The Well-Tempered Ear

Classical music: This Sunday brings a preview of Bach Around the Clock 5. Plus, a FREE song recital is on Friday at noon.

March 1, 2018
4 Comments

CORRECTION: The two performances by the Madison Symphony Orchestra the were listed earlier in this post took place last Sunday, and are NOT scheduled for this coming Sunday. The Ear apologizes and regrets the error. 

ALERT: This week’s FREE Friday Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features mezzo-soprano Consuelo Sañudo (below) and pianist Jeff Gibbens performing music by Johann Sebastian Bach, Ludwig van Beethoven, Claude Debussy, Andre Caplet and Maurice Ravel. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

On this Sunday, March 4, you can hear a sample of the Bach Around the Clock marathon that will take place a week from Saturday, on March 10, from 10 a.m. to 10 p.m. in St. Andrew’s Episcopalian Church, 1833 Regent St.

The preview of the event that celebrates the 333nd birthday of Johann Sebastian Bach (below) will be this month’s Sunday Afternoon Live From the Chazen concert. It starts at 12:30 p.m. in Brittingham Gallery No. 3.

NOTE: It will also be live-streamed from the UW-Madison’s Chazen Museum of Art via the following website:

https://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-at-the-chazen-march-4-with-back-around-the-clock/

The program features the popular Brandenburg Concerto No. 2 in F Major (with flutist Dawn Lawler, below top, as soloist) and the familiar Harpsichord Concerto No. 1 in D minor (with Mark Brampton Smith, below bottom, as soloist). (You can hear the opening of the Harpsichord Concerto in the YouTube video below.)

There will also be selections by Bach from the books for the Suzuki method.

Information about the program and performers is on the website above.

For more information about the complete Bach Around the Clock, as well as the Chazen preview, including the full schedule of works and performers with times and information about live-streaming, go to:

https://bacharoundtheclock.wordpress.com

 

 


Classical music: For you, what were the best, most memorable or most enjoyable concerts of 2017? Here are the highlights for critics John W. Barker and The Ear

December 29, 2017
6 Comments

By Jacob Stockinger

The end of the calendar year is only the mid-point of the new season and the concert calendar.

Still, it is a good time to take stock of the past year and the various performers and performances that we heard.

John W. Barker (below), who writes frequently for this blog as well as for Isthmus, recently published his top picks of concerts in 2017 in Isthmus. Here is a link to his year-end assessment:

https://isthmus.com/music/best-2017-classical-music/

To be fair, The Ear doesn’t always agree with Barker on the quality of some pieces and of certain performances. But by and large the two of us are in accord, and even when we aren’t, the Ear respects and learns from Barker’s expertise and experience.

The Ear would only add several things he found that Barker doesn’t mention:

The all-Mozart concert in the fall by the Pro Arte Quartet (below) — with UW faculty clarinetist Alicia Lee and San Francisco cellist Jean-Michel Fonteneau filling in for Parry Karp, was a much-needed balm in these times of distress.

If you are a fan of amateur music-making and love the music of Bach, the revival of the Bach Around the Clock marathon in March proved enthralling. (Below are violist father Stan Weldy and mandolinist son Alex Weldy.)

You heard all kinds of musicians, from students and adult amateurs to professionals, in all genres of music, including arrangements and transcriptions that Johann Sebastian would no doubt have approved of.

Pianist Richard Goode (below), who played this fall at the Wisconsin Union Theater, showed the power of softness and quiet.

His subtle playing was full of nuance in preludes and fugues from The Well-Tempered Clavier, Book II, by Johann Sebastian Bach; in a late sonata by Ludwig van Beethoven; in the only sonata by Anton Webern; in a generous group for Chopin works; and in an unexpected encore by the English Renaissance composer William Byrd. All in all, Goode proved a wonderful reprieve from some of the heavier, louder and more dramatic keyboard playing we hear.

But if you wanted drama, you only had to attend the recital by UW-Madison virtuoso Christopher Taylor (below). He excelled in everything, especially the total-body playing of the solo piano arrangement by Franz Liszt of Beethoven’s Symphony No. 7, which wowed the house. But he also showed great restraint, tone and subtlety in contemporary American composer John Corigliano “Ostinato” based on that symphony’s famous second movement.

Then Taylor finished up with contrasting sets of six Musical Moments by Franz Schubert and Sergei Rachmaninoff.

BUT NOW IT IS YOUR TURN: YOU BE THE CRITIC!

Recognizing that the best concert is not necessary the most memorable concert, and that the best or most memorable concert is not necessarily the most enjoyable concert, please tell us:

What did you think was the best concert and best single performance you heard in 2017?

What was the most memorable classical music experience you had in 2017?

And what was the most enjoyable classical music performance you heard in 2017?

The Ear wants to hear.


Classical music: Bluegrass mandolinist Chris Thile plays J.S. Bach – and earns raves.

October 27, 2013
3 Comments

By Jacob Stockinger

The brilliantly eclectic mandolin player Chris Thile (below, in a photo by Branley Gutierrez) ) is hot these days.

I recently heard Thile – who has been a member of the bluegrass bands Nickel Creek and Punch Brothers — live on Garrison Keillor’s “A Prairie Home Companion” and also saw that Wisconsin Public Radio was offering his new recording as a gift during its recently completed — and successfully completed — fall pledge drive.

Chris Thile CR Branley Gutierrez

Thile’s new album for Nonesuch Records features his playing of solo violin sonatas and partitas by Johann Sebastian Bach.

Thile says he was inspired directly by the recording that Belgian violinist Arthur Grumiaux did of the solo violin sonatas and partitas decades ago for Philips. It is performance that The Ear, along with so many other critics, put right on the top of the list.

Arthur Grumiaux

But Thile also says he was heavily influenced by Canadian pianist and legend Glenn Gould – well, which Bach player wasn’t, one way or the other? Thile especially names Gould’s second version of the famous “Goldberg” Variations as a milestone in his life and career.

Glenn Gould old

To be fair, I still prefer the original violin version to the mandolin version.

But I have to admit that Thile’s playing and interpretations of Bach’s difficult music are miracles unto themselves. And unusual transcriptions are perfectly in keeping with the aesthetic and practice of Baroque era composers as well as Romantics like Franz Liszt and Ferrucio Busoni. Just listen to the YouTube video at the bottom of Chris Thile playing Bach’s complete Sonata No. 1 in G minor on the mandolin.

Here is a wonderful comprehensive and personal profile and background story to Chris Thile’s concert in Carnegie Hall’s Zankel Hall, written by Steve Smith, that appeared in The New York Times:

http://www.nytimes.com/2013/10/22/arts/music/chris-thile-will-play-sonatas-and-partitas-at-zankel-hall.html?_r=0

Here is an illuminating link to a conversation that Thile had on NPR with host Rachel Martin:

http://www.npr.org/blogs/deceptivecadence/2013/08/14/210524386/chris-thile-looks-back-to-bach

And here is a link to the New York Times’ review of that concert (below, in a photo by Tina Fineberg) by critic Vivien Schweitzer:

http://www.nytimes.com/2013/10/24/arts/music/chris-thile-on-mandolin-at-zankel-hall.html

Chris Thile at Zankel Hall CR Tina Fineberg for NYT

What do you think of Chris Thile and his mandolin Bach?

Do you have a favorite solo violin partita or sonata by J.S. Bach?

The Ear wants to hear.


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