By Jacob Stockinger
Talk about the dinner party from Hell!
It may not be the most popular production this season staged by the famed Metropolitan Opera in New York City, but it is certainly the newest as well as the most unusual and interesting production.
It is an operatic remake of Spanish Surrealist filmmaker Luis Buñuel’s 1962 movie ‘The Exterminating Angel” (below is the poster).
You can see it in a live performance in the next “Live From the MET in HD” broadcast that will take place this coming Saturday afternoon with encore presentations on Wednesday afternoon and night.
On this Saturday, the show time is 11:55 a.m. at the Marcus Point Cinemas and the Marcus Palace in Sun Prairie. On Wednesday, Nov. 29 — postponed because next Wednesday is the day before Thanksgiving — the encore presentations at both cinemas are at 1 p.m. and 6:30 p.m.
Running time is 2 hours and 40 minutes. The opera will be sung in English with surtitles in German, Spanish and English.
Tickets are $22, $18 for seniors.
Here is a link to the Met’s website with information about the production, including a cast sheet and a synopsis:
http://www.metopera.org/Season/2017-18-Season/exterminating-angel-ades-tickets/
Here are stories that provide some background.
The first is a general background piece about the opera (below, in a photo by Eamon Hassan for The New York Times) from the “Deceptive Cadence” blog written for NPR or National Public Radio:
Here are two guides, from The New York Times, with what you need to know about the opera and production:
And here is a rave review from Anthony Tommasini, the senior critic for The New York Times, who says if you only see one Met production this season, “The Exterminating Angel” should be it (below is a trailer on YouTube):
https://www.nytimes.com/2017/10/27/arts/music/exterminating-angel-review-metropolitan-opera.html
CORRECTION: The Stravinsky concert by UW trombone professor Mark Hetzler and friends is TONIGHT at 8 p.m. in Mills Hall – NOT Saturday night as incorrectly listed in the posting yesterday. For more information about the performers and the program, go to:
ALERT: The Ear received the following word from early music specialist Trevor Stephenson: “Tonight, my distinguished colleague from France, Marcia Hadjimarkos, will join me for a program of Mozart’s thrilling music for piano four-hands.
“The concert will be held at the Madison Christian Community church, 7118 Old Sauk Road. The acoustics there for the fortepiano are really wonderful. Tickets are available at the door. They cost $20 for the general public and $10 for students.”
By Jacob Stockinger
The broadcasts of “The Met Live in HD” don’t usually fall in consecutive weeks.
But this weekend is an exception.
Last Saturday and then again on Wednesday, the current season premiered with a critically acclaimed production of Bellini’s “Norma.”
This Saturday, a new production of the ever-popular “The Magic Flute” by Mozart will be featured.
The three-hour show starts at 11:55 a.m. on Saturday at the Marcus Point Cinema on the far west side of Madison and the Marcus Palace Cinema in Sun Prairie.
Encore performances at both movie theaters are this coming Wednesday at 1 p.m. and 6:30 p.m.
The full-length opera will be sung in German with English surtitles.
Tickets are $22 for the public, and $18 for seniors.
The production promises to be special for two reasons: the elaborate, colorful staging and innovative costumes by director Julie Taymor, famous for her oversized puppet-like costumes in “The Lion King”; and vibrant conducting by longtime Metropolitan Opera artistic director and now emeritus conductor James Levine. (You can hear the upbeat Overture in the YouTube video at the bottom.)
Below are some other photos to give you a taste of the production:
Here is a link for notes about the production, including several videos:
http://www.metopera.org/Season/2017-18-Season/zauberflote-mozart-tickets/
And here is a link to a synopsis and notes about the cast:
By Jacob Stockinger
At a time when so many classical music programs are striving desperately for commercial success and popularity with the public, one program stands out as phenomenally successful: The Metropolitan Opera’s “Live From the Met in HD” broadcasts.
Those broadcasts reach hundreds of cinemas around the world in North America, South America, Europe, Africa and Asia. Here is a list of the international showings:
http://www.metopera.org/season/in-cinemas/international-locations/
The new season of the live broadcasts by the Metropolitan Opera (below) opens this Saturday.
The broadcasts in Madison will take place at two Marcus Corporation cinemas: at the Point Cinemas on the far west side and the Palace Cinemas in Sun Prairie on the far east side.
The first of 10 operas in the season is a new production of Vincenzo Bellini’s Druid-based bel canto opera “Norma.”
The outstanding cast of singers and actors includes Sondra Radvanovsky, Joseph Callejo and Joyce DiDonato. Carlo Rizzi is the conductor. (You can hear a preview of this production in the YouTube video at the bottom.)
The running time is 3 hours 30 minutes.
Tickets are $18.
Here is a season trailer:
The live performance is this Saturday, Oct. 7, at 11:55 a.m.:
http://www.marcustheatres.com/movies/met-norma-live
Encore presentations and rebroadcast are on Wednesday, Oct. 11, at 1 pm. and 6:30 p.m.:
http://www.marcustheatres.com/movies/met-norma-encore
For this production of “Norma,” here are:
A link to a synopsis and cast list:
http://www.metopera.org/Season/In-Cinemas/SynopsisCast/norma/?performanceNumber=14827
Links to production notes and program notes:
http://www.metopera.org/Season/2017-18-Season/norma-bellini-tickets/
http://www.metopera.org/metoperafiles/season/2017-18/operas/norma/programs/100717%20Norma.pdf
Much of the upcoming season features standard tried-and-true operas by Mozart (“The Magic Flute” and “Cosi fan tutti“); Puccini (“Tosca” and “La Bohème”); Verdi (“Luisa Miller”)’ Rossini (“Semiramide”) and Donizetti (“The Elixir of Love”). But there is also a contemporary work, “The Exterminating Angel,” by Thomas Adès and a holiday production of Humperdinck’s “Hansel and Gretel.”
What do you think of the “Live From the Met” screenings?
What do you think most makes them so successful? The quality of the productions? The affordable price? The accessibility?
And what do you think of the choice of operas in the new season?
The Ear wants to hear.