The Well-Tempered Ear

Classical music: Today is the summer solstice. Here is information about the solstice plus 20 pieces of classical music to mark the coming of summer

June 21, 2018
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ALERT: Today is the fifth annual Make Music Madison. More than 300 FREE outdoor performances will be featured at some 100 venues. For information about artists, kinds of music, places and times, go to: http://www.makemusicmadison.org 

By Jacob Stockinger

Today is Thursday, June 21, 2018.

The summer solstice arrives in Wisconsin early today at 5:07 a.m. Central Daylight Time.

If you want to know more about the summer solstice, here are two stories from NBC and The Washington Post with some interesting information you might not know:

https://www.nbcnews.com/mach/science/what-summer-solstice-ncna884991

https://www.washingtonpost.com/news/capital-weather-gang/wp/2018/06/20/summer-solstice-is-thursday-5-things-to-know-about-the-longest-day-of-the-year/?utm_term=.049d0675f182

Quite a few composers and works of classical music celebrate the coming of summer.

Twenty of the best-known are featured on a blog at the famous classical radio station WQXR FM in New York City. Here is a link:

https://www.wqxr.org/story/20-summertime-classical-pieces-maximum-chill/

The blog posting features many terrific sound samples, including such well-known works as “Summer” section from “The Four Seasons” violin concertos by Antonio Vivaldi.

Still, some of the titles – including the famous Overture to “A Mid-Summer Night’s Dream” by Felix Mendelssohn – are not accompanied by sound.

That includes one of The Ear’s favorites, “Knoxville, Summer 1915” by the American composer Samuel Barber with words by the journalist and documentarian James Agee.

Here it is, in a much-praised recording by soprano Dawn Upshaw, in the YouTube video at the bottom.

Here’s hoping summer is better in this part of the country than spring was, what with record cold in April and record rainfall in May that seems to be continuing with disastrous flooding in June.

Happy Summer, all.

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Classical music education: Was the man who invented The Suzuki Method for learning strings and the musical instruments a fraud? Violinist Mark O’Connor thinks so. What do you think?

November 30, 2014
2 Comments

By Jacob Stockinger

Was Shinichi Suzuki (seen below teaching British students in 1980) a fraud?

Shinichi Suzuki in 1980 in London

You might recall that he is the man who invented the famous Suzuki Method for learning strings and other kinds of musical instruments, including the piano. Entire schools are based on his method.

BUT: American violinist Mark O’Connor thinks he was a fraud.

O’Connor (below) is the same musician who teaches at the prestigious Berklee School of Music in Boston and who plays and records best-selling CDs like “Appalachian Journey” with bassist Edgar Meyer and superstar cellist Yo-Yo Ma.

mark o'connor 3

Now The Ear suspects there will be millions, probably tens or hundreds of millions, of parents and young people – all Suzuki students at one time – who might wish to disagree with O’Connor.

And it sure seems like the Suzuki has led to a lot of Asian students and others who learned through Suzuki playing in major orchestras and attending major conservatories.

At the bottom is YouTube method by a Dallas-based Suzuki teacher who tries to explain and defend the Suzuki Method as a “natural” method that is based on the idea of a “mother tongue.”

But you should make up you own mind about such matters, which are as ethical as they are pedagogical or musical and which force us to confront the practicality and efficacy of competing teaching methods.

So here is a link to a story on NPR (National Public Radio) about the controversy.

Be sure to read the more than 100 comments from readers.

See what you think and then let us know.

http://www.npr.org/2014/11/16/364140413/twinkle-sparks-fireworks-as-fiddler-guts-violin-method

The Ear wants to hear.


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