The Well-Tempered Ear
Music con Brio starts an annual Black Composers project with a FREE virtual concert
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement from Carol Carlson, the co-founder and Executive Director of the Madison-based Music con Brio (below), who is a violinist and holds a doctorate in music from the UW-Madison:
Hello friends,
Happy summer! I hope you are able to enjoy some rest, relaxation and fun in the sun.
I am emailing you because Music con Brio embarked on an exciting new project this year, and I want to share it with you.
In an effort to diversify our repertoire and guest artists, we have launched our new “Music by Black Composers” project. Last winter, our staff chose four pieces of music by Black composers and made student-accessible arrangements of them.
We then taught these new pieces during our online lessons this spring. On May 8, we gathered together outside at the Goodman Community Center, with four phenomenal local Black guest artists, to professionally record all four pieces.
And now, in lieu of our regular Community Concert Series this year, we are thrilled to present our first-ever Virtual Community Concert!
Click on the link to YouTube video at the bottom to watch and hear the 12-minute performance. Once there, click on Show More to see the composers, pieces and performers.
We are incredibly proud of our students and staff for all their hard work making this so successful. I’m sure you will enjoy their performance!
Please do feel free to pass the video along to anyone else you think might be interested in watching it.
And if you feel so inclined, we would really appreciate a donation in support of this work, which we plan to do every year from now on. To support Music con Brio and our Black Composers project by making a secure, tax-deductible donation, go to: https://www.musicconbrio.org/donate/
Thank you so much for your support! We hope to see you at a live concert again sometime soon!
If you wish to know more about Music con Brio, go to: https://www.musicconbrio.org
Tags: #African-AmericanComposer, #BillWithers, #Blackcomposers, #BlackMusic, #BlogPost, #BlogPosting, #CarolCarlson, #ChamberMusic, #CommunutyConcertSeries, #DaneArts, #EmersonElementarySchool, #FacebookPost, #FacebookPosting, #FlorencePrice, #FranciscaGonzaga, #GoodmanCenter, #GoodmanCommunityCenter, #GuestArtist, #Hard Work, #HardWork, #HomeWebsite, #JacobStockinger, #LeanonMe, #LiveConcert, #LiveMusic, #MadisonArtsCommission, #MadisonWisconsin, #MeadWitterSchoolofMusic, #MusicconBrio, #MusicEducation, #NegroSpiritual, #NewMusic, #OnlineConcert, #OnlineLessons, #RecordedMusic, #SugarMapleMusicFestival, #SwingLow, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualCommunityConcert, #VirtualConcert, #VocalMusic, #WallaceWillis, #YouTubevideo, accessible, African American, annual, anyone, arrange, arrangement, artist, Arts, audience, Bach, Bill Withers, Black composers, black music, blog, Carol Carlson, Cello, Chamber music, children, choose, Classical music, click, co-founder, community, Community Concert Series, composer, Concert, Dane Arts, diversify, diversity, doctorate, donation, drums, effort, effprt, else, email, embark, Emerson Elementary School, enjoy, exciting, Facebook, Facebook post, Facebook posting, feel, first, first-ever, Florence Price, forward, founder, Francisca Gonzaga, free, friends, fun, gather, Goodman Center, Goodman Community Center, graduate student, guest artist, happy', hard, hear, home website, incredible, Jacob Stockinger, know, launch, Lean on Me, like, link, live concert, live music, local, Madison, Madison Arts Commission, Mead Witter School of Music, Music, Music con Brio, Music education, new, New Music, online, online lessons, Orchestra, orchestral music, pass, percussion, perfomer, performance, performer, phenomenal, Pianist, Piano, piece, plan, players, post, posting, pride, professional, project, proud, record, recorded music, relaxation, repertoire, rest, secure, series, share, spiritual, Spring, staff\, students, success, successful, Sugar Maple Music Festival, summer, sun, support, Sweet Chariot, SweetChariot, Swing Low, symphony, tag, taught, tax-deductible, teach, The Ear, theill, together, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, video, Viola, Violin, violinist, virtual, Virtual Community Concert, vocal music, Wallace Willis, want, watch, Website, winter, Wisconsin, work, year, you, YouTube
Pianist John O’Conor plays the sublimely beautiful Impromptu in G-Flat Major by Franz Schubert
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear loves Franz Schubert, who wrote supremely beautiful music. And one of his most sublime pieces comes from his first set of Impromptus for solo piano, the one in G-Flat Major, D. 899, No. 3.
This beautiful music was superbly performed here in 2018 by the Irish pianist John O’Conor (below), who specializes in the composers of the Classical era — especially Beethoven, Schubert and Mozart. He also has revived the music of the Irish Romantic composer John Field and appeared in Madison with the Wisconsin Chamber Orchestra.
Here is the introduction from the Salon Piano Series at Farley’s House of Pianos, which booked, hosted and recorded the live solo recital performance (below) on May 12, 2018.
“During these uncertain times, we appreciate remembering time spent together enjoying music.
“Please take a break from your day to see and hear John O’Conor perform Franz Schubert’s Impromptu in G-flat, D. 899, No. 3, in the YouTube video at the bottom that was recorded live at Farley’s House of Pianos as part of the Salon Piano Series on May 12, 2018.
“To see how the 1908 Chickering concert grand played by John O’Conor was restored, click here: https://www.youtube.com/watch?v=a5RJWeve6R8
“Over the years, you have supported Salon Piano Series with your attendance, individual sponsorships and donations (you can link to https://salonpianoseries.org/donate).
“We look forward to bringing you world-class musical performances in our unique salon setting again soon.
Sincerely,
Salon Piano Series
Tags: #BlogPost, #BlogPosting, #CapTimes, #ChickeringPiano, #CityofMadison, #ClassicalComposers, #Classicalera, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FranzSchubert, #IntimateSetting, #IrishComposer, #JacobStockinger, #JohnField, #LiveConcert, #LiveMusic, #LudwigVanBeethoven, #MadisonWisconsin, #PianoSonata, #RecordedMusic, #RomanticComposer, #RomanticEra, #RomanticMusic, #SalonPIanoSeries, #TheEar, #WisconsinChamberMusic, #WolfgangAmadeusMozart, #YouTubevideo, appreciate, Arts, attendance, audience, beauitful, Beethoven, blog, Book, break, Chickering, class, Classical, Classical era, Classical music, come, composer, Concert, concerto, coronavirus, day, Deutsch, donation, era, Facebook, Facebook post, Facebook posting, Farley's House of Pianos, field, forward, Franz Schubert, hear, help, host, impromptu, individual, intimate, introduction, Ireland, Irish, Irish composer, Jacob Stockinger, John Field, like, link, live concert, live music, look, Love, Ludwig van Beethoven, Madison, Mozart, Music, Orchestra, pandemic, performance, performer, Pianist, Piano, Piano sonata, play, post, posting, recital, record, recorded music, remember, revival, revive, Romantic, Romantic era, Romantic music, salon, Salon Piano Series, Schubert, see, setting, share, solo, Sonata, specialize, spend, sponsorships, sublime, superb, supreme, symphony, tag, take, The Ear, times, together, United States, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, world, world-class, YouTube
The UW Pro Arte Quartet performs the sixth installment of its must-hear Beethoven cycle in a FREE virtual online concert this Friday night. Here are the schedule and links for the rest of the cycle
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Friday night, Feb. 5, the University of Wisconsin Mead Witter School of Music’s Pro Arte Quartet (PAQ, below) will perform a FREE live virtual and online all-Beethoven concert.
The program is the sixth installment of the PAQ’s Beethoven string quartet cycle, which is part of the Pro Arte Quartet’s yearlong retrospective of Beethoven’s quartets to celebrate the 250th anniversary of the birth of the composer (below).
Members (below, from left, in a photo by Rick Lang) are violinists David Perry; violist Suzanne Beia; and cellist Parry Karp.
The live-streamed concert begins at 7:30 CST with a short lecture by UW-Madison professor of musicology Charles Dill (below), who will introduce both string quartets: String Quartet in B-flat Major, Op. 18, No. 6; and String Quartet in F major, Op. 59, No. 1.
If this concert is at all like the past ones online, listeners are in for a treat. The playing is always first-rate, but – unlike what has been the case with even professional online and virtual performers – the sound and visual technology matches that quality. To The Ear, these are must-hear performances, wherever you are in the world.
Because of copyright issues, each concert will stay posted in YouTube for only 24 hours.
Here is the new schedule for the spring semester and the rest of the Beethoven cycle.
Explains cellist Parry Karp: “The schedule for this coming semester has been changed a bit because the semester started a week later and we decided to do Beethoven’s String Quintets as well.”
All virtual concerts will take place in Mead Witter Foundation Concert Hall in the Hamel Music Center. But no in-person attendance will be allowed.
PROGRAM No. 6: Friday, Feb. 5, 7:30 p.m. String Quartet in B-flat Major, Op. 18, No. 6 (1798-1800). You can hear the last movement in the YouTube video at the bottom. String Quartet in F Major, Op 59, No. 1 (1808)
PROGRAM No. 7: Friday, March 5, 7:30 p.m. Fugue for String Quintet in D Major, Op. 137 (1817); String Quintet in C Major, Op. 29 (1801); String Quartet in C Major, Op. 59, No. 3 (1808)
PROGRAM No. 8: Friday, April 9, 7:30 p.m. String Quartet in F Major, Op. 135 (1826); String Quartet in B-flat major, Opp. 130 and 133 (1825-6)
And here are links to those performances:
Feb. 5
March 5
April 9
Tags: #All-Beethoven, #BeethovenYear, #BlogPost, #BlogPosting, #CentralTime, #ChamberMusic, #CharlesDill, #CoronavirusPandemic, #COVID-19, #DavidPerry, #FacebookPost, #FacebookPosting, #Fridaynight, #HamelMusicCenter, #HighTechnology, #JacobStockinger, #LiveConcert, #LiveStreaming, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MusicProfessor, #OnlineConcert, #ParryKarp, #Pre-concertLecture, #ProArteQuartet, #SallyChisholm, #SpringSemester, #StringQuartet, #StringQuintet, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualConcert, #YouTubeChannel, #YouTubevideo, anniversary, Arts, audience, Beethoven, Beethoven Year, birth, blog, cellist, Cello, Central Time, Chamber music, change, Charles Dill, Classical music, composer, Concert, coronavirus, CST, David Perry, Facebook, Facebook post, Facebook posting, first-rate, free, Friday, Hamel Music Center, installment, introduce, Jacob Stockinger, lecture, like, link, listener, live concert, live streaming, live-stream, Ludwig van Beethoven, Madison, match, Mead Witter, Mead Witter Foundation Concert Hall, Mead Witter School of Music, Music, musicology, must-hear, night, online, pandemic, PAQ, Parry Karp, part, perform, playing, post, posting, Pro Arte Quartet, professor, quaity, retrospective, Sally Chisholm, schedule, semester, share, six, Sound, Spring, stream, String quartet, string quintet, tag, talk, technology, The Ear, treat, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, video, Viola, Violin, violinist, violist, virtual, Wisconsin, world, yearlong, YouTube
Take a free brief Chopin break, thanks to pianist Adam Neiman playing the first six preludes at the Salon Piano Series
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Here is an announcement about the latest monthly free concert excerpt from the Salon Piano Series. It features pieces by Chopin, some of which are played by students and amateurs, and other that require the technique of a virtuoso:
“During these uncertain times, we appreciate remembering time spent together enjoying music.
Please take a brief break from your day to see and hear Adam Neiman (below) perform Frederic Chopin’s Preludes 1-6, Opus 28. (The Ear hopes we get to hear the remaining 18 preludes in several installments from Neiman, who has performed with and recorded Mozart piano concertos with the Wisconsin Chamber Orchestra and conductor Andrew Sewell.\.)
The 8-minute video was recorded live at Farley’s House of Pianos as part of the Salon Piano Series on Feb. 26, 2017.
You can hear the performance in the YouTube video at the bottom.
Over the years, you have supported Salon Piano Series with your attendance, individual sponsorships, and donations. We look forward to bringing you world-class musical performances in our unique salon setting again soon.
Sincerely,
Salon Piano Series
Tags: #AdamNeiman, #AndrewSewell, #BlogPost, #BlogPosting, #Chopin'sPreludes, #CoronavirusPandemic, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FredericChopin, #IntimateSetting, #JacobStockinger, #LiveConcert, #LiveMusic, #MusicalExcerpt, #OnlineConcert, #PianoMusic, #RecordedMusic, #SalonPIanoSeries, #TheEar, #UncertainTimes, #VirtualConcert, #VirtuosoPianist, #WisconsinChamberMusic, #WolfgangAmadeusMozart, #YouTubeChannel, #YouTubevideo, Adam Neiman, amateur, Andrew Sewell, annoucement, appreciate, Arts, attendance, audience, blog, break, brief, Chopin, Classical music, composer, Concert, coronavirus, day, donation, enjoy, excerpt, Facebook, Facebook post, Facebook posting, Farley's House of Pianos, feature, February, forward, fragment, Frédéric Chopin, free, hear, hope, individual, installments, Jacob Stockinger, latest, lik, like, live concert, live music, Madison, minute, monthly, Mozart, Music, musical, online, opus, Orchestra, pandemic, performance, Pianist, Piano, piano music, piece, play, post, posting, Preludes, recital, recorded music, remember, require, salon, Salon Piano Series, setting, several, Sewell, share, short, solo, soon, spent, sponsor, sponsorship, Student, support, tag, technique, thanks, The Ear, time, times, uncertain, unique, United States, video, virtual, virtuoso, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, world-class, years, YouTube
The New York Times names the top 25 classical recordings of 2020 and includes sample tracks
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FOWARD A LINK TO IT or SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
What did the holidays bring you?
Did Hanukkah, Christmas or Kwanzaa bring you a gift card?
A subscription to a streaming service?
Maybe some cash?
Or maybe you just want to hear some new music or new musicians or new interpretations of old classics?
Every year, the music critics of The New York Times list their top 25 recordings of the past year. Plus at the end of the story, the newspaper offers a sample track from each recording to give you even more guidance.
This year is no exception (below).
In fact, the listing might be even more welcome this year, given the coronavirus pandemic with the lack of live concerts and the isolation and self-quarantine that have ensued.
The Ear hasn’t heard all of the picks or even the majority of them. But the ones he has heard are indeed outstanding. (In the YouTube video at the bottom, you can hear a sample of the outstanding Rameau-Debussy recital by the acclaimed Icelandic pianist Vikingur Olafssen, who scored major successes with recent albums of Philip Glass and Johann Sebastian Bach.)
Here is a link: https://www.nytimes.com/2020/12/17/arts/music/best-classical-music.html
Of course not all critics agree.
The Ear has already listed the nominations for the Grammy Awards (a link is below), and more critics’ picks will be featured in coming days.
You should also notice that a recording of Ethel Smyth’s “The Prison” — featuring soprano Sarah Brailey (below), a graduate student at the UW-Madison’s Mead Witter School of Music and a co-founder of Just Bach — is on the Times’ list as well as on the list of Grammy nominations.
What new recordings – or even old recordings — would you recommend?
The Ear wants to hear.
Tags: #AlexanderScriabin, #AmazonMusic, #AmericanJazz, #AnnaThorvaldsdottir, #AnthonyTommasini, #AntoineForqueray, #ArchivMusic, #AshFure, #AvieRecords, #BangonaCan, #BarnesandNoble, #BaroqueDance, #BaroqueMusic, #BaroqueOpera, #BavarianRadioSymphoyOrchestra, #BenjaminGrosvenor, #BlackAmericans, #BlogPost, #BlogPosting, #CarolinWidmann, #CelloSuites, #ChamberMusic, #ChandosRecords, #ChoralMusic, #ChristmasHoliday, #ClaudeDebussy, #CorinnadaFonseca-Wollheim, #CoronavirusPandemic, #COVID-19, #CriticallyAcclaimed, #DanillTrifonov, #DavidGreilsammer, #DavidHertzberg, #DeccaRecords, #DeutscheGrammophon, #DriftMultiply, #DukeEllington, #ElimChan, #EriksEsenvalds, #EthelSmyth, #FacebookPost, #FacebookPosting, #FairyTale, #FergusonMissouri, #FranzSchubert, #FredericChopin, #GeorgeFridericHandel, #GeorgeLewis, #GiftCard, #GraduateStudent, #GrammyAward, #GrammyAwards, #HermannScherchen, #HistoricallyInformedPerformancePractices, #HolidayGift, #HolidayGiftGuide, #IgorStravinsky, #InternationalContemporaryEnsemble, #JacobStockinger, #JanLadislavDussek, #Jean-EfflamBavouzet, #Jean-FéryRebel, #Jean-PhilippeRameau, #JohannNepomukHummel, #JohannSebastianBach, #JohnnyGandelsman, #JosephC.PhillipsJr., #JosephWölfl, #JoshuaBarone, #JoyceDiDonato, #JustBach, #KarimSulayman, #KirillGerstein, #LiliBoulanger, #LincolnCenter, #LiveConcert, #LivingComposers, #LudwigVanBeethoven, #MariinskyOrchestra, #MariinskyTheaterOrchestra, #MeadWitterSchoolofMusic, #MeredithMonk, #Mezzo-sopranoSinger, #MirareRecords, #MusicalInterpretation, #MusicCritics, #Muzio, #NadiaBoulanger, #NaiveRecords, #NathalieJoachim, #NewMusic, #NewYorkCity, #NewYorkTimes, #NicholasPhan, #OldClassics, #OlivierMessiaen, #PeriodInstruments, #PhilipGlass, #PianoConcerto, #PianoSonata, #PierreHantai, #RebeccaSaunders, #RichardWagner, #RoyalScottishNationalOrchestra, #SampleTrack, #SarahBrailey, #Self-Isolation, #Self-Quarantine, #SergeiProkofiev, #ShiverLung, #SilverAge, #SoloPiano, #SopranoSinger, #SoundSample, #StreamingService, #TenorSinger, #TheBeethovenConnection, #TheEar, #TheExterminatingAngel, #ThePrison, #TheUK, #TheUW, #ThomasAdès, #TopRecordings, #TristanPerich, #UnitedKingdom, #UniversityofWisconsin-Madison, #ValeryGergiev, #ViennaStateOperaOrchestra, #VikingurOlafsson, #VocalMusic, #WyntonMarsalis, #Yi-hengYang, #YouTubevideo, #ZacharyWoolfe, 2020, acclaimed, African American, Agrippina, Alexander Scriabin, Amazon, Amazon Music, amazon.com, America, Anna Thorvaldsdottir, Anthony Tomassini, Antoine Forqueray, Archiv Music, Arts, Ash Fure, audience, Avie Records, award, Bach, Bang on a Can, Barnes and Noble, Baroque, Baroque music, Baroque opera, Bavarian Radio Symphony Orchestra, Beethoven, Benjamin Grosvenor, Berceuse, black, blog, brilliant, BrowandBeige, Brown and Beige, Carolin Widmann, cash, Cello, Cello Suite, centuries, Chamber music, Chandos Records, chaos, China, Chinese, Chopin, choral music, Christmas, Classical music, classics, Claude Debussy, Clementi, coming, composer, Concert, concerto, conductor, connection, conversation, Corinna da Fonseca-Wollheim, coronavirus, dance, Daniil Trifonov, David Greilsammer, David Hertzberg, days, Debussy, Decca, Decca Records, Deutsche Grammophon, DG, drift, Drift Multiply, Duke Ellington, Dussek, Early music, Earth, Elim Chan, end, Eriks Esenvalds, Ethel Smyth, exception, Facebook, Facebook post, Facebook posting, fairy tale, Ferguson, fortepiano, Franz Schubert, Frédéric Chopin, George Frederic Handel, George Lewis, gift, gift card, gigue, Glass, graduate student, Grammy, guidance, Handel, Hanukkah, harpsichord, hear, Hermann Scherchen, historically informed performance practices, Holiday, Hummel, Iceland, Icelandic, Igor Stravinsky, International Contemporary Ensemble, interpretation, isolation, Jacob Stockinger, Jan Ladislav Dussek, Jazz, Jean-Efflam Bavouzet, Jean-Féry Rebel, Jean-Philippe Rameau, Johann Nepomuk Hummel, Johann Sebastian Bach, Johnny Gandelsman, Joseph C. Phillips Jr., Joseph Wölfl, Joshua Barone, Joyce DiDonato, Just Bach, Karim Sulayman, Kirill Gerstein, Kwanzaa, Labyrinth, lack, like, Lili Boulanger, LIncoln Center, link, listing, live concert, living composers, Love, Ludwig van Beethoven, lullaby, Mariinsky Orchestra, Mariinsky Theatre Orchestra, me, Mead Witter School of Music, Meredith Monk, Messiaen, Mezzo-soprano, Mirare Records, Missouri, multiply, Music, music critics, Musician, Muzio Clementi, Nadia Boulanger, Naive Records, Nathalie Joachim, new, New Music, New York City, New York Times, Newspaper, Nicholas Phan, nominations, old, old classics, Olivier Messiaen, opera, Orchestra, Overture, pandemic, past, period instruments, Philip Glass, Pianist, Piano, Piano concerto, Piano Concerto No. 1, Piano sonata, Pierre Hantai, post, posting, Prokofiev, quiet, Rameau, Ravel, reader, Rebecca Saunders, Rebel, recital, Recordings, reverential, Richard Wagner, Romance, Royal Scottish National Orchestra, sample, sample track, Sarah Brailey, Schubert, Scotland, Scottish, Scriabin, Sergei Prokofiev, share, Shiver Lung, Silver Age, Solo Cello Suites, solo piano, Sonata, song, songs, soprano, Spotify, story, Stravinsky, streaming service, subscriber, subscription, Suite, symphony, tag, teach, tender, tenor, The Beethoven Connection, The Ear, The Exterminating Angel, The Prison, Thomas Ades, top, top recordings, track, transcription, Tristan Perich, UK, United Kingdom, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Valery Gergiev, Vienna State Opera Orchestra, Vikingur Olafsson, Viola, Violin, violinist, violist, vocal music, Wagber, Wynton Marsalis, Yang, year, Yi-heng Yang, you, YouTube, Zachary Woolfe
The UW-Madison’s Pro Arte Quartet performs the fifth installment of its complete Beethoven cycle this Friday night at 7:30 in a FREE live-streamed concert
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
As we draw close to Dec. 16 and the 250th birthday celebrations for Ludwig van Beethoven (below, in 1803), one of the joys and highlights of the Beethoven Year continues to impress.
The UW-Madison’s acclaimed Pro Arte Quartet will give the fifth installment of their complete cycle of the 16 string quartets by Beethoven this Friday night, Nov. 20, at 7:30 p.m.
Here is a direct link: https://youtu.be/nZN7tRu8N_k
Members of the quartet (below, from left) are: violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.
The FREE online virtual concert is a livestream from the Mead Witter Foundation Concert Hall, where the quartet will once again play with masks and social distancing (below).
No in-person attendance is allowed.
“It’s different playing without a live audience,” says cellist Parry Karp. “But we’re getting used to it. Not having to play other live concerts or to go on tour around the state also allows us to focus more. And the upside of playing online is that we saw quite a number of viewers from Brazil and Argentina listening to our last concert.”
Before each of the two quartets, Professor Charles Dill (below in a photo by Katrin Talbot), who teaches musicology at the UW-Madison’s Mead Witter School of Music, will give a short introductory lecture.
The program features one early quartet and one middle “Razumovsky” quartet: String Quartet No. 3 in D Major, Op. 18 No. 3 (1798-1800); and String Quartet No. 8 in E Minor, “Razumovsky,” Op. 59, No. 2 (1806).
You can hear the Ebène Quartet play the hymn-like slow movement of the Razumovsky quartet, with its use of a Russian theme, in the YouTube video at the bottom.)
Here is more background from Wikipedia about both quartets:
https://en.wikipedia.org/wiki/String_Quartet_No._3_(Beethoven)
https://en.wikipedia.org/wiki/String_Quartet_No._8_(Beethoven)
For more information about the program, the names of the orchestra’s players and impressive historical background about the Pro Arte Quartet, go to: https://www.music.wisc.edu/event/pro-arte-quartet-beethoven-string-quartet-cycle-program-v/
Tags: #BeethovenYear, #BlogPost, #BlogPosting, #ChamberMusic, #CharlesDill, #CompleteCycle, #ConcertHall, #CoronavirusPandemic, #COVID-19, #DavidPerry, #EbeneQaurtet, #EbeneQuartet, #FacebookPage, #FacebookPost, #FacebookPosting, #Fridaynight, #HamelMusicCenter, #InPerson, #JacobStockinger, #LiveAudience, #LiveConcert, #LiveMusic, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MusicProfessor, #OnlineConcert, #ParryKarp, #ProArteQuartet, #RazumovskyQuartet, #SallyChisholm, #SlowMovement, #SocialDistance, #StringQuartet, #SuzanneBeia, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualConcert, #WisconsinChamberOrchestra, #YouTubeChannel, #YouTubevideo, anniversary, Argentina, Argentine, Argentinean, Arts, audience, background, Beethoven, Beethoven Year, birthday, blog, Brazil, Brazilian, celebration, cellist, Cello, celo, Chamber music, Charles Dill, Classical music, complete, composer, Concert, concert hall, continue, coronavirus, cycle, David Perry, December, early, Ebene Quartet, Facebook, fifth, Focus, foreign, forward, free, Friday, Hamel Music Center, highlight, hymn, impress, in person, installment, international, introductory, Jacob Stockinger, Joy, lecture, like, link, live, live audience, live music, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, mask, Mead Witter Foundation Concert Hall, Mead Witter School of Music, middle, Music, musicology, names, night, November, online, opus, Opus number, Orchestra, pandemic, PAQ, Parry Karp, performer, play, player, players, post, posting, Pro Arte Quartet, professor, program, Razumovsky, Russia, Russian, Sally Chisholm, share, short, show movement, social distance, String quartet, Suzanne Beia, tag, The Ear, theme, tour, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, upside, UW, Viola, Violin, violinist, violist, virtual, Wisconsin, Wisconsin Chamber Orchestra, YouTube
Salon Piano Series offers a free video of pianist Maxim Lando playing quiet Beethoven to ease the burden of the pandemic
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following note from the Salon Piano Series to post:
During these uncertain times, we appreciate remembering time spent together enjoying music.
Please take a break from your day to see and hear the young, prize-winning pianist Maxim Lando (below) perform the theme-and-variations third movement of Beethoven’s Sonata No. 30 in E Major, Op. 109, “Andante molto cantabile ed espressivo” (Slowly, very singing and expressive).
The 15-minute video – posted and viewable now- — was recorded live at Farley’s House of Pianos, as part of the Salon Piano Series, on Nov. 17, 2019.
Over the years, you have supported Salon Piano Series with your attendance, individual sponsorships and donations. We look forward to bringing you world-class musical performances in our unique salon setting again soon.
For updates and more information, go to: https://salonpianoseries.org
Here is the Lando video:
Editor’s note: Here is a Wikipedia entry with more impressive information about Maxim Lando’s biography and many concert performances around the world including China and Russia as well as the U.S.: https://maximlando.com
If you want to hear the entire Beethoven Sonata, you can hear a performance by Richard Goode in the YouTube video below.
Tags: #BlogPost, #BlogPosting, #ClassicalMusician, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #GilmoreCompetition, #HomeWebsite, #IntimateSetting, #JacobStockinger, #LiveConcert, #LudwigVanBeethoven, #MaximLando, #OnlineConcert, #PianoSonata, #Prize-Winning, #RecordedMusic, #RichardGoode, #SalonPIanoSeries, #SergeiProkofiev, #SlowMovement, #TheEar, #ThemeAndVariations, #TheU.S., #Wikipediabiography, #Wikipediaentry, #YouTubeChannel, #YouTubevideo, again, America, appreciate, Arts, attendance, audience, Beethoven, biography, blog, China, Classical music, classicalmusic, composer, Concert, concerto, coronavirus, donations, ease, enjoy, entire, event, expose, exposure, expressive, Facebook, Farley's House of Pianos, forward, free, Gilmore, hear, home website, impressive, individual, information, Jacob Stockinger, like, link, live, live concert, look, Ludwig van Beethoven, Madison, Maxim Lando, movement, Music, musical, Musician, New York City, note, online, pandemic, perform, performance, performer, Pianist, Piano, Piano sonata, Prokofiev, quiet, record, recorded music, remembering, Richard Goode, Russia, salon, Salon Piano Series, Sergei Prokofiev, setting, share, sing, Singing, slow, Sonata, soon, sponsors, sponsorships, subscriber, support, tag, The Ear, theme and variations, time, together, U.S., uncertain, unique, United States, updates, video, viewable, virtual, want, Website, Wikipedia, Wisconsin, world, world-class, you, young artist, YouTube
Classical music: Is this summer’s Token Creek Festival on or off? And if it is on, what form will it take? We will know the delayed decision by July 15
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
For 30 years, the Token Creek Festival (below), which takes place in a refurbished barn, has been a welcome and distinguished bridge from the summer concert season to the autumn season.
It usually takes place from late August through early September.
And by this time we usually know the theme, the performers and the ever-inventive programs that co-directors John and Rose Mary Harbison (below), along with managing director Sarah Schaffer, have put together. (Editor’s note: You can hear festival participants rehearsing the beautiful opening of the slow movement to the Piano Quartet by Robert Schumann in the YouTube video at the bottom.)
But not this year.
Thanks to challenges and complications from the coronavirus and the public health crisis posed by COVID-19, a stop-or-go decision has been postponed until July 15.
Will there be one or more live events? Will the festival be virtual and online? Will guest artists and even the Harbisons risk traveling by plane? Will the mainly older public attend? There are many variables to take into account.
Here is an official announcement from the festival:
Dear Friends,
The middle of June is when we usually announce our concerts for the season, scheduled every year to begin in late August and run through Labor Day.
As we continue to endure the many shifts of the crises of health, politics and civil rights, we find ourselves struggling to understand all the contradictions.
In spite of it all, we have some hopes for a concert emblematic of the festival — perhaps a single event taking advantage of the small venue (below top and bottom), with the audience socially distanced or virtually engaged, or perhaps new dates later in the season — having a chance to recall what we have enjoyed together.
So we are delaying our announcement of what the Token Creek Festival might present, with a final decision by July 15. (Editor’s note: You can check at: http://tokencreekfestival.org.)
It is hard to give up something that has been evolving for 30 years and counting. It is a luxury and a lifeline for both the performers and the listeners, something that holds us fast in spite of the present challenges.
We are not yet advertising or taking ticket orders or building new facilities. But we, and the artists who are holding dates for us, are doing something else: We are practicing, imagining, thinking in real terms about presenting concerts again.
If for no other than those reasons, we beg the indulgence of our friends as we become perhaps the last to depart the season, or among the few to be able to propose some radical, slim, socially distanced, barn-size festival.
We hope you will stay tuned, as we are staying tuned.
And we’ll let you know what’s possible by mid-July.
With warm wishes,
John and Rose Mary and Sarah, TCF Directors
Tags: #AlphabeticalOrder, #ArtSongs, #BlogPost, #BlogPosting, #ChamberMusic, #CivilRights, #ConcertSeason, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #GuestArtist, #HarvardUniversity, #JacobStockinger, #JohnHarbsion, #LaborDay, #LiveConcert, #LiveMusic, #LivingComposer, #ManagingDirector, #NewMusic, #OnlineConcert, #PianoQuartet, #PublicHealth, #RobertLevin, #RobertSchumann, #RoseMaryHarbison, #SarahSchaffer, #SlowMovement, #SocialDistance, #TheEar, #TokenCreekChamberMusicFestival, #TokenCreekFestival, #VirtualConcert, #VocalMusic, #YouTubevideo, account, advertise, announce, announcement, artist, Arts, attend, audience, August, Autumn, Bach, barn, beg, blog, bridge, challenge, Chamber music, chance, civil rights, Classical music, complication, composer, Concert, concerto, contemporary, continue, contradiction, coronavirus, date, decision, delay, demonstration, depart, distinguished, Early music, emblematic, endure, enjoy, event, evolution, evolve, Facebook, facilities, facility, festival, form, forward, friends, guest, guest artist, Harvard, Harvard University, Holiday, hope, imagine, imagining, indulgence, inventive, Jacob Stockinger, Johann Sebastian Bach, John Harbison, July, know, Labor Day, later, lifeline, like, link, listener, listeners, live, live concert, live music, Living composer, luxury, Madison, managing director, New Music, official, older, online, order, pandemic, performer, Pianist, Piano, Piano Quartet, plane, Politics, post, posting, postpone, practicing, presenting, program, programming, protest, public, Public health, racism, radical, real, recall, refurbish, rehearse, Robert Levin, Rose Mary Harbison, Sarah Schaffer, scholar, Schumann, Season, September, shape, share, shift, single, slim, Slow movement, small, social distance, song, struggle, summer, tag, terms, The Ear, think, thinking, ticket, time, together, Token Creek Chamber Music Festival, Token Creek Festival, travel, understand, United States, unrest, variables, venue, Viola, Violin, violinist, virtual, vocal music, welcome, word, years, YouTube
Classical music: COVID-19 pandemic forces more major changes for Concerts on the Square and a cancellation by the Mosaic Chamber Players
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: The Ear has received the following note from Jess Salek — the founder, director and pianist of the Mosaic Chamber Players: “Just a note to mention that the concert scheduled for this Saturday, June 13, is cancelled due to COVID-19. We are doing our best to stay positive during this difficult time for local arts groups, and we will resume our music-making as soon as is safe. Please be well!”
By Jacob Stockinger
Major changes are in store for the annual Concerts on the Square, which were already postponed with a change of dates, day and time, according to television WKOW-TV Channel 27 (you can hear the TV news report in the YouTube video at the bottom):
Here are details:
MADISON (WKOW) – The Wisconsin Chamber Orchestra (WCO) has unveiled a new plan for its 2020 Concerts on the Square series (below), which involves replacing the four postponed concerts with two drive-in performances.
Additionally, they’re planning for two live concerts at Breese Stevens Field if playing outdoors is deemed safe in late summer.
The revised approach was necessary to keep attendees safe, while adhering to state and county requirements that don’t allow for large gatherings, according to a WCO news release.
The WCO will follow Forward Dane Health Guidelines to determine if the live concerts can occur. A decision will be made in late July.
“We were optimistic in April that if we only delayed the start of Concerts on the Square to late July that we could still hold live performances downtown,” said Joe Loehnis (below), the WCO’s CEO. “But as the pandemic continues to affect us all in ways we never could have foreseen, we’ve decided to take creative steps now that will allow us to still share music with our community.”
The new plan for Concerts on the Square looks like this:
- The first four shows (July 28 – Aug 18) have been postponed until the summer of 2021.
- The WCO, in partnership with the Madison Mallards, will host two “drive-in” concerts on June 24 and July 22 (more information below). Each concert also will be live-streamed on https://wcoconcerts.org and https://pbswisconsin.org for free.
- The final two Concerts on the Square will be live concerts at Breese Stevens Field on Aug. 25 and Sept. 1.
- The WCO’s annual “runout” concert to Portage this summer has been canceled.
Drive-in Concerts on the Square
The two drive-in concerts will feature rebroadcasts of the most popular Concerts on the Square performances, thanks to a partnership with PBS Wisconsin.
The WCO expects to be able to have 115 vehicles at each concert. The goal is to make it accessible to as many people as possible without risking health and safety.
The basics for each program are:
Location: Warner Park, 2930 N. Sherman Ave., Madison
Cost: $25 per car
Time: 7-8 p.m.; 8:45-9:45 p.m. (two showings each night to allow more people to attend)
Additional information: To purchase tickets, visit:
- 8:45 p.m. concert: https://madison-mallards.nwltickets.com/Tickets/SelectPromoSeats?UserPromoCode=wco8
June 24 – “S Wonderful” with Amanda Huddleston, soprano, and Andrew Clark, tenor. Songs include: “The Sound of Music” Medley, “Smoke Gets in Your Eyes,” “Armed Forces Salute” and “1812 Overture.” (2015 Performance)
July 22 – “Film Night,” featuring concertmaster Suzanne Beia. Songs include: “The Magnificent Seven,” “The Pink Panther,” “Raiders of the Lost Ark,” “Schindler’s List” and “E.T.” (2019 Performance)
“With two showings each night, we’re trying to make the concerts as accessible as possible,” Loehnis said. “Community partnerships are so important right now, and because of PBS Wisconsin and the Mallards, we’re able to bring this idea to life. We are grateful for these partnerships.”
Breese Stevens concerts are planned for late summer. If Dane County has entered Phase III of its Forward Dane plan by late August, 250 people will be allowed to gather for outdoor events.
For that reason, the WCO is planning to host two live Concerts on the Square at Breese Stevens.
The WCO will provide an update later in July on progress for this opportunity. Those shows currently are scheduled for Aug. 25 and Sept. 1.
The WCO also is considering how it could broadcast the live performances to other venues such as the Alliant Energy Center, Warner Park or Madison parks, where others could view the concerts safely.
“We’re still working through the logistics, and we’re realists – understanding that the situation changes almost daily,” Loehnis said. “But we also want to be forward-thinking and we’re going to keep pushing ahead unless we don’t believe a live show can be held safely.”
To keep up-to-date with performance schedules, community members can sign up for email updates on the WCO website or follow the orchestra on Facebook (https://www.facebook.com/search/top/?q=wisconsin%20chamber%20orchestra&epa=SEARCH_BOX) and Instagram.
Tags: #AlliantEnergyCenter, #AmandaHuddleston, #AndrewClark, #ArmedForces, #ArmedForcesSalute, #BlogPost, #BlogPosting, #BreeseStevensField, #ChamberMusic, #Channel27, #CityofMadison, #CollaborativePianist, #ConcertsontheSquare, #COVID-19, #DaneCounty, #E.T., #FacebookPost, #FacebookPosting, #FilmMusic, #ForwardDane, #HomeWebsite, #InstagramPost, #JacobStockinger, #JessSalek, #JoeLoehnis, #JohnWilliams, #LiveConcert, #MadisonMallards, #MagnificentSeven, #MosaicChamberPlayers, #MovieMusic, #MovieScore, #Music-Making, #NewRelease, #OnlineConcert, #PBSWisconsin, #PeterIlyichTchaikovsky, #PinkPanther, #PortageWisconsin, #PublicHealth, #RaidersoftheLostArk, #Schindler'sList, #September11, #SmokeGetsinYourEyes, #SopranoSinger, #SoundofMusic, #StevenSpielberg, #SuzanneBeia, #TenorSinger, #TheEar, #VirtualConcert, #VocalMusic, #WarnerPark, #WisconsinChamberOrchestra, #WisconsinPublicTelevision, #YouTubevideo, 1812 Overture, 2020, @1812Overture, Alliant Energy Center, Amanda Huddleston, Andrew Clark, annual, approach, armed forces, Armed Forces Salute, Arts, arts groups, attend, audience, August, auto, Baseball, blog, Breese Stevens Field, Broadcast, cancel, car, CEO, Chamber music, change, changes, Channel 27, Classical music, community, composer, Concert, concertmaster, Concerts on the Square, conductor, coronavirus, cost, county, creative, Dane County, day, decision, deem, details, difficult, director, downtown, drive-in, Facebook, film, Film score, Forward Dane, founder, groups, guidelines, Health, Instagram, involve, Jacob Stockinger, Jess Salek, Joe Loehnis, John Williams, July, June, like, link, live, live-stream, local, location, Madison, Madison Mallards, Magnificent Seven, major, Mosaic Chamber Players, movie music, movie score, Music, news, night, online, optimistic, Orchestra, other, outdoors, pandemic, Park, partnership, PBS, PBS Wisconsin, People, performer, Peter Ilyich Tchaikovsky, phase, Pianist, Piano, Pink Panther, plan, play, playing, popular, popular success, Portage, positive, post, posting, postpone, Public health, purchase, Raiders of the Lost Ark, realist, rebroadcast, release, requirement, resume, runout, safe, safety, Schindler's List, September, series, share, show, showing, singer, Smoke Gets in Your Eyes, song, soon, soprano, Sound of Music, state, stay, steps, Steven Spielberg, summer, Suzanne Beia, symphony, tag, Tchaikovsky, Television, tenor, The Ear, tickets, time, TV, United States, unveil, vehicles, venue, venues, virtual, vocal music, Warner Park, WCO, Website, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Public Television, WKOW TV, WPT, YouTube
Recent Comments
 | samanthacrownoversbc… on How do post-pandemic concert a… |
 | Ronnie on How do post-pandemic concert a… |
 | welltemperedear on How do post-pandemic concert a… |
 | Polly Kuelbs on How do post-pandemic concert a… |
| welltemperedear on How do post-pandemic concert a… |
The Well-Tempered Ear 
Salon Piano Series cancels the rest of this season but offers a free monthly video from past concerts
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement from the Salon Piano Series that take place at Farley’s House of pianos:
Dear friends,
How we’ve missed seeing you, since last we were able to gather – in February, for pianist Shai Wosner (below, in a photo by Marco Borggreve) and his recital of heart-stopping Schubert, Scarlatti, Rzewski and Beethoven.
Since then, our pianos have sat silent, waiting for the day we can safely reopen and welcome you back.
For now, although it breaks our hearts, we do need to stay dark through the rest of the 2020-21 season, for everyone’s safety. Our highest priority is the well-being of our artists, audience and staff.
But rest assured that we are rescheduling all of our postponed performances:
Drew Petersen (below) (https://www.brownpapertickets.com/event/4275242) will perform next October.
Jazz great Bill Charlap (below) (https://www.brownpapertickets.com/event/4275248) will perform in June.
We are working to schedule Sara Daneshpour, violinist Rachel Barton Pine, Niklas Sivelov and John O’Conor over the next two seasons.
In the meantime, while we can’t gather in person, we’re pleased to announce the launch of a monthly video series featuring some of our past and upcoming artists.
December brings us the incomparable Shai Wosner and in January, Adam Neiman (below).
During these uncertain times, we appreciate remembering time spent together enjoying music.
Please take a break from your day to see and hear Shai Wosner (below) performing Domenico Scarlatti’s Sonata in C Minor, K. 230, and Frederic Rzewski’s Nano Sonata No. 12.
The video was recorded live at Farley’s House of Pianos as part of the Salon Piano Series on Feb. 23, 2020.
Click here or at the bottom for the YouTube video: https://www.youtube.com/watch?v=-MCxr5ioV4o&feature=youtu.be
Last March, Shai Wosner released a 2-CD album (http://www.shaiwosner.com/recordings.html) of Schubert late piano sonatas. The album’s producer is nominated for a Grammy Award for the album.
Over the years, you have supported the intimate Salon Piano Series with your attendance, individual sponsorships and donations (https://salonpianoseries.org/donate).
We look forward to bringing you more world-class musical performances in our unique salon setting again soon.
In the meantime, these performances are a way to recapture the live concert experience, including commentary from artistic director Tim Farley, with videography by Tom Moss.
Those on our e-newsletter list, available at our website at https://salonpianoseries.org/contact.html, will receive a video link each month, and the videos are also available on our social media channels.
Stay safe, stay healthy and keep listening.
Sincerely,
The Salon Piano Series Board of Directors
Share this:
Like this:
Tags: #AdamNeiman, #AmericanJazz, #ArtisticDirector, #BaroqueMusic, #BlogPost, #BlogPosting, #BoardofDirectors, #BrownPaperTickets, #ChamberMusic, #CityofMadison, #CompactDisc, #ConcertSeason, #CoronavirusPandemic, #COVID-19, #DomenicoScarlatti, #E-newsletter, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FranzSchubert, #FredericRzewski, #GrammyAward, #InPerson, #JacobStockinger, #JohnO'Conor, #LiveConcert, #LudwigVanBeethoven, #MadisonWisconsin, #NanoSonata, #NewMusic, #NIklasSivelov, #OnlineConcert, #PianoMusic, #ProductionStaff, #PublicHealth, #RachelBartonPine, #RecordedMusic, #SalonPIanoSeries, #SaraDaneshpour, #ShaiWosner, #SocialMedia, #TheEar, #TimFarley, #TomMoss, #UncertainTimes, #VirtualConcert, #YouTubeChannel, #YouTubevideo, Adam Neiman, Album, appreciate, artist, Artistic director, Arts, assured, attend, audience, award, Baroque, Baroque music, Beethoven, blog, Board of Directors, break, Brown Paper Tickets, CDs, Chamber music, channel, Classical music, commentary, Compact Disc, composer, Concert, coronavirus, COVID19, dark, day, December, Domenico Scarlatti, donate, donation, e-newletter, Early music, email, enjoy, everyone, experience, Facebook, Facebook post, Facebook posting, Farley's House of Pianos, forward, Franz Schubert, Frederic Rzewski, friend, gather, gorgeous, Grammy, Grammy Award, great, healthy, heart, heart-stopping, in person, incomparable, individual, Jacob Stockinger, January, Jazz, John O'Conor, June, Keyboard, Kirkpatrick, like, link, listen, listening, live, live concert, Ludwig van Beethoven, Madison, missed, month, monthly, Music, musical, nano, nano sonata, Neiman, New Music, newsletter, Niklas Sivelov, O'Conor, October, online, pandemic, perform, performance, Pianist, Piano, piano music, post, posting, postpone, postponed, priority, producer, public her;th, Rachel Barton Pine, recital, recorded music, remember, reopen, reschedule, rescheduling, rest, safe, safely, safety, salon, Salon Piano Series, Sara Daneshpour, Scarlatti, Schubert, Season, see, seeing, setting, Shai Wosner, share, silence, silent, social media, Sonata, sponsorship, staff\, support, tag, The Ear, ticket, Tim Farley, time, times, together, Tom Moss, uncertain times, unique, United States, video, videographer, videography, Violin, virtual, welcome, Wisconsin, working, world-class, Wosner, YouTube