The Well-Tempered Ear
Classical music: This Sunday afternoon at the Chazen Museum of Art, you can attend or live stream a FREE sampler of the upcoming Bach Around the Clock festival
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By Jacob Stockinger
The Ear has received the following announcement to post:
It’s March – time for Bach!
Every March, the 12-hour FREE Bach Around The Clock (BATC) festival (below top, the Suzuki Strings of Madison) takes place in Madison on a Saturday near the birthday of Johann Sebastian Bach (below bottom) on March 31, 1685.
This year BATC is on Saturday, March 28, from 10 a.m. to 10 p.m. at St. Andrew’s Episcopal Church, 1833 Regent Street.
And every year the Sunday Afternoon Live at the Chazen concert series invites BATC to send a representative sampling of musicians to perform at the UW-Madison’s Chazen Museum of Art on the first Sunday in March, giving the public a taste of the offerings from the festival.
This year the Chazen program on this Sunday – tomorrow, March 1 – features: the Madison Youth Viol Consort in four chorales; pianist Tim Adrianson (below top) playing the English Suite No. 6 in D Minor (you can hear Murray Perahia play the opening Prelude in the YouTube video at the bottom); violist Dierdre Buckley and pianist Ann Aschbacher playing the Gamba Sonata No. 1 in G Major; and BATC’s Ensemble-in-Residence, Sonata à Quattro (below bottom in a photo by Barry Lewis, attached), performing Cantata 209, Non sa che sia dolore (He knows not what sorrow is).
Doors at the Chazen Museum of Art’s Elvehjem Building open at noon, and the concert takes place from 12:30 to 2 p.m. in Brittingham Gallery No. 3.
Admission is free and open to the public, and the event will be live audio-streamed on the Chazen website.
Here is a link to the page on the Chazen website, with more information and the streaming portal:
For more information about Bach Around the Clock, including the full and complete schedule of amateur and professional performances, go to: https://bachclock.com or facebook.com/batcmadison
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Classical music: The Wisconsin Baroque Ensemble teams up with the new Madison Youth Viol Consort for a concert on Saturday night. Plus a FREE organ recital is Friday night
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ALERT: On this Friday night at 7 p.m. in Grace Episcopal Church, 116 West Washington Avenue, on the Capitol Square, Grace Presents is offering a FREE organ recital by Jackson Borges of Delaware. Sorry, no word on composers or pieces.
By Jacob Stockinger
The Ear has received the following announcement to post:
The Wisconsin Baroque Ensemble (below) invites you to a concert of baroque chamber music, featuring the Madison Youth Viol Consort.
The concert is this Saturday night, April 21, at 7:30 p.m. in Saint Andrew’s Episcopal Church (below), 1833 Regent Street, Madison
Tickets at the door only are $20 ($10 for students). For more information, go to www.wisconsinbaroque.org
A reception will be held after the concert at 2422 Kendall Ave., second floor.
Regular members of the Wisconsin Baroque Ensemble are Mimmi Fulmer, soprano; Brett Lipshutz, traverse flute; Eric Miller, viola da gamba; Sigrun Paust, recorder; Charlie Rasmussen, baroque cello; Consuelo Sañudo, mezzo-soprano; Monica Steger, traverse flute, harpsichord and recorder; Anton TenWolde, baroque cello; and Max Yount, harpsichord.
The Madison Youth Viol Consort (MYVC) is the brain child of Eric Miller (below, in a photo by Katrin Talbot) and is a part of the Viola da Gamba Society of America’s nationwide Consort Loan Program.
The mission of the MYVC is two-fold: 1. To introduce the viola da gamba, its repertoire and historically informed playing techniques to young musicians in Madison, grades 8-12 through an artistic chamber music experience; and 2. To increase community awareness in Madison of the Viola da Gamba and its repertoire.
The MYVC currently has five instruments on loan: two bass viols, a tenor viol, and two treble viols. Current members are all accomplished student musicians in grades 8-12 from the Madison area: Charles Deck, Mateo Guaio, Nathaniel Johnson, Anika Olson, and Miriam Syvertsen.
The MYVC will be performing two pieces from the English consort song tradition along with WBE’s vocalists, Consuelo Sanudo and Mimmi Fulmer. “Come to me, grief, for ever” by William Byrd, and “The Silver Swan” by Orlando Gibbons.
As for the WBE, they say: “Playing on period instruments from original notation, the Wisconsin Baroque Ensemble brings the sound and character of the 17th and 18th centuries to life, often shedding light upon lesser known compositions and composers.”
Here is the complete program:
Antonio Vivaldi – “Cento donzelle festose e belle” (A hundred maidens, cheerful and fair)
Georg Philipp Telemann – Fantasia No. 3 for viola da gamba, TWV 40:28 (1735)
Giuseppe Ferdinando Brivio – Trio Sonata for two traversi and basso continuo, Op. 2, No. 4
Unico van Wassenaer – Sonata No. 3 for recorder and basso continuo (ca. 1714)
William Byrd – “Come to me, Grief, forever”
Orlando Gibbons – “The Silver Swan”
INTERMISSION
Luigi Boccherini – Sonata No. 3 for the violoncello, G5
Giovanni Ghizzolo – “Perche piangi, Pastore?” (Why do you weep, shepherd); “Qual di nova bellezza” (As of new beauty..);
Adriano Banchiero – Magnificat (1613)
Michel Pignolet de Montéclair – Duo for traversi without bass
Georg Philipp Telemann – Quartet, TWV 43:G10 (in YouTube video below)
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