The Well-Tempered Ear
Nobody expressed romantic love in music better or more often than Robert Schumann
7 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today — Feb. 14, 2023 — is Valentine’s Day.
When it comes to composing music that expresses romantic love, The Ear thinks nobody did it more consistently or better than Robert Schumann.
Inspired by his wife Clara, a former student who defied her father to marry Robert, Schumann (seen below with Clara) put romantic love at the heart of so many pieces.
One of his finest is the second movement of the eight-movement piano suite “Kreisleriana,” Op. 16. Perhaps you will agree after listening to it played by Martha Argerich in the YouTube video below.
Check it out.
Does it move you?
If you have a different choice for a composer or a piece suitable for the occasion today, please include it, perhaps with a YouTube link, as a comment.
Happy Valentine’s Day
The Ear wants to hear.
Tags: #BlogPost, #BlogPosting, #ClaraSchumann, #FacebookPost, #FacebookPosting, #MarthaArgerich, #RobertSchumann, #TheEar, #YouTubevideo, Arts, blog, Clara Schumann, Classical music, composer, cupid, express, Facebook, Jacob Stockinger, Kreisleriana, link, Love, Martha Argerich, Music, occasion, Piano, piece, Robert Schumann, Romantic, Schumann, share, Suite, tag, The Ear, Valentine's Day, YouTube
Classical music: This Wednesday night, four teenage soloists compete in this year’s Final Forte competition with the Madison Symphony Orchestra. Attend it live for FREE, or watch and hear it live on PBS Wisconsin and Wisconsin Public Radio
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Wednesday night, Feb. 26, at 7 p.m. in Overture Hall, the Madison Symphony Orchestra (below in a photo by Peter Rodgers), PBS Wisconsin and Wisconsin Public Radio will present the 14th annual “Wisconsin Young Artists Compete: The Final Forte.”
The concert of four teenage concerto competition winners features the Madison Symphony Orchestra (MSO) led by Associate Conductor Kyle Knox (below).
The concert is FREE and open to the public. But audience members must register in advance, and arrive by 6:45 p.m. on Wednesday, Feb. 26, prior to the beginning of the live broadcast. Reservations are required. Call (608) 257-3734 or go online to register at https://madisonsymphony.org/finalforte
Doors open at 6:15 p.m. and close at 6:45 p.m. due to the live broadcast. The event runs until 8:30 p.m. No tickets will be issued at the door. Seating is general admission in select areas of the concert hall.
The four finalists (below, in a photo by James Gill who did all the contestant photos) were chosen from 10 semi-finalists in November.
They are:
Jessica Jiang (far left), who will perform the first movement from Prokofiev’s Piano Concerto No. 3. (You can hear the Prokofiev movement, played by Martha Argerich, in the YouTube video at the bottom.)
Jonah Kartman (far right), who will perform the first movement from Saint-Saens’ Violin Concerto No 3.
Emily Hauer (third from left) who will perform the first movement from Sibelius’ Violin Concerto in D minor.
Pianist Michael Wu (second from left) who will perform Liszt’s “Totentanz” (Dance of Death).
Videos to introduce each finalist are now available for viewing online.
Jessica Jiang: https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-jessica-jiang-qto5ir/
Emily Hauer: https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-emily-hauer-8ihe8s/
Jonah Kartman: https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-jonah-kartman-xsr1z6/
Michael Wu): https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-michael-wu-frbf66/
Rebroadcast dates on the Wisconsin Channel (WPT-2) will be Friday, March 6 at 8 p.m. and 11p.m.; Saturday, March 7, at 3 p.m.; and Thursday, March 12, at 3 a.m.
ABOUT THE FINALISTS
Jessica Jiang (below) is a junior at Madison Memorial High School. She took up the piano at the age of four and currently studies with Bill Lutes, Emeritus Professor at the UW-Madison Mead Witter School of Music. Jessica received the Steenbock Youth Music Award in the 2018 Bolz Young Artist Competition and took second place in Division III of the National Steinway and Sons Piano Competition in 2019.
Emily Hauer (below) is a home-schooled senior from Appleton. She began violin lessons at the age of two and currently studies with Ilana Setapen, associate concertmaster of the Milwaukee Symphony Orchestra. Emily won the Wisconsin Chamber Orchestra Young Artist Concerto Competition in 2017 and is currently in her fourth year as the concertmaster of the Fox Valley Youth Symphony Orchestra.
Jonah Kartman (below) is a home-schooled senior from Glendale. He has been playing the violin for 13 years, and currently studies with I-Hao Lee at DePaul University’s School of Music. Jonah was a finalist in the 2019 Milwaukee Symphony Orchestra’s Audrey G. Baird Stars of Tomorrow competition, and a two-time winner and scholarship recipient in the Civic Music Association of Milwaukee Competition.
Michael Wu (below) is a senior at Sun Prairie High School. He began piano lessons at age five, and currently studies with Bill Lutes, Emeritus Professor at the UW-Madison Mead Witter School of Music. Michael received the Steenbock Youth Music Award in the 2017 Bolz Young Artist Competition and took first place in Division III of the National Steinway and Sons Piano Competition in 2018.
ABOUT THE FINAL FORTE
This competition has captured an enormous following and numerous honors, including an Emmy nomination, First Place in the “Special Interest” category from the Wisconsin Broadcasters Association in 2007, and the fifth most-watched program in the February 2007 Nielsen ratings. The 2008 broadcasts reached more than 60,000 viewers and listeners in the Madison market alone and the 2009 broadcasts reached an estimated 200,000 statewide.
The Final Forte is funded by major support from Diane Ballweg, Stephen Morton, W. Jerome Frautschi, A. Paul Jones Charitable Trust, Julie and Larry Midtbo, Fred and Mary Mohs, and Elizabeth Olson, with additional support from Bell Laboratories, James Dahlberg and Elsebet Lund, Kato Perlman, Cyrena and Lee Pondrom, Sentry Insurance Foundation, Darcy Kind and Marc Vitale, Dr. A. Beyer-Mears, Nick and Judith Topitzes, the Focus Fund for Young Performers, and Friends of PBS Wisconsin.
Tags: #AppletonWisconsin, #AssociateConductor, #BellLaboratories, #BillLutes, #BlogPost, #BlogPosting, #CamilleSaint-Saens, #CharitableTrust, #CivicMusicAssociation, #ConcertHall, #CyrenaPondrom, #DanceofDeath, #DePaulUniversity, #DianeBallweg, #EmilyHauer, #EmmyAward, #FacebookPost, #FacebookPosting, #FinalForte, #FinancialSupport, #FirstPlace, #FocusFund, #FoxValley, #FoxValleyYouthSymphonyOrchestra, #FranzLiszt, #FriendsofPBSWisconsin, #GeneralAdmission, #I-HaoLee, #IlanaSetapen, #JacobStockinger, #JamesGill, #JeanSibelius, #JessicaJiang, #JonahKartman, #KatoPerlman, #KyleKnox, #LiveBroadcast, #MadisonSymphonyOrchestra, #MarthaArgerich, #MeadWitterSchoolofMusic, #MemorialHighSchool, #MichaelWu, #MilwaukeeSymphonyOrchestra, #MusicLessons, #NielsenRatings, #OrchestralMusic, #OvertureCenter, #OvertureHall, #PBSWisconsin, #PianoCompetition, #PianoConcerto, #PianoLessons, #ProfessorEmeritus, #SchoolofMusic, #SecondPlace, #Semi-finals, #SentryInsurance, #SergeiProkofiev, #SpecialInterest, #StarsofTomorrow, #Steinway&Sons, #SteinwayandSons, #SteinwayPiano, #StephenMorton, #SunPrairie, #SunPrairieHighSchool, #SunPrairieWisconsin, #TheEar, #TVviewership, #UniversityofWisconsin-Madison, #ViolinConcerto, #ViolinLessons, #W.JeromeFrautschi, #WisconsinBroadcastersAssociation, #WisconsinChamberOrchestra, #WisconsinChannel, #WisconsinPublicRadio, #WisconsinPublicTelevision, #WisconsinYoungArtistsCompete, #YoungArtist, #YoungArtists, #YouTubevideo, advance, age, Appleton, area, Arts, associate, audience, award, Bell Laboratories, Bill Lutes, blog, Bloz, call, Camille Saint-Saëns, capture, category, Charitable Trust, charity, Civic Music Association, Classical music, close, competitiion, competitors, composer, Concert, concert hall, concertmaster, concerto, conductor, Cyrene Pondrom, dance, Dance of Death, dates, death, DePaul University, Diane Ballweg, division, donor, donors, doors, Emily Hauer, Emmy, Emmy award, Facebook, Final Forte, finalist, first, first place, Focus Fund, following, forward, Fox Valley, Fox Valley Youth Symphony Orchestra, Franz Liszt, free, friends, Friends of PBS Wisconsin, funded, funding, general admission, Glendale, hall, home-schooled, honors, I-Hai Lee, Ilana Setapen, introduction, Jacob Stockinger, James Gill, Jean Sibelius, Jessica Jiang, Jiang, Jonah Kartman, junior, Kato Perlman, Kyle Knox, Lee, lessons, like, link, listener, Liszt, live broadcast, Madison Symphony Orchestra, Martha Argerich, Mead Witter School of Music, members, Memorial High Schol, Michael Wu, Milwaukee, Milwaukee Symphony Orchestra, Mohs, movement, MSO, Music, nation, national, Nielsen, nomination, November, online, Orchestra, orchestral music, Overture Center, Overture Hall, PBS, PBS Wisconsin, performer, performers, Pianist, Piano, piano competition, Piano concerto, place, post, posting, professor emertius, program, Prokofiev, public, Radio, ratings, rebroadcast, register, reservation, Saturday, School of Music, seating, second, second place, select, senior, Sentry Insurance, Sergei Prokofiev, share, special interest, Stars of Tomorrow, statewide, Steenbacl, Steinway and Sons, Stephen Morton, Student, studies, study, Sun Prairie, Sun Prairie High School, support, symphony, tag, Teacher, Television, The Ear, Thursday, Thursday August 22, ticket, Totentanz, trust, TV, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, video, view, viewer, viewing, Violin, Violin concerto, violinist, W. Jerome Frautschi, watched, WCO, Wednesday, winner, Wisconsin, Wisconsin Broadcasters Association, Wisconsin Chamber Orchestra, Wisconsin Channel, wisconsin public radio, Wisconsin Public Television, Wisconsin Young Artists Compete, WPT, Wu, young, young artist, Youth, YouTube
Classical music: Super-virtuoso pianist Marc-André Hamelin makes his Madison debut with the Madison Symphony Orchestra this weekend in concertos by Richard Strauss and Maurice Ravel
6 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
As a pianist, he is known as someone who can play more notes faster and more clearly than anyone one – in short, a “super-virtuoso.”
He is the Canadian pianist Marc-André Hamelin (below), who will make his Madison debut this weekend with the Madison Symphony Orchestra when he performs two concertos: “Burlesque” by Richard Strauss and the Piano Concerto in G Major by Maurice Ravel.
The program opens with Wolfgang Amadeus Mozart’s Symphony No. 38, “Prague,” and closes with Claude Debussy’s La Mer (The Sea).
Performances take place in Overture Hall, 201 State St., on Friday, April 12, at 7:30 p.m.; Saturday, April 13, at 8 p.m.; and Sunday, April 14, at 2:30 p.m.
An Open Rehearsal will be held on Thursday, April 11 — free and open to the public. Limited space is available (RSVP required by calling 608 257-3734). Patrons must arrive by 6:45 p.m. For more information about the concerts and rehearsal, go to: https://madisonsymphony.org/event/an-auspicious-debut-marc-andre-hamelin/
Maestro John DeMain (below, in a photo by Greg Anderson), who will conduct the concerts, says: “Marc-André Hamelin is one of the major pianists of our time. This program features two of the greatest German composers and two great French Impressionists. Always inspired by Mozart, I am delighted to open with his Prague symphony.
“Then comes Strauss’ Burlesque with Marc-André performing virtuosic and delightful musical fare. After intermission comes another favorite of mine, Ravel’s Piano Concerto with its sultry, cabaret-like slow movement that climaxes with a raucous but fun last movement. (In the YouTube video at the bottom, you can hear Martha Argerich play that second movement with conductor Claudio Abbado and the Berlin Philharmonic.)
“The concert closes with Claude Debussy’s La Mer, his amazing tone poem that conjures up images of the sea both raging and calm, placing ultimate demands on the orchestra and creating an aural thrill for the audience.”
ABOUT MARC-ANDRÉ HAMELIN
The Oregonian summarizes the featured soloist concisely: “Is there anything Marc-André Hamelin can’t do at the piano?” Pianist Marc-André Hamelin is known worldwide for his unrivaled blend of consummate musicianship and brilliant technique, as well as for his exploration of the rarities of the 19th, 20th, and 21st centuries — in concert and on disc.
Although primarily a performer, Hamelin has composed music throughout his career. He was a distinguished jury member of the 15th Van Cliburn Competition in 2017, where each of the 30 competitors in the Preliminary Round were required to perform Hamelin’s “L’Homme armé.” It marked the first time the composer of the commissioned work was also a member of the jury.
A prolific maker of recordings, Hamelin (below) was honored with the 2014 ECHO Klassik Instrumentalist of Year (Piano) and Disc of the Year for his three-disc set of “Busoni: Late Piano Music.” An album of his own compositions, “Hamelin: Études,” received a 2010 Grammy nomination and a first prize from the German Record Critics’ Association. Hamelin is the recipient of a lifetime achievement award from the German Record Critics’ Association.
CONCERT AND TICKET DETAILS
The lobby opens 90 minutes prior to each concert. One hour before each performance, Michael Allsen will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket-holders.
The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Program notes for the concerts are available online: http://bit.ly/april2019programnotes
- Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/hamelin through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-ticket booklets of 10 vouchers for 2018-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
- Out at the Symphony tickets include a seat in the Circle level of Overture Hall (regular price ($70-93), plus the after-party, for $45. Reception-only tickets are available for $25 each. Learn more at: https://madisonsymphony.org/out
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for these concerts was provided by Madison Gas & Electric Foundation, Inc., Fred and Mary Mohs, Skofronick Family Charitable Trust and WPS Health Insurance. Additional funding was provided by Forte, James and Joan Johnston, Gary and Lynn Mecklenburg, Rodney Schreiner and Mark Blank, Stafford Rosenbaum LLP, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
Tags: #BerlinPhilharmonic, #BlogPost, #BlogPosting, #BoxOffice, #ClaudeDebussy, #ClaudioAbbado, #CommissionedMusic, #ECHOAward, #FacebookPost, #FacebookPosting, #FerruccioBusoni, #FirstPrize, #GermanRecordCritics'Association, #GrammyAward, #HealthInsurance, #JohnDeMain, #LaMer, #MadisonGasandElectric, #MadisonSymphonyOrchestra, #Marc-AndréHamelin, #MarthaArgerich, #MauriceRavel, #MeadWitterSchoolofMusic, #MG&E, #NationalEndowmentfortheArts, #NewMusic, #OpenRehearsal, #OvertureCenter, #OvertureHall, #PianoConcerto, #ProgramNotes, #RichardStrauss, #SeniorCitizen, #SlowMovement, #StaffordRosenbaum, #StateOfWisconsin, #SubscriptionConcert, #TheImpressionists, #TonePoem, #UniversityofWisconsin-Madison, #VanCliburn, #VanCliburnInternationalPianoCompetition, #WisconsinArtsBoard, #WolfgangAmadeusMozart, #World-wide, #YouTubevideo, achievement, Album, Arts, audience, aural, award, Berlin Philharmonic, blog, box office, briliant, Burlesque, Busoni, cabaret, calm, Canada, Canadian, charity, Classical music, Claude Debussy, Claudio Abbado, climax, commissioned, Compact Disc, competitor, composer, Composition, Concert, concerto, conductor, consummate, Debussy, debut, demand, disc, discount, discussion, Echo award, etude, experience, Facebook, fare, Ferruccio Busoni, first prize, forward, free, French, fun, funds, German Record Critics' Association, Grammy, health insurance, ID, Impressionist, information, Jacob Stockinger, John DeMain, judge, jury, La Mer, last, last movement, law firm, lawyer, lifetime, like, link, listening, live, Madison, Madison Gas and Electric, Madison Symphony Orchestra, Maestro, major, Marc-André Hamelin, Martha Argerich, Maurice Ravel, Mead Witter School of Music, movement, Mozart, Music, musicianship, National Endowment for the Arts, NEA, New Music, nomination, online, open, open rehearsal, Orchestra, Overture Center, Overture Hall, patron, performer, Pianist, Piano, poem, Prague, Prelude, program notes, rage, raging, raucous, Ravel, recording, rehearsal, Richard Strauss, RSVP, sea, seat, security, senior, senior citizen, share, Slow movement, soloist, spread, Stafford Rosenbaum, State of Wisconsin, Strauss, Student, subscription, sultry, super, symphony, tag, technique, thrill, time, tone, trust, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Van Cliburn, Van Cliburn International Piano Competition, virtuosic, virtuoso, weekend, Wisconsin Arts Board, Wolfgang Amadeus Mozart, word, worldwide, WPS, YouTube
Classical music: Brazilian pianist Alexandre Dossin makes his Madison debut Friday night with the Wisconsin Chamber Orchestra in an overlooked masterpiece of American Romanticism. Plus, the amateur Madison Community Symphony Orchestra performs a FREE all-Russian program on Friday night at MATC
1 Comment
ALERT 1: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features violinist Wendy Adams and pianist Ann Aschbacher in music by Schubert, Brahms and Hovhaness.
ALERT 2: The amateur Madison Community Symphony Orchestra will perform a FREE concert Friday night at 7:30 p.m. in the Norman Mitty Theater, 1701 Wright Street on the Madison Area Technical College campus on the east side. The all-Russian program, under the baton of Blake Walter of Edgewood College, features works by Glazunov, Prokofiev, Khachaturian and Balakirev. For more information and the complete program, go to: http://www.madisoncommunityorchestra.org/pages/concerts.htm
By Jacob Stockinger
The Wisconsin Chamber Orchestra (below top), under music director Andrew Sewell (below bottom), always puts together memorable programs, often with new and exciting soloists plus neglected or little known repertoire.
That is once again the promise of the WCO concert this Friday night at 7:30 p.m. in the Capitol Theater of the Overture Center, 201 State St.
Tickets are $15-$80. See below.
First, the program offers the Madison debut of Alexandre Dossin (below), the 2003 winner of the Martha Argerich International Piano Competition.
Trained at the Tchaikovsky Conservatory in Moscow, Dossin seems a power player. Little wonder that he has recorded music by Liszt, Prokofiev, Kabalevsky and Leonard Bernstein for Naxos Records as well as by Rachmaninoff and Tchaikovsky for G. Schirmer Music. You can also hear and see a lot of his performances on YouTube.
Moreover, Dossin, who has taught at the UW-Eau Claire and the University of Louisiana and who now teaches at the University of Oregon, will be playing a relatively neglected masterpiece of American Romantic music: the Piano Concerto No. 2 in D minor, Op. 23, by Edward MacDowell (below).
MacDowell’s work is a dark, dramatic and virtuosic work that was once championed by Van Cliburn. (You can hear Cliburn with the third movement with the Chicago Symphony Orchestra under the late Walter Hendl in the YouTube video at the bottom.).
For most listeners, that will be the discovery of the evening.
Rounding out the program are two more widely known masterpieces: the Orchestral Suite No. 4 by Johann Sebastian Bach and the Symphony No. 3, the “Rhenish,” by Robert Schumann.
The Ear is especially pleased that the WCO is doing Bach.
Too often modern instrument groups defer to period-instrument ensembles for Bach – which means that audiences don’t hear as much Bach (below) as they should and as previous generations did, as the prize-winning composer John Harbison has often lamented in public.
Of course, it is safe to bet that the WCO will borrow some of the faster tempi and historically informed performance techniques from the early music movement. Still, The Ear says Bravo to the programming of Bach by a group that uses modern instruments. We can always use more Bach.
The symphony by Robert Schumann (below) will also have an unusual, if subtle, aspect to its performance.
It is usually played by larger symphony orchestras. But using a chamber orchestra creates a certain intimacy and lends a transparency that reveals structure and themes in an engaging way. Yannick Nézet-Séguin – the highly acclaimed music director of the Philadelphia Orchestra and music director-designate of the Metropolitan Opera — recently proved that with his outstanding recording of the four symphonies by Robert Schumann (below) with the Chamber Orchestra of Europe.
For more background and information about tickets, go to:
https://wisconsinchamberorchestra.org/performances/masterworks-iii-3/
For more information about Alexandre Dossin, go to his two websites:
http://www.dossin.net/alexandredossin/Welcome.html
https://music.uoregon.edu/people/faculty/adossin
Tags: #AlanHovhaness, #AlexanderGlazunov, #AlexandreDossin, #AndrewSewell, #AramKhachaturian, #BaroqueMusic, #CapitolTheater, #ChamberOrchestraofEurope, #ChicagoSymphonyOrchestra, #EdgewoodCollege, #EdwardMacDowell, #FirstUnitarianSocietyofMadison, #FranzLiszt, #HistoricallyInformedPerformancePractices, #InstrumentalMusic, #JohannSebastianBach, #JohnHarbison, #LeonardBernstein, #MadisonCommunitySymphonyOrchestra, #MarthaArgerich, #MetropolitanOpera, #MilyBalakirev, #NaxosRecords, #OvertureCenter, #PeriodInstruments, #PeterIlyichTchaikovsky, #PhiladelphiaOrchestra, #PianoConcerto, #PianoMusic, #RobertSchumann, #RussianMusic, #SergeiProkofiev, #SergeiRachmaninoff, #SergeiRachmaninov, #TheMet, #UnitarianSociety, #UniversityofLouisiana, #UniversityofOregon, #UniversityofWisconsin, #UniversityofWisconsin-Eau Claire, #VanCliburn, #WisconsinChamberOrchestra, #YannickNezet-Seguin, Alan Hovhaness, amateur, America, American, Arts, Bach, Balakirev, Baroque, Bernstein, Blake Walter, Brazil, Capitol Theater, Chamber Orchestra of Europe, Chicago, Classical music, Compact Disc, Competition, composer, concerto, dark, dramatic, Early music, earlymusic, easy music, Edgewood College, First Unitarian Society of Madison, Franz Schubert, G. Schirmer, hear, historically informed performance practices, Hovhaness, instrument, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, John Harbison, Kabalevsky, Leonard Bernstein, Liszt, Madison, Martha Argerich, masterpiece, memorable, Met, Metropolitan Opera, modern, Moscow, Music, Music director, Naxos Records, Orchestra, Oregon, Overture Center, performance, period instruments, period-instrument, Peter Ilyich Tchaikovsky, Philadelphia Orchestra, Piano, program, Prokofiev, Rachmaninov, repertoire, Rhenish, Rhine River, Romantic, Romanticism, Schirmer, Schumann, see, soloist, symphony, Tchaikovsky, tempi, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Van Cliburn, Violin, web site, Website, winner, Wisconsin, Wisconsin Chamber Orchestra, Yannick Nézet-Séguin, YouTube
Recent Comments
The Well-Tempered Ear 