The Well-Tempered Ear

Classical music: How is the bad flu epidemic affecting classical music in Madison?

February 3, 2018
4 Comments

By Jacob Stockinger

It seems like every news report has an update on how the bad flu epidemic this winter continues to get worse, filling emergency rooms and hospital beds, and killing especially the young and the elderly.

So here is what The Ear wants to know: How is the bad flu epidemic affecting the classical music scene in Madison?

After all, the second half of the season is just getting underway. This month will see performances by the Madison Opera, the University Opera, the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Willy Street Chamber Players, the Wisconsin Baroque Ensemble, the Wisconsin Union Theater,  various performers at the University of Wisconsin-Madison’s Mead Witter School of Music, and many more.

He wants to hear both ideas and first-person stories or experiences from performers, presenters and audience members.

Has the fear of getting sick kept you, as an individual or group, from performing or affected your performance?

Has the flu affected the overall attendance of performances?

Has the flu, and fear of catching it, already kept you personally from being in a crowd and attending a performance or concert? How about in the future?

What could local music presenters do to help the situation?

Do you think providing surgical face masks would help?

How about providing cough drops?

Should people exhibiting symptoms be asked to leave, either by other patrons or by an usher or another official representative, as The Ear heard was done recently at a volunteer food pantry?

Should organizations make it easier to exchange dates or get a refund if you are ill?

Leave an answer or suggestion in the COMMENT section.

And let us all hope that the deadly flu epidemic starts to ebb very soon.


Classical music: Famed pianist Byron Janis reached out for Chopin. Did Chopin return the favor from beyond the grave?

August 28, 2017
3 Comments

By Jacob Stockinger

Recently, The Ear posted a story by pianist Jeremy Denk that, to his mind, did the best job ever of explaining why the music of Frederic Chopin appeals so universally.

Here is a link:

https://welltempered.wordpress.com/2017/08/12/classical-music-pianist-jeremy-denk-explains-why-we-love-the-music-of-chopin/

Then more recently The Ear heard another story that involved the famed pianist Byron Janis (below), who studied with Vladimir Horowitz when he was a teenager.

He then went on to a spectacular virtuosic career before his hands were partially crippled by severe psoriatic arthritis. (You can hear him play less virtuosic music very poetically in the YouTube video at the bottom.)

Through his piano playing and his library searches, Janis has reached out to Chopin, with some impressive results, including discovering lost manuscripts of famous waltzes.

But more surprising is Janis’ claim that, through a death mask, Chopin has returned the favor from beyond the grave and reached out to him in a paranormal or supernatural way.

The story was broadcast on National Public Radio (NPR). It aired on the Saturday version of Weekend Edition with Scott Simon, and then was posted on the blog Deceptive Cadence.

Here is a link:

http://www.npr.org/sections/deceptivecadence/2017/08/05/541575050/chopin-in-the-shadows-the-supernatural-adventures-of-byron-janis

What do you think?

Do you believe Byron Janis’ story and explanation?

What do you think of his Chopin playing?

The Ear wants to hear.


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