PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Starting tonight and over the next two weeks, as the spring semester at the UW-Madison comes to a close, there will be more than two dozen student recitals to listen to. (Below is the YouTube video for the concert this Thursday night, April 15, at 6:30 p.m. of the Marvin Rabin String Quartet that is comprised of graduate students.)
Often two or more concerts a day are scheduled, often at 3:30 p.m. and 6:30 p.m.
That much is typical.
What is not typical during the pandemic is that technology will allow the recitals to be presented live-streamed and virtual.
The downside is that the students will not experience performing before a live audience.
But there is an upside.
Going virtual also means that the recitals will be available longer to family, friends and interested listeners here as well as around the country and — especially for international students — the world. (Below, in a photo by Bryce Richter for the UW-Madison, is the Mead Witter Foundation Concert Hall in the Hamel Music Center.)
It also means you can hear them when it is convenient for you and not at the actual scheduled times.
The Ear has heard his share of student recitals and often finds them to be exceptional events.
If you go to the Mead Witter School of Music’s website, you can see the concerts and the lineups.
You will see that there will be student recitals of vocal music, brass music, wind music, string music and piano music. There are solo recitals, chamber music and even a symphony orchestra concert. (Below, in a photo by Bryce Richter for the UW-Madison, is the Collins Recital Hall in the Hamel Music Center.)
There are too many details for each concert to list them all here individually.
But if you go to the Concerts and Events page on the music school’s outstanding website, you can hover the cursor over the event and then click on the event and get everything from the performers and programs to program notes, a performer biography and a photo with a link to the YouTube performance.
On the YouTube site, if you click on “See More” you will see more details and can even set up an alarm for when the concert starts.
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Friday night, Nov. 6, will see the premiere concert by the new Marvin Rabin String Quartet at the University of Wisconsin-Madison Mead Witter School of Music.
The concert takes place virtually and online on the music school’s YouTube channel. It is scheduled to start at 6:30 p.m. and run to 8 p.m.
The new string quartet — which replaces The Hunt Quartet — is named in honor of the late Dr. Marvin J. Rabin, who was an internationally acclaimed music educator and Professor Emeritus at UW-Madison.
Rabin (below) is best known as the founder of the Wisconsin Youth Symphony Orchestras.
The members of the Marvin Rabin String Quartet are graduate students at the UW-Madison.
Members are (below from top left) are: Fabio Saggin, viola; Ben Therrell, cello; Ava Shadmani, violin; and Rachel Reese-Kollmeyer, violin.
They will perform the virtual concert in the Mead Witter Foundation Concert Hall of the Hamel Music Center.
There is NO in-person attendance
The program is:
String Quartet in B-flat major, Op. 18, No. 6 by Ludwig van Beethoven (1770-1827)
Two Armenian Miniatures for String Quartet –“The Red Shawl” (heard in the YouTube video at the bottom) and “Echmiadzin Dance” – by the Armenian priest Komitas (1869-1935, see 1902 photo below) as arranged by S. Aslamazyan
Harv Thompson will receive the award in the category of Artistic Achievement. The award will be presented at Arts Day on this Wednesday, March 9, at the Monona Terrace in the Hall of Ideas at 9 a.m.
Deserving individuals and organizations from across the state were nominated for their support of youth arts across all disciplines.
Harv Thompson (below) is Professor Emeritus of Theater at the UW-Madison and the UW-Extension. A firm believer in the “Wisconsin Idea,” Thompson considers the boundaries of the University System to be the boundaries of the state. His passion for arts education throughout Wisconsin is deeply rooted in his belief that the state has a commitment to bring the UW’s arts offerings to the diverse audiences found in every corner of Wisconsin.
Thompson’s career ran on two tracks: his theater endeavors and his administrative leadership. Harv served over 20 years as department chair for the UW-Extension’s Continuing Education in the Arts Department.
His role at the UW-Extension included maintaining a link between UW arts professors and the UW-Extension youth program of 4-H. Over 50,000 children state-wide are enrolled in 4-H and his leadership helped develop and maintain funding for 4-H arts programs including: Arts Camp, Arts Leadership lab, Showcase Singers, Drama Company and Art Team.
Thompson (below) is also founder of the Wisconsin Theater Association, which was developed to assist public schools in their theater offerings including classes and live performances of plays and musicals. Since its inception, the Wisconsin Theater Association has provided educational resources and performances to thousands of students throughout the state of Wisconsin.
Twenty-five years ago, Thompson founded the Wisconsin High School Theater Festival (below). For every year since, hundreds of high school students attended the three-day festival to participate in a variety of educational workshops and to view live theater performances by both their high school peers and by professional theater groups. Thousands of high school students have benefited from the festival’s 25-year run, and Harv continues to remain closely involved in the planning and execution of the festival to this day.
The Wisconsin Youth Symphony Orchestras, located in Madison, Wisconsin, presents the Rabin Youth Arts Awards in honor of their founding conductor, Marvin Rabin (below), as a means to honor those who follow in his footsteps.
The awards are a forum for promoting quality youth arts programs and honoring those who work diligently to provide arts opportunities for children throughout Wisconsin. They also serve as a means to elevate awareness in our community about the importance of arts education for all children.
Now celebrating its 50th season, WYSO membership has included more than 5,000 young musicians from more than 100 communities in southern Wisconsin. WYSO, currently under the artistic direction of James Smith, includes three full orchestras, a string orchestra, a chamber music program, a percussion ensemble, a harp ensemble and a brass choir program. For more information, visit www.wysomusic.org
The Ear has received the following news from the office of the Wisconsin Youth Symphony Orchestras (WYSO):
The Wisconsin Youth Symphony Orchestras (WYSO) Board of Directors is pleased to announce the 2015 Rabin Youth Arts Award recipients.
They are James and Geri Grine, who will receive the award in the category of Artistic Achievement. The award is a glass sculpture (below) designed and made by artist Colleen Ott of Spring Green. It will be presented at state Arts Day on this Wednesday, March 11, 2015 at the downtown Central Branch of the Madison Public Library.
Deserving individuals and organizations from across the state were nominated for their support of youth arts across all disciplines.
Jim and Geri Grine have been fervent supporters of the arts in Oshkosh and throughout Wisconsin. Through their careers as musicians, conductors, teachers and arts administrators, the Grines have promoted and expanded performing arts opportunities for youth in Oshkosh and the state of Wisconsin.
Geri Grine (below) has been a long-time orchestra director and music teacher at both Oshkosh high schools. She has been the conductor and Musical Director of the Oshkosh Youth Symphony Orchestra for 28 years. Geri created the Oshkosh Youth Symphony’s Philharmonia Orchestra in 2008. She has sponsored several hands-on artist residencies for local high school students as a board member for Project SOAR.
Geri also founded the Suzuki program at the University of Wisconsin-Oshkosh. From 1996 to 2006, Geri built a Suzuki string program in her native Hawaii. This would be become the first string program on the Hawaiian island of Maui.
Since 2008, Jim Grine (below) has served as the Volunteer Executive Director of the Oshkosh Symphony Orchestra. He has been instrumental in raising funds to support the symphony’s Art and Music Synergy Programs, which has led to several collaborations between local arts organizations. Under Jim, the Oshkosh Symphony Orchestra devotes one-third of its annual income to supporting the Oshkosh Youth Symphony Orchestra.
Jim was also instrumental in the creation of the Water City Chamber Orchestra which performs an annual concert for third graders in the Oshkosh School District.
The Wisconsin Youth Symphony Orchestras, located in Madison, Wisconsin, presents the Rabin Youth Arts Awards in honor of their founding conductor, Marvin Rabin (below), as a means to honor those who follow in his footsteps. The awards are a forum for promoting quality youth arts programs and honoring those who work diligently to provide arts opportunities for children throughout Wisconsin. They also serve as a means to elevate awareness in our community about the importance of arts education for all children.
Now celebrating its 49th season, WYSO membership has included more than 5,000 young musicians from more than 100 communities in southern Wisconsin. WYSO, currently under the artistic direction of James Smith, includes three full orchestras, a string orchestra, a chamber music program, a percussion ensemble, a harp ensemble and a brass choir program. For more information, visit www.wyso.music.wisc.edu
But I’ll let readers decide and have the final word.
Recently, Paul Baker (below) visited The Ear and did an interview with him.
The topics ranged from personal background to taste about the music I like and dislike, and my adamant support for music education.
It may satisfy some people who want to know more about The Ear.
Baker, as you may know, works in communications at the Wisconsin Center for Education Research, which just marked its 50th anniversary at the University of Wisconsin-Madison.
Baker specializes in jazz and was a freelance reviewer for The Ear when The Ear worked as the arts editor at The Capital Times.
For years, Baker hosted “Caravan,” a show of Middle Eastern and Arabic music.
“I have volunteered as a radio music host sporadically since undergraduate days at the University of Kentucky-Lexington,” says Baker.
Now he has a weekly show –- “Strings Only” -– that airs on Wednesdays from 1 to 2 p.m. on the UW-Madison student radio station WSUM 91.7 FM, which is quite distinguished by the awards it has won and quite varied in its offerings and scheduled programs, as you can see from the website below:
Here is a link to Paul Baker’s music blog, which, among other things, features record reviews as well as feature stories and profiles – especially notable is the one about the prominent Madison luthier, or violin maker, Ralph Rabin (below, in a photo by Paul Baker), who also is the son of the late Marvin Rabin, the internationally famed music educator and founder-conductor of the Wisconsin Youth Symphony Orchestra (WYSO):
This is a very busy week to say good-byes and hellos at the University of Wisconsin-Madison School of Music – as well as to hear a piano master class and recital by UW graduate Ilia Radoslavov; a concert of new music by the UW Contemporary Chamber Ensemble; and a recital by UW cellist Parry Karp. Plus, all the events are FREE and UNTICKETED.
GOOD-BYES
Let’s start with the good-byes, which are for the prolific and award-winning American composer John Stevens, a congenial man and musician who is also a longtime professor of tuba and euphonium at the UW-Madison, where he has twice served as director of the School of Music and where he has been a longtime member of the acclaimed Wisconsin Brass Quintet.
Several events are scheduled to mark Stevens’ retirement, which will take place this May when the current semester ends.
Among the highlights are:
On this Saturday, March 8, at 4 p.m. in Music Hall, there is a chamber music concert featuring works composed by John Stevens and performed by his colleagues.
On this Sunday, Match 9, at 7:30 p.m. in Mills Hall, inhere is a FREE concert that is part of the Wisconsin Union Theater series. The UW Symphony Orchestra under conductor James Smith will perform Stevens’ concerto for Tuba and Orchestra called “Journey.” The soloist is Gene Pakorny (below), who premiered the work during his tenure as principal tuba with the Chicago Symphony Orchestra. Also on the program are the Symphony No. 2 in D Major and the “Academic Festival” Overture, both by Johannes Brahms.
And there will be more. For a full listing of events plus some background, the School of Music calendar of events plus some background, the School of Music events calendar is a good place to start:
There is also a terrific profile story about John Stevens and his retirement celebrations on Fanfare, the MUST-READ new blog at the UW School of Music:
Here is a link to Fanfare’s list of complete events with details of programs:
And at the bottom is a YouTube video of the Wisconsin Youth Symphony Orchestras giving the world premiere performance of “Fanfare for an Uncommon Man,” a piece playing off Aaron Copland’s famous “Fanfare for the Common Man” that John Stevens composed to honor the late Marvin Rabin, who founded and directed WYSO for such a long time and who recently died at 97.
HELLOS
Although the official hellos actually started Sunday afternoon, there are plenty of occasions during the rest of this week to say hello to three members (below) of the Sibelius Academy of Finland, who are in residence this week at the UW School of Music.
All events are Free and Unticketed
Here is a schedule:
Monday, March 3, 11-11:50 a.m.: Presentation on Finnish song repertoire (Room 2531 of the George L. Mosse Humanities Building)
On Tuesday, March 4, 11-11:50 a.m. — Presentation on Finnish diction (Room 2451 in the Mosse Humanities Building); then 1:10-2:25 p.m. — Presentation on Finnish music education system (in Room 2411 of the Mosse Humanities Building)
On Saturday, March 8, at 1 p.m. – a concert at Luther Memorial Church (below), 1021 University Avenue, that includes a world premiere of a work for two voices and organ followed by gathering in church basement to talk with audience.
OTHER EVENTS
Three other events at the UW-Madison deserve mention:
UW doctoral graduate (who studied with Christopher Taylor) and prize-winning pianist Ilia Radoslavov, who ow techies at Truman State University, will give a FREE public master class on Thursday night at 7:30 p.m. in Mills Hall.
Then on Friday night at 8 p.m. in Morphy Recital Hall, he perform a FREE recital. The program includes Piano Sonata in D Major, Op. 10, No. 3, by Ludwig van Beethoven; “ Improvisation” by Pancho Vladigerov; and “Pictures at an Exhibition” by Modeste Mussorgsky.
Also on Friday, at 7:30 p.m. in Mills Hall, the UW Contemporary Chamber Ensemble (below top), under the direction of UW composer Laura Schwendinger (below bottom), will perform a FREE concert of new and recent music.
The program includes “In C” by Terry Riley; a Trio for clarinet, violin, and cello by Ben Johnston; ”Cottage Flowers” for solo flute by UW student Jonathan Posthuma, and “Cummingsong” by Leo Kraft ; the Serenade for flute, viola, and piano by Andrew Imbrie; and a work by UW composer Adam Bertz. Performers include Jordan Wilson, baritone; Peter Miliczky and Lydia Balge, violins; Ju Dee Ang, viola; Philip Bergman, cello; Nicole Tuma, flute; Alissa Ladas, clarinet; and Yosuke Yamada, piano.
On Saturday at 8 p.m. in Mills Hall, UW cellist Parry Karp (below left), who is a member of the Pro Arte String Quartet, will perform a FREE recital with pianist Eli Kalman (below right), a graduate of the UW-Madison who now teaches at the UW-Oshkosh.
The program includes the Sonata for Piano and Violin in G Major, Op. 30 No. 3 (1801-2), by Ludwig van Beethoven as transcribed for Cello by Parry Karp; the Sonata for Cello and Piano (1948) by Francis Poulenc; and 24 Preludes for Cello and Piano as transcribed for cello by the young and prodigious Russian composer Lera Auerbach from the original 24 Preludes for solo piano by Dmirtri Shostakovich.
Last Sunday afternoon, as the winter sun was getting low in the sky and the thermometer was dropping even lower, we gathered to say good-bye to Marvin Rabin (below).
Rabin, you may recall, died Dec. 5 at the age of 97. He was a pioneer in music education and in addition to achievements around the U.S. — especially Kentucky, Boston and Illinois — and around the globe, in 1966 Rabin came to Madison to found and direct the Wisconsin Youth Symphony Orchestra, which still exists and is bigger and better than ever.
Here is a link to the WYSO website with more information:
The crowd, which came from both coasts and around the U.S., was at capacity, a full house on the floor and in the balcony (below) of the sleek and contemporary Atrium auditorium at the First Unitarian Society of Madison. Apparently, even more people wanted to attend the memorial but couldn’t find seats or parking.
The Ear thinks it was exactly the kind of memorial that Marvin would have liked.
I say that for several reasons.
All the speakers — from the masterful host Dick Wolf (below top), who worked besides Marvin for decades at the University of Wisconsin-Extension, and radio host son David Rubin (below bottom) to friends, admirers and former students and members of the general public — kept their remarks short, dry-eyed and to the point.
The impromptu speakers (below) also kept the mood just right: not too serious or reverent, but leavened with wit and stories that didn’t drag on forever. In short, the mood of the memorial modeled itself on the manner of Marvin himself, at least as far as I and many others knew him.
His son-in-law Frank Widman read two poems by Rainer Maria Rilke that touched on music, especially “To Music” with its fitting line: “You speech, where speeches end … Music. Space that has outgrown us, heart-space.”
But most of all, I think that Marvin — who embodied The Wisconsin Idea of reaching everyone in the state and elsewhere — would have enjoyed all the music that was played by current WYSO students as well as former WYSO students who are now professional educators and musicians themselves. (Forgive me, but they are too many to name individually.)
Under the baton of WYSO’s music director James Smith, who directs the conducting program at the University of Wisconsin-Madison School of Music, the WYSO Chamber Orchestra turned in a moving and emotionally restrained performance of Samuel Barber’s “Adagio for Strings.”
It was an appropriate choice not only for its universally appreciated sorrowful content (“the world’s saddist music”), but also because it has deep Madison ties: the world-famous work was given its world premiere in 1936 in Rome by the Pro Arte String Quartet, which has been in residence at the UW-Madison since 1940. That is what the famous conductor Arturo Toscanini heard and then asked the composer to add some string basses and orchestrate it.
A WYSO Alumni Quartet (below, with the cellist hidden by the violist), made up of students from 1972, played the exquisite slow movement from the final string quartet, No. 16 in F Major, Op. 135, by Ludwig van Beethoven. (You can hear it played by the Artemis Quartet in a YouTube video at the bottom.)
It proved the perfect work for the occasion because it is a work where Beethoven moves from the futuristic Romanticism and Modernism of the late quartets and returns to more formal structure of a Classical aesthetic that Beethoven worked with in his early Op. 18 quartets. Such an embracing of diverse styles was typical of Marvin no less than of Ludwig.
Following open-mic reflections and memories of Rabin by perhaps a half-dozen people the WYSO String Quartet played the poignant “Intermezzo Sinfonico,” arranged for string quartet, from Pietro Mascagni’s opera “Cavalleria Rusticana.”
And the final touch was a slow but elegant reading, in Hebrew, of the Kaddish, the Jewish mourner’s prayer for the dead.
And then the relatively brief memorial was over, with some refreshments and small talk, exactly the kind of elbow-to-elbow socializing, where old friends reconnect, that Marvin excelled at and relished.
Even if you didn’t know Marvin Rabin in life, you grew to know him through the memorial.
What emerged was a man who was as devoted to life-long learning as he was to life-long teaching. And the judgment was unanimous: Marvin Rabin was a man who lived his life fully out of his love of music and his love of other people.
Rabin came across in remembrance exactly as he did in life: A zesty, energetic and witty man who was immensely smart and sensitive but who wore his gifts lightly and who was also anxious, even impatient, to share them with others.
And we can still learn from Marvin Rabin. His accumulated wealth came from giving himself away. And we – all of us — are the rich beneficiaries of his personal and professional generosity.
Is there any thing more to add besides: The world needs more Marvin Rabins – the more, the better; and the sooner, the better.
Even as we look forward to a New Year, it is a traditional to look back at the various classical musicians -– performers and composers and even some prominent scholars or musicologists -– that we lost during 2013.
At the top of everyone’s list is probably the acclaimed but enigmatic American pianist Van Cliburn (below top) and the British composer John Tavener (below bottom, in a photo by Steve Forrest).
The famed New York City City radio station WQXR-FM has put together a good “in memorium” slide show. Here is a link:
APOLOGY FOR A MISTAKE: As a reader alerted me, the Polish composer Krzysztof Pedereecki is NOT DEAD but is still living and recently turned 80. I mistakenly thought he had died at 80 and I apologize for the error. I changed the headline, but I am leaving in some material because it is so good. So here are fine appreciations, with audio clips, of Penderecki (below) by NPR weekend host Arun Rath and NPR “Deceptive Cadence’ blog director Tom Huizenga:
Locally, of course, as well as regionally, nationally and even internationally, the most memorable death in music education was that of Marvin Rabin (below), the 97-year-old founder of the Wisconsin Youth Symphony Orchestra. His memorial service was yesterday. Here is a link to my appreciation of him:
It seems only fitting that today is a day to talk about music education.
After all, the memorial service for Marvin Rabin (below top), the founder and longtime music director and conductor of the Wisconsin Youth Symphony Orchestras (WYSO) will be held today at 3 p.m. in the new Atrium auditorium (below bottom, in a photo by Zane Williams) of the landmark First Unitarian Society, designed by Frank Lloyd Wright, at 900 University Bay Drive, near UW Hospital and Clinics.
Many young WYSO players will perform at the service and here is a link to a previous story with more about the memorial service, about WYSO and about Marvin Rabin.
So the question that lingers in the air is: What makes for a great teacher-student relationship between musicians?
Recently, NPR’s great lcassical music blog Deceptive Cadence got the young Chinese superstar pianist Lang Lang (below top) and his much older former teacher Gary Graffman (below bottom, in a photo by Carol Rosegg) at the Curtis institute of Music, to talk about what makes for a great teacher-student relationship.
The dialogue interview meanders a bit, but it quite informative and even inspirational. It is particularly interesting for two reasons.
One is that Lang Lang seems to be simmering down in his annoying flamboyance and especially in his new release of piano concertos by Sergei Prokofiev and Bela Bartok with Sir Simon Rattle conducting the Berlin Philharmonic (see the YouTube video at the bottom), is focusing more on the music. For his part the 85-year-old Graffman, who, like Leon Fleisher, saw his big concert career undone by a major injury, is undergoing a rediscovery though the release of a box set of re-mastered recordings from decades ago.
Second, The Ear believes that Marvin Rabin had the same gift of being an inspiring teacher and seemed to share the right temperament and similar ideas with Gary Graffman.
So here is a link to the story, which I found better is listen to than to read in transcript:
In case you hadn’t already heard, the memorial service for Marvin Rabin (below) – the founder and longtime music director and conductor of the Wisconsin Youth Symphony Orchestras – is set for this coming Sunday at 3 p.m. in the historic landmark First Unitarian Society that was designed by architect Frank Lloyd Wright.
WYSO will be well represented at Rabin’s memorial service. There will be a WYSO String Orchestra performing Samuel Barber’s moving “Adagio for Strings” as well as a WYSO Chamber Ensemble and a WYSO Alumni Chamber Ensemble.
Here is the official death notice:
MADISON – Music educator, Marvin Rabin, age 97, died at University of Wisconsin Hospitals on Dec. 5, 2013.
A celebration of Marvin’s life is planned for 3 p.m. on Sunday, Dec. 29, 2013, at the UNITARIAN MEETING HOUSE’S new ATRIUM auditorium (below, in a photo by Zane Williams), 900 University Bay Drive, Madison.
In lieu of flowers, donations may be made to: Wisconsin Youth Symphony Orchestras, UW Humanities Building, Room 1625, 455 N. Park St., Madison, WI 53706; Wisconsin Foundation for School Music, Wisconsin Center for Music Education, 1005 Quinn Drive, Waunakee, WI 53597; and Madison Music Makers, 705 Edgewood Ave, Madison, WI 53711
You can read more about Marvin Rabin and his many achievements at:
At bottom is a YouTube video done as a tribute to Marvin Rabin when he won the third Lifetime Achievement Award from the Wisconsin School Music Association. It is well worth listening to, especially in these times when the arts seems to get shortchanged in favor of STEM subjects (science, technology, engineering and math: