The Well-Tempered Ear

Classical music: Free “Just Bach” concerts change the starting time to NOON and begin their second season this Wednesday at Luther Memorial Church. Here are programs for this semester

September 15, 2019
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The Ear has received the following announcement from the organizers and performers of Just Bach, which had a very successful inaugural run last season:

Join us on this coming Wednesday, Sept. 18, as we kick off our second season of “Just Bach” concerts. The concerts are FREE and OPEN TO THE PUBLIC, with a goodwill offering collected.

The Just Bach concert series – which features Baroque period instruments and historically informed performance practices — resumes as part of the weekly free noontime “Music at Midday” concerts in the gorgeous sanctuary (below) of Luther Memorial Church, 1021 University Ave. For more information and a schedule of other performances and performers in the series,  go to: luthermem.org/music-at-midday

PLEASE NOTE: While the one-hour Just Bach concerts last season started at 1 p.m., this season they will start at NOON.

The photo (below, from left) shows three performers for this upcoming first concert: soprano Sarah Brailey, violist Marika Fischer Hoyt, and traverse flutist Linda Pereksta.

The season-opener is an instrumental program titled “Gamba Sonatas Without the Gambas.” (Gamba is the Italian word for leg and was used to describe what would evolve into the modern cello.)

Of the three sonatas written for viola da gamba (an early version of the modern cello) and harpsichord, BWV 1027-1029, we’ll hear the first and third, but in alternate versions.

First on the program is the hauntingly beautiful Sonata No. 3 in G Minor, BWV 1029, performed on viola da braccio (baroque viola) and harpsichord. (You can hear the opening movement of the original version, played on a modern cello and piano by Janos Starker and Gyorgy Sebok, respectively, in the YouTube video at the bottom.)

Following that will be the jaunty Sonata in G Major BWV 1039, the Trio Sonata arrangement for cello, flute and harpsichord that Bach made of the Sonata No. 1, BWV 1027.

Just Bach regulars traverse flutists Linda Pereksta and Monica Steger and violist Marika Fischer Hoyt return to the stage. They will be joined by cellist Lindsey Crabb (below top) and UW-Madison harpsichordist John Chapell Stowe (below bottom on the right), who are making their debuts at Just Bach.

Just Bach organizer and regular performer, as well as UW graduate student and professional touring soprano, Sarah Brailey (below) leads the chorale sing-along, a beloved audience-participation feature of these programs. 

Bring your lunch, bring your ears and your voice, and bring a friend, but most of all bring yourself to enjoy the sublime music of Johann Sebastian Bach.

Here is a schedule of upcoming Just Bach concerts this fall, all taking place on Wednesdays at noon:

Oct. 16:  Cantata 158 Der Friede sei mit dir (Peace be with you)

Nov. 20:  Cantata 151 Süßer Trost, mein Jesus kommt (Sweet comfort, my Jesus comes)

Dec. 18:  Christmas Pastiche

For more information, including tips on parking, go to the website justbach.org


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Classical music: This week brings three period-instrument concerts — two of them FREE — of early music from the Baroque and Classical eras including works by Bach, Telemann and Haydn

April 23, 2019
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CORRECTION: The concert listed below by Sonata à Quattro on Thursday night at Oakwood Village West, near West Towne Mall, is at 7 p.m. — NOT at 8 as erroneously first listed here. The Ear regrets the error.

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This week features three concerts of music from the Baroque and early Classical eras that should attract the attention of early music enthusiasts.

WEDNESDAY

This Wednesday, April 24, is the penultimate FREE Just Bach concert of the semester. It takes place at 1 p.m. in Luther Memorial Church, 1021 University Avenue.

This month’s program, featuring the baroque flute, presents the program that was canceled because of the blizzard in January.

First on the program is the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo, a gorgeous example of baroque chamber music.

Following that comes the Orchestral Suite No. 2, BWV 1067, for flute, strings and harpsichord, really a mini flute concerto.

The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted Flesh and Blood), scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: UW-Madison soprano Julia Rottmayer; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and UW-Madison bass-baritone Paul Rowe.

The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverse flutists Linda Pereksta and Monica Steger.

The last Just Bach concert of this semester is May 29. For more information, go to: https://justbach.org

THURSDAY

On Thursday night, April 25, at 7 p.m. — NOT 8 as mistakenly listed here at first –at Oakwood Village West, 6209 Mineral Point Road, the Madison group Sonata à Quattro (below) will repeat the Good Friday program it performed last week at a church in Waukesha.

The one-hour concert – featuring “The Seven Last Words of Christ” by Franz Joseph Haydn — is FREE and OPEN TO THE PUBLIC. (You can sample the first part of the Haydn work in the YouTube video at the bottom.)

Commissioned by the southern Spanish episcopal city of Cadiz, this piece was originally scored for orchestra, but it enjoyed such an immediate, widespread acclaim, that the publication in 1787 also included arrangements for string quartet, and for piano. In nine movements beginning with an Introduction, Haydn sets the phrases, from “Father, forgive them, for they know not what they do” to “Into Thy hands I commend my spirit,” concluding with one final movement depicting an earthquake.

Performers for this program are:  Kangwon Kim, Nathan Giglierano, Marika Fischer Hoyt and Charlie Rasmussen. Modern string instruments will be used, but played with period bows.

The period-instrument ensemble Sonata à Quattro was formed in 2017 as Ensemble-In-Residence for Bach Around The Clock, the annual music festival in Madison.

The ensemble’s name refers to baroque chamber music scored for three melody lines plus continuo. The more-familiar trio sonata format, which enjoyed great popularity in the 17th and 18th centuries, employs a continuo with only two melody instruments, typically treble instruments like violins or flutes. 

In contrast, a typical sonata à quattro piece includes a middle voice, frequently a viola, in addition to the two treble instruments and continuo; this scoring has a fuller, richer sonority, and can be seen as a precursor to the string quartet. For more information, go to: https://www.facebook.com/sonataaquattro/

SATURDAY

On Saturday, April 27, at 7:30 p.m. at Saint Andrew’s Episcopal Church, 1833 Regent Street, the veteran Wisconsin Baroque Ensemble (below) will perform a concert of baroque chamber music.

Tickets are at the door only: $20 for the public, $10 students.

Performers are: Brett Lipshutz, traverse flute; Sigrun Paust, recorder; Monica Steger, traverse; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

The program is:

Johann Baptist Wendling – Trio for two flutes and bass

Johann Pachelbel – Variations on “Werde Munter, mein Gemuethe” (Be Happy, My Soul)

Friedrich Haftmann Graf – Sonata or Trio in D major for two German flutes and basso continuo

Daniel Purcell – Sonata in F Major for recorder

INTERMISSION

Georg Philipp Telemann – Trio for recorder, flute,and basso continuo TWV 42:e6

Franz Anton Hoffmeister – Duo for two flutes, Opus 20, No. 1

Joseph Bodin de Boismortier – Trio Sonata, Op. 37, No. 5

Telemann – Trietto Methodicho (Methodical Sonata) No 1. TWV 42: G2

After the concert, a reception will be held at 2422 Kendall Avenue, second floor.

For more information, go to: https://wisconsinbaroque.weebly.com


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Classical music: January’s FREE “Just Bach” midday concert is this Wednesday at 1 p.m. and spotlights the flute

January 22, 2019
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NEWS UPDATE: Tomorrow’s Just Bach concert as been canceled due to weather and the expected snowstorm. The Ear has been told that the program will be performed on another date. The next Just Bach concert is Feb. 20.

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This month’s FREE hour-long “Just Bach” concert of music by Johann Sebastian Bach will take place this Wednesday, Jan. 23, at 1 p.m. in Luther Memorial Church, 1021 University Avenue.

Admission is FREE with good will offerings accepted. Food and drink are allowed during the concert. (Below is a photo by John W. Barker of an earlier Just Bach concert.)

The program, which puts the spotlight on the baroque flute (below), includes: the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo; and the Orchestral Suite No. 2 BWV 1067, for flute, strings and harpsichord, which is really a mini flute concerto. (You can hear the popular Orchestral Suite No. 2 in the YouTube video at the bottom.)

The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted flesh and blood), which is scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: soprano Sarah Brailey; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and bass-baritone Paul Rowe.

The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverso flutists Linda Pereksta (below top) and Monica Steger (below bottom).

Just Bach concert dates – all Wednesdays at the same time and in the same church  — for this semester are Jan. 23, Feb. 20, March 13, April 24 and May 29.


Posted in Classical music
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