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By Jacob Stockinger
The Ear has received the following announcement to post:
Due to the COVID-19 pandemic, the 8th Annual Handel Aria Competition (below) has been postponed for a second time — until 2021 — for the safety of our singers, musicians and audience members.
The upper age limit for the competition will be extended when the competition resumes, so that all singers eligible this year can still participate.
We are introducing a new initiative to support the finalists from the past seasons of the competition – all of whom have had their opportunities to perform severely curtailed by the coronavirus pandemic. Your assistance in spreading the word would be much appreciated!
Originating in Madison, the Handel Aria Competition Virtual Gala willtake place online and worldwide on Thursday, Sept. 10, at 7:30 p.m.
While the gala will not actually be live, since it requires editing together many separate elements of video, it will be shared via Facebook Live and also be available on YouTube and our website (see below).
It is our plan to feature professionally recorded Baroque arias specially performed for the occasion by past finalists and winners, as well as some of the videos recorded during the competition itself. (In the YouTube video at the bottom, you can hear bass-baritone Jonathan Woody singing an aria from the oratorio “Belshazzar” in 2019.)
We are also going to ask the finalists to record short video quotes about how the Handel Aria Competition has helped their careers, and why they love singing Handel.
Our host will be the Handel Aria Competition’s artistic director — and first prize-winner in 2015 — Sarah Brailey (below), who is also pursuing her doctorate at the UW-Madison.
Thanks to individual donations and foundation grants, all of the funds raised during the gala will be shared among the participating singers.
We hope you will join us in showing that we value their talent, and want to help them get through this difficult time.
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Paul Badura-Skoda, the celebrated Austrian pianist who was equally known for his performances and his scholarship, and who was artist-in-residence at the UW-Madison in the mid-1960s until 1970, died this past Tuesday at 91.
A Vienna native, Badura-Skoda was especially known for his interpretations of major Classical-era composers who lived and worked in that city including Haydn, Mozart, Beethoven and Schubert.
He was the only pianist to have recorded the complete sonatas by those composers on both the modern piano and the fortepiano, the appropriate period instrument.
If memory serves, Badura-Skoda’s last appearances in Madison were almost a decade ago for concerts in which he played: the last piano sonatas of Haydn, Mozart, Beethoven and Schubert; a Mozart piano concerto with the UW Chamber Orchestra; and a solo recital of Bach, Mozart, Schubert and Chopin at Farley’s House of Pianos.
But he also performed and recorded Bach, Chopin and Schumann among others. And Badura-Skoda was also renowned as a conductor, composer, editor and teacher.
You can find many of his recordings and interviews on YouTube. Normally, this blog uses shorter excerpts. But the legendary Paul Badura-Soda is special. So in the YouTube video at the bottom you can hear Badura-Skoda’s complete last recital of Schubert (Four Impromptus, D. 899 or Op. 90), Schumann (“Scenes of Childhood”, Op. 15) and Mozart (Sonata in C Minor, K. 457). He performed it just last May at the age of 91 at the Vienna Musikverein, where the popular New Year concerts take place.
One is that The Ear could not find any obituaries from such major mainstream media as The New York Times, the Wall Street Journal and The Washington Post. But each had many other feature stories about and reviews of Badura-Skoda’s concerts over the years in their areas.
The other noteworthy thing is that none of the obituaries mentions Badura-Skoda’s years at the University of Wisconsin-Madison School of Music in the 1960s, where he helped to raise the profile and prestige of the School of Music. Getting Badura-Skoda to join the university was considered quite an unexpected coup.
So here are two links to UW-Madison press releases that discuss that chapter of his life and career.
Here is an archival story from 1966 when Badura-Skoda first arrived at the UW-Madison:
And here is a press release that came from the UW-Madison News Service eight years ago on the occasion of one of Badura-Skoda’s many visits to and performances in Madison:
It would be nice if Wisconsin Public Radio paid homage with some of Badura-Skoda’s recordings since a complete edition was issued last year on the occasion of his 90th birthday.
If you wish to pay your own respects or leave your memories of Paul Badura-Skoda and his playing, please leave something in the comment section.
The Well-Tempered Ear 
Classical music: Legendary Austrian pianist and scholar Paul Badura-Skoda dies at 91. In the 1960s, he was artist-in-residence at the UW-Madison School of Music
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Paul Badura-Skoda, the celebrated Austrian pianist who was equally known for his performances and his scholarship, and who was artist-in-residence at the UW-Madison in the mid-1960s until 1970, died this past Tuesday at 91.
A Vienna native, Badura-Skoda was especially known for his interpretations of major Classical-era composers who lived and worked in that city including Haydn, Mozart, Beethoven and Schubert.
He was the only pianist to have recorded the complete sonatas by those composers on both the modern piano and the fortepiano, the appropriate period instrument.
If memory serves, Badura-Skoda’s last appearances in Madison were almost a decade ago for concerts in which he played: the last piano sonatas of Haydn, Mozart, Beethoven and Schubert; a Mozart piano concerto with the UW Chamber Orchestra; and a solo recital of Bach, Mozart, Schubert and Chopin at Farley’s House of Pianos.
But he also performed and recorded Bach, Chopin and Schumann among others. And Badura-Skoda was also renowned as a conductor, composer, editor and teacher.
You can find many of his recordings and interviews on YouTube. Normally, this blog uses shorter excerpts. But the legendary Paul Badura-Soda is special. So in the YouTube video at the bottom you can hear Badura-Skoda’s complete last recital of Schubert (Four Impromptus, D. 899 or Op. 90), Schumann (“Scenes of Childhood”, Op. 15) and Mozart (Sonata in C Minor, K. 457). He performed it just last May at the age of 91 at the Vienna Musikverein, where the popular New Year concerts take place.
Here are links to several obituaries:
Here is one from the British Gramophone Magazine:
https://www.gramophone.co.uk/classical-music-news/pianist-paul-badura-skoda-has-died-at-the-age-of-91
Here is one from WFMT radio station in Chicago, which interviewed him:
https://www.wfmt.com/2019/09/26/pianist-paul-badura-skoda-dies-at-age-91/
Here is one, with some surprisingly good details, from Limelight Magazine:
https://www.limelightmagazine.com.au/news/paul-badura-skoda-has-died/
And here is his updated Wikipedia entry:
https://en.wikipedia.org/wiki/Paul_Badura-Skoda
But you will notice a couple of things.
One is that The Ear could not find any obituaries from such major mainstream media as The New York Times, the Wall Street Journal and The Washington Post. But each had many other feature stories about and reviews of Badura-Skoda’s concerts over the years in their areas.
The other noteworthy thing is that none of the obituaries mentions Badura-Skoda’s years at the University of Wisconsin-Madison School of Music in the 1960s, where he helped to raise the profile and prestige of the School of Music. Getting Badura-Skoda to join the university was considered quite an unexpected coup.
So here are two links to UW-Madison press releases that discuss that chapter of his life and career.
Here is an archival story from 1966 when Badura-Skoda first arrived at the UW-Madison:
http://digicoll.library.wisc.edu/cgi-bin/UW/UW-idx?type=turn&entity=UW.v67i8.p0011&id=UW.v67i8&isize=text
And here is a press release that came from the UW-Madison News Service eight years ago on the occasion of one of Badura-Skoda’s many visits to and performances in Madison:
https://news.wisc.edu/writers-choice-madison-welcomes-badura-skoda-again-and-again/
Rest in Peace, maestro, and Thank You.
It would be nice if Wisconsin Public Radio paid homage with some of Badura-Skoda’s recordings since a complete edition was issued last year on the occasion of his 90th birthday.
If you wish to pay your own respects or leave your memories of Paul Badura-Skoda and his playing, please leave something in the comment section.
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