The Well-Tempered Ear

Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors

July 23, 2020
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By Jacob Stockinger

Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.

The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.

The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.

Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)

Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.

Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.

Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.

Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.

The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.

There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.

Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.

The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.

“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”

“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”

Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.

The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.

The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.

While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:

  • Presenting Sponsor: the Berbeewalsh Foundation
  • Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
  • Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.

RELATED EVENTS include:

OPERA ON THE WALL | JULY 25, 2020 | ONLINE

Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.

In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.

The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.

POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM

Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.

 


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Classical music: Madison Bach Musicians cancels its performances in late April of the Monteverdi Vespers of 1610. Here are details about ticket donations and refunds

April 1, 2020
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By Jacob Stockinger

The Ear has received the following note from founder and artistic director Trevor Stephenson (below top) and associate artistic director Kangwon Kim (below bottom) of the Madison Bach Musicians regarding the cancellation of the April performances of Monteverdi’s Vespers of 1610.

Dear Friends of Madison Bach Musicians,

We hope everyone is staying well and hanging in there during this global health crisis and massive shutdown. We’re all monitoring the news and looking for any indication that things might improve soon.

Unfortunately, the chances of improvement coming soon enough for public concerts scheduled even near the end of April are overwhelmingly remote.

Madison Bach Musicians (MBM) is very sorry to have to cancel the Vespers of 1610 by Claudio Monteverdi (below) on April 25 and 26. We were all greatly looking forward to it, and of course the piercing irony of having to cancel is that the joy this music brings is what we now, as a culture, need more than ever.

The global economic impact of the coronavirus and COVID-19 pandemic is certainly catastrophic. And, in the music world we are feeling this directly. As a non-profit organization, cancelling a performance is one of the hardest decisions to make ― but the health and well-being of our audience, musicians and staff absolutely come first.

Madison Bach Musicians (below) has offered the Vespers musicians 40 percent of their fee ― we regret we are not a large enough organization to offer full payment.

Several of the players, however, in a show of great generosity, immediately requested that their portion be distributed among the other players. Considering the economic hardship that most freelance musicians will be facing in the coming months, every degree of financial support is deeply appreciated.

MBM is so very grateful to those of you who have purchased tickets to the Vespers. As MBM will feel the economic effects of the Vespers cancellation for a long time, we ask for your support and careful consideration as you decide what to do with your unused Vespers tickets.

If you have purchased tickets, please let us know by April 26, 2020 whether you would like to:

Make your Vespers tickets a tax-deductible donation to MBM. Thank you ― we appreciate it!

A. If you purchased tickets as part of a 2019-20 MBM season subscription or as individual tickets online, please email MBM manager Karen Rebholz at madisonbachmusicians.manager@gmail.com. She will email you your donation tax receipt.

B.  If you purchased tickets at one of our outlet locations (Orange Tree Imports or Willy Street Co-op East and West), please mail your tickets to MBM by U.S. mail, provide us with your email address, and we will email you your donation tax receipt.

Request a refund. We’re happy to provide your money back, and look forward to seeing you again in 2020-21 season.

A. If you purchased tickets as part of a 2019-20 MBM season subscription or as individual tickets online, please email MBM manager Karen Rebholz at madisonbachmusicians.manager@gmail.com. MBM will mail you your refund check.

B. If you purchased tickets at one of our outlet locations (Orange Tree Imports or Willy Street Co-op East and West), please mail your tickets to MBM by the U.S. mail, provide us with your street address, and MBM will mail you your refund check.

Our mailing address is: Madison Bach Musicians, 5729 Forsythia Place, Madison WI 53705. If you have questions, please email Karen Rebholz, MBM manager, at madisonbachmusicians.manager@gmail.com or call us at (608) 238-6092

Thank you for your understanding. We look forward to seeing you in the 2020-21 season

Very best wishes―and please stay safe.


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Classical music: The Madison-based string quartet Quartessence will perform this Sunday afternoon at the Little Brown Church in Richland County

August 2, 2019
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By Jacob Stockinger

On this Sunday, Aug. 4, at 2 p.m. the Madison-based Quartessence string quartet (below, in a photo by Ralph Russo) will perform a rare public concert of classical music at the Little Brown Church in Richland County. (The group usually performs at private events.)

Performers (below, from left) are: violinist Suzanne Beia; cellist Sarah Schaffer; violinist Laura Burns; and violist Jennifer Clare Paulson. Beia, Burns and Paulson are members of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Pro Arte String Quartet. Schaffer has a career in arts management and organizes the annual summertime Token Creek Chamber Music Festival.

The location is 29864 Brown Church Road at the intersection of Highway 130 and Highway B, approximately five miles north of Highway 14.

Tickets cost $10 for adults and $5 for students, and will be available at the door.

The program includes: music by baroque composer Antonio Vivaldi; the “Brook Green” Suite by Gustav Holst; the String Quartet in G Major, K. 156, by Wolfgang Amadeus Mozart; “Household Music: Three Preludes on Welsh Hymn Tunes” by British composer Ralph Vaughan Williams (originally written for organ, one of the preludes can be heard in an orchestral arrangement in the YouTube video at the bottom); and “Painting the Floors Blue” and “Thanks, Victor” by the contemporary American composer John Harbison.

The concert is sponsored by a family, and proceeds will be used by the Friends of the Little Brown Church for maintenance of the building. The donors are happy to be able to provide this opportunity to music lovers in the community.

The refurbished building is air-conditioned, so you can take a break from the hot weather while you enjoy the music.

Here is some background from Harriet Statz (below, far right), who organizes the event because the Little Brown Church is special to her:

“Last year we started what is turning out to be an annual event (maybe) at the Brown Church (below) in Richland County. That’s up the road (Highway 131) from where I lived in the late 1970s.

“Since then Julie Jazicek and I have been in contact about fencing for this historic place, as she is sort of the manager and deserves much credit for keeping both the building and grounds beautiful. Over the years some concerts have been held in the church, but until 2018 nothing classical. So we fixed that!

“Last year’s concert by the Quartessence Quartet was a resounding success. An audience of about 60 people encouraged us to keep going, so we did, and hope for even a larger turnout to fill up the place. As it turns out the acoustics are outstanding!

“The location is west of Spring Green and north of Lone Rock. It’s a lovely drive. So I invite you to mark this Sunday Aug. 4, on your calendar and come out to the country for a lovely afternoon of music. Bring friends! Share rides!”

For information, call 608-356-8421 or send an email to: FriendsOfLittleBrownChurch@gmail.com


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Classical music: Madison native and virtuoso trumpeter Ansel Norris has made it to the final round of the 16th International Tchaikovsky Competition. You can hear him perform live on Thursday morning or in replay

June 26, 2019
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A REMINDER and CORRECTION: American pianist Kenneth Broberg, who performed last season in Madison on the Salon Piano Series at Farley’s House of Pianos, will be the last finalist – not the second-to-last – in the final concerto round of the 16th International Tchaikovsky Competition. The pianist from China that was to play after him played yesterday instead.

Broberg will play the “Rhapsody on a Theme of Paganini” by Sergei Rachmaninoff and the Piano Concerto No. 1 in B-flat minor, Op. 23, by Tchaikovsky. You can watch his performance live  still on Thursday morning at 11:45 a.m. by going to https://tch16.medici.tv/en/ and clicking on PIANO LIVE or REPLAY after the performance.

By Jacob Stockinger

This news came to The Ear late or he would have passed along more information much earlier.

Ansel Norris (below), a 26-year-old Madison native and virtuoso trumpeter, has made it as one of the nine finalists — the contest started with 47 contestants in trombone, French horn, trumpet and tuba — in the first-ever Brass Competition at the 16th International Tchaikovsky Competition.

You can hear Norris perform live on Thursday morning at 7:45 a.m. via live-streaming or afterwards via replay. Just go to https://tch16.medici.tv/en/

Then click on BRASS and choose WATCH or REPLAY.

You can also listen to his earlier performances.

Here is a link to his performance in the first round, when he played a concerto by Franz Joseph Haydn plus works by Allen Vizzutti and Georges Enescu:

https://tch16.medici.tv/en/replay/first-round-with-ansel-norris/

And here is a link to his performance in the semi-final round, where he played concertos by Johann Friedrich Fasch and Vladimir Peskin — you can hear a much younger Norris play the first movement with piano in the YouTube video at the bottom —  as well as a solo competition piece by Théo Charlier:

https://tch16.medici.tv/en/replay/semi-final-with-ansel-norris/#filter?instrument=brass

His performance in the finals, with an orchestra in St. Petersburg instead of Moscow, will take place on Thursday, June 27, at 7:45 a.m.

He will play Lensky’s aria “Where, Where Have You Gone?” from the opera “Eugene Onegin” by Tchaikovsky and the Trumpet Concerto by Rodion Shchedrin. Playing opera arias and art songs on the trumpet is a Norris specialty.

Norris, a graduate of Northwestern University who was also a member of the well-known New World Symphony in Miami, studied with John Aley, University of Wisconsin-Madison Emeritus Professor and Principal Trumpet of the Madison Symphony Orchestra, and played for many years in the Wisconsin Youth Symphony Orchestras.

Norris is the son of Katherine Esposito, the concert manager and publicity coordinator at the UW-Madison’s Mead Witter School of Music.

Here is a link to the more complete and current biography posted by the Tchaikovsky Competition:

https://tch16.medici.tv/en/competitors/ansel-norris/


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Classical music: Get the new UW-Madison brochure for the School of Music concerts, faculty and students. It’s a MUST-HAVE and a MUST-READ, and it is FREE to anyone

September 6, 2017
2 Comments

By Jacob Stockinger

Although the UW-Madison officially opened yesterday, today is the first day of instruction. And this weekend will see the beginning of the new concert season at the Mead Witter School of Music.

On Sunday afternoon at 1:30 p.m. in Morphy Hall, faculty soprano Mimmi Fulmer and alumnus pianist Thomas Kasdorf will kick off the season with a FREE concert of music and songs celebrating the 100th anniversary of the independence of Finland.

But that’s just the beginning to an event-filled school year that includes mostly free solo recitals, chamber music, orchestral music, opera, choral music and more.

And this year, there is a new guide to the concert season and the School of Music itself.

The short and usual glossy brochure of listings has given way to a booklet guide. It is 8-1/2 by 11 inches big and has 24 well-filled pages. It is printed on regular paper and has much more information about the events and the people who make them happen. It takes you behind the scenes as well as in the hall and on the stage.

It is less showy, to be sure, but so much more readable and informative. And it feels great in your hands.

On the right hand margin, you’ll find concerts with performers and programs. To the left and in the center, you will find news, biographies and other information about musicians, donors and an update about the new concert hall building.

The new guide, which you can get for FREE, is the brainchild of Kathy Esposito (below), the music school‘s publicist and concert manager.

Here is what Esposito has to say:

“Our School of Music website, which debuted in 2014, required resources that previously had been devoted to multiple print publications.

“So we dropped back to only one, a printed events calendar.

“I’m happy to say that for the 2017-18 academic year, we finally found time to enlarge the printed concert calendar into a true newsletter as well.

“We certainly have enough news to share. Much of what’s in there had not been, or still is not, placed on the website at http://www.music.wisc.edu.

“My personal favorites are the stories from students, both undergrad and grad. As a mom of two young musicians, I can, to some degree, understand both the challenges and the thrills of their careers. Learning about their lives is the best part of my job. Occasionally I can help them, too.

“A couple of other things to give credit where credit is due.

“My assistant, Brianna Ware, who is a graduate student in piano, caught and corrected many errors.

“The brochure was designed by Bob Marshall of Marshall Design in Middleton. He did a masterful job. Bravo!

“Printing was coordinated by the fabulous Sue Lind at DoIT (Division of Information Technology) Printing and Publishing, who helped me to choose a new paper stock, a lightweight matte.

“Lastly, upon request from our older readers, we increased the font size slightly.

“We mailed the brochure to all alumni, national and international. That also was new. And our feedback has been quite positive.

“I’m happy to send readers a FREE copy of this fall’s brochure – with the somewhat humdrum title “Concerts, News and Events” – to those who email their postal addresses to me. I’ll place you on the list for next year, too. Send your name and postal address to kesposito@wisc.edu

About twice a month, we also publish an e-newsletter in the form of a blog, which I also paste into an email for those on a Wisclist, who don’t get the blog. It is the same information, but I think the blog is prettier.

That’s available via this link: https://uwmadisonschoolofmusic.wordpress.com/


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