By Jacob Stockinger
Today is Memorial Day 2016, originally called Decoration Day because people placed flowers on the graves of soldiers who had died or been killed.
But as Decoration Day turned into Memorial Day to honor all military personnel, including the living, the holiday has also become the occasion for marches and parades, for picnics and start-of-summer celebrations.
What music would you play to best honor the occasion and those who served, were wounded or fell?
The Ear has looked for new compilations.
So far, the best one remains, after five years, one that appeared on the Deceptive Cadence blog for National Public Radio or NPR:
http://www.npr.org/templates/story/story.php?storyId=104341851
It comes with names and audio clips.
What pieces of classical music would you choose?
But here is a more controversial question: Should we also include and honor civilians on Memorial Day?
Modern wars — World War II, the Korean War, the Vietnam War, the Gulf War, the invasion of Iraq and Afghanistan — have turned countless civilians into fatalities and casualties. In fact, in many cases, civilian casualties of war far outnumber military ones.
It is inarguable: Modern wars have drafted or conscripted or forced civilians into action, and not just into the military.
The Ear does not think that honoring civilians who were injured or fell in the wars detracts from honoring veterans and the members of the military who did so.
Maybe civilians should even have their own day to mark and honor their sacrifices?
What do you think?
The Ear wants to hear.
ALERT: The Pro Arte Quartet, artists-in-residence at the UW-Madison School of Music, will give a FREE concert this Saturday night at 8 p.m. in Mills Hall. The program features: the String Quartet No. 1 in B-flat Major, Op. 18, No. 1 (1799-1800) by Ludwig van Beethoven; the Langsamer Satz (Slow Movement) for String Quartet (1905) by Anton Webern; and the String Quartet in E-flat Major, K. 428 (1783) by Wolfgang Amadeus Mozart.
By Jacob Stockinger
The Ear has received the following word from Clocks in Motion:
Clocks in Motion (below), Madison’s premier new music ensemble, welcomes the renowned bass clarinet and marimba duo Transient Canvas to Madison for a collaborative performance of new sounds, new instruments, and new music.
Featuring a world premiere by Italian-American modernist composer Filippo Santoro, as well as rarely heard works by Daniel T. Lewis, Matthew Welch, and Franco Donatoni, this concert offers a singular chance to experience the cutting edge of new music.
The performance is this Wednesday night, Nov. 4, at 7 p.m. in the DeLuca Forum (below bottom) of the Wisconsin Institutes for Discovery (below top), across from the Union South at 330 North Orchard Street.
It will feature Transient Canvas (below), which consists of the “dazzling” (Boston Globe) clarinetist Amy Advocat and the “expert and vivid” (Boston Musical Intelligencer) marimbist Matthew Sharrock performing thrilling repertoire commissioned for their distinctive instrumentation, as well as larger works in partnership with Clocks in Motion.
Tickets are $12 in advance and $15 the day of the show; $5 with a student ID. PURCHASE TICKETS
Advance tickets are available at https://www.artful.ly/store/events/7534
Praised by the Boston Globe as “superb,” Transient Canvas has been blazing its own trail in the world of contemporary music since 2011. In four years, they have premiered over 40 new works, essentially creating an entirely new repertoire for their unique instrumentation. Fearless in their programming and hungry for new collaborations, TC actively seeks out new composers who will stretch their instrumentation to its limits. (You can hear a sample in the YouTube video at the bottom)
Learn more about Transient Canvas at http://www.transientcanvas.com/
Hailed as “nothing short of remarkable” (ClevelandClassical.com), Clocks in Motion is a group that performs new music, builds its own instruments, and breaks down the boundaries of the traditional concert program. The group Clocks in Motion consistently performs groundbreaking concerts involving performance art, theater, and computer technology.
Featuring world premieres alongside rarely performed classic works, the ensemble strives to create a new canon of percussion repertoire.
Clocks in Motion works passionately to educate young audiences through master classes, residencies, presentations, and school assemblies. The ensemble’s unique skill sets and specialties contain an impressive mix of rock, jazz, contemporary classical, orchestral, marching, and world styles.
Clocks in Motion has served as resident performers and educators at the Interlochen Arts Academy, Casper College, the University of Michigan, Baldwin-Wallace University, VIBES Fine and Performing Arts, Traverse City West High School, Traverse City East Middle School, Rhapsody Arts Center, and the Madison Museum of Contemporary Art.
Formed in 2011, Clocks in Motion began as an extension of the University of Wisconsin-Madison’s Graduate Percussion Group, and now serves as an affiliate ensemble of the University of Wisconsin-Madison School of Music.