The Well-Tempered Ear
Classical music: This Saturday’s “Live From the Met in HD” features a new and controversial production of Puccini’s “Tosca.” Here is some background plus a review
Leave a Comment
By Jacob Stockinger
This Saturday starting at 11:55 a.m., “Live From the Met in HD” will broadcast the Metropolitan Opera’s new production of the popular and classic opera about love and politics, “Tosca” by Puccini.
In Madison, the production will be screened at the Point Cinemas on the far west side and the Marcus Palace Cinemas on the east side in Sun Prairie.
(The recorded encore presentation at both cinemas is next week, on Wednesday, Jan. 31., at 1 and 6:30 p.m.)
Running time is 3 hours 35 minutes including two intermissions.
Admission is $22, $18 for seniors.
The opera will be sung in Italian with supertitles and subtitles in English, German, Spanish and Italian.
The production — previewed below by the director Sir David McVicar — has been a history of controversy, especially given various cast changes and cancellations.
For this performance, the leads are soprano Sonya Yoncheva as Tosca (singing the aria “Vissi d’arte” in the YouTube video at the bottom), tenor Vittorio Grigolo as Cavaradossi and baritone Zeljko Lucic as Scarpia.
Here is a link to background provided by the Met:
http://www.metopera.org/Season/2017-18-Season/tosca-puccini-tickets/
Here is a link to a synopsis and cast notes:
http://www.metopera.org/metoperafiles/season/2017-18/operas/tosca/Tosca_HDsynopsis_Global_dates.pdf
The New York Times published a big preview and background story:
https://www.nytimes.com/2017/12/28/arts/music/tosca-met-opera-james-levine.html
And here is a review, also from The New York Times:
https://www.nytimes.com/2018/01/01/arts/music/tosca-metropolitan-opera.html
Tags: #NewYorkTimes, #TheMet, Arts, background, baritone, Broadcast, cancellation, cast, choral music, cinema, classic, Classical music, composer, controversy, director, encore, English, film, German, HD, hi def, History, Italian, Jacob Stockinger, live, Love, Madison, Marcus Corporation, Metropolitan Opera, Metropolitan Opera Live in HD, movie, Music, New York City, New York Times, note, opera, Orchestra, Politics, popular, preview, Puccini, review, screen, sing, singer, Sonya Yoncheva, soprano, Spanish, subtitle, supertitle, synopsis, tenor, The New York Times, Tosca, United States, Vittorio Grigolo, vocal music, week, YouTube
Classical music: This Saturday and on Wednesday, Nov. 29, “Live From the Met in HD” will feature the Thomas Adès operatic remake of Luis Buñuel’s film “The Exterminating Angel.” Here is background and a review of the production
3 Comments
By Jacob Stockinger
Talk about the dinner party from Hell!
It may not be the most popular production this season staged by the famed Metropolitan Opera in New York City, but it is certainly the newest as well as the most unusual and interesting production.
It is an operatic remake of Spanish Surrealist filmmaker Luis Buñuel’s 1962 movie ‘The Exterminating Angel” (below is the poster).
You can see it in a live performance in the next “Live From the MET in HD” broadcast that will take place this coming Saturday afternoon with encore presentations on Wednesday afternoon and night.
On this Saturday, the show time is 11:55 a.m. at the Marcus Point Cinemas and the Marcus Palace in Sun Prairie. On Wednesday, Nov. 29 — postponed because next Wednesday is the day before Thanksgiving — the encore presentations at both cinemas are at 1 p.m. and 6:30 p.m.
Running time is 2 hours and 40 minutes. The opera will be sung in English with surtitles in German, Spanish and English.
Tickets are $22, $18 for seniors.
Here is a link to the Met’s website with information about the production, including a cast sheet and a synopsis:
http://www.metopera.org/Season/2017-18-Season/exterminating-angel-ades-tickets/
Here are stories that provide some background.
The first is a general background piece about the opera (below, in a photo by Eamon Hassan for The New York Times) from the “Deceptive Cadence” blog written for NPR or National Public Radio:
Here are two guides, from The New York Times, with what you need to know about the opera and production:
And here is a rave review from Anthony Tommasini, the senior critic for The New York Times, who says if you only see one Met production this season, “The Exterminating Angel” should be it (below is a trailer on YouTube):
https://www.nytimes.com/2017/10/27/arts/music/exterminating-angel-review-metropolitan-opera.html
Tags: Anthony Tommasini, Arts, background, blog, Buñuel, cast, choral music, cinema, Classical music, composer, critic, Deceptive Cadence, dinner, dinner party, encore, English, film, German, HD, hell, interesting, Jacob Stockinger, live, Live From The Met in HD, Madison, Marcus Cinemas, Marcus Corporation, Metropolitan Opera, movie, Music, new, New Music, New York City, New York Times, NPR, opera, Orchestra, party, performance, photo, Poster, production, Radio, running time, Saturday, Season, senior, show, show time, Spanish, story, Sun Prairie, surreal, surrealism, surtitles, symphony, synopsis, The Exterminating Angel, theater, theatre, Thomas Ades, time, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, web site, Website, Wednesday, written, YouTube
Classical music: On Saturday “The MET Live in HD” will feature Mozart’s opera “The Magic Flute.” Also, UW trombonist Mark Hetzler’s concert is TONIGHT (NOT Saturday) as is a concert of Mozart’s music for piano-four hands
Leave a Comment
CORRECTION: The Stravinsky concert by UW trombone professor Mark Hetzler and friends is TONIGHT at 8 p.m. in Mills Hall – NOT Saturday night as incorrectly listed in the posting yesterday. For more information about the performers and the program, go to:
ALERT: The Ear received the following word from early music specialist Trevor Stephenson: “Tonight, my distinguished colleague from France, Marcia Hadjimarkos, will join me for a program of Mozart’s thrilling music for piano four-hands.
“The concert will be held at the Madison Christian Community church, 7118 Old Sauk Road. The acoustics there for the fortepiano are really wonderful. Tickets are available at the door. They cost $20 for the general public and $10 for students.”
By Jacob Stockinger
The broadcasts of “The Met Live in HD” don’t usually fall in consecutive weeks.
But this weekend is an exception.
Last Saturday and then again on Wednesday, the current season premiered with a critically acclaimed production of Bellini’s “Norma.”
This Saturday, a new production of the ever-popular “The Magic Flute” by Mozart will be featured.
The three-hour show starts at 11:55 a.m. on Saturday at the Marcus Point Cinema on the far west side of Madison and the Marcus Palace Cinema in Sun Prairie.
Encore performances at both movie theaters are this coming Wednesday at 1 p.m. and 6:30 p.m.
The full-length opera will be sung in German with English surtitles.
Tickets are $22 for the public, and $18 for seniors.
The production promises to be special for two reasons: the elaborate, colorful staging and innovative costumes by director Julie Taymor, famous for her oversized puppet-like costumes in “The Lion King”; and vibrant conducting by longtime Metropolitan Opera artistic director and now emeritus conductor James Levine. (You can hear the upbeat Overture in the YouTube video at the bottom.)
Below are some other photos to give you a taste of the production:
Here is a link for notes about the production, including several videos:
http://www.metopera.org/Season/2017-18-Season/zauberflote-mozart-tickets/
And here is a link to a synopsis and notes about the cast:
Tags: acoustics, Arts, Bellini, Broadcast, cast, Chamber music, choral music, church, cinema, Classical music, colleague, composer, conductor, costume, director, Early music, emeritus, encore, English, Entertainment, fortepiano, four-hands, France, German, innovative, Jacob Stockinger, James Levine, Julie Taymor, Lion King, Live From The Met in HD, Madison, Marcus Corporation, Mark Hetzler, Metropolitan Opera, movie, Mozart, Music, New York City, note, opera, Overture, Palace Cinema, performance, Piano, Point Cinema, popular, posting, production, puppet, show, Sonata, staging, Stravinsky, Sun Prairie, supertitle, surtitle, synopsis, The Magic Flute, The MET Live in HD, theater, theatre, Trevor Stephenson, Trombone, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vocal music, week, weekend, Wisconsin, Wolfgang Amadeus Mozart, yesterday, YouTube
Classical music: Bellini’s opera “Norma” opens the new season of “Live From the Met in HD” at movie theaters this Saturday and Wednesday
Leave a Comment
By Jacob Stockinger
At a time when so many classical music programs are striving desperately for commercial success and popularity with the public, one program stands out as phenomenally successful: The Metropolitan Opera’s “Live From the Met in HD” broadcasts.
Those broadcasts reach hundreds of cinemas around the world in North America, South America, Europe, Africa and Asia. Here is a list of the international showings:
http://www.metopera.org/season/in-cinemas/international-locations/
The new season of the live broadcasts by the Metropolitan Opera (below) opens this Saturday.
The broadcasts in Madison will take place at two Marcus Corporation cinemas: at the Point Cinemas on the far west side and the Palace Cinemas in Sun Prairie on the far east side.
The first of 10 operas in the season is a new production of Vincenzo Bellini’s Druid-based bel canto opera “Norma.”
The outstanding cast of singers and actors includes Sondra Radvanovsky, Joseph Callejo and Joyce DiDonato. Carlo Rizzi is the conductor. (You can hear a preview of this production in the YouTube video at the bottom.)
The running time is 3 hours 30 minutes.
Tickets are $18.
Here is a season trailer:
The live performance is this Saturday, Oct. 7, at 11:55 a.m.:
http://www.marcustheatres.com/movies/met-norma-live
Encore presentations and rebroadcast are on Wednesday, Oct. 11, at 1 pm. and 6:30 p.m.:
http://www.marcustheatres.com/movies/met-norma-encore
For this production of “Norma,” here are:
A link to a synopsis and cast list:
http://www.metopera.org/Season/In-Cinemas/SynopsisCast/norma/?performanceNumber=14827
Links to production notes and program notes:
http://www.metopera.org/Season/2017-18-Season/norma-bellini-tickets/
http://www.metopera.org/metoperafiles/season/2017-18/operas/norma/programs/100717%20Norma.pdf
Much of the upcoming season features standard tried-and-true operas by Mozart (“The Magic Flute” and “Cosi fan tutti“); Puccini (“Tosca” and “La Bohème”); Verdi (“Luisa Miller”)’ Rossini (“Semiramide”) and Donizetti (“The Elixir of Love”). But there is also a contemporary work, “The Exterminating Angel,” by Thomas Adès and a holiday production of Humperdinck’s “Hansel and Gretel.”
What do you think of the “Live From the Met” screenings?
What do you think most makes them so successful? The quality of the productions? The affordable price? The accessibility?
And what do you think of the choice of operas in the new season?
The Ear wants to hear.
Tags: accessible, affordable, Africa, angel, Arts, Asia, bel canto, Bellini, Broadcast, Carlo Rizzi, cast, choral music, cinema, Classical music, commercial, conductor, contemporary, Cosi fan tutte, Donizetti, Druid, Elixir of Love, encore, Europe, Exterminating Angel, Hansel and Gretel, HD, High definition, Holiday, Humperdinck, international, Jacob Stockinger, Joseph Callejo, Joyce DiDonato, La bohème, live, Live From The Met in HD, Luisa Miller, Madison, Magic Flute, Marcus Corporation, Met, Metropolitan Opera, movie, Mozart, Music, New York City, Norma, North America, notes, opera, Orchestra, palace, Palace Cinema, Point Cinemas, popular, popularity, price, production, program, quality, rebroadcast, Rossini, Season, Sermiramide, Sondra Radvanovsky, South America, success, Sun Prairie, theater, theatre, Those Adès, Tosca, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verdi, vocal music, Wisconsin, Wolfgang Amadeus Mozart, world, YouTube
Recent Comments
 | Kathy O on Should the 1812 Overture be pl… |
 | Genie Ogden on Should the 1812 Overture be pl… |
 | Polly kuelbs on Should the 1812 Overture be pl… |
 | Barbara Furstenberg on Should the 1812 Overture be pl… |
 | Ronnie Hess on Should the 1812 Overture be pl… |
The Well-Tempered Ear 