The Well-Tempered Ear

Classical music: Next week, the Ancora String Quartet closes its 16th season with three concerts that contrast the German Romanticism of Beethoven and the French Impressionism of Saint-Saëns. This Saturday night, the Festival Choir of Madison sings about astrology and signs of the Zodiac

May 5, 2017
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ALERT: On this Saturday night, May 6, at 7:30 p.m. at the First Unitarian Society of Madison 900 University Bay Drive, the Festival Choir of Madison will perform a spring program of choral music linked to signs of the Zodiac and astrology, Sorry, no word on the specific program. Tickets are $15, $12 for seniors and $6 for students. For more information go to: http://festivalchoirmadison.org/concerts/a-musical-zodiac

By Jacob Stockinger

The Ear received the following note to post from the Ancorans, who are  among his favorite musicians:

You are invited to join the Ancora String Quartet (ASQ), below in a photo by Barry Lewis) for the closing concert program of our 16th season.

The performance takes place next Saturday night,  May 13, at 7:30 p.m., at St. Andrew’s Episcopal Church (below), 1833 regent Street. A champagne reception will follow.

French Impressionism and German Romanticism – Vive la difference! Whether you prefer Bordeaux or Riesling wine, you’ll enjoy our spring program.

On the program are the Quartet No. 2 in G Major, Op. 153, by Camille Saint-Saëns (below top) and the Quartet No. 12 in E-flat Major, Op. 127, by Ludwig van Beethoven (below bottom).

Saint-Saëns’ second quartet reveals the lyricism and witty invention that earned him the nickname “the French Mendelssohn.” (You can hear the quartet’s beautiful slow movement in the YouTube video at the bottom.)

We follow this up with the first of Beethoven’s late quartets, written shortly after he finished his Ninth Symphony. From its wistfully dreamy first movement to the ethereally mysterious coda in the last, Beethoven charts a new course.

Tickets will be available at the door, and are for general seating. Ticket prices are $15 for adults, $12 for seniors and students, and $6 for children under 12.

Other performances of this program will take place earlier.:

The first is on Monday, May 8, at 3 p.m. at the Stoughton Opera House (below) in Stoughton. Admission is a free-will donation.

The other performance is on Friday, May 12, at 7:30 p.m. in the MacDowell Music Club in Janesville. The concert is FREE and open to the public.

Members of the quartet (below, from left, in a photo by Barry Lewis) are Wes Luke and Robin Ryan, violins; Marika Fischer Hoyt, viola; and Benjamin Whitcomb, cello. They represent professional experience playing with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, Madison Bach Musicians and many other groups plus teaching privately and in the University of Wisconsin System.

For more information, including individual biographies and concert schedules, go to:

http://ancoraquartet.com


Classical music: In a busy week, here are some other performances of violin, harpsichord, guitar and vocal music that merit your attention and attendance

April 28, 2017
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By Jacob Stockinger

It’s getting so that, more and more often, the week just isn’t long enough to cover the ever-increasing number of classical music events in the Madison area.

It is compounded by the fact that so many events mean more previews than reviews – which The Ear thinks benefits both the public and the performers.

But here are four more events that you might be interested in attending during the coming weekend:

SATURDAY

On Saturday night at 8 p.m. in Overture Hall, legendary superstar violinist Itzhak Perlman (below, in a photo by Lisa-Marie Mazzucco) will perform a recital with his longtime accompanist Rohan de Silva. (You can hear the two perform the Serenade by Franz Schubert in the YouTube video at the bottom.)

The program includes the Sonata in A Major, Op. 2, No. 2, by Antonio Vivaldi; Sonata No. 1 in D Major, Op. 12, No. 1, by Ludwig van Beethoven; the “Fantasy Pieces,” Op. 73, by Robert Schumann; the Sonata No. 2 in G Major for Violin and Piano by Maurice Ravel; and selected works to be announced from the stage.

Tickets are $50 to $100. Here is a link for tickets and more information about the performers:

http://www.overture.org/events/itzhak-perlman

If you want to prepare for the concert and go behind the scenes with Perlman, here is a great interview with Perlman done by local writer Michael Muckian for the Wisconsin Gazette:

http://wisconsingazette.com/2017/04/20/itzhak-perlman-good-music-recipe-mix/

On Saturday night at 7:30 p.m. in the Landmark Auditorium of the First Unitarian Society, 900 University Bay Drive, the Third Annual Mark Rosa Harpsichord Recital will take place. It features guest harpsichordist JungHae Kim (below top) and local baroque violinist Kangwon Kim (below bottom).

The program includes works by Arcangelo Corelli, Jean-Henri D’Anglebert, Jean-Marie Leclair, Gaspard LeRoux and Domenico Scarlatti.

Admission at the door is $15, $10 for seniors and students.

The harpsichord was built by Mark Rosa and is a faithful reproduction of the 1769 Pascal Taskin instrument at Edinburgh University. It has two keyboards, two 8-foot stops, one 4-foot stop, two buff stops and decorative painting by Julia Zwerts.

Korean born harpsichordist JungHae Kim earned her Bachelor’s degree in harpsichord at the Peabody Conservatory of Music in Baltimore She then earned a Masters in Historical Performance in Harpsichord at the Oberlin Conservatory before completing her studies with Gustav Leonhardt in Amsterdam on a Haskell Scholarship. While in The Netherlands she also completed an Advanced Degree in Harpsichord Performance under Bob Van Asperen at the Sweelinck Conservatorium.

Kim has performed in concert throughout United States, Europe and in Asia as a soloist and with numerous historical instrument ensembles including the Pierce Baroque Dance Company, the Los Angeles Baroque Orchestra, Music’s ReCreation, and Agave Baroque. She performed at the Library of Congress with American Baroque and frequently performs with her Bay Area period instrument group; Ensemble Mirable.

As a soloist, Kim has performed with Musica Angelica, Brandywine Baroque, the New Century Chamber Orchestra, and with the San Francisco Symphony. Kim frequently teaches and performs at summer music

SUNDAY

On Sunday afternoon at 2:30 p.m. in the St. Joseph Chapel of Edgewood College, 1000 Edgewood College Drive, the Edgewood Chorale, along with the Guitar Ensemble, will give a spring concert.

The concert also features performances by students Johanna Novich on piano and Renee Lechner on alto saxophone.

The program includes music by Gabriel Fauré, John Rutter, Frederic Chopin, Bernhard Heiden and many others.

Admission is FREE and OPEN TO THE PUBLIC.

Edgewood College’s Music Department was recognized by the readers of Madison Magazine with the Best of Madison 2017 Silver Award.

On Sunday afternoon at 3 p.m. at the West Middleton Lutheran Church, 3773 Pioneer Road, at Mineral Point Road in Verona, the internationally acclaimed and Grammy Award-winning tenor Dann Coakwell (below) will team up with keyboardist and MBM founder-director Trevor Stephenson to perform Robert Schumann’s masterpiece song cycle Dichterliebe (A Poet’s Loves).

Just last week Coakwell sang the role of the Evangelist John in the Madison Bach Musicians’ production of Johann Sebastian Bach’s St. John Passion.

Stephenson will be playing his restored 1855 Bösendorfer concert grand piano (both are below).

Also on the program are four selections from Franz Schubert’s last song collection Schwanengesang (Swansong).

This concert will start off a three-day recording session of this repertoire ― with a CD due for release later this year.

Tickets are $30. Seating at the church is very limited. Email to reserve tickets: www.trevorstephenson.com


Classical music: Local music critic John W. Barker will host a fundraiser this Wednesday night for the Fifth Handel Aria Competition

April 22, 2017
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By Jacob Stockinger

The Ear has received the following information to post:

John W. Barker (below right), local music critic for Isthmus and The Well-Tempered Ear and an arts supporter extraordinaire, will present “Handel and Other Friends,” a fundraiser for the Handel Aria Competition, at Immanuel Lutheran Church, 1021 Spaight Street, on this Wednesday night, April 26, at 7:30 p.m.

Performers will include:

  • Madison Savoyards
  • Karlos Moser
  • Trevor Stephenson of the Madison Bach Musicians
  • Paul Rowe and Cheryl Bensman Rowe
  • Pro Arte Quartet
  • Mosaic Chamber Players
  • Claire Powling, Rebecca Buechel and Talia Engstrom from the U.W. Madison Opera Program singing Handel duets

A highlight of the evening will be the official announcement of the seven national finalists in the Fifth Annual Handel Aria Competition (below is contestant and winner soprano Chelsea Morris).

Tickets to the April 26 fundraiser are $25 general admission, and $40 for special donor seating. They are available in advance at Orange Tree Imports, 1721 Monroe Street, online at Brown Paper Tickets, and at the door.

We are delighted to have received over 100 applicants from Canada, Mexico, Puerto Rico and 26 states — including Hawaii — for this year’s competition. Please plan to join us on Friday, June 9 at 7:30 p.m. in Mills Hall in the Humanities Building, University of Wisconsin-Madison Mead Witter School of Music for the Fifth Annual Handel Aria Competition.

The Madison Bach Musicians, under the direction of Trevor Stephenson, will again accompany the finalists. In addition to the professional judging for first, second and third prize, there will be a cash prize for Audience Favorite. (In the YouTube video below is Christina Kay singing from Handel’s “Joshua” during the 2016 Handel Aria Competition.)

Tickets will be $15 each and go on sale in May.

For more information, or to make a contribution, please go to www.HandelAriaCompetition.com


Classical music: You’re invited to a FREE 12-hour marathon birthday party for Johann Sebastian Bach this Saturday. Plus, tonight’s concert of African-American music has been CANCELLED

March 14, 2017
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ALERT: Tonight’s concert of African-American spirituals and songs has been CANCELLED because guest scholar and singer Emery Stephens is ill. The UW-Madison School of Music hopes to reschedule the event later this spring. 

By Jacob Stockinger

Guess who turns 332 on March 21?

This coming Saturday will bring a 12-hour, noon to midnight, marathon party for the Birthday Boy – Johann Sebastian Bach (1685-1750, seen below in a humorous poster for a similar event held several years ago).

The local event – now part of the nationwide “Early Music Month” — is being revived, thanks to Madison violist Marika Fischer Hoyt (below), who performs with the Madison Bach Musicians, the Ancora String Quartet  and the Madison Symphony Orchestra,  and to many sponsors.

The party will take place at St. Andrew’s Episcopal Church (below) on Regent Street. (Several years ago, the event, when it was sponsored by Wisconsin Public Radio, was held at the Pres House.) There will be live audio-visual streaming and free wi-fi, and the event will be recorded.

Here is a link to the updated schedule of performances:

https://bacharoundtheclock.wordpress.com/concert-schedule/

Here is a link to an earlier post about the upcoming event:

https://welltempered.wordpress.com/?s=bach+around+the+clock

If you love the music of Bach (below) – and The Ear doesn’t know anyone who is into classical music who doesn’t revere Bach — there will be a lot to love and to listen to at this FREE and OPEN TO THE PUBLIC  celebration.

The event is modeled after a longtime similar event in New Orleans and those who attend it can come and go and come back again.

Local performers include groups and individuals who are professionals (Madison Bach Musicians and Wisconsin Chamber Choir), amateurs and students (Suzuki Strings of Madison).

The impressive program includes lots of variety.

There will be preludes and fugues.

Cantatas and concertos.

Sonatas and suites.

Obscure works will be performed.

But there will also be popular works such as two Brandenburg Concertos (Nos. 3 and 5), The Well-Tempered Clavier (Books I and II), the Magnificat, a Violin Concerto, “Jesu, Joy of Man’s Desiring” and some of The Art of Fugue. (You can hear Fugue No. 1  from “The Art of Fugue,” which will be performed at BATC, in the YouTube video at the bottom.) 

There will be music played on period instruments and on modern instruments, including the harpsichord and the piano; the baroque violin and the modern violin; older recorders and newer flutes, the viola da gamba and the cello. And of course there will be lots and lots of singing and organ music.

Given such a marathon undertaking, you should know that there will be refreshments (coffee, tea, bottled water and snacks), comfortable seating and special birthday cakes — served at midnight — provided by Clausen’s Eurpean Bakery in Middleton.

NOTE: You can find out more when several organizers and performers from Bach Around the Clock are Norman Gilliland’s guests on Wisconsin Public Radio’s “The Midday” this coming Thursday from noon to 12:30 p.m.

For more information –including how to support the event with a donation and how to participate in it as a performer – go to the event’s homepage:

https://bacharoundtheclock.wordpress.com

Here are some links to previous posts on this blog about attending earlier versions of Bach Around the Clock. Read them and look at the pictures, and you will see how enjoyable they are and how informative they are.

From 2010:

https://welltempered.wordpress.com/2010/03/20/classical-music-events-here-is-the-line-up-for-saturdays-bach-around-the-clock/

From 2011:

https://welltempered.wordpress.com/2011/03/21/classical-music-review-the-marathon-“bach-around-the-clock”-concert-is-now-officially-a-tradition-in-madison-wisconsin/

From 2012:

https://welltempered.wordpress.com/2012/03/23/classical-music-here-are-8-lessons-i-learned-from-my-day-of-berlitz-bach-at-wisconsin-public-radios-bach-around-the-clock-3-last-saturday/

See you there!


Classical music: Madison Bach Musicians will host its second summer chamber music workshops in Baroque and Classical music July 25-28 and is now accepting applications for participants and auditors. Plus, UW cellist Parry Karp repeats his recent recital this Sunday afternoon at the Chazen Museum of Art

March 4, 2017
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ALERT: Just a reminder that UW-Madison professor and Pro Arte Quartet cellist Parry Karp will repeat his recent program with pianist Eli Kalman this Sunday afternoon during “Sunday Afternoon Live From the Chazen.” The FREE concert starts at 12:30 p.m. in the Brittingham Gallery 3. The program includes sonatas by Ludwig van Beethoven and Cesar Franck plus preludes by Sulkan Tsintsadze. The recital can also be streamed LIVE.

Here is a link to more information about the performances and program:

https://welltempered.wordpress.com/2017/02/22/classical-music-cellist-parry-karp-plays-music-by-beethoven-franck-and-sulkan-tsintszade-in-a-free-recital-this-friday-night/

And here is a link to the Chazen streaming site:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen-3-5-17/

By Jacob Stockinger

The Ear has been sent the following information to post:

Madison Bach Musicians is excited to offer a Summer Chamber Music Workshop from July 25 to July 28, 2017, focusing on historically informed performances of baroque and classical music.

This workshop is open to intermediate and advanced players who are high school age and older. Participants will be assigned to an ensemble group, and music will be sent in advance to allow musicians to learn their parts beforehand. (Below is a group photo from last summer’s workshop that was taken by Mary Gordon.)

mbm-summer-workshop-i-from-balcony-mary-gordon

The workshop will include personalized ensemble coaching, master classes, a faculty concert, community lunches and a final closing concert for a supportive and appreciative audience.

Keyboard player Trevor Stephenson (below top), who founded and directs the Madison Bach Musicians, and violinist Kangwon Kim (below bottom) are the co-directors of the summer session.

Trevor Stephenson full face at keyboard USE

Kangwon Kim close up

Other faculty members include flutist Linda Pereksta (below top) and cellist Martha Vallon (below bottom).

linda-pereksta

martha-vallon

All of this will take place in the beautiful and acoustically rich spaces of the First Unitarian Society of Madison.

Applications will be accepted on a first-come, first-served basis beginning Jan. 15, 2017. (Early application discount will be given until March 20.)

Instruments covered include the violin, viola, cello, harpsichord, fortepiano, piano, flute, recorder, oboe and bassoon.

For more information and full details as well as a schedule of classes, faculty and performances – which will include the Brandenburg Concerto No. 3 by Johann Sebastian Bach (see the YouTube video at bottom)  as well as music by Antonio Vivaldi and Arcangelo Corelli — go to:

http://madisonbachmusicians.org/education-and-outreach/summer-workshop/

For information about being an auditor and a schedule of concerts, go to:

https://docs.google.com/presentation/d/15MHgnVjRFits_P7MZ3oC2Xs_vs7yDCV7fULTRmYv5PM/pub?start=false&loop=false&delayms=3000&slide=id.p

mbm-summer-workshop-2017-poistcard


Classical music: Trevor Stephenson is offering a 4-part Chopin course and an all-Chopin concert on Feb. 25 (NOT Feb. 24 as first announced an mistakenly printed here). TODAY is the deadline for enrolling in the course

January 27, 2017
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By Jacob Stockinger

Trevor Stephenson (below), who founded and co-directs the Madison Bach Musicians, may be best known in the Madison area for his work with early music and Baroque music.

But Stephenson, who is known for his outstanding pre-concert lectures as well as for his performances, is also deeply involved in period instruments and historically informed performance practices concerning Romantic music.

trevor-stephenson-with-1855-bosendorfer-grand

He writes to The Ear: “In February, I’m offering a four-part course on  piano music by Frederic Chopin (below). This will meet on Thursday evenings 6-7:30 p.m. at my home studio. Information is below. Email me to enroll.

“Also, I’ll play an all-Chopin house concert on SATURDAY, FEB. 25 AT 7 P.M. — NOT Sunday, Feb. 26, at 3 p.m. as first and mistakenly printed here — which will be here at the home studio as well. Refreshments will be served. Reservations are required (trevor@trevorstephenson.com). Admission is $40.”

Chopinphoto

CHOPIN COURSE

DATES: February 2, 9, 16, 23

TIME: Thursdays 67:30 p.m.

PLACE: 5729 Forstyhia Place, Madison WI 53705

COST: Enrollment is $120

Reading knowledge of music is suggested.

Class size is limited to 15, and enrollment closes TODAY, Friday, Jan. 27.

Contact trevor@trevorstephenson.com

TOPICS:

Feb. 2: Waltzes, Preludes

Feb. 9: Nocturnes, Mazurkas

Feb. 16: Etudes, Polonaises

Feb. 23: Ballades, Scherzos

Instruments to be used are: an 18th-century Fortepiano (Sheppard after Stein)
 c. 1840; a Cottage Upright Piano (attr. C. Smart ) c. 1850; and English Parlor Piano (Collard & Collard) 
c. 1855; and a Viennese Concert Grand Piano (Bösendorfer) 

Subject matter will include: Origins of Chopin’s compositional style; tonal qualities of his pianos, early 19th-century temperaments; fingering; pedaling; articulation; touch; tempo; and tempo rubato.


Classical music: After six years of success, “Grace Presents” — a series of monthly FREE concerts at noon on Saturday — has been suspended indefinitely

January 12, 2017
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By Jacob Stockinger

The “Grace Presents” series of FREE monthly Saturday noon concerts has been suspended indefinitely.

The series presented folk music, jazz, ethnic, country and other genres in addition to classical music.

Grace Presents sign

The Ear feels sorry about the unfortunate move, but offers kudos and thanks for a job well done. (At bottom is a YouTube video of the Liebeslieder Waltzes by Johannes Brahms sung at Grace Presents.)

Over several years, he has heard memorable performances of sonatas and suites, cantatas and preludes, of vocal, string and piano music by Johann Sebastian Bach, Johannes Brahms and other composers. Included here are some photos of past events.

The concerts – held in the wonderful interior (below) of Grace Episcopal Church on the downtown Capitol Square — always attracted a large, friendly and appreciative crowd, and the series became a showcase to spotlight some performers who have a lower profile, including graduate students at the University of Wisconsin-Madison School of Music.

grace episcopal church ext

Grace Episcopal harpsichord

MBM Grace stained glass window

No specific reason for the action was given, and The Ear wonders if it had to do with finding financial sponsors or perhaps with the difficulty of booking performers in a city with such competitive programming of music.

It was not an easy job to set it up and keep it running. So The Ear offers congratulations and thanks to the many people who made the series successful for many years. (Below are violinist Laura Burns, who plays with the Madison Symphony Orchestra and the Rhapsodie Quartet, and pianist Jess Salek, who teaches and performs with the Mosaic Chamber Players and the Madison Youth Choirs.)

Laura Burns Jess Salek Brahms Grace Epis

Here is the official statement:

Dear Grace Presents Community:

After six seasons of offering free community concert programming monthly at the historic Grace Episcopal Church, the Grace Presents Concert Series has been suspended indefinitely.

From performers such as Yid Vicious, Kenn Lonquist, The Dang-It’s, the Madison Bach Musicians (below) and so many others we have enjoyed presenting these concerts free of charge to the Madison community and the thousands of downtown Madison visitors.

MBM Grace cantatas singers 2

It is our hope that this concert series may find a champion in the near future, but until then, the red doors will no longer be open on Saturdays for free concerts to the public.

Thank you for your support of this series and local musicians. (Below is pianist Yana Groves who played music by Bach and Rachmaninoff at Grace Presents).

Most Sincerely,

Grace Presents Board Members

Yana Groves 1

PS: Thank you to the following:

– Bruce Kasprzyk for recording dozens of our concerts and providing his services free of charge

– Oakwood University Woods for printing our programs each month

– Bruce Croushore for initiating the Grace Presents Concert Series seven years ago

– folks who have served on the Grace Presents board

– over 100 musicians who performed for a Grace Presents concert

– all of you who have attended and supported live music at Grace Church

We especially thank our many donors and supporters over the years, and in particular Dane Arts, the W. Jerome Frautschi Foundation, the Madison Arts Commission, and the Wisconsin Arts Board


Classical music: The Ear names The Willy Street Chamber Players as “Musicians of the Year” for 2016

December 30, 2016
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By Jacob Stockinger

It can’t be easy to start a new classical music group in a city that already has so many outstanding classical music groups and events.

Yet that is exactly what The Willy Street Chamber Players (below) have done – and with remarkable success.

Willy Street Chamber Players 2016 outdoors

To be honest, The Ear thought of awarding the same honor to them last year.

But that was their inaugural year. And launching a new enterprise is often easier than continuing and sustaining it.

But continue and sustain it they have – and even improved it.

The main season for The Willy Street Players is in July,, usually around noon or 6 p.m.

But they also usually offer a preview concert in the winter, and will do so again at 1:30 p.m. on Saturday, Jan. 21, and Sunday, Jan. 22, when they will perform string quartets by Franz Joseph Haydn, Felix Mendelssohn, Astor Piazzolla and Daniel Bernard Roumain at A Place to Be, 911 Williamson Street. Admission is $20.

Willy Street Chamber Players string quartet cr JWB

For tickets and more information about that concert as well as the group in general, go to: http://www.willystreetchamberplayers.org

The Ear finds so much to like about The Willy Street Chamber Players.

To start, the quality of the playing of the mostly string players and pianists — most of whom are products of the UW-Madison — is unquestionably superb. So are their guest artists such as Suzanne Beia. They have never disappointed The Ear, and others seem to agree. 

Willy Street audience

The programming is ideal and adventurous, combining beloved classics, neglected works and new music from contemporary composers. And it all seems to fit together perfectly.

The ensemble’s repertoire ranges from the Baroque era through the Classical, Romantic and modernist eras to today. They have performed an impressively eclectic  mix of music by Johann Sebastian Bach, George Frideric Handel, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Johannes Brahms, Peter Tchaikovsky, Pietro Mascagni, Arnold Schoenberg, George Crumb, Philip Glass, Pulitzer Prize-winner Caroline Shaw and UW-Madison composer Laura Schwendinger

The concerts are very affordable.

The concerts are short, usually running only about an hour or 75 minutes. That allows you both to fully focus or concentrate on the performance but then also to do something else with your precious leisure time.

The group of sonic locavores stays true to its name and mission, playing at various venues on or near Williamson Street on Madison’s near east side – including the Immanuel Lutheran Church (below) on Spaight Street and at the Wil-Mar Neighborhood Center on Jenifer Street. But they have also collaborated with the Madison Museum of Contemporary Art.

Willy Street Mozart Ave

At the post-concerts receptions, they even offer outstanding snack food from local purveyors in the Willy Street area. And it’s there that you can also meet the performers, who are fun, informative and congenial whenever they talk to the public, whether before and after a performance.

Willy Street snacks 2016

Most of all, The Ear has never heard anything dull or second-rate from the Willy Street Chamber Players. They are a fantastic breath of fresh air who invest their performances of even well-known works, such as the glorious Octet by Mendelssohn, with energy and drive, zest and good humor.

They are exactly what classical music – whether chamber music or orchestral music, choral or vocal music –needs to attract new and younger audiences and well as the usual fans. They have just the right balance of informality and professionalism.

The many musicians, all of them young, work hard but make the results seem easy. That is the very definition of virtuosity. Small wonder that many of them play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Middleton Community Orchestra and the Madison Bach Musicians among other groups. But this group seems special to them, and it shows.

If you don’t already know the Willy Street Chamber Players, you should get to know them. You should attend their concerts and, if you can, support them. They are a new gem, and constitute an outstanding and invaluable addition to Madison’s music scene.

NOTE: The Ear offers one piece of advice to The Willy Street Chamber Players: Since he can’t find a sample of you in action, please post some of your outstanding performances, which have been recorded by radio host Rich Samuels and broadcast on WORT-FM 89.9, on YouTube. The public needs a way to hear them and whet its appetite for your live performances.

Willy Street Chamber Players logo

In any case, The Ear wishes them well and hopes that, despite the inevitable personnel changes that will surely come in the future, The Willy Street Chamber Players stay on the Madison music scene for many years to come.

The Ear sends his best wishes for the New Year and another great season, the group’s third, to The Willy Street Chamber Players as Musicians of the Year for 2016.

 


Classical music: Madison Bach Musicians perform their sixth annual Baroque holiday concert this coming Saturday night. Plus, the Wisconsin Chamber Orchestra’s “Messiah” on Friday night is close to selling out

December 5, 2016
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ALERT: The Wisconsin Chamber Orchestra and its acclaimed music director Andrew Sewell are pretty busy these days playing the accompanying music for the Madison Ballet‘s multiple performances of Peter Tchaikovsky‘s holiday ballet “The Nutcracker.”

Then on this coming Friday night at 7 p.m. at the Blackhawk Church in Middleton, the WCO, the WCO Chorus, the Festival Choir of Madison and guest soloists, all under the baton of Sewell, also give their annual and usually sold-out performance of George Frideric Handel‘s oratorio “Messiah.” The Ear has been told that this year’s performance is also close to selling out to. For more information and tickets, go to: 

http://www.wisconsinchamberorchestra.org/performances/messiah-at-blackhawk-church-middleton/

By Jacob Stockinger

At 8 p.m. this Saturday night, Dec. 10, the Madison Bach Musicians (below top) will give their sixth annual Baroque Holiday Concert.

mbm-baroque-holiday-2015-all-singing

The event will once again be held in the beautiful and sonorous sanctuary (below) of the First Congregational United Church of Christ, 1609 University Avenue.

mbm-baroque-holiday-2015-audence-and-players

MBM holiday 2014 Marc Vallon on bassoon JWB

There is a free pre-concert lecture by the always witty, informative and entertaining MBM founder, artistic director and harpsichordist Trevor Stephenson (below) at 7:15 p.m. NOTE: Trevor Stephenson will also discuss the upcoming holiday concert and play excerpts from past ones TODAY AT NOON on The Midday program aired by Wisconsin Public Radio.

Trevor Stephenson full face at keyboard USE

The program will feature: a cappella (solo vocal) masterworks by Orlando di Lassus and Josquin des Prez performed by a vocal quartet; a Christmas Cantata for soprano and strings by Alessandro Scarlatti—featuring soprano soloist Chelsea Morris (below top); a trio sonata by Johann Joseph Fux; an intriguing  Partita for two scordatura violins (scordatura means the open strings are re-tuned into a new interval configuration!) by Heinrich Biber; the Sonatina in A minor for baroque bassoon and continuo by Georg Philipp Telemann ― with soloist and UW-Madison professor Marc Vallon (below bottom, in a photo by James Gill); one of the Christmas Cantatas, BWV 122Das neugeborne Kindelein (The Newborn Baby) by Johann Sebastian Bach (heard in the YouTube video at the bottom); and a bonus feature ― a preview of MBM’s upcoming April performance of Bach’s oratorio  St. John Passion, the tenor aria Ach, mein Sinn.

CHELSEA Shephard

Marc Vallon 2011 James Gill (baroque & modern)[2]

Advance-sale discount tickets: $28 for general admission, $23 for students and seniors 65 and over. They are available at Orange Tree Imports, Farley’s House of Pianos, Room of One’s Own, and Willy Street Co-op (East and West) . You can also find online advance-sale tickets at madisonbachmusicians.org 

Tickets at the door are: $30 for general admission; $25  for students and seniors 65 and over.
 Student Rush tickets are $10 at the door and go on sale 30 minutes before lecture (student ID is required)

Musicians will include: Chelsea Morris, soprano; Joseph Schlesinger, counter-tenor; Scott Brunscheen, tenor; Matthew Tintes, bass; Kangwon Kim and Brandi Berry, baroque violins; Marika Fischer Hoyt, baroque viola; Martha Vallon, baroque cello; Marc Vallon, baroque bassoon; and Trevor Stephenson, harpsichord


Classical music: The Madison Bach Musicians perform Baroque and Renaissance English music this coming Friday night and Sunday afternoon

October 3, 2016
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ALERT: The strike by the players in the Philadelphia Orchestra has been settled. For details, go to this website:

http://www.philly.com/philly/news/20161003_Philadelphia_Orchestra_strike_ends__contract_vote_73-11.html

For more background about that strike and others, which The Ear writes about yesterday, go to:

https://welltempered.wordpress.com/2016/10/02/classical-music-the-pittsburgh-and-philadelphia-symphony-orchestras-start-their-seasons-with-a-strike-by-the-players/

By Jacob Stockinger

The Madison Bach Musicians will open its 2016-17 season this coming weekend with two performances of a program that features English music from the Baroque and Renaissance eras.

mbm-2016

The first performance is this Friday, Oct. 7, at 7:30 p.m., preceded by 6:45 lecture, in the Atrium Auditorium (below, in a photo by Zane Williams) of the First Unitarian Society of Madison, 900 University Bay Drive.

FUS Atrium, Auditorium Zane Williams

The second is this coming Sunday, Oct. 9, at 3:30 p.m., preceded by a 2:45 lecture, at the Holy Wisdom Monastery (below), 4200 County Highway M in Middleton.

Holy Wisdom Monastery interior

If bought in advance, tickets are $28 for the general public and $23 for students and seniors over 65; at the door tickets will be $30 and $25, respectively. Student rush tickets are $10, require a student ID and are available 30 minutes before the lectures. For more information, visit www.madisonbachmusicians.org

The program features: Sonata in Four Parts in F major “Golden Sonata” by  Henry Purcell (1659−1695); Suite No. 2 in D major from “Consort of Four Parts” by Matthew Locke (c. 1621−1677); Songs to texts by William Shakespeare by Robert Johnson (1583−1633); “Diverse bizzarie Spra La Vecchia” by Nicola Matteis (c. 1650−c. 1709); Division No. 7 for two bass viols by Christopher Simpson (c. 1606−1669); “Solus cum sola” for solo lute solo  by John Dowland (1563−1626); “The Broken Consort” Part 1, Suite no. 2 in G major by Matthew Locke; “The Carman’s Whistle” by William Byrd (c. 1540−1623); “Light of Love” by Anonymous as arranged by David Douglass; “John Come Kiss Me Now” by John Playford (1623−c. 1686) as arranged by David Douglass; “Long Cold Night” and “Queen’s Jig.”

Performers include: Dann Coakwell, tenor; David Walker, lute and theorbo; Kangwon Kim violin and concertmaster; Brandi Berry, violin; Anna Steinhoff and Martha Vallon, viola de gamba; and Trevor Stephenson, harpsichord.

mbm-playing-2016

PROGRAM NOTES

Here are some edited notes by MBM founder and director Trevor Stephenson (below):

Madison Bach Musicians is delighted to start off its 13th season with a foray into new repertoire for the group: English music from the Renaissance and Baroque.

A special feature of the program will be the recognition in song of the 400th anniversary of the death of William Shakespeare (1564-1616).

Both the smaller lute and the larger theorbo were considered ideal for accompanying the voice in songs, and the theorbo could project a bit better in larger ensembles.

Like the lute, the viola da gamba is also fretted, but it is bowed and not plucked. Moreover, the gamba is held between the legs, the “gams,” and its name literally means “viol of the legs.”

MBM Trevor Stephenson at Immanuel concertos

The baroque violins we’ll use in this program will be strung in the usual fashion of the 16th and 17th centuries, that is, with gut strings (from dried sheep intestine); and the bows will be of the Elizabethan “short” variety (shorter length, and with the stick arching away from the hair), which make them ideally suited for the intricate articulations and lively dance rhythms of this repertoire.

All of these instruments enjoyed great popularity in England during the 16th and 17th centuries.

Henry Purcell (below) flourished during the arts boom of the Restoration period under King Charles II and is widely known for his theater music and operas. However, he also wrote quite a bit of instrumental music.

The four parts of this sonata refers here not to numbers of movements, but to the number of simultaneous instrumental lines—in this case, four, which is notably different from the typical three-part (or trio sonata) Italianate texture of the 17th century.

purcell

The Purcell sonata is followed by an instrumental Suite in D major by Matthew Locke (c. 1621-1677). Locke was a close friend of the Purcell family and in particular of Purcell’s father, Henry Purcell Sr. The younger Henry Purcell wrote a musical elegy on Locke’s death in 1677.

Locke’s years of greatest musical activity in London began as the period of Puritanical Commonwealth rule, under Oliver Cromwell, was waning in the late 1650’s. The Commonwealth had severely restricted the theater and the arts in general. Fun fact: Locke (below) was the first composer to indicate a musical crescendo and decrescendo in a score.

matthew-locke

The texts for the songs are from various Elizabethan poets—John Fletcher, John Webster and Shakespeare himself—and all of the music was composed by lutenist Robert Johnson (below, 1583-1633).

Johnson worked closely with Shakespeare in theatrical productions at the court of James I during the first few years of the 17th century. Johnson even provided music for Shakespeare’s original production of “The Tempest.”

robert-johnson-lute

The first part of the MBM program will conclude with two works that explore a favorite 17th-century technique of ornamentation over a repeated bass line, sometimes called a ground bass or chaconne.

The first is by the Italian virtuoso violinist Nicola Matteis (below, in a painting by Gottfried Kneller, c. 1650-1709), who enjoyed a successful career in London during an era when the English were importing Italian music masters by the dozens.

nicola-matteis-by-godfrey-kneller

The second work, by Christopher Simpson (below, c. 1606-1669), explores “divisions” or variations tossed back and forth between two bass viols (gambas) while they simultaneously repeat a ground bass.

christopher-simpson

The second half of the program will feature songs for tenor and voice by John Dowland (below). We’ll also play Locke’s Broken Consort, “broken” meaning “mixed”–in that violins and gambas, which were considered in Elizabethan times to be artistically quite different instruments—were being asked by the composer to play nicely together.

John Dowland

Following that, I’ll play a rousing set of variations for harpsichord, “The Carman’s Whistle,” by William Byrd (below).

William Byrd

And to conclude the program, the consort will play a set of sprightly dances originally published in 1651 in the collection “The English Dancing Master” by John Playford (below).

john-playford

 


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