The Well-Tempered Ear

Classical music: The 16th annual all-day Wisconsin Flute Festival will be held this Saturday and will present a FREE public concert on Saturday afternoon

April 3, 2019
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By Jacob Stockinger

The Ear has received the following announcement to post:

The 16th annual Wisconsin Flute Festival will be held on this coming Saturday, April 6, at the Pyle Center, 702 Langdon Street, at the University of Wisconsin-Madison.

The Wisconsin Flute Festival brings together flutists and music lovers of all ages from Wisconsin, the greater Midwest, and across the country, for an engaging and educational day celebrating everything flute.

The festival includes: workshops; lectures; performances; junior, youth, and collegiate artist competitions; master classes and an extensive exhibit hall.

This year’s festival will feature guest artist Bonita Boyd (below in a photo by Kate Lemmon), an internationally renowned performer and Professor of Flute at the Eastman School of Music. (You can hear a sample of her teaching in the YouTube video at the bottom.)

The festival will begin at 8 a.m. at the Pyle Center at the University of Wisconsin-Madison and will culminate in a FREE 90-minute public concert beginning at 5:30 p.m. in Music Hall, at the bottom of Bascom Hill and a short walk from the Pyle Center.

The free evening concert will be performed by featured guest artist Bonita Boyd with Madison guitarist Christopher Allen (below).

Workshop topics will include yoga for flutists, orchestral audition preparation, recording techniques, a repair clinic, piccolo techniques, and more.

Participants will also have the opportunity to participate in an interactive session with low flutes including; alto flutes, bass flutes, and a contrabass flute, and take part in two flute choir reading sessions.

Performances during the day will feature an eclectic mix of music performed by professional and student flutists.

Festival attendees will hear music by composers from around the globe and from a variety of periods. Compositions by living composers will feature prominently in many of the recitals at the festival. Solo flute, flute and piano, flute quartet, and flute with mixed ensemble can be heard.

For flutists shopping for an instrument, music or accessories, companies from across the U.S. will be on-site in the Festival’s exhibit hall. Technicians will be also available to evaluate instruments and conduct minor repairs. Confirmed exhibitors include Burkart Flutes and Piccolos, Flute Specialists, Inc., Flute World, the Geoghegan Company, Heid Music and Verne Q. Powell Flutes.

Tickets range from $30 to $40 for festival participants. Tickets for non-flutist family members of participants (parents, siblings, etc.) are available for at a special rate of $7. Registration is now open and information is available online at https://wisconsinflutefestival.org. Tickets can also be purchased at the festival.

The evening concert, beginning at 5:30 p.m., will be held in Music Hall at the UW-Madison and is FREE and open to the public.

The program will include Mountain Songs by Robert Beaser, Histoire du Tango by Astor Piazzolla, Canyon Echoes by Katherine Hoover, Entr’acte by Jacques Ibert and Pièce en form de Habenera by Maurice Ravel.

The 2019 Flute Festival – which is a program of the Madison Flute Club — is sponsored by Heid Music. Major funding is provided by Verne Q. Powell Flutes, American Printing, Eric and Tobi Breisach, Distillery Marketing and Design, and Karl Sandelin – in memory of Joyce Sandelin.

Additional funding is provided by Audio for the Arts, Breisach Cordell PLLC, Dr. Danielle and Jeffrey Breisach, Madison Classical Guitar Society, Wisconsin Youth Symphony Orchestras, and Jessica and Jim Yehle.

ABOUT THE MADISON FLUTE CLUB

The Madison Flute Club was founded in 2002 and currently presents over 20 concerts each year to an audience of more than 1,500 community members. The club involves, on average, 35 active adult members and over 30 youth from the surrounding area.

To advance and achieve its mission, the Madison Flute Club has undertaken several large projects and partnered with numerous organizations and events in Dane County. These projects include the commissioning and world premiere of a work for flute choir for Design MMoCA, successfully fundraising for a contrabass flute — the first such instrument in Wisconsin — and performing at the National Flute Association Convention.

Madison Flute Club ensembles and members have been featured on Wisconsin Public Radio’s The Midday with Norman Gilliland, on WORT 89.9 FM in Madison and in the publication The Flutist Quarterly.

For more information about the Madison Flute Club, go to: http://www.madisonfluteclub.org


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Classical music: The third annual Madison New Music Festival features three world premieres and 25 composers, and takes place this weekend with three concerts

August 7, 2018
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By Jacob Stockinger

It has been a good year for new music in Madison, which has often seemed inhospitable to that music in the past.

Among major contributors have been the LunART Festival of contemporary women composers; programs by the UW Symphony Orchestra and other UW-Madison groups and individuals; the Madison Opera; the Bach Dancing and Dynamite Society; the Willy Street Chamber Players; and the Oakwood Chamber Players. Plus, The Ear is sure there are many other contributors he is overlooking.

But the largest share of the credit has to go to a three-day annual festival of living composers that will take place for the third year this coming weekend. (Photos from last year’s well-attended festival are by Max Schmidt.)

Here is an announcement from the festival with the details:

The third annual Madison New Music Festival will take place this coming Friday, Aug. 10, Saturday, Aug. 11, and Sunday, Aug. 12.

The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes.

Founded by Madison native composer Zachary Green (below bottom), the festival presents new works by some of the world’s leading living composers, shines a spotlight on new music created in Wisconsin, and shares underplayed music of the 20th and 21st centuries with the Madison community.

Every concert will also have a world premiere of music that has never been heard before. On the opening night, Conduit is performing a new piece by Kyle Tieman-Strauss called Abject. The next day, organist Tyler Jameson Pimm premieres his new piece Psalm 22. Then on Sunday, listeners get to hear the premiere of They’re Still Here by BC Grimm, featuring music for nine different instruments (all of which will be played by Grimm himself).

Over the course of three concerts around town, we are featuring a total of 17 musicians playing the works of 25 composers, all of which were written in the last 50 years.

Though each concert has a different theme, every performance features music by Wisconsin composers, composers of color, and both men and women.

Fifteen of our musicians were born, raised or currently reside in Wisconsin, but we’re bringing several back to town just for the festival. They include members of the Madison, Milwaukee and Quad City symphonies; and graduates of Juilliard, the Manhattan School of Music, Mannes Conservatory, Northwestern University, and, of course, the UW-Madison.

We invite you to join us for the following three concerts:

CONCERT 1: Sounds of the ‘60s and Beyond – Friday, Aug. 10, at 7:30 p.m.

Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. There will be a cash bar, as well as opportunities to explore the exhibits.

Where: Madison Museum of Contemporary Art (MMOCA), 227 State Street

Who: Caitlin Mead, soprano; Heather Zinninger Yarmel, flute; Kristina Teuschler, clarinet; Jeremy Kienbaum, viola; Alex Norris, violin, and Zou Zou Robidoux, cello; and Conduit (below, Zach Manzi, clarinet and Evan Sadler, percussion).

Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle T. Strauss, David Lang and Andy Akiho

CONCERT 2: Sounds of Reflection – Saturday, Aug. 11, at 2 p.m.

The festival continues with an afternoon program invoking spirituality, morality and reflection. Organ interludes will be interspersed throughout the program of vocal and instrumental music.

Where: Bethel Lutheran Church, 312 Wisconsin Ave.

Who: Greg Zelek, Madison Symphony Orchestra organist (below); Jeremy Kienbaum, viola; Satoko Hayami, piano; Tyler Pimm; organ; Kristina Teuschler, clarinet; Alex Norris, violin; Micah Cheng, cello; Caitlin Mead, soprano; and Scott Gendel, piano.

Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania Leon, John Musto and Scott Gendel

CONCERT 3: Festival Closing Party 2018 – Sunday, Aug. 12, at 7:30 p.m.

Kick back a drink as local musician BC Grimm plays his original works for instruments from cello to Chinese Guqin zither, followed by a set of music for solo strings. Then, the musicians from all three concerts come together for a performance of the 1973 piece “Stay On It” — heard in the YouTube video the bottom — by Julius Eastman (below).

Where: Robinia Courtyard, 829 East Washington Avenue

Who: BC Grimm, Jeremy Keinbaum, Aaron Yarmel, and All Festival Performers

Program: BC Grimm, Philip Glass, Ursula Mamlok, Aaron Yarmel, and Julius Eastman

All individual concerts are $15 for general admission, $5 for students. You can also subscribe to all three concerts for $35.

For more information, please visit our website http://madisonnewmusic.org or find us on Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).


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Classical music: The second annual Madison New Music Festival will take place this Thursday through Sunday

August 9, 2017
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By Jacob Stockinger

The summer classical season in Madison just keeps getting busier and more interesting.

The Ear has received the following announcement from Zachary Green (below), a native Madisonian and composer who graduated from Oregon High School and the Juilliard School, which awarded him a grant to start the first Madison New Music Festival last year. He now directs the event:

Dear friends, family, colleagues, and mentors,

I am extremely pleased to invite you to the second season of the Madison New Music Festival, taking place this Thursday-Saturday, Aug. 10-12.

The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes.

The festival strives to affordably and accessibly share music by the world’s leading living composers with the Madison community, with special emphasis placed on Wisconsin-based composers and performers.

This year, over the course of four concerts, we will be featuring 30 performers playing the music of over 20 composers— including the music of a different living Wisconsin composer at every concert.

The concerts will take place Thursday at the Madison Museum of Contemporary Art (8 p.m.), Friday at Bethel Lutheran Church (8 p.m.), and Saturday at the Memorial Union Terrace (3 p.m.) and Robinia Courtyard (7:30 p.m.).

PROGRAM AND TICKET INFORMATION:

Thursday, Aug. 10, at 8 p.m., Madison Museum of Contemporary Art in the Overture Center. (Below is a photo at MMoCA from last year’s festival)

After an incredibly successful launch in 2016, the Madison New Music Festival is set to return to MMoCA for a concert combining contemporary visual art and new music.

The festival presents brand new pieces by emerging composers, underplayed classics of the contemporary repertoire, and shines a spotlight on new music created here in Wisconsin.

The concert at MMoCA features music with thematic ties to MMoCA’s current exhibitions, including politically charged works such as “But I Still Believe” by composer Zachary Green and inspired by Hillary Clinton’s concession speech, and “Drums of Winter” from Pulitzer Prize-winning composer and environmentalist John Luther Adams (below). You can hear “Drums of Winter” in the YouTube video at the bottom.

There will be a cash bar and opportunities to walk around the exhibits. Tickets are $10, $5 for students and FREE for MMoCA members.

Tickets: https://www.artful.ly/madison-new-music-festival/store/events/13011

Friday, Aug. 11, at 8 p.m. in Bethel Lutheran Church, 312 Wisconsin Avenue

The festival’s second night features an eclectic range of music, from the inventive, folk-inspired music of Romanian composer Doina Rotaru (below top) to the improvisatory soundscapes of recently departed legend Pauline Oliveros (below bottom).

Also featured is local composer Scott Gendel (below top) , who will present a set of his own music with frequent Madison Opera guest soprano Emily Birsan (below middle). Both are graduates of the UW-Madison.

Other performers include Chicago-based new music ensemble Chartreuse (below top), local flutist Iva Ugrcic (below middle) and local violinist Lydia Sewell (below bottom).  Tickets are $10, $5 for students.

Tickets: https://www.artful.ly/madison-new-music-festival/store/events/13028

Saturday, Aug. 12, at 3 p.m., Memorial Union Terrace

Local new music wind quintet Black Marigold (below top) will perform “Beer Music” by Brian DuFord (below bottom), inspired by different kinds of beer– and you can sip as you listen!

But first, get your groove on with rhythmic works by emerging composer Andy Akiho (below top), Wilco drummer Glenn Kotche, and local percussionist Dave Alcorn (below bottom) of Clocks in Motion — interspersed with interactive interpretations of Renaissance motets and an electroacoustic work for vibraphone. Featured musicians include percussionist Garrett Mendelow and Chicago-based new music ensemble Chartreuse.  Admission is FREE.

Saturday, Aug. 12, at 7:30 PM, Robinia Courtyard (Jardin Restaurant) at 827 East Washington Avenue. 

Join us at Jardin Restaurant, part of the newly redeveloped Robinia Courtyard to hear local ensemble Mr. Chair (below) present an eclectic, head-banging set ranging from original compositions to versions of Erik Satie, Olivier Messiaen and Igor Stravinsky.

Also featured are the genre-bending Echelon String Quartet(below) and a mesmerizing solo bass piece performed by Grant Blaschka.  Cash bar.  ($10/$5 student)

Tickets: https://www.artful.ly/madison-new-music-festival/store/events/13029


Classical music: The Ear names The Willy Street Chamber Players as “Musicians of the Year” for 2016

December 30, 2016
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By Jacob Stockinger

It can’t be easy to start a new classical music group in a city that already has so many outstanding classical music groups and events.

Yet that is exactly what The Willy Street Chamber Players (below) have done – and with remarkable success.

Willy Street Chamber Players 2016 outdoors

To be honest, The Ear thought of awarding the same honor to them last year.

But that was their inaugural year. And launching a new enterprise is often easier than continuing and sustaining it.

But continue and sustain it they have – and even improved it.

The main season for The Willy Street Players is in July,, usually around noon or 6 p.m.

But they also usually offer a preview concert in the winter, and will do so again at 1:30 p.m. on Saturday, Jan. 21, and Sunday, Jan. 22, when they will perform string quartets by Franz Joseph Haydn, Felix Mendelssohn, Astor Piazzolla and Daniel Bernard Roumain at A Place to Be, 911 Williamson Street. Admission is $20.

Willy Street Chamber Players string quartet cr JWB

For tickets and more information about that concert as well as the group in general, go to: http://www.willystreetchamberplayers.org

The Ear finds so much to like about The Willy Street Chamber Players.

To start, the quality of the playing of the mostly string players and pianists — most of whom are products of the UW-Madison — is unquestionably superb. So are their guest artists such as Suzanne Beia. They have never disappointed The Ear, and others seem to agree. 

Willy Street audience

The programming is ideal and adventurous, combining beloved classics, neglected works and new music from contemporary composers. And it all seems to fit together perfectly.

The ensemble’s repertoire ranges from the Baroque era through the Classical, Romantic and modernist eras to today. They have performed an impressively eclectic  mix of music by Johann Sebastian Bach, George Frideric Handel, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Johannes Brahms, Peter Tchaikovsky, Pietro Mascagni, Arnold Schoenberg, George Crumb, Philip Glass, Pulitzer Prize-winner Caroline Shaw and UW-Madison composer Laura Schwendinger

The concerts are very affordable.

The concerts are short, usually running only about an hour or 75 minutes. That allows you both to fully focus or concentrate on the performance but then also to do something else with your precious leisure time.

The group of sonic locavores stays true to its name and mission, playing at various venues on or near Williamson Street on Madison’s near east side – including the Immanuel Lutheran Church (below) on Spaight Street and at the Wil-Mar Neighborhood Center on Jenifer Street. But they have also collaborated with the Madison Museum of Contemporary Art.

Willy Street Mozart Ave

At the post-concerts receptions, they even offer outstanding snack food from local purveyors in the Willy Street area. And it’s there that you can also meet the performers, who are fun, informative and congenial whenever they talk to the public, whether before and after a performance.

Willy Street snacks 2016

Most of all, The Ear has never heard anything dull or second-rate from the Willy Street Chamber Players. They are a fantastic breath of fresh air who invest their performances of even well-known works, such as the glorious Octet by Mendelssohn, with energy and drive, zest and good humor.

They are exactly what classical music – whether chamber music or orchestral music, choral or vocal music –needs to attract new and younger audiences and well as the usual fans. They have just the right balance of informality and professionalism.

The many musicians, all of them young, work hard but make the results seem easy. That is the very definition of virtuosity. Small wonder that many of them play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Middleton Community Orchestra and the Madison Bach Musicians among other groups. But this group seems special to them, and it shows.

If you don’t already know the Willy Street Chamber Players, you should get to know them. You should attend their concerts and, if you can, support them. They are a new gem, and constitute an outstanding and invaluable addition to Madison’s music scene.

NOTE: The Ear offers one piece of advice to The Willy Street Chamber Players: Since he can’t find a sample of you in action, please post some of your outstanding performances, which have been recorded by radio host Rich Samuels and broadcast on WORT-FM 89.9, on YouTube. The public needs a way to hear them and whet its appetite for your live performances.

Willy Street Chamber Players logo

In any case, The Ear wishes them well and hopes that, despite the inevitable personnel changes that will surely come in the future, The Willy Street Chamber Players stay on the Madison music scene for many years to come.

The Ear sends his best wishes for the New Year and another great season, the group’s third, to The Willy Street Chamber Players as Musicians of the Year for 2016.

 


Classical music: This afternoon is your last chance to hear twin-sister pianists Christina and Michelle Naughton play Mozart with the Madison Symphony Orchestra. Here are three reviews. There will also be poetry inspired by the Symphony No. 5 by Shostakovich, which is also on the program. Plus, a FREE concert of choral music takes place tonight at the UW-Madison

November 13, 2016
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ALERT: Tonight at 8 p.m. in Mills Hall is a FREE concert of choral music by the UW-Madison group Chorale under its director Bruce Gladstone. Sorry, no word on the program.

By Jacob Stockinger

This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear twin-sister, Madison-born pianists Christina and Michelle Naughton (below top) perform a Mozart concerto with the Madison Symphony Orchestra (below bottom). Works by Claude Debussy and Dmitri Shostakovich are also on the program conducted by MSO music director John DeMain.

christina-and-michelle-naughton-2016

The program has received fine reviews from the critics:

Here is a review written by John W. Barker for Isthmus:

http://isthmus.com/music/familial-spirit/

Here is the review by Greg Hettmansberger for his blog “What Greg Says”:

https://whatgregsays.wordpress.com/2016/11/12/a-perfectly-timed-homecoming/

And here is a review written by Jessica Courtier for The Capital Times:

http://host.madison.com/ct/entertainment/music/concert-review-mso-delivers-heart-wrenching-performance-of-shostakovich-s/article_e3fc410e-3e15-543b-b323-fee9ac6ec552.html

For more information about the concert and program, go to:

https://welltempered.wordpress.com/2016/11/08/classical-music-twin-sister-pianists-the-naughtons-return-to-their-hometown-this-weekend-to-perform-a-mozart-concerto-with-the-madison-symphony-orchestra-the-famous-symphony-no-5-by-shostakovich-i/

John DeMain and MSO from the stage Greg Anderson

NEW MSO POETRY PROGRAM “COUNTERRPOINTS” DEBUTS TODAY

In addition, as a part of its 2016-17 season offerings, the Madison Symphony Orchestra (MSO) will today launch The Counterpoint Readings, a special event series where poets will respond to a selected symphonic piece, culminating in a reading in Overture Center’s Promenade Lounge the weekend the piece is performed. It is scheduled to start after the performance, at around 4:30 p.m. today.

NOTE: There is a $10 admission charge to the poetry reading, which includes a wine and cheese reception. But because notice was given late, the original deadline of Nov. 10 for reservations will be overlooked.

The first reading focuses on Dmitri Shostakovich’s Symphony No. 5 by Soviet composer Dmitri Shostakovich (below), performed by the MSO as part of its “Paired to Perfection” concerts this weekend. (You can hear the famous finale of the Shostakovich symphony performed by Leonard Bernstein and the New York Philharmonic Orchestra in the YouTube video at the bottom.)

dmitri shostakovich

The Counterpoint Readings debut will happen following today’s performance, beginning at approximately 4:30 p.m. Eight poets will perform original works— world premieres for each artist.

Coordinated by MSO violist and poet Katrin Talbot (below, writing poetry in a photo by Isabel Karp), the series seeks to expand the audience’s musical experience and bring Madison’s poetry into a new light. Another such music-based poetry reading, to take place in the Madison Museum of Contemporary Art, is scheduled for March, according to Talbot.

Katrin Talbot shares her vision of the how the power of words can respond to this significant historical composition, “Stalin is trumpeting out Soviet dominance. Yet somehow, he (Shostakovich) overcame it to generate art. Deception to get his voice heard.”

katrin-talbot-writing-poems-cr-isabel-karp

Among the poets slated to appear include MSO bassist August Jirovec, former Wisconsin Poet Laureate Marilyn Taylor, former Madison Poet Laureate Sarah Busse, Richard Merelman, Eve Robillard, Timothy Walsh, Marilyn Annucci and Rita Mae Reese.

Here is a preview: August Jirovec’s inspiration leading up to the reading:

“If there be meaning in this world askew,

let toils and rhyming gripes slide—disappear

your cross of blood drawn in the dirt austere

and lavish canvases of nascent hue

with brilliant visions! Let your whimsy brew

brash, crazen potions inspired by this tier

of music hefted from chests, as time’s spear

pierces the heart that must love art—through you.”

And here is a link to a long interview with Talbot by Lindsay Christians for The Capital Times:

http://host.madison.com/ct/entertainment/arts-and-theatre/people-turn-to-the-poets-writers-respond-to-a-symphony/article_d6010935-abc3-556c-96db-3a9eea4619d9.html

For more information go to:

The Counterpoint Readings, direct link: http://www.madisonsymphony.org/counterpointreadings

Paired to Perfection concerts: http://www.madisonsymphony.org/naughtons


Classical music: The Willy Street Chamber Players excel again – this time in music by Franz Schubert, Arnold Schoenberg and UW-Madison composer Laura Schwendinger

July 19, 2016
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT-FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

John-Barker

By John W. Barker

The Willy Street Chamber Players (below) gave the second concert of their 2016 season on Friday night at Immanuel Lutheran Church, 1021 Spright Street, on Madison’s near east side.

Willy Street Chamber Players group color

The program might have been called the “three Sch-es” in view of the alphabetical incipits of the three composers involved.

The first item was titled The Violinists in My Life, composed in 2011 by Laura Schwendinger (below), the American composer currently on the faculty of the University of Wisconsin-Madison School of Music.

The Belgian violin virtuoso and composer Eugène Ysaÿe set an example with his set of six Sonatas, Op. 27, for solo violin, each one a tribute to a great musician with whom he had worked. So Schwendinger composed five pieces for violin and piano, each one a kind of character piece about violinists with whom she has had fruitful contact.

Laura Schwendinger 2

The style can be sharp and abrupt, but there is a clear individuality to each piece, evoking the different personalities. The first of the five is dedicated to UW-Madison alumna Eleanor Bartsch (below), one of our Willys, and she played the whole set, deeply engaged in it, with pianist Thomas Kasdorf, also a graduate of the UW-Madison.

Eleanor Bartsch

Kasdorf (below) joined another of the group’s violinists, Paran Amirinazari, who also graduated from the UW-Madison, in a rarely heard late work by Franz Schubert, the Fantasie in C Major (D.934).(You can hear it played by violinist Benjamin Beilman, who has performed with the Wisconsin Chamber Orchestra, in the YouTube video at the bottom.)

Schubert’s compositions for violin and piano are rarely heard in concerts these days, but this one has particular interest in that its latter portion is another of the composers set of variations on one of his own songs—in this case, the beautiful Sei mir gegrüsst. The total piece has a lot of lively passage work, which Amarinazari played with a mix of flair and affection.

thomas kasdorf 2:jpg

The crowning work was that extraordinary string sextet by Arnold Schoenberg (below), Verklärte Nacht (Transfigured Night). Composed in 1899 at the beginning of the composer’s career, it catches him still emerging from Late Romantic sensibilities, a good way before his radical move into the 12-tone idiom he created.

Arnold Schoenberg 1936

The score is just a trifle longish for the musical content, but its gorgeous chromatic richness is irresistible. It was inspired by a poem of Richard Dehmel, and both the original German text and an English translation were supplied to the audience, an interesting touch.

Above all, however, the performance was glowing, avoiding too much sentimental lushness, but conveying the emotionally charged writing with beautiful balance.

A clever touch, too, was the sitting pattern chosen, with the two violas facing the two violins and the two cellos in the rear—allowing the recurrent interaction between the first violin and first viola to emerge more clearly.

In sum, this was another wonderful session of first-class music-making by this remarkable assemblage of young talent.

NOTE: A program of music by Ludwig vanBeethoven, Philip Glass and Dmitri Shostakovich will be given next Friday at Immanuel Lutheran, but at NOON; and then that evening (at 8:30 p.m.) the group will participate in a special performance of George Crumb’s “Black Angels” — with an accompanying video — at the Madison Museum of Contemporary Art in the Overture Center.

The final Friday evening concert will be back at Immanuel Lutheran, at 6 p.m. on Friday, July 29, with music by Baroque composer Arcangelo Corelli (Concerto Grosso), Wolfgang Amadeus Mozart (Clarinet Quintet), and George Enescu (Octet).


Classical music: Madison Symphony Orchestra holds a FREE Farmers’ Market organ and piano concert this Saturday at 11 a.m.

July 7, 2016
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By Jacob Stockinger

The Art Fair on the Square, the annual summer fundraiser held by the Madison Museum of Contemporary Art, will displace the usual Dane County Farmers’ Market this Saturday morning around the Capitol Square downtown,

But the second of this summer’s three monthly FREE Farmers’ Market organ concerts, sponsored by the Madison Symphony Orchestra, will take place this Saturday at 11a.m. in Overture Hall of the Overture Center for the Arts.

The MSO invites families and friends for a relaxing 45-minute concert.

No tickets or reservations are needed and all ages are welcome.

The concert features music for piano and organ and is billed as: “The Über Steinway Meets the Colossal Klais II” with pianist Stephen Nielson (below left) and organist Samuel Hutchison (below right).

Stephen Nielson with Samuel Hutchison

The program includes: A Mighty Fortress is Our God, arr. Nielson and Young; Water Music Suite by George Frideric Handel; Hungarian Etude, Op. 39, by Edward MacDowell; Jesu, Joy of Man’s Desiring from Cantata No. 147 by Johann Sebastian Bach, arr. Myra Hess; O Polichinelle from Prole do Bebe by Heitor Villa-Lobos; Simple Gifts, arr. Charles Callahan; Fugue in D Major, BWV 532, by Johann Sebastian Bach (heard in the YouTube video at the bottom); When I Survey the Wondrous Cross, arr. Nielson & Young; Come, Thou Fount of Every Blessing, arr. Nielson and Young

Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund.

ABOUT THE ARTISTS:

American pianist Stephen Nielson made his orchestral debut as a pianist at age 11. During a 30-year collaboration with his late colleague, Ovid Young, Nielson performed more than 3,500 concerts world-wide as part of the distinguished piano duo Nielson & Young.

Since 2001, Samuel Hutchison has served as Curator and Principal Organist for Madison Symphony Orchestra’s Overture Concert Organ. As an organ soloist, Hutchison has presented many recitals both in the United States and in Europe

For more information about the event and the performers, visit: http://www.madisonsymphony.org/farmer


Classical music: The acclaimed Willy Street Chamber Players announces its second summer season. Plus, this afternoon is your last chance to hear Madison Opera’s production of “The Tales of Hoffmann”

April 17, 2016
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ALERT: This afternoon at 2:30 p.m. in Overture Hall of the Overture Center is your last chance to hear the Madison Opera‘s production of Jacques Offenbach‘s “The Tales of Hoffmann.”

Here are two preview posts that appeared here:

https://welltempered.wordpress.com/2016/04/12/classical-music-jacques-offenbachs-fantastical-masterpiece-the-tales-of-hoffmann-will-be-performed-by-madison-opera-performs-friday-night-and-sunday-afternoon-here-is-part/

https://welltempered.wordpress.com/2016/04/13/classical-music-its-easy-and-wrong-to-underestimate-offenbachs-tales-of-hoffmann-it-is-literally-fantastic-but-not-light-it-will-be-performed-by-madison-opera-on-friday/

Here is a review written by Greg Hettmansberger for his blog WhatGregSays and Madison Magazine:

https://whatgregsays.wordpress.com/2016/04/16/making-a-spectacle-of-themselves/

And here is a review by Lindsay Christians for The Capital Times:

http://host.madison.com/ct/entertainment/arts_and_theatre/opera-review-hoffmann-pines-drinks-and-chases-skirts-in-madison/article_8c998a0e-038d-11e6-8a1a-3b3aba924b6d.html

By Jacob Stockinger

No new classical music group generated more great buzz last year than The Willy Street Chamber Players. And that enthusiasm was shared by The Ear, who can’t recall hearing anyone or anything being negative about the group’s inaugural season.

Here is a link to one rave review, written by John W. Barker for this blog, that focused on astounding performance of the famous Octet by Felix Mendelssohn and a Brandenburg Concerto No. 3 by Johann Sebastian Bach:

https://welltempered.wordpress.com/2015/08/03/classical-music-the-willies-the-willy-street-chamber-players-excel-in-bach-and-mendelssohn-at-the-last-concert-of-the-new-groups-inaugural-season/

A friend of The Ear who plays with the Willy Street Chamber Players (below) sends the following word:

Willy Street Chamber Players 2016 outdoors

Newcomers to the Madison classical music scene, the critically acclaimed group The Willy Street Chamber Players, will be returning to the stage for a second season this July.

The group will perform four concerts at Immanuel Lutheran Church (below), 1021 Spaight St., and season tickets are available now.

immanuel lutheran church ext

Immanuel Lutheran interior

Here is a link to the updated events page:

http://www.willystreetchamberplayers.org/events1.html

This summer’s concerts will include fresh performances of time-honored classics. They include the Clarinet Quintet by Wolfgang Amadeus Mozart and the fiery “Souvenir de Florence” by Peter Ilyich Tchaikovsky.

The season will also include works that will be new to many Madison audience members.

Guest artists include violinist Suzanne Beia (below top) of the UW-Madison’s Pro Arte Quartet, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra; clarinetist Joe Morris (below middle), who is leaving the Madison Symphony Orchestra; and UW-Madison graduate student pianist Thomas Kasdorf (below bottom).

suzanne beia

Joseph Morris principal clarinet MSO

thomas kasdorf 2:jpg

New this season will be a performance given in partnership with the Madison Museum of Contemporary Art on the evening of Friday, July 22, 2016.

MMOCA icon 3

That’s when the Willy Street Chamber Players will present the monumental work, “Black Angels,” composed by George Crumb (below) for electric string quartet, in what promises to be an unforgettable performance.

Written in response to the Vietnam War, this avant-garde work requires players to amplify their instruments, speak with their mouths, perform with extended techniques, play on crystal glasses and more. (You can hear Part 1 in the YouTube video at the bottom.)

George Crumb

In the meantime, you can hear the group live on Wisconsin Public Radio‘s Midday Show with Norman Gilliland (below) on this Thursday, April 21, at noon. This special broadcast will be performed in front of a live studio audience in celebration of the Midday Show’s 25th anniversary.

Gilliland_Norman_100

Visit www.willystreetchamberplayers.org for 2016 season details, tickets and more.


Classical music: Clocks in Motion and Transient Canvas perform new music for winds and percussion this Wednesday night. Plus, the Pro Arte Quartet performs a FREE concert of Mozart, Beethoven and Webern on Saturday night.

November 3, 2015
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ALERT: The Pro Arte Quartet, artists-in-residence at the UW-Madison School of Music, will give a FREE concert this Saturday night at 8 p.m. in Mills Hall. The program features: the String Quartet No. 1 in B-flat Major, Op. 18, No. 1 (1799-1800) by Ludwig van Beethoven; the Langsamer Satz (Slow Movement) for String Quartet (1905) by Anton Webern; and the String Quartet in E-flat Major, K. 428 (1783) by Wolfgang Amadeus Mozart.

By Jacob Stockinger

The Ear has received the following word from Clocks in Motion:

Clocks in Motion (below), Madison’s premier new music ensemble, welcomes the renowned bass clarinet and marimba duo Transient Canvas to Madison for a collaborative performance of new sounds, new instruments, and new music.

Clocks in Motion Group Collage Spring 2015

Featuring a world premiere by Italian-American modernist composer Filippo Santoro, as well as rarely heard works by Daniel T. Lewis, Matthew Welch, and Franco Donatoni, this concert offers a singular chance to experience the cutting edge of new music.

The performance is this Wednesday night, Nov. 4, at 7 p.m. in the DeLuca Forum (below bottom) of the Wisconsin Institutes for Discovery (below top), across from the Union South at 330 North Orchard Street.

WID_extr11_1570

SEW Forum room

It will feature Transient Canvas (below), which consists of the “dazzling” (Boston Globe) clarinetist Amy Advocat and the “expert and vivid” (Boston Musical Intelligencer) marimbist Matthew Sharrock performing thrilling repertoire commissioned for their distinctive instrumentation, as well as larger works in partnership with Clocks in Motion.

Transient Canvas close up

Tickets are $12 in advance and $15 the day of the show; $5 with a student ID. PURCHASE TICKETS

Advance tickets are available at https://www.artful.ly/store/events/7534

Praised by the Boston Globe as “superb,” Transient Canvas has been blazing its own trail in the world of contemporary music since 2011. In four years, they have premiered over 40 new works, essentially creating an entirely new repertoire for their unique instrumentation. Fearless in their programming and hungry for new collaborations, TC actively seeks out new composers who will stretch their instrumentation to its limits. (You can hear a sample in the YouTube video at the bottom)

Learn more about Transient Canvas at http://www.transientcanvas.com/

Transient canvas performing

Hailed as “nothing short of remarkable” (ClevelandClassical.com), Clocks in Motion is a group that performs new music, builds its own instruments, and breaks down the boundaries of the traditional concert program. The group Clocks in Motion consistently performs groundbreaking concerts involving performance art, theater, and computer technology.

Featuring world premieres alongside rarely performed classic works, the ensemble strives to create a new canon of percussion repertoire.

clocks in motion in concert

Clocks in Motion works passionately to educate young audiences through master classes, residencies, presentations, and school assemblies. The ensemble’s unique skill sets and specialties contain an impressive mix of rock, jazz, contemporary classical, orchestral, marching, and world styles.

Clocks in Motion has served as resident performers and educators at the Interlochen Arts Academy, Casper College, the University of Michigan, Baldwin-Wallace University, VIBES Fine and Performing Arts, Traverse City West High School, Traverse City East Middle School, Rhapsody Arts Center, and the Madison Museum of Contemporary Art.

Formed in 2011, Clocks in Motion began as an extension of the University of Wisconsin-Madison’s Graduate Percussion Group, and now serves as an affiliate ensemble of the University of Wisconsin-Madison School of Music.

 


Classical music: The Madison-based new music ensemble Clocks in Motion will perform John Luther Adams’ look at Arctic life in Alaska in “Earth and the Great Weather” on Saturday night for FREE at the University of Wisconsin-Madison. Plus, “Sunday Afternoon Live From the Chazen” features an all-Brahms concert.

January 31, 2014
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ALERT: Is there no end to the great music awaiting you this weekend? This week’s “Sunday Live From the Chazen” features clarinetist John Marco, pianist Eugene Alcalay and cellist Parry Karp of the UW-Madison‘s Pro Arte Quartet. They will perform an all-Brahms program. It will be broadcast LIVE from 12:30 to 2 p.m. on Wisconsin Public Radio (WERN 88.7 FM in the Madison area). The FREE concert is in Brittingham Gallery 3 of the Chazen Museum of Art on the University of Wisconsin-Madison campus. The Ear wishes he could tell you the specific works on the program, but WPR lists nothing about the concert and the Chazen only lists dates and performers plus reservation information (visit  http://www.chazen.wisc.edu/search/9254ec53aee7833b552dad8b6f5cda84/ and read from bottom to top. Please, webmasters, update your websites for the new semester in a reader-informative and reader-friendly way! Otherwise, what good is all the high technology?

SAL logo and cellist

By Jacob Stockinger 

We are not quite yet mid-winter in this season of sub-zero Polar Vortex slippages, and yet we have another chance to Hear the Cold this weekend.

You cay recall that this weekend the Oakwood Chamber Players will give two performances on Saturday night and Sunday afternoon of a “Nordic” program that features works by Finnish composer Jean Sibelius, Danish composer Carl Nielsen and Sveinbjorn Sveinbjornsson of Iceland.  (For details, here is a link:

https://welltempered.wordpress.com/2014/01/29/classical-music-hear-the-cold-oakwood-chamber-players-will-perform-a-nordic-program-of-icelandic-finnish-and-danish-chamber-music-this-saturday-and-sunday/

But on SATURDAY night — NOT Sunday night as mistakenly listed in some press releases — there is also a chance to hear an unusual work by a contemporary American composer, John Luther Adams (below), who is not to be confused with the Minimalist John Adams, the composer of the operas “Nixon in China” and “Doctor Atomic” among many other works.

John Luther Adams

Here are more details about he work, drawn largely from a press release by the performing ensemble.

Clocks in Motion (below), Madison’s cutting-edge new music ensemble, will present the Madison premiere of John Luther Adams’ “Earth and the Great Weather,” a collaborative multi-media performance depicting the Arctic physical, cultural and spiritual landscapes of Northern Alaska. (An excerpt, “Drums of Winter,” can be heard at the bottom in a YouTube video.)

clocks in motion in concert

Percussion, strings, chorus, digital delay patterns, spoken texts and pre-recorded nature sounds will join forces in this ambitious and innovative work on Saturday, Feb. 1, in Mills Hall at 7:30 p.m.

Admission is free.

Each movement of the genre-defying piece focuses on a different element of Arctic life. 

According to the composer, “The landscape from which “Earth and the Great Weather” is drawn is the Arctic National Wildlife Refuge (below) …one of the last great wilderness regions of North America.  It also embraces the homelands of both the Gwich’in Indians and the Inupiat Eskimos.”

Arctic National Wildlife Refuge

Arctic Wildlife Refuge map

The 10 colorful and drastically different movements are meant to envelope the listener in a transcendental sound environment. In this YouTube video below, the composer explains his personal view of music.

Clocks in Motion has assembled a team of professional musicians to present this unique concert experience to the community.

Chelsie Propst (below top), Sarah Richardson, Cheryl Rowe, and Paul Rowe will comprise the vocal chorus, while Carol Carlson, Max Wollam-Fisher, Spencer Hobbs, and Mikko Utevsky (below bottom) will serve as the string quartet.

Chelsie Propst USE

MAYCO Mikko Utevsky by Steve Rankin

Steve Gotcher, audio engineer for Audio for the Arts, will control the complex electronic component of the performance.  Matthew Schlomer (below, in a photo by Laura Zastrow) will conduct.

MatthewSchlomer cr Laura Zastrow

Hailed as “nothing short of remarkable” (ClevelandClassical.com), Clocks in Motion is a group that performs new music, builds rare instruments, and breaks down the boundaries of the traditional concert program.

Formed in 2011, the ensemble is currently in residence at the University of Wisconsin School of Music.  The individual members of Clocks in Motion’s unique skill sets and specialties contain an impressive mix of musical styles including, rock, jazz, contemporary classical music, orchestral percussion, marching percussion and world music styles.

Among its many recent engagements, the group served as resident performers and educators at the Interlochen Arts Academy, the Rhapsody Arts Center, the University of Michigan, Baldwin-Wallace University, and the Madison Museum of Contemporary Art.  

This project is supported by Dane Arts.

For more information, including repertoire, upcoming events, biographies, and media, visit:

http://clocksinmotionpercussion.com.

Here is a story about the concert (plus other news) on the UW School of Music’s outstanding blog “Fanfare”:

http://uwmadisonschoolofmusic.wordpress.com

And here is a link to a profile of Clocks in Motion that appeared in The Wisconsin State Journal:

http://host.madison.com/entertainment/music/music-the-fast-moving-hands-of-clocks-in-motion/article_d033d14e-b8cf-5257-bd09-f14f9e794526.html#ixzz2rp9u1KMw

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