The Well-Tempered Ear

Classical music: This afternoon is your last chance to hear the all-Russian program by violinist Rachel Barton Pine and the Madison Symphony Orchestra. Here are two very positive reviews and a more critical one

October 20, 2019
9 Comments

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By Jacob Stockinger

This afternoon, at 2:30 p.m. in Overture Hall, is your last chance to hear the highly praised all-Russian program by the Madison Symphony Orchestra (below, in a photo by Peter Rodgers), conducted by music director John DeMain.

The  guest soloist is the critically acclaimed, virtuoso violinist Rachel Barton Pine (below) from Chicago.

For more details about the program, the performers, program notes and tickets, go to: https://welltempered.wordpress.com/2019/10/17/classical-music-this-weekend-guest-violinist-rachel-barton-pine-solos-in-an-all-russian-program-of-khachaturian-prokofiev-and-shostakovich-by-the-madison-symphony-orchestra/

The concert features the Violin Concerto in D Minor by Aram Khachaturian; the “Lieutenant Kijé Suite” film score by Sergei Prokofiev; and the Symphony No. 9 by Dmitri Shostakovich. 

From the previews, the thematic program – all works were composed in the Soviet Union under the threatening shadow of the terrorist-dictator Josef Stalin (below) — sounded promising.

And it turns out that that the promise was, to varying degrees, fulfilled.

Here are two very positive reviews of the concert.

The first is by Michael Muckian (below), who has taken over reviewing duties at Isthmus for the now retired critic John W. Barker: https://isthmus.com/music/wildrussianride/

Here is a review by Greg Hettmansberger (below): https://whatgregsays.wordpress.com/2019/10/19/madison-symphony-triumphs-over-the-soviets/

And here is a somewhat more critical review by UW-Madison music graduate Matt Ambrosio (below) written for The Capital Times: https://madison.com/ct/entertainment/arts-and-theatre/review-rachel-barton-pine-gives-memorable-performance-with-the-mso/article_61f34b8d-8dd8-514d-8e75-576a47826a04.html

What did you think of the programs, the performers and the performance?

Which critic do you most agree with?

The Ear wants to hear.


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Classical music: This weekend guest violinist Rachel Barton Pine solos with the Madison Symphony Orchestra in an all-Russian program

October 17, 2019
9 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

This weekend the acclaimed Chicago violinist Rachel Barton Pine (below) makes her debut with the Madison Symphony Orchestra playing Khachaturian’s Violin Concerto in D minor.

The concert by the orchestra (below, in a photo by Peter Rodgers) opens with Prokofiev’s Suite from Lieutenant Kijé and concludes with Shostakovich’s Symphony No. 9.

Performances will be held in Overture Hall, 201 State St., on Friday night, Oct. 18, at 7:30 p.m.; Saturday night, Oct. 19, at 8 p.m.; and Sunday afternoon, Oct. 20, at 2:30 p.m. in Overture Hall. Tickets are $19-$95. See below for details.

“There will be great discoveries in our all-Russian concert, starting with the MSO debut of virtuoso violinist Rachel Barton Pine playing the Khachaturian Violin Concerto, a big, bold and beautiful work in its MSO premiere,” said MSO music director and conductor John DeMain (below, in a photo by Greg Anderson). Lieutenant Kijé is sure to delight you with its wonderful melodies and infectious rhythms. Shostakovich has become a favorite with our audiences, and his ninth symphony is delightfully upbeat.”

Lieutenant Kijé is the fictional protagonist of an anecdote about the reign of Emperor Paul I of Russia. The story was used as the basis of a novella by Yury Tynyanov published in 1928 and filmed in 1934, with music by Sergei Prokofiev (below). The plot is a satire on bureaucracy and is often parodied in fictional works making fun of bureaucracies, most famously in the form of the M*A*S*H television episode “Tuttle,” featuring a fictional captain of similar provenance. (You can hear the popular “Troika” episode in the YouTube video at the bottom.)

Many of the themes in Violin Concerto in D minor are evocative of the native Armenia of Aram Khachaturian (below). Although the folk melodies aren’t played explicitly, one can hear the Armenian roots through the oriental essence of the scales and the rhythmic range of the featured dances. The piece won the Stalin Prize in 1941, becoming one of Khachaturian’s favorites.

Shostakovich’s Symphony No. 9 is entirely unlike his other symphonies. In fact, it completely disregards the expectations for its programmatic elements. Shostakovich’s prior two symphonies are thematically tied to the ongoing war, therefore the public presumed that the ninth symphony would be a grand culmination to Stalin and mark the end of World War II. Instead, the composer (below) produced a short, neo-classical work that generated an abundance of controversy.

ABOUT RACHEL BARTON PINE

In both art and life, violinist Rachel Barton Pine (below) – who has performed in Madison before with the Wisconsin Chamber Orchestra — has an extraordinary ability to connect with people.

Celebrated as a leading interpreter of great classic and contemporary works, her performances combine her innate gift for emotional communication and her scholarly fascination with historical research. She plays with passion and conviction, thrilling audiences worldwide with her dazzling technique, lustrous tone, and infectious joy in music-making.

A prolific recording artist, she has also championed the works of female composers and African-American composers.

Pine was also recently named the recipient of the Cedille Records Musical Partnership Award for her Rachel Barton Pine Foundation. The Foundation was recognized as an organization that has demonstrated an extraordinary commitment to the classical music community in Chicago. Cedille noted the Foundation’s “support of the Chicago musical community’s most valuable asset — its musicians and composers.”

Pine was presented with the award by U.S Supreme Court Justice Ruth Bader Ginsburg whose son, Jim Ginsburg, founded Cedille Records. Pine began her Foundation in 2001 to provide instruments and instruction to children who might not otherwise be able to afford them.

You can read the Artist Story online about how Rachel Barton Pine overcame severe injuries and her own personal adversity to achieve her goals: https://madisonsymphony.org/19-20-artist-story-rachel-barton-pine-overcomes-adversity/

CONCERT, TICKET AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert.

One hour before each performance, retired MSO trombonist and UW-Whitewater professor Michael Allsen (below, in a photo by Katrin Talbot) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/msooct19programnotes.

Discounted seats are subject to availability, and discounts may not be combined.


Posted in Classical music
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