozart, Philippe Gaubert and Theodor Blumer. Sorry, no specific works are mentioned.

Bailey will be joined by UW pianist Daniel Fung.

For extensive background about Bailey, who is a member of the Moran Woodwind Quintet, go to: https://www.music.wisc.edu/event/guest-artist-recital-and-lecture-john-bailey-flute/


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Classical music: The Mendota Consort gives a FREE performance of motets by Johann Schein in Madison this Saturday night. Performances in Eau Claire and Milwaukee are tonight and Friday night

July 19, 2018
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ALERT: The superb Willy Street Chamber Players are back from a week of free and Community Connect concerts. They resume their regular summer series this Friday at 6 p.m. in Immanuel Lutheran Church, 1021 Spaight Street. The guest artist is UW-Madison saxophonist Les Thimmig who will play six arias from the opera “Porgy and Bess” by George Gershwin. A rarely heard String Quintet by Alexander Glazunov ends the program. Tickets are $15.

The last concert is next Friday, July 27, and features flute, clarinet and piano soloists in music by Luigi Boccherini, Sergei Prokofiev, Andrew Norman and Johann Strauss/Arnold Schoenberg. For more information, go to:

http://www.willystreetchamberplayers.org

https://welltempered.wordpress.com/2018/07/05/classical-music-you-know-brahms-but-who-are-caroline-shaw-colin-jacobsen-and-michael-kelley-the-willy-street-chamber-players-will-show-you-this-friday-night/

By Jacob Stockinger

The Ear has been asked to post the following announcement:

The early music vocal ensemble The Mendota Consort (below) invites you to an evening of madrigals from Israelsbrünnlein, a collection by the 17th-century composer Johann Schein. (Editor’s note: You can hear an excerpt in the YouTube video at the bottom.)

Vocalists who are dedicated to Renaissance polyphony, The Mendota Consort will present a story of ancient Israel though dramatic 1623 treatments by Schein (below) of sacred texts.

Admission is free with donations kindly accepted.

The Madison performance is this Saturday night, July 21, at 7:30 p.m. in Luther Memorial Church (below), 1021 University Ave.

Other performances are:

Tonight, Thursday, July 19, at 7:30 p.m. in Saint Edward’s Montessori School, 1129 Bellevue Ave., in Eau Claire.

Friday night, July 20, at 6:30 p.m. in the Cathedral Church of All Saints, 818 East Juneau Ave., in Milwaukee.

You can learn more and follow the group on Facebook at: https://www.facebook.com/TheMendotaConsort/


Classical music: The first-rate and listener-friendly Willy Street Chamber Players announce their five impressive July concerts – three with admission and two for FREE — as both subscription and single tickets go on sale

June 15, 2018
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By Jacob Stockinger

The Willy Street Chamber Players (below) remains one of The Ear’s favorite chamber music ensembles, which his why he named it “Musicians of the Year” in 2016.

Here is a link to that posting:

https://welltempered.wordpress.com/2016/12/30/classical-music-the-ear-names-the-willy-street-chamber-players-as-musicians-of-the-year-for-2016/

Nothing has changed, although some programs hold more appeal than others, as you would expect for anyone.

What’s not to like about the Willys?

The Willys emphasize friendliness and informality, putting a premium on accessible communication with the audience. You never get that snobby or exclusive feeling that some classical music concerts exude.

The price is right — $15 for each concert, $40 for the series of three — plus a FREE community concerts at the Goodman Center (below) and another FREE community concert at the Union Terrace.

The playing is always first-rate by both group members and guest artists. Many of both groups are local and come from the UW-Madison’s Mead Witter School of Music or play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Middleton Community Orchestra and other groups.

The programming is always inventive and eclectic. The music the Willys play includes both old and new works, familiar and unfamiliar composers, classic and contemporary music.

The Friday night concerts start at 6 p.m. and  last 60 to 90 minutes, giving you plenty of time to do something else to kick off the weekend. (See the YouTube video by Paul Baker at there bottom.) 

True to their name, at the post-concert receptions the Willys serve snacks that promote businesses on the east side. And trust The Ear, the food is very good. 

Here is a link to the new season, the group’s third:

http://www.willystreetchamberplayers.org/calendar.html

And here is a link to the Willys’ outstanding, informative and well organized website where you can find much more, including the full programs; the names of the core players; how to order tickets; how to donate and support The Willys; the names and location of the food providers; the rave reviews by several critics; favorite east side restaurants; frequently asked questions; and more (don’t ignore the heading FAQ on the home page).

http://www.willystreetchamberplayers.org

You can order season tickets and, if you go to the home page and look at each concert under Summer Series, individual tickets. You can also click on the box “Tickets Available.”

It all starts Friday, July 6, at 6 p.m. in the usually well attended Immanuel Lutheran Church (below), 1021 Spaight Street.

The Ear can hardly wait.


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