The weekly concerts, planned by FUS music director Dan Broner, run from 12:15 to 1 p.m.
This week’s program features flutist Iva Ugrcic (below) and pianist Satoko Hayami in music by Nikolai Kapustin, Carl Vine, Andre Jolivet and Minoru Miki. (Sorry, no specific pieces were named.)
SATURDAY
On Saturday night, the Madison-based chamber music ensemble Con Vivo (Music With Life, below) opens its 16th season.
The concert is entitled “Three’s Company” and takes place this Saturday at 7:30 p.m. at First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall.
Tickets can be purchased in advance at Orange Tree Imports: 1721 Monroe St., or at the door for $18 for adults and $15 for seniors and students.
The group opens its season with music for piano duet, Libertango, by Argentinean tango master Astor Piazzolla. (You can hear it in the YouTube video at the bottom. It is performed by the husband-and-wife piano duo of Alessio Bax and Lucille Chung, who recently played together in Madison at Farley’s House of Pianos.)
The Terzetto for string trio by Czech composer Antonin Dvorak will also be performed.
The evening will close with the beautiful Trio for clarinet, cello and piano by Austrian composer Carl Fruhling (below).
Audience members are invited to join the musicians after the concert for a free reception where they can discuss the concert with the musicians.
In remarking about the concert, artistic director Robert Taylor says: “We are delighted and thrilled to begin our ‘Sweet Sixteen’ season with music that will surely entertain, enliven and energize our audience. We are sure this will once again be a concert to remember.”
Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and various other performing groups familiar to Madison audiences.
If there was ever a genre of music created specifically for the talented, eclectic and fun-loving musicians of the Madison-based Bach Dancing and Dynamite Society, it is surely the tango.
It is hard to imagine a more perfect kind of music because it seems so suited to the temperament of the BDDS and its participants. The tango and BDDS simply seem made for each other.
The sexy and sensual tango has become both a popular and populist form of South American dance music. It started in brothels and then went mainstream. Then it crossed over into the classical repertoire, thanks to composers Astor Piazzolla, Carlos Guastavino and others.
If you have heard the BDDS perform tangos before, you know how captivating the performances are.
This weekend, the BDDS Silver Jubilee season will feature two programs with tangos, arranged by Pablo Zinger (below), a Uruguayan native who now calls New York City home.
Last time they performed, Zinger and his BDDS colleagues were absolutely terrific. The Ear will never forget the BDDS version of Piazzolla’s “Oblivion,” a fantastic, soulful and heart-breaking piece of music. (You can hear another version of “Oblivion” in the YouTube video at the bottom.)
Here are links to the program with tango this weekend to be performed at the Playhouse in the Overture Center and in the Hillside Theatre (below) at Frank Lloyd Wright’s Taliesin compound in Spring Green:
Besides tangos, there will also be music by Maurice Ravel (Piano Trio); Arnold Schoenberg (Chamber Symphony); Franz Schubert (Piano Trio No. 1); Joseph Haydn (Piano Trio No. 25, “Gypsy Rondo”); and movie music by Nino Rota, Henry Mancini and Luis Bacalov.
But featured prominently are tangos by Uruguayan composer Miguel del Aguila (below top) and by Argentine composer Astor Piazzolla (below bottom), who turned to the tango of his native land at the advice of Nadia Boulanger, the famous French teacher of Aaron Copland, Philip Glass and others.
If you are looking for a preview sample, you can of course go on YouTube. But you could also listen to the new CD of South American tangos by BDDS co-founder and co-artistic director Stephanie Jutt, who teaches at the University of Wisconsin-Madison School of Music and who is also principal flute of the Madison Symphony Orchestra.
Not long ago, Jutt (below) spent a sabbatical year in Argentina, if The Ear recalls correctly. She clearly fell in love with tango music and is anxious to share her enthusiasm with others. That enthusiasm and her flair for the dance form show in the terrific performances on the CD.
The new CD (below), on the Albany label, features pianists Elena Abend and the versatile arranger-pianist Pablo Zinger, whom you can hear live this weekend. It features 20 modern Latin American and Spanish works by Piazzolla and Guastavino as well as by Angel Lasada, the Brazilian composer Heitor Villa-Lobos and the Basque composer Jesus Guridi. (It is on sale at BDDS concerts for $15.)
Dance has always inspired classical music. Historically, the tango seems a natural modern progression from the Baroque minuets and allemandes of Johann Sebastian Bach, the Classical landler of Haydn, the Romantic waltzes of Franz Schubert and Frederic Chopin, the Hungarian Dances of Johannes Brahms and the Slavonic Dances of Antonin Dvorak.
But don’t take The Ear’s word for it.
Go listen for yourself. And be captivated, be transported. You won’t be disappointed.