The Well-Tempered Ear

Classical music: What is your favorite Sousa march for the Fourth of July? What other classical music celebrates the holiday?

July 4, 2017
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By Jacob Stockinger

Today is the Fourth of July, Independence Day, when we mark the day and the Declaration of Independence when the U.S officially separated from Great Britain to become not a colony but its own country.

Over the past decade The Ear has chosen music from many American composers to mark the event – music by Edward MacDowell, Charles Ives, William Grant Still, George Gershwin, Aaron Copland, Samuel Barber, Leonard Bernstein, William Schuman, Joan Tower, John Adams and so many others.

And of course also featured around the nation will be the “1812 Overture” by Peter Tchaikovsky.

You will probably hear a lot of that music today on Wisconsin Public Radio and other stations, including WFMT in Chicago and WQXR in New York City.

Here is a link to nine suggestions with audiovisual performances:

http://www.classical-music.com/article/nine-best-works-independence-day

But The Ear got to thinking.

It is certainly a major achievement when a composer’s name becomes synonymous with a genre of music. Like Strauss waltzes. Bach cantatas and Bach fugues. Chopin mazurkas and Chopin polonaises.

The Ear thinks that John Philip Sousa is to marches what Johann Strauss is to waltzes. Others have done them, but none as well.

So on Independence Day, he asks: Which of Sousa’s many marches is your favorite to mark the occasion?

The “Stars and Stripes Forever” — no officially our national march — seems the most appropriate one, judging by titles. “The Washington Post” March is not far behind.

But lately The Ear has taken to “The Liberty Bell” March.

Here it is a YouTube video with the same Marine Band that Sousa, The March King, once led and composed for:

And if you want music fireworks in the concert hall to match the real thing, you can’t beat the bravura pyrotechnical display concocted and executed by pianist Vladimir Horowitz, a Russian who became an American citizen and contributed mightily to the war effort during World War II.

Horowitz wowed the crowds – including fellow virtuoso pianists – with his transcription of “The Stars and Stripes Forever” in which it sounds like three or four hands are playing. Judge for yourself. Here it is:

Of course, you can also leave the names of other American composers and works to celebrate the Fourth. Just leave a word and a link in the COMMENT section.

The Ear wants to hear!


Classical music: The new opera “Fallujah” is based on the Iraq War. Will the Madison Opera or the University Opera be interested in staging it? Plus, this afternoon is your last chance to hear “Carmina Burana” performed by the Madison Symphony Orchestra and Chorus. Read three rave reviews.

May 1, 2016
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ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear the Madison Symphony Orchestra and Chorus in “Carmina Burana” in the MSO’s spectacular season-closing program. Read three rave reviews by local critics:

Here is what John W. Barker wrote for Isthmus:

http://isthmus.com/music/big-orchestra-monuments/

Here is what Greg Hettmansberger wrote for Madison Magazine and his blog WhatGregSays:

https://whatgregsays.wordpress.com/2016/04/30/farewells-to-a-season-and-some-friends/

And here is what Jessica Courtier wrote for The Capital Times:

http://host.madison.com/concert-review-mso-offers-spectacular-finale-to-season-with-respighi/article_3ac27a49-8212-5983-855b-245dd011deef.html

By Jacob Stockinger

Who says you can’t mix art and current events?

Especially if the current events also count as history, which has often been an inspiration for fiction and art.

Iraq and Afghanistan — the United States’ longest wars — are back in the news again making big headlines. And PTSD or Post-traumatic Stress Disorder is a story that never goes away.

But not all of the news has to do with politics, suicide bombings, increased troop commitments and fierce fighting in a civil war.

It also has to do with art.

Specifically, opera — that potent combination of theater and music.

The Long Beach Opera commissioned and recently premiered a new chamber opera based on the Iraq War and PTSD (Posttraumatic Stress Disorder), and us based on the life and work of U.S. Marine Christian Ellis . It is called “Fallujah” and it is the first such opera to be written. (A photo below is by Keith Ian Polakoff for the Long Beach Opera.)

You can hear librettist Heather Raffo and composer Tobin Stokes discuss the opera in the YouTube video at the bottom.

fallujah iraq opera Keith Ian Polakoff Long Beach Opera

It makes The Ear wonder if it might find its way into an upcoming season of the Madison Opera, which tends to use its smaller winter productions to stage works that are newer, smaller, more adventurous and more exploratory.

Or maybe the University Opera at the University of Wisconsin-Madison School of Music might find it a good choice for a student production?

Anyway, here is a fine write-up that you can find on NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2016/03/18/470973622/an-iraq-war-opera-finds-a-vein-of-empathy


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