The Well-Tempered Ear
How will you celebrate World Piano Day today?
22 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today — Tuesday, March 29, 2022 — is World Piano Day.
(Below is a restored vintage concert grand piano at Farley’s House of Pianos used for recitals in the Salon Piano Series.)
How will you mark it? Celebrate it?
It’s a fine occasion to revisit your favorite pianist and favorite piano pieces.
Who is your favorite pianist, and what piano piece would you like to hear today?
If you yourself took piano lessons or continue to play, what piece would you play to mark the occasion? Fo the Ear, it will be either a mazurka by Chopin or a movement from either a French Suite or a Partita by Johann Sebastian Bach. Maybe both!
What piano piece do you wish you could play, but never were able to? For The Ear, it would be the Ballade No. 4 in F minor by Chopin.
One of the best ways to mark the day is to learn about a new younger pianist you might not have heard of.
For The Ear, one outstanding candidate would be the Icelandic pianist Vikingur Olafsson ( below), who has won critical acclaim and who records for Deutsche Grammophon (DG).
Olafsson has a particular knack for innovative and creative programming, like his CD that alternates works by Claude Debussy and Jean-Philippe Rameau.
He also seems at home at in many different stylistic periods. His records every thing from Baroque masters, to Mozart and his contemporaries in the Classical period — including Carl Philipp Emanuel Bach — to Impressionists to the contemporary composer Philip Glass.
But The Ear especially loves his anthology of Bach pieces (below) that include original works and transcriptions, including some arranged by himself. His playing is always precise and convincing, and has the kind of cool water-clear sound that many will identify with Andras Schiff.
You can hear a sample of his beautiful playing for yourself in the YouTube video at the bottom. It is an live-performance encore from his inaugural appearance last August at The Proms in London, where he also played Mozart’s dramatically gorgeous Piano Concerto No. 24 in C minor (also available on YouTube.)
Final word: You might find some terrific pianists and performances on the Internet. Record labels, performing venues and other organizations are marking the day with special FREE recitals that you can reach through Google and Instagram.
Happy playing!
Happy listening!
Please leave a comment and let The Ear and other readers know what you think of the piano — which seems to be falling out of favor these days — and which pianists and piano pieces you will identify this year with World Piano Day.
The Ear wants to hear.
Tags: #AndrasSchiff, #BaroqueEra, #BaroqueMusic, #BlogPost, #BlogPosting, #CarlPhilippEmanuelBach, #Classicalera, #ClaudeDebussy, #CompactDisc, #ConcertGrandPIano, #CriticalAcclaim, #DeutscheGrammophon, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FredericChopin, #FrenchSuite, #InstagramPost, #Jean-PhilippeRameau, #JohannSebastianBach, #LivePerformance, #PhilipGlass, #PianoConcerto, #PianoLessons, #PianoPiece, #PianoTranscription, #RecordLabel, #SalonPIanoSeries, #TheEar, #TheInternet, #TheProms, #UnitedKingdom, #VikingurOlafsson, #WorldPianoDay, #YouTubevideo, Album, alternate, always, András Schiff, anthology, arrangement, Arts, audience, Bach, Ballade, Baroque, beautuful, best, blog, Blog post, blog posting, Carl Philipp Emanuel Bach, CD, celebrate, Chopin, clarity, Classical era, Classical music, Claude Debussy, clear, Compact Disc, composer, comtemporary, Concert, concert grand, concert grand piano, concerto, conviction, convincing, cool, creative, critical acclaim, day, Debussy, debut, Deutsche Grammophon, DG, dramatic, Early music, encore, England, Facebook, Farley's House of Pianos, favor, favorite, Frédéric Chopin, free, French Impressionism, French Suite, Glass, Google, gorgeous, hear, Home, Iceland, identify, Impressionism, inaugural, innovative, Instagram, Internet, Islandic, Jacob Stockinger, Jean-Philippe Rameau, Johann Sebastian Bach, knack, learn, lesson, link, listen, live performance, London, Love, mark, Master, movement, Mozart, Music, occasion, Orchestra, partita, performing, period, Philip Glass, Pianist, Piano, Piano concerto, piano lesson, piano piece, play, playing, post, precise, program, programming, Rameau, recital, record, Record label, records, restore, Salon Piano Series, sample, share, special, stream, style, stylistic, symphony, tag, terrific, The Ear, The Proms, transcription, UK, United Kingdom, venue, video, Vikingur Olafsson, vintage, water, way, wish, Wolfgang Amadeus Mozart, world, World Piano Day, young, YouTube
Today’s Just Bach concert starts the 10-day Bach Around the Clock festival that runs through March 26. All events are free and online. Here are the lineups
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today — Wednesday, March 17 – brings the free monthly Just Bach concert that is online for 30 minutes.
This year that concert will also serve as the opening event of the annual Bach Around the Clock (BATC) festival to celebrate the birthday of Johann Sebastian Bach.
Here is a link to the lineup of the Bach Around the Clock events. As of this writing, many of the special morning and evening guests and events are listed. But the daytime programs and performers are listed only for today, tomorrow and the final concert. The Ear understands the rest of the listings will be up by the end of today: https://bachclock.com/concert-schedule
There might be frequent additions, changes and updates, so it is best to check back often.
The Ear has heard that, as usual, the festival will include students, amateurs and professionals; young people and adults; individuals, smaller chamber music ensembles and larger groups; and many well-known and neglected works from many genres.
Those genres include vocal and choral music; keyboard music for clavichord, harpsichord, piano and organ; string music for violin, viola and cello; wind and brass music; and much more.
Daily festival concerts will be posted starting at 8 a.m. Central Daylight Time and evening segments will begin at 7 p.m CDT. All events and concerts will be posted and available during the entire festival.
As for today’s Just Bach concert, here is the announcement from Marika Fischer Hoyt (below), the artistic director of Bach Around the Clock and a co-founder and co-director of Just Bach:
Greetings from Just Bach! We hope this finds you well, and ready to experience more of the timeless beauty of Bach, this month in music for organ and strings.
Our concert TODAY opens with a welcome and program overview from me. We figure when Just Bach and Bach Around The Clock join forces, the Master himself (below, in a cutout, in a photo by Barry Lewis) is summoned.
Today’s program opens with organist Mark Brampton Smith (below) playing two Sinfonias from Cantata 35.
These are arrangements of two dramatic organ concerto movements, and Mark brings off the virtuosic passages with flair, while the strings provide a spirited accompaniment.
Then the strings take center stage – in arrangements for string quartet — bringing a yearning melancholy to the slow Andante movement of Brandenburg Concerto No. 2, BWV 1047, and energy and excitement to Brandenburg Concerto No. 3, BWV 1048.
The program closes with our popular chorale sing-along, “Befiehl du deine Wege” (Commend Your Ways), BWV 271. I will introduce the piece and the text, and my sister, soprano Barbara Fischer, will sing it — with Mark on the organ.
We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen.
Do you have a question for the performers? Would you like to listen in as they chat about the program? Please join us for a half-hour live Zoom post-concert reception tonight, March 17, at 7 p.m. The link is posted on the Just Bach website: https://justbach.org/concerts/
As regular performers on Luther Memorial Church’s weekly “Music at Midday” concert series, Just Bach presents half-hour programs starting at 8 a.m. on the third Wednesday of each month and then remain posted. Remaining dates this semester: March. 17, April 21, and May 19. Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ
Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation at: https://justbach.org/donate/
Today’s performers include members of the Madison-based early music group Sonata à Quattro (below in photo by Barry Lewis) and are: Christine Hauptly Annin and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Mark Brampton Smith, organ; and Barbara Fischer, guest soprano.
Dave Parminter is the videographer and Barry Lewis is the photographer.
Tags: #AaronYarmel, #AmateurMusician, #ArtisticDirector, #artsorganization, #ArtsWisconsin, #BachAroundtheClock, #BachCantata, #BarbaraFischer, #BaroqueMusic, #BarryLewis, #BlogPost, #BlogPosting, #BoySoprano, #BrandenburgConcerto, #BrassMusic, #CentralTime, #ChamberMusic, #CharlieRasmussen, #ChoralMusic, #ChristianChurch, #ChristineHauptlyAnnin, #CityofMadison, #ConcertoGrosso, #DaveParminter, #FacebookPost, #FacebookPosting, #HistoricallyInformedPerformancePractices, #HomeWebsite, #JacobStockinger, #JesusChrist, #JohannSebastianBach, #JustBach, #KeyboardMusic, #LutherMemorialChurch, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MarikaFischerHoyt, #MarkBramptonSmith, #MeadWitterSchoolofMusic, #MusicatMidday, #MusicEducation, #OnlineConcert, #OnlineFestival, #OrganConcerto, #PeriodInstruments, #SarahBrailey, #SheetMusic, #StringMusic, #StringQuartet, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualConcert, #VirtualFestival, #VocalMusic, #WindMusic, #WisconsinChamberOrchestra, #YoungPeople, #YouTubeChannel, #YouTubevideo, #ZoomMeeting, 2021, Aaron Yarmel, accompaniment, adult, amateur, Andante, announcement, April, arrangement, Artistic director, Arts, audience, Bach, Bach Around the Clock, Barbara Fischer, Baroque, Barry Lewis, BATC, beauty, birthday, blog, Brandenburg Concerto, brass music, BWV, Cantata, CDT, celebrate, cellist, Cello, center, Central Daylight Saving Time, Central Time, Chamber music, Charlie Rasmussen, chat, check, choral music, Chorale, Christ, Christian, Christine Hauptly Annin, church, Classical music, clavichord, composer, computer, Concert, concerto, Concerto Grosso, cutout, date, Dave Parminter, daytime, display, donation, drama, dramatic, Early music, encourage, energy, evening, event, excitement, experience, Facebook, festival, final, flair, forces, forward, founder, frequent, genre, greet, group, groups, guests, harpsichord, historically informed performance practices, hope, individual, introduce, Jacob Stockinger, Jesus, Jesus Christ, Johann Sebastian Bach, join, Just Bach, keyboard music, large, like, lineup, link, live, Lord, Luther Memorial Church, Madison, Madison Symphony Orchestra, march, Marika Fischer Hoyt, Mark Brampton Smith, Master, May, Mead Witter School of Music, melancholy, monthly, morning, movement, Music, Music at Midday, Music education, neglected, online, open, opening, Orchestra, organ, organ concerto, organist, passage, paticipating, pay, performer, period instruments, photo, photographer, Pianist, Piano, popular, post, posted, posting, professional, program, public, question, reception, Sarah Brailey, schedule, screen, segment, share, sheet music, sinfonia, sing, sing-along, singer, Singing, sister, slow, small, Sonata, song, soprano, spirit, stage, start, string music, String quartet, Student, summon, tag, tax-deductible, Teacher, text, The Ear, timeless, transcription, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unusual, updates, UW, UW-Madison, videographer, viewer, Viola, Violin, violinist, violist, virtual, virtuosic, vocal music, Website, Wednesday, welcome, well-known, wind music, Wisconsin, Wisconsin Chamber Orchestra, work, writing, yearning, young people, YouTube, Zoom
The Madison Bach Musicians will open its new season with a virtual online concert of Haydn and Mozart this Saturday night and Sunday afternoon
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement, about a promising contrast-and-compare concert, from the Madison Bach Musicians:
The Madison Bach Musicians (MBM) will start its 17th season this Saturday night and Sunday afternoon, Oct. 3 and 4, with a virtual chamber music concert and livestream event featuring the irrepressibly joyous, witty and poised music of Classical-era masters Joseph Haydn (1732-1809) and Wolfgang Amadeus Mozart (1756-1791).
The performances features period instruments and historically informed performance practices.
See details near the bottom about the schedules and how to buy tickets.
Performers are violinist Kangwon Kim and cellist James Waldo (on gut-strung period instruments), fortepianist Trevor Stephenson, and soprano soloist Morgan Balfour — winner of the 2019 Handel Aria Competition. (Below top is Kangwon Kim; below middle is James Waldo; and below bottom is Morgan Balfour.)
The broadcast will begin with a 30-minute pre-concert lecture by MBM artistic director Trevor Stephenson (below, in a photo by Kent Sweitzer) illuminating the program’s repertoire, the lives of Haydn and Mozart, and the aesthetic aims of the period instruments.
While most of the pieces on the program are buoyant and full of celebration, the concert will begin with a pensive and melancholy work commensurate with our current pandemic times.
Mozart composed the Sonata in E minor for violin and fortepiano in 1778 at the age of 22 while on tour in Paris. His mother, who was with him on the tour, became suddenly ill and died unexpectedly. This sonata is the only piece of instrumental music Mozart ever composed in the key of E minor, and its blend of gravitas, sparseness and tenderness is heartbreakingly poignant.
Mozart’s Piano Trio in G major, composed in 1788, shows him at his sunniest and most affable, with one brilliant and catchy tune after another suspended effortlessly — at least in Mozart’s hands! ― within the balance of Classical form.
The program’s first half ends with five of Mozart’s songs. Mozart truly loved the soprano voice, and he lavished some of his greatest writing upon it. The set includes perhaps his best-known song, Das Veilchen (The Violet)―which is also, oddly enough, Mozart’s only setting of a text by the German poet Goethe.
The second half of the concert is devoted to the music of Mozart’s near contemporary, Joseph Haydn, who was just 24 years older than Mozart.
Though the two composers came from very different musical and socioeconomic backgrounds.
Haydn (below) was lower working class, rural, and musical but not professionally trained.
Mozart (below) was urban, solid middle class, musically trained, sophisticated, and ambitious.
Both managed to carve out successful careers in the fertile musical culture of Vienna and its environs. They certainly knew each other and even made music together on occasion, playing in string quartets — with Haydn on violin and Mozart on viola.
Haydn composed two sets of English Canzonettas (songs) during his visits to England during the early 1790s.
The Mermaid, with its flirtatious beckoning, stretches the confines of the parlor setting (where this music was most likely performed) and suggests a cabaret environment. Fidelity, on the other hand, stays within the parlor style, emphasizing how the bond of devotion can overcome physical separation. Haydn brilliantly interweaves stormy, naturalistic episodes with declarations of unbending loyalty.
The concert will close with Haydn’s mercurial Piano Trio No. 27 in C major. Also composed during his London visits in the 1790s, this trio is the first of a set of three dedicated to the London-based virtuoso pianist Therese Bartolozzi. The Presto finale―with its unbridled high spirits―is a supreme example of Classical Era cheeky, theatrically conceived wit. (You can hear the finale in the YouTube video at the bottom.)
SCHEDULE AND TICKETS
As a result of public health guidelines in response to Covid-19 that do not allow for an in-person audience, we will livestream our concert from Grace Episcopal Church, downtown on Capitol Square, on Saturday evening for at-home viewing. (Below are Trevor Stephenson and Kangwon Kim rehearsing in masks at Stephenson’s home.)
The event will begin with a pre-concert talk by Trevor Stephenson at 7:30 p.m., and after the 8 p.m. concert, the musicians will remain on stage to answer questions submitted by our audience.
On Sunday, starting at 3 p.m. we will rebroadcast the Saturday evening recording and follow that with a live question-and-answer session with our musicians from their homes.
After purchasing tickets for $15 per household, you will be sent a link to access the performance. The recorded lecture and video will be available for up to 72 hours after they take place.
To purchase tickets, go to: https://madisonbachmusicians.org/oct-3-4-haydn-mozart/ or to: https://madison-bach-musicians.square.site/product/haydn-mozart-oct-3-4-livestream/54?cs=true
For information about the Madison Bach Musicians’ full season, go to: https://madisonbachmusicians.org/season-overview/
Tags: #ArtistcDirector, #BaroqueChamberMusic, #Baroquesinging, #BaroqueViolin, #BlogPost, #BlogPosting, #CapitolSquare, #ChamberMusic, #ChristianChurch, #Classicalcomposer, #Classicalera, #Classicalform, #ClassicalStyle, #ConcertSeason, #Contrast-and-Compare, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #GeorgeFridericHandel, #GraceEpiscopalChurch, #GreatBritain, #GutStrings, #HandelAriaCompetition, #HistoricallyInformedPerformancePractices, #InstrumentalMusic, #JacobStockinger, #James Waldo, #JohannSebastianBach, #JohannWolfgangvonGoethe, #KangwonKim, #LifeandDeath, #LiveStreaming, #LondonEngland, #MadisonBachMusicians, #MadisonWisconsin, #MajorKey, #MakeMusic, #Middle-Class, #MiddleClass, #MinorKey, #MusicalStyle, #OnlineConcert, #ParisFrance, #PeriodInstruments, #PianoTrio, #PianoVirtuoso, #Pre-concertLecture, #PublicHealth, #RecordedMusic, #SharonLynneWilsonCenterfortheArts, #SopranoSinger, #StringQuartet, #TheEar, #TheFortepiano, #TheMermaid, #TheViolet", #TrevorStephenson, #ViennaAustria, #ViolinSonata, #VirtualConcert, #VocalMusic, #WolfgangAmadeusMozart, #WorkingClass, #YouTubevideo, aesthetic, afternoon, ambitious, answer, aria, Artistic director, Arts, at home, audience, Austria, Austrian, available, Bach, background, Baroque, Baroque music, beckoning, begin, best-known, blog, bond, bouyant, brilliant, Broadcast, buy, cabaret, canzonetta, Capitol Square, career, carve, catachy, celebration, cellist, Cello, Chamber music, cheeky, Christian, church, Classical era, Classical form, Classical music, compare, composed, composer, conceived, Concert, contemporary, contrast, coronavirus, culture, death, deatils, declaration, dedicated, devoted, devotion, different, downtown, Early music, effortless, effortlessly, eit, emphasize, England, English, environment, environs, episode, esthetic, Facebook, fertile, fidelity, fie, finale, flirtatious, fortepiano, forward, Franz Joseph Haydn, George Frideric Handel, German, Germany, Goethe, grace, Grace Episcopal Church, gravitas, great, Great Britain, greatest, guidelines, gut, gut strings, gut-strung, half, Handel, Handel Aria Competition, hands, Haydn, Health, hear, heartbreaking, help, historically informed performance practices, Home, household, illuminate, in person, information, instrument, instrumental music, interweave, Jacob Stockinger, Johann Sebastian Bach, Johann Wolfgang von Goethe, Joy, joyous, Kangwon Kim, key, Kim, lavished, lecture, like, link, live, lives, livestream, London, Love, loved, lower, loyalty, lyric, Madison, Madison Bach Musicians, major key, Make Music, manage, masks, Master, melancholy, mermaid, minor key, minute, Morgan Balfour, MorganBalfour, Mother, Mozart, Music, musica, musical, Musician, naturalistic, night, odd, oddly, older, on-stage, online, only, onstage, overcome, pandemic, Paris, parlor, pensive, performer, period instruments, physicsl, Piano, Piano Trio, piece, play, poet, Poetry, poignancy, poignant, poise, post, posting, pre-concert, pre-concert lecture, professional, professionally, program, public, Public health, Q&A, question, recorded, rehearsal, rehearse, remain, repertoire, repertory, response, result, rural, Saturday, schedule, Season, separation, session, set, setting, share, Singing, socio-economic, solid, Sonata, song, sophisticated, soprano, sparseness, stormy, String quartet, style, subscriber, suddenly, sun, Sunday, sunny, suspended, tag, talk, tenderly, tenderness, text, The Ear, The Violet, theatrical, ticket, together, tour, trained, Trevor Stephenson, trio, tune, UK, unbendng, unexpected, United States, urban, Vienna, viewing, Viola, violet, Violin, Violin Sonata, violinist, violist, virtual, virtuoso, visit, vocal music, voice, winner, Wisconsin, wit, witty, Wolfgang Amadeus Mozart, work, working class, writing, year, YouTube
Classical music: As superstar Itzhak Perlman turns 75, a critic assesses his virtues and shortcomings in playing both the violin and his audiences
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Last Monday, Aug. 31, superstar violin virtuoso Itzhak Perlman (below, in a photo by Yael Malka of The New York Times) turned 75.
To celebrate, Sony Classical released a boxed set of 18 CDs (below) with many performances by Perlman – solo, chamber music and concertos – recorded over many years.
On the occasion of Perlman’s birthday, critic Corinna da Fonseca-Wollheim of The New York Times wrote a retrospective review of Perlman’s long career. (You can hear his most popular performance ever — with more than 6 million hits — in the YouTube video at the bottom.)
The Ear finds the opinion piece both brave and truthful, pointing out Perlman’s mastery of the Romantic repertory but also criticizing his stodgy treatment of Vivaldi and other Baroque music that has benefitted from the period-instrument movement and historically informed performance practices
Yet the essay, which also touches on ups and down of Perlman’s career, always remains respectful and appreciative even when discussing Perlman’s shortcomings.
Offering many historical details and photos as well as sample videos, the critical assessment of Perlman seems perfectly timed.
The Ear hopes you enjoy it as much as he did. Here is a link: https://www.nytimes.com/2020/08/26/arts/music/itzhak-perlman-violin.html
If you have heard Itzhak Perlman either on recordings or live – at the Wisconsin Union Theater, the old Civic Center or Overture Hall — let us know what you think.
The Ear wants to hear.
Tags: #AntonioVivaldi, #BaroqueMusic, #BlogPost, #BlogPosting, #BostonSymphony, #BoxSet, #ChamberMusic, #CivicCenter, #ClassicalRecording, #CompactDisc, #ConcertPianist, #CorinnadaFonseca-Wollheim, #DanceMovement, #DisabilityRights, #DorothyDeLay, #EricLeinsdorf, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FilmScore, #FourSeasons, #HistoricallyInformedPerformancePractices, #IsraeliMusician, #ItzhakPerlman, #JacobStockinger, #JeanSibelius, #Jewishmusician, #JohannesBrahms, #JohannSebastianBach, #JohnWilliams, #JuilliardSchool, #KlezmerMusic, #LudwigVanBeethoven, #MauriceRavel, #MaxBruch, #MovieMusic, #MusicCritic, #MusicEducation, #NewYorkTimes, #NiccoloPaganini, #OvertureCenter, #PablodeSarasate, #PeriodInstrument, #PeterIlyichTchaikovsky, #PeterTchaikovsky, #RobertSchumann, #RomanticMusic, #Schindler'sList, #SergeiProkofiev, #SesameStreet, #SonyClassical, #StevenSpielberg, #TheEar, #TheHolocaust, #TheViolin, #ViolinConcerto, #ViolinistVirtuoso, #VirtuosoViolinist, #VladimirAshkenazy, #WisconsinUnionTheater, #WolfgangAmadeusMozart, #Yo-YoMa, #YouTubevideo, 75, acrobatic, Antonio Vivaldi, appreciative, Arts, assessment, audience, audiences, Audio, Bach, Baroque, Baroque music, Beethoven, benefit, birthday, blog, Boston Symphony Orchestra, bow, Box set, Brahms, brave, Bruch, career, CDs, celebrate, cellist, Cello, Chamber music, charm, Classical music, classicalmusic, communicate, Compact Disc, Concert, concerto, Corinna da Fonseca-Wollheim, critical, de Sarasate, details, disability, disability right, disability rights, disappointment, discuss, Dorothy DeLay, downs, Early music, enjoy, Eric Leinsdorf, ever, Facebook, fans, Felix Mendelssohn, Film score, forward, Four Seasons, hear, historical, historically informed performance practices, hit, Holocaust, hope, intonation, Israel, Itzhak Perlman, Jacob Stockinger, Jean Sibelius, Jewish, Johann Sebastian Bach, Johannes Brahms, John Williams, Juilliard School, Juilliard School of Music, klezmer, legend, like, link, long, Ludwig van Beethoven, Madison, Master, mastery, Maurice Ravel, Max Bruch, Mendelssohn, million, movement, movie music, Mozart, Music, music critic, Music education, New York City, New York Times, Nicolo Paganini, offer, offering, old, opinion, Orchestra, Overture Center, Overture Center for the Arts, Paganini, PBS, performance, period instruments, Peter Ilyich Tchaikovsky, photo, Pianist, Piano, piece, play, polio, popular, post, posting, Prokofiev, Ravel, recital, recording, remain, repertoire, repertory, respectful, retrospective, review, rights, Robert Schumann, Romantic, Sarasate, Schindler's List, Schumann, self-assurance, Sergei Prokofiev, Sesame Street, share, shortcomings, Sibelius, solo, Sonata, SONY, Sony Classical, Steven Spielberg, Student, superstar, tag, Tchaikovsky, Teacher, Television, The Ear, the violin, tone, truthful, TV, United States, ups, vibrant, video, vigorous, Violin, violinist, virtue, virtuoso, Vivaldi, Vladimir Ashkenazy, Wisconsin, Wisconsin Union Theater, Wolgang Amadeus, Yo-Yo Ma, YouTube
Classical music: Grace Presents HD offers a free virtual online concert by the acclaimed Willy Street Chamber Players this Saturday at noon
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Cellist and UW-Madison graduate student James Waldo has sent the following announcement about a FREE virtual online concert by Grace Presents, which he coordinates.
The hi-def, one-hour concert by the critically acclaimed and popular Willy Street Chamber Players (below) is at noon (CDT) this Saturday, Aug. 22.
Says Waldo:
“This is a pre-recorded event, and as such, I had the singular pleasure of sitting in the room while these fantastic musicians recorded their program. This event is not to be missed!
“Grace Presents HD brings you free, crystal-clear performances by local Madison musicians in the nave of historical Grace Episcopal Church – located downtown on the Capitol Square — from the comfort and safety of your own home.
“The Willy Street Chamber Players will have a video premiere that will be available on the Grace Presents YouTube channel on this Saturday, Aug. 22 at noon CDT. (This virtual concert is available for a limited time only!)
You can see and hear a preview of the concert in the YouTube video at the bottom.
Artists in the Willy Street Chamber Players are: Paran Amirinazari, artistic director, violin and viola; Eleanor Bartsch, violin and viola; Mark Bridges, cello; and Lindsay Crabb, cello, five-string cello.
You can find more information about the chamber music ensemble, including a link to a post in which The Ear named them as Musicians of the Year for 2016, at: http://willystreetchamberplayers.org
As is typical for The Willys, the program reflects diversity and includes both classical masters and contemporary composers:
Schubert: String trio in B-flat major, D. 47
Tania León (below) – Four Pieces for Solo Cello: II. Prayer
Heinrich Ignaz Franz Biber – Passacaglia
George Walker (below) – “Bleu”
J.S. Bach – Solo Cello Suite No. 6 in D major: I. Prelude and IV. Sarabande
Kimo Williams (below): “Quiet Shadows”
Beethoven: String Trio in G major, Op. 9, No. 1 / I. Adagio-Allegro
“We will be hosting a Zoom meet-and-greet with our guest artists following the performance. If you’d like to attend this virtual gathering, please RSVP to Grace Presents Program Coordinator James Waldo (gracepresents@gmail.com) for more information.
“Here is biographical background: The Willy Street Chamber Players (WSCP) are dedicated to creating community through classical music. Established in 2015, the group has become a fixture of the Willy Street neighborhood’s vibrant cultural scene.
“Recently awarded a gold medal in Madison Magazine’s prestigious “Best of Madison” reader poll, WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and community partnerships.
“Today, the group consists of four core members. Led by Artistic Director and violinist Paran Amirinazari, each player brings a fresh, imaginative take to classical music.
WSCP convenes each July – this summer’s concerts were canceled because of the coronavirus pandemic — to present their popular summer concert series at Immanuel Lutheran Church (below) on Spaight Street. For these programs, the group has collaborated with many well-known guest artists from Madison and beyond.
“In addition, WSCP presents an array of events throughout the year including the admission-free Community Connect series that aims to bring classical music to inclusive spaces.
“WSCP has also performed at many other popular Madison venues including Marquette Waterfront Fest; Summer Serenades at Memorial Union Terrace; the Frank Lloyd Wright Taliesin compound in Spring Green; the Madison New Music Festival; and the Madison Museum of Contemporary Art (MMoCA).”
OTHER DETAILS
Video recording and editing has been done by: https://www.microtonemedia.com/
Audio engineering has been done by Bruce Kasprzyk.
Grace Presents is supported in part by generous project grants from Dane Arts, the Madison Arts Commission, the Episcopal Church Women (ECW) and the Grace Episcopal Development Fund Trust as well as individual gifts and in-kind support.
Tags: #ArtisticDirector, #BaroqueMusic, #BestofMadison, #BlogPost, #BlogPosting, #CapitolSquare, #CelloSuite, #ChamberMusic, #ChristianChurch, #CityofMadison, #ClassicalMusician, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #CriticallyAcclaimed, #CulturalDiversity, #DaneArts, #EleanorBartsch, #EmailAddress, #EpiscopalChurch, #FacebookPost, #FacebookPosting, #FinancialSupport, #FrankLloydWright, #FranzSchubert, #GeorgeWalker, #GoldMedal, #GoodShepherdLutheranChurch, #GraceEpiscopalChurch, #GracePresentsHD, #GraduateStudent, #GuestArtist, #HeinrichBiber, #ImmanuelLutheranChurch, #JacobStockinger, #James Waldo, #JamesWaldo, #JohannSebastianBach, #KimoWilliams, #LindsayCrabb, #LivingComposer, #LudwigVanBeethoven, #MadisonArtsCommission, #MadisonMagazine, #MadisonMuseumofContemporaryArt, #MadisonNewMusicFestival, #MadisonWisconsin, #MarkBridges, #MarquetteWaterfrontFest, #MeadWitterSchoolofMusic, #Meet-and-Greet, #MemorialUnion, #MusicianoftheYear, #NewMusic, #ParanAmirinazari, #QuietShadows, #ReaderPoll, #SpringGreen, #StringMusic, #StringTrio, #SummerSerenades, #Taliesincompound, #TaniaLeon, #TheEar, #TheWillys, #UnionTerrace, #UniversityofWisconsin-Madison, #WilliamsonStreet, #WillyStreetChamberPlayers, #YouTubeChannel, #YouTubevideo, accesible, accolades, allegro, annoucement, array, Artistic director, Arts, audience, Audio, available, award, Bach, Baroque, Beethoven, Best of Madison, Biber, blog, canceled, Capitol Square, CDT, cellist, Cello, Cello Suite, Cello Suites (Bach), Chamber music, channel, Christian, Christian church, church, classic, Classical music, classicalmusic, collaborate, community, comofrt, composer, Concert, convene, cooridnate, coronavirus, critically acclaimed, crystal-clear, cultural, cultural diversity, danceamdante, Dane Arts, dedicated, diversity, donor, downtown, Early music, editing, Eleanor Bartsch, email, engineering, ensemble, Episopal, established, event, events, exciting, Facebook, fantastic, forward, Frank Lloyd Wright, Franz Schubert, free, fresh, fun, fund, funding, gathering, generous, George Walker, gift, gold, Gold medal, Grace Episcopal Church, Grace Presents HD, graduate student, grants, group, guest artist, Heinrich Biber, help, historica;, Home, hour, imaginative, Immanuel Lutheran Church, in-kind, information, intelligent, Jacob Stockinger, Johann Sebastian Bach, July, Kimo Williams, like, limited, Lindsay Crabb, link, living composers, local, located, Ludwig van Beethoven, Madison, Madison Arts Commission, Madison Magazine, Madison Museum of Contemporary Art, Madison New Music Festival, Mark Bridges, Marquette Waterfront Fest, Master, masterpieces, Mead Witter School of Music, medal, member, MMOCA, Music, Musician, Musician of the Year, nave, neighborhood, New Music, noon, online, pandemic, Paran Amarinazari, partnerships, passacaglia, performers, piece, pleasure, poll, popular, post, posting, prayer, pre-recorded, Prelude, prestigious, program, programming, project, quiet, Quiet Shadows, reader, reader poll, receive, record, recording, room, RSVP, safety, sarabande, Saturday, scene, Schubert, series, shadow, share, sit, solo, Spring Green, Spring Green Wisconsin, string music, string trio, Suite, summer, Summer Serenades, support, tag, Taliesin, Tania Leon, The Ear, The Willys, time, trio, turst, typical, Union Terrace, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, venue, vibrant, video, Viola, Violin, violinist, violist, virtual, Walker, Williamson Street, Willy Street, Willy Street Chamber Players, Wisconsin, Wisconsin Union Terrace, women, YouTube, Zoom
Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.
The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.
The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.
Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)
Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.
Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.
Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.
Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.
The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.
There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.
Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.
The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.
“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”
“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”
Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.
The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.
The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.
While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:
- Presenting Sponsor: the Berbeewalsh Foundation
- Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
- Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.
RELATED EVENTS include:
OPERA ON THE WALL | JULY 25, 2020 | ONLINE
Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.
In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.
The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.
POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM
Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.
Tags: #AndresAcosta, #AnthonyCao, #AnvilChorus, #ArtisticDirector, #BaritoneSinger, #Beautifulmusic, #BerbeeWalshFoundation, #BlogPost, #BlogPosting, #BroadwayMusical, #ChamberMusic, #Channel27, #ChoralMusic, #ChorusMaster, #CityofMadison, #ColonyBrands, #CoronavirusPandemic, #COVID-19, #DaneArts, #DeadManWalking, #DigitalOperainthePark, #DonPasquale, #FacebookPost, #FacebookPosting, #FamousMusic, #FellowTravelers, #FullCompassSystems, #GarnerPark, #GeneralDirector, #GeorgesBizet, #GiacomoPuccini, #GioachinoRossini, #GiuseppeVerdi, #GregorySpears, #HomeWebsite, #IlTrovatore, #JacobStockinger, #JakeHeggie, #JamesGill, #JasmineHabersham, #JerryBock, #JohnandCarolynPeterson, #JohnDeMain, #JohnsonFinancialGroup, #JosephMcCarthy, #JulesMassenet, #KarenSlack, #KathrynSmith, #LaMovida, #LaTaberneradelPuerto, #LaTraviata, #LGBTQrights, #LGBTRights, #LiubovSwazko, #LiveMusic, #LiveStreaming, #LivingRoom, #MadisonArtsCommission, #MadisonMagazine, #MadisonOpera, #MadisonOperaCenter, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MadisonWisconsin, #Magic98, #MarriageofFigaro, #MeadWitterSchoolofMusic, #MediaSponsor, #MGEFoundation, #MikeLroy, #MusicalTheater, #MusicDirector, #NationalGuardianLife, #NewsAnchor, #OperaAria, #OperaInThePark, #OperaMusic, #PabloSarozabal, #PabloZarozabal, #PianoAccompaniment, #PianoAccompanist, #ProArteQuartet, #PublicHealth, #RelatedEvent, #RichardStrauss, #RodgersandHammerstein, #ScottGendel, #Self-Isolation, #SheLovesMe, #shelter-at-home, #ShelterinPlace, #SopranoSinger, #SouthPacific, #SpanishComposer, #StateStreet, #Stayathome, #SuzanneBeia, #TenorSinger, #TheEar, #ThePearlFishers, #UniversityofWisconsin-Madison, #UniversityResearchPark, #VisualArt, #VisualArtist, #VocalMusic, #WestonHurt, #WilliamTell, #WisconsinArtsBoard, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WKOWTV, #WolfgangAmadeusMozart, #YouTubevideo, accompany, alumni, alumnus, anchor, Andres Acosta, annual, Anthony Cao, Anvil Chorus, anywhere, April, Arabella, aria, Artistic director, artistry, artists, Arts, artwork, assistant, audience, August, available, backyard, baritone, beautiful, believe, BerbeeWalsh Foundation, Bizat, blog, Broadway musical, call, cancel, canceled, challenge, Chamber music, channel, choral music, choristers, chorus, cities, Classical music, Colony Brands, community, company, complete, composer, Concert, concertmaster, conduct, conductor, connection, coronavirus, corporations, create, creative, creative process, Dane Arts, date, Dead Man Walking, debut, detail, digital, Digital Opera in the Park, discussion, Don Pasquale, donor, download, duet, else, embrace, enjoy, era, event, everyone, Facebook, fall, famous, feature, February, Fellow Travelers, film, fleet, flexibility, format, forward, foundations, free, Full Compass Systems, game, Garner Park, General director, generous, Georges Bizet, Giacomo Puccini, gift, Gioacchino Rossini, Giuseppe Verdi, glimpse, graduate, grateful, Gregory Spears, happy', Hérodiade, headphones, home town, home website, hometown, homosexual, host, Il Trovatore, imagine, immediate, importance, important, individual, indoors, information, initial, instruction, Internet, isolation, Jacob Stockinger, Jake Heggie, James Gill, Jasmine Habersham, Jerry Bock, John and Carolyn Peterson, John DeMain, Johnson Financial Group, Joseph McCarthy, Jules Massenet, July, just, justly, Karen Slack, Kathryn Smith, kayak, La Movida, La Tabernera del Puerto, La Traviata, LGBT, LGBTQ, like, link, Liubov Swazko, live music, living room, local, Love, Madison, Madison Arts Commission, Madison Magazine, Madison Opera, Madison Opera Center, Madison Opera Chorus, Madison Symphony Orchestra, Magic 98, manager, Marriage, Marriage of Figaro, Massenet, Master, McCarthyism, Mead Witter School of Music, media, Meditation, MGE Foundation, Mike Lroy, Mozart, MSO, multiple, mural, Music, Music director, musical, Musical theater, National Guardian Life, new, news, number, onlne, opera, Opera in the Park, opera music, opportunity, outdoors, Pablo, Pablo Sarozabal, Pablo Zarozabal, Pacific Ocean, pandemic, PAQ, Park, parts, past, People, performance, performer, photo, Pianist, Piano, piano accompaniment, Piano accompanist, platform, pleasure, post, post-concert, posting, present, Pro Arte Quartet, process, production, program, public, Public health, Puccini, Q&A, questions, Radio, rare, record, related event, relatred, remain, repeat, research, respond, Richard Strauss, Rodgers and Hammerstein, Rossini, Saturday, Scott Gendel, Season, selections, September, share, She Loves Me, shelter in place, sing, singer, Singing, soprano, South Pacific, Spain, Spanish, sponsor, State Street, stay at home, store, storefront, Strauss, stream, Student, support, Suzanne Beia, symphony, tag, Television, tenor, Thaïs, The Ear, The Marriage of Figaro, The Pearl Fishers, theatre, Tosca, town, Triangulador, TV, United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Research Park, UW, UW-Madison, Verdi, viewing, Violin, violinist, visual art, visual artist, vocal music, wall, watch, way, WCO, Website, Weston Hurt, William Tell, Wisconsin, Wisconsin Arts Board, Wisconsin Chamber Orchestra, wisconsin public radio, WKOW, WKOW TV, Wolfgang Amadeus Mozart, wonderful, work, WPR, year, YouTube, Zarozabal, zarzuela, Zoom
Classical music: The 7th annual Schubertiade at the UW-Madison is this Sunday afternoon and will explore the influence of Beethoven on Schubert
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This coming Sunday afternoon, Jan. 26, is the seventh annual UW Schubertiade – named after the evening gatherings of friends (below) where the composer Franz Schubert performed and premiered his own music.
This year’s theme, given that 2020 is the Beethoven Year, is the immense influence that the older Beethoven (below top) 1770-1827) had on the younger Schubert (below bottom, 1797-1828).
The event will begin with a pre-concert lecture by UW-Madison Professor of Musicology Margaret Butler at 2:15 p.m. in the Rehearsal Hall at the new Hamel Music Center, 740 University Avenue, next to the Chazen Museum of Art.
Then at 3 p.m. in the 330-seat Collins Recital Hall in the same building, the two-hour concert will take place.
The concert will close with the usual custom. The audience and performers will join in singing “An die Musik” (To Music). (In the YouTube video at the bottom, you can hear it sung by legendary German soprano Elisabeth Schwarzkopf and legendary British accompanist Gerald Moore.)
A reception will follow the concert in the main lobby.
For more description of the event plus a complete program and list of performers – who consist of UW-Madison graduates and musicians including soprano Jamie Rose Guarrine (below top) and mezzo-soprano Alisanne Apple (below middle) as well as the Pro Arte Quartet (below bottom, in a photo by Rick Langer) – go to: https://www.music.wisc.edu/event/our-annual-schubertiade/
At the site, you will also find information about buying tickets – general admission is $20 with free student tickets on the day of the concert is space is available – and about parking.
The event was founded by and continues to be directed by wife-and-husband pianists Martha Fischer and Bill Lutes (below) who also sing, accompany and play works for piano, four hands.
Lutes sent the following introductory remarks: “Ever since Martha and I presented the first of our annual Schubertiades back in January 2014, we’ve looked for ways to keep our all-Schubert birthday parties fresh and interesting for our audience.
“From time to time we contemplated introducing another composer – maybe even switching our allegiance from the immortal Franz to another of our favorites: perhaps a “Schumanniade.”
“This time, with six years of all-Schubert behind us, we thought we would do the obvious and finally unite Schubert with the composer who probably meant more to him than almost any other – Beethoven, whose 250th birthday is being celebrated this year.
“Once Beethoven moved permanently to Vienna at age 22, he soon became famous and eventually was regarded as the greatest of the city’s composers.
“Schubert, who was born in Vienna five years after Beethoven’s arrival, grew up hearing the older master’s works, often at their premieres. As his genius flowered early, Schubert was often challenged and inspired by Beethoven’s music.
“We bring together these two giants who lived in the same city, knew the same people, attended the same musical events, perhaps met or quite possibly didn’t.
“Yet Beethoven’s presence and example guided Schubert in his own road toward the Ultimate Sublime in music. Our concert of “Influences and Homages” features works where the musical, if not the personal, relationship is there for all to hear.”
Lutes also supplied a list of the song titles in English translation:
“Ich liebe dich” – I love you
“Der Atlas” – Atlas
“Auf dem Strom” – On the River
“Der Zufriedene” – The Contented Man
“Der Wachtelschlag” – The Quail’s Cry
“Wonne der Wehmut” – Joy in Melancholy
“Kennst du das Land?” – Do You Know the Land?
“An die ferne Geliebte” – To the Distant Beloved
“An die Freude” – Ode to Joy
“Gruppe aus dem Tartarus” – Scene from Hades
“Elysium”
“Nachthymne” – Hymn to the Night
“Abendlied unterm gestirnten Himmel” – Evening Song Beneath the Starry Firmament
Have you attended a past Schubertiade (below, in Mills Hall)?
What did you think?
Would you recommend it to others?
The Ear wants to hear.
Tags: #AlisanneApple, #AndieMusik, #BeethovenYear, #BillLutes, #BlogPost, #BlogPosting, #ChazenMuseumofArt, #CollaborativePianist, #CollinsRecitalHall, #ElisabethSchwarzkopf, #EnglishTranslation, #FacebookPost, #FacebookPosting, #FranzSchubert, #GeneralAdmission, #GeraldMoore, #HamelMusicCenter, #JacobStockinger, #JamieRoseGuarrine, #LudwigVanBeethoven, #MargaretButler, #MarthaFischer, #MeadWitterSchoolofMusic, #Mezzo-sopranoSinger, #MillsHall, #OdetoJoy, #PersonalRelationship, #PianoAccompanist, #Pre-concertLecture, #ProArteQuartet, #RehearsalHall, #RobertSchumann, #Schubertiadeconcert, #SopranoSinger, #Sundayafternoon, #TheEar, #UniversityofWisconsin-Madison, #UW-MadisonMusician, #UWProfessor, #UWSchubertiade, #ViennaAustria, #YouTubevideo, accompanist, accompany, Alisanne Apple, allegiance, An die Musik, annual, attend, audience, available, Beethoven, Beethoven Year, beloved, Bill Lutes, birthday, blog, building, buy, challenge, Chazen Museum of Art, city, close, Collins Recital Hall, composer, contemplate, contented, Cry, custom, distant, early, Elisabeth Schwarzkopf, English, English translation, evening, event, example, Facebook, famous, firmament, flower, forward, four-hands, Franz Schubert, freind, fresh, gathering, general admission, genius, Gerald Moore, giants, graduates, greatest, guide, Hades, Hamel Music Center, hear, homage, hymn, immortal, influence, inspire, interesting, Jacob Stockinger, Jamie Guarrine, Jamie-Rose Guarrine, join, Joy, know, land, lecture, legendary, like, link, Love, Ludwig van Beethoven, man, Margaret Butler, Martha Fischer, Master, Mead Witter School of Music, mean, meet, melancholy, Mezzo-soprano, Mills Hall, Music, Musician, musicology, night, ode, Ode to Joy, old, older, online, other, PAQ, parking, parties, party, People, performer, personal, Pianist, Piano, post, posting, pre-concert lecture, premiere, presence, Pro Arte Quartet, professor, quail, reception lobby, recommend, rehearsal hall, relationship, river, road, Robert Schumann, scene, Schubert, Schubertiade, Schumann, seat, share, sing, song, soprano, space, starry, students, sublime, subscriber, Sunday afternoon, switch, tag, The Ear, ticket, translation, ultimate, unite, University of Wisconsin-Milwaukee, UW, UW-Madison, Vienna, Website, work, young, younger, YouTube
Classical music: The second LunART Festival will spotlight women in the performing and creative arts. Here is Part 2 of 2 with more about new music, comedy and a full schedule
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
ALERT: The second Van Cliburn Junior Piano Competition resumes today — Monday, June 3 — in Dallas at 2:20 p.m. CDT. The young players range from 13 to 17 and come from around the world, and they are terrific. Plus the quality of the live streaming is outstanding, especially for the camera work of the keyboard. It’s all FREE. If you want to see it, here is a link: https://www.cliburn.org. You might also be interested to know that among the jurors are Alessio Bax, who has performed in Madison at Farley’s House of Pianos, and Philippe Bianconi, who has soloed several times with the Madison Symphony Orchestra. All that and you get to vote for the Audience Award too!
By Jacob Stockinger
The Ear has received a long and detailed announcement about the upcoming second LunART Festival. Here is Part 2 of two parts with more information about new music, comedy and a schedule of events. Yesterday was Part 1 — a link is below — with background and participants.
The LunART Festival, co-founded and co-directed by Iva Ugrcic and Laura Medisky, is back for its second season from this Wednesday, June 5, through Sunday, June 9, and will continue its mission of supporting, inspiring, promoting and celebrating women in the arts.
The 2019 season brings 10 events to eight venues in the Madison area, providing accessible, high-quality, engaging concerts and events with diverse programming from various arts fields.
The festival will showcase over 100 artists this season, including many familiar local artists and performers as well as guest artists hailing from Missouri to Texas, Minnesota to Florida and as far away as Peru.
LunART’s 2019 call for scores was open to women composers of all ages and nationalities, and received an impressive 98 applicants from around the globe. Scores were evaluated by a committee of 17 LunART Festival musicians and directors, and three works were selected to be performed at each of the Gala concerts.
The winning composers are Eunike Tanzil (below top), Edna Alejandra Longoria (below middle) and Kirsten Volness (below bottom). All three will be in attendance at the festival. (In the YouTube video at the bottom, you can hear a piece for cello and piano, with the composer playing the piano, by Eunike Tanzil.)
The “From Page to Stage: Emerging Composers” educational program also returns, bringing six composers to Madison to work with flutist and composer-in-residence Valerie Coleman (below).
During the festival she will mentor participants in developing practical skills to express their creative ideas, cultivate relationships with performers and master the art of collaboration. The program culminates with a free public concert featuring their music on Saturday, June 8, at 2 p.m. in the Capitol Lakes Grand Hall, 333 West Main street, downtown and two blocks from the Capitol Square.
On Friday, June 7 at Overture Center in Promenade Hall, Meaghan Heinrich (below) presents her pre-concert lecture, “Portrait of the Artist as a Young Woman,” which explores what it means to be a woman artist in the 21st century, and how women’s experiences shape their artistic expressions.
Following the Friday gala concert is “Holding Court,” this season’s Starry Night event at Robinia Courtyard. This all-women comedy show features Midwestern comics Vanessa Tortolano (below top), Chastity Washington (below bottom), Vickie Lynn, Samara Suomi and Cynthia Marie who are blazing a trail of funny that will leave you gasping in their wake.
“The Multi-faceted Artist” panel discussion is for anyone interested in the ongoing trend and need for artists to wear multiple hats to succeed and thrive.
Coleman (composer and flutist) and Dr. Linda DiRaimondo (psychiatrist and aerial dancer, below top on top) serve as panelists along with Katrin Talbot (violist, poet and photographer, below bottom in a photo by Isabel Karp), and will lead the discussion on Saturday, June 8, at the downtown Madison Public Library’s Bubbler Room.
The festival wraps up on Sunday, June 9, from 10 a.m. to noon at Common Ground, 2644 Branch Street in Middleton, with “Mooning Around” poetry reading and artist mixer, featuring a performance of “One for Mileva Maric (Einstein)” by Andrea Musher, with special guests Sarah Whelan and Jackie Bradley, and poetry readings by The Line-Breakers: Andrea Potos (below), Eve Robillard, Rosemary Zurlo-Cuva and Katrin Talbot.
Everyone is welcome to come enjoy their morning coffee and pastries while making creative connections with other artists.
LunART Festival is supported by Dane Arts, the Madison Arts Commission, the Wisconsin Arts Board and the Open Meadows Foundation; it also won first place at the 2018 National Flute Association C.R.E.A.T.E. Project Competition and second prize at the 2018 UW Arts Business Competition.
Schedule of 2019 Festival events:
Wednesday, June 5
- 6-8 p.m.: “Women Against Hate United by Love” exhibition opening reception @ Rotunda Stage, Overture Center for the Arts (free event)
Thursday, June 6
- 9 a.m.-Noon From Page to Stage composition master class with Valerie Coleman @ First United Methodist Church (free event)
- 7 p.m.: Opening Gala Concert @ Maiahaus (402 E. Mifflin St.) (Tickets: $20 general/$10 students)
Friday, June 7
- 6 p.m.: “Portrait of the Artist as a Young Woman” pre-concert lecture by Meaghan Heinrich (free event)
- 7 p.m.: “Portraits of Josephine” Gala Concert @ Promenade Hall, Overture Center for the Arts (Tickets: $20 general/$10 students)
- 9 p.m.: Starry Night: “Holding Court” All-Women Comedy Show @ Robinia Courtyard (Tickets: $7 in advance/$10 at the door)
Saturday, June 8
- 10 a.m.-Noon: “The Multi-faceted Artist” Panel Discussion @ Madison Public Library Bubbler Room (free event)
- 2 p.m.: From Page To Stage: Emerging Composers Concert @ Capitol Lakes Grand Hall (free event)
- 7 p.m.: “Gaia” Closing Gala Concert @ First Unitarian Society of Madison Atrium Auditorium (Tickets: $20 general/$10 students)
Sunday, June 9
- 10 a.m.-Noon: “Mooning Around” poetry reading and artist mixer @ Common Ground, 2644 Branch St., Middleton (free event)
More information can be found at lunartfestival.org
video
Tags: #21stCentury, #AlbertEinstein, #AlessioBax, #AndreaMusher, #AndreaPotos, #AtriumAuditorium, #AudienceAward, #BlogPost, #BlogPosting, #CameraWork, #CapitolLakes, #CapitolSquare, #CelebratingWomen, #ChastityWashington, #ChoralMusic, #ChristianChurch, #ComedyShow, #CommonGround, #Composer-in-Residence, #CulturalDiversity, #CynthiaMarie, #DallasTexas, #DaneArts, #EdnaAlejandraLongoria, #EmergingComposers, #EthnicDiversity, #EunikeTanzil, #EveRobillard, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FirstPlace, #FirstUnitarianSocietyofMadison, #FirstUnitedMethodistChurch, #GenderDiversity, #High-Quality, #IsabelKarp, #IvaUgrcic, #JackieBradley, #KatrinTalbot, #KirstenVolness, #LauraMedisky, #LindaDiRaimondo, #Line-Breakers, #LIveSteaming, #LunARTFestival, #MadisonArtsCommission, #MadisonPublicLibrary, #MadisonSymphonyOrchestra, #MeaghanHeinrich, #MiddletonWisconsin, #MifflinStreet, #MilevaMaric, #MusicalDiversity, #MusicEducation, #NationalFluteAssociation, #NewMusic, #OpenMeadowsFoundation, #OvertureCenter, #PanelDiscussion, #PersonalRelationship, #PhilippeBIanconi, #PoetryReading, #Pre-concertLecture, #Prize-Winning, #PromenadeHall, #RacialDiversity, #RosemaryZurlo-Cuva, #RotundaStage, #SamaraSuomi, #SarahWhelan, #SaturdayAfternoon, #SecondPrize, #SpecialGuest, #StarryNight, #TheCliburn, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #ValerieColeman, #VanCliburn, #VanessaTortolano, #VickieLynn, #WisconsinArtsBoard, #WisconsinChamberOrchestra, #WomanArtist, #WomanConductor, #WomenComposers, #YouTubevideo, 21st century, accessible, aerial, afternoon, age, alert, Alessio Bax, all-women, Andrea Musher, Andrea Potos, applicants, area, artists, Arts, Atrium Auditorium, attend, attendance, audience, award, background, blazing, blog, Business, camera, Capitol, Capitol Lakes, Capitol Square, celebration, Cello, Chamber music, Chastity Washington, choral music, Christian, church, Classical music, coffee, collaboration, comedian, comedy, comedy show, comic, comics, Common Ground, Competition, composer, Concert, creative, cultivate, Cynthia Marie, Dallas, dance, Dane Arts, directors, discussion, diverse, diversity, downtown, Edna Alejandra Longoria, Education, educational, Einstein, emerging, engaging, Eunike Tanzil, Eve Robillard, events, exhibition, experiences, explore, express, expressions, Facebook, Farley's House of Pianos, festival, first, first place, First Unitarian Society of Madison, First United Methodist Church, FloridaParu, flute, flutist, forward, foundation, free, funding, funny, gala, gasp, gasping, general, guest, hate, idea, ideas, impressive, information, inspiring, Isabel Karp, Iva Ugrcic, Jackie Bradley, Jacob Stockinger, June, juror, Katrin Talbot, Keyboard, Kirsten Volness, Laura Medisky, lecture, like, lin, Linda DiRaimondo, link, live streaming, local, Love, LunART Festival, Madison, Madison Arts Commission, Madison Public Library, Madison Symphony Orchestra, Maiahaus, Master, Meaghan Heinrich, mentor, Methodist, Middleton, Midwestern, Midwestern United States, Milena Maric, Minnesota, mission, Missouri, Monday, Music, Music education, National Flute Association, nationalities, nationality, New Music, Open Meadows Foundation, outstandng, Overture Center, page, panel discussion, panelist, participants, pastries, pastry, performer, Philippe Bianconi, photo, photographer, Piano, place, poet, Poetry, poetry reading, portrait, practical, pre-concert, prize, programming, Promenade Hall, promoting, psychiatrist, public, race, racial diversity, reading, reception, relationship, resume, Rosemary Zurlo-Cuva, Rotunda Stage, Samara Suomi, Sarah Whelan, Saturday, schedule, score, Season, second, second prize, select, shape, share, show, showcase, skills, solo, special, special guest, stage, Starry Night, Student, succeed, support, supporting, tag, terrific, Texas, The Cliburn, thrive, ticket, today, trail, trend, unite, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, VALERIE COLEMAN, Van Cliburn, Vanessa Tortolono, venues, Vickie Lynn, video, Viola, Violin, violist, vocal music, wake, winning, Wisconsin, Wisconsin Arts Board, Wisconsin Chamber Orchestra, woman, woman artist, women, women composers, work, yesterday, young, YouTube
Classical music: The Ancora String Quartet closes out its season with polished, precise and emotionally intense performances of contrasting music by Mendelssohn, Beethoven and Caroline Shaw
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.
By John W. Barker
The Ancora String Quartet (below) is closing its season with a cluster of concerts around the area, including a central one Tuesday night at St. Andrew’s Episcopal Church on Regent Street in Madison.
Of the three works in the program, the centerpiece was the Entr’acte by the American musician and Pulitzer Prize-winning composer Caroline Shaw (below, in a photo by Kait Moreno). It was written in 2011 when Shaw was 29, and has won some acclaim over the years.
It is cast roughly in the traditional form of a minuet and trio, but its point is less any musical substance than the invention of new and utterly eccentric ways of string playing for ear-catching sound effects. Many of those effects are, to be sure, intriguing.
Surrounding this was a pair of quartets seemingly very distinct from each other but related.
The first published quartet, in A major, Op. 13, by Felix Mendelssohn (below), was written in the wake of a romantic song he wrote and whose motives he then used in the quartet.
Emotional suggestions aside, however, it is notable as a darker and more intense work than his subsequent ones in this form. It was composed in 1827, when Mendelssohn was 18, but also the year in which Beethoven died. And it is the shadow of Beethoven, and of Beethoven’s innovations in his later quartets, that hangs over the Mendelssohn work.
Clearly the young master was trying to see how he could absorb the older master’s progressive style into his own still emerging one. I think he found in the process that the two could not be reconciled, and so his subsequent quartets were to be in a less stressful vein.
Against that 1827 work, we were then offered a composition from Beethoven’s own earlier years when he was 29 or 30. This was the final quartet in the set of six published as his Op. 18.
This Op. 18, No. 6, by Beethoven (below) in B-flat major — the program had it mistakenly in G major — is a Janus-faced work, its first two movements still rooted in the late 18th-century background, but with a scherzo full of quirks and tricks that point to the future, and a finale that plays on emotional contrasts.
Its opening Malinconia – or melancholic – music is contested by music of rousing joy, somewhat prefiguring Beethoven’s absorption with recovering his health in the Heiliger Dankgesang (Sacred Hymn of Thanksgiving) of his late string quartet, Op. 132. (You can hear the two contrasting moods and themes in the last movement, played by the Alban Berg Quartet, in the YouTube video at the bottom.)
For all three of these scores, a quartet member gave some introductory comments. (Below, first violinist Wes Luke introduces the work by Caroline Shaw.)
Members of the Ancora String Quartet are violinists Wes Luke and Robin Rynan, violist Marika Fischer Hoyt and cellist Benjamin Whitcomb. As a group, the Ancora players displayed intensity and absorption as well as polished precision, in a program of contrasts.
Tags: #AlbanBerg, #AlbanBergQuartet, #AmericanPatriotism, #AmericanRecordGuide, #AncoraStringQuartet, #BenjaminWhitcomb, #BlogPost, #BlogPosting, #CarolineShaw, #ChamberMusic, #ChristianChurch, #ClassicalStyle, #CriticalAcclaim, #EmeritusProfessor, #EpiscopalChurch, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #IsthmusNewspaper, #JohnW.Barker, #LudwigVanBeethoven, #MadisonEarlyMusicFestival, #MarikaFischerHoyt, #MedievalHistory, #MeToomovement, #MusicalSubstance, #MusicCritic, #MusicReview, #MusicScore, #PulitzerPrize, #RadioHost, #RadioShow, #RobinRyan, #SacredHymnofThanksgiving, #SoundEffects, #St.Andrew'sEpiscopalChurch, #StringPlaying, #StringQuartet, #SundayMorning, #UniversityofWisconsin-Madison, #WesLuke, #WORT-FM89.9, #YouTubevideo, absorption, acclaim, Alban Berg, Alban Berg Quartet, American, American Record Guide, Ancora String Quartet, Arts, audience, background, Beethoven, Benjamin Whitcomb, blog, Caroline Shaw, catching, cellist, Cello, centerpiece, Chamber music, Christian, Christianity, church, Classical music, classicalmusic, comments, composer, Concert, contrast, critic, dark, darker, death, ear, ear-catching, Early music, eccentric, emeritus professor, emotional, Episcopalian, Facebook, Felix Mendelssohn, final, form, forward, group, Health, History, hymn, innovation, intense, intriguing, introduce, introductory, invention, Isthmus, Jacob Stockinger, Janus, John W. Barker, last, lecture, like, link, Ludwig van Beethoven, Madison, Madison Early Music Festival, Madison Symphony Orchestra, Marika Fischer Hoyt, Master, Medieval, Medieval history, melancholy, member, minuet, motives, movement, Music, new, performer, precision, process, program, progressive, Pulitzer Prize, quirk, Radio, recovering, review, Robin Ryan, Romantic, sacred, Scherzo, score, Season, shadow, share, show, song, sound effects, St. Andrew's Episcopal Church, stress, stressful, string playing, String quartet, style, substance, suggestions, Sunday morning, tag, Thanksgiving, tradition, traditional, trick, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vein, Viola, Violin, violinist, violist, wake, Wes Luke, Wisconsin, Wisconsin Chamber Orchestra, works, WORT-FM 89.9, written, year, YouTube
Recent Comments
The Well-Tempered Ear 
Classical music: The future of Western classical music is in Asia – specifically China, South Korea, Japan and Taiwan. Why is that?
3 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
It’s not just about Lang Lang.
The signs are everywhere.
They were present at a recent piano recital by elementary school, middle school and high school students that The Ear attended.
You see it at the University of Wisconsin-Madison’s Mead Witter School of Music and at top music schools, including the Curtis Institute of Music, across the U.S. and Western Europe. And you see it in youth groups such as the Wisconsin Youth Symphony Orchestras (below).
Western classical music recording labels, such as Deutsche Grammophon and Sony Classical, are looking to develop new markets and so are signing more Asian musicians, such as the Shanghai Symphony Orchestra and Shanghai String Quartet, and releasing more Asian performances. (Below is the Taiwanese-Australian, prize-winning violinist Ray Chen, who is also a master at using social media to build his meteoric career.)
All these items point to the same conclusion: The future of Western classical music looks more and more likely to be found in Asian culture and in Asia – specifically in China, South Korea, Japan and Taiwan. (Next season, prize-winning South Korean pianist Joyce Yang (below) returns to Madison, where she first gave a recital at the Wisconsin Union Theater, to solo with the Madison Symphony Orchestra.)
Consider some of the following:
There are, The Ear read somewhere, now more piano students in China than in all of Europe, North America and South America combined. And he is reading about more and more concert tours of China and other Asian countries by Western performers — even while in the U.S. the number of pianos in homes are on the decline.
Increasingly the winners of major international competitions — such as the Chopin competition, the Van Cliburn competition, the Tchaikovsky competition, the Queen Elizabeth of Belgium competition and the Leeds competition – come from Asia or are Asian. (Below, in a photo by Simon Fowler, is American pianist George Li, who immigrated from China as a child and attended Harvard and the New England Conservatory before winning a silver medal at the Tchaikovsky Competition. His concert career is now blossoming fast.)
In recent years, China has been building a lot of first-rate concert halls, opera houses and music schools. And the famed Juilliard School in New York City will open its second campus this fall in Tianjin, near Beijing.
China has certainly come a long way from the days of the Cultural Revolution when people could be imprisoned for listening to Beethoven, who is now a cultural icon in China — as you can hear at the bottom in the YouTube video of Li Jing Zhan conducting the orchestra at the Chinese National Opera in Beethoven’s No. 7. (Below is the striking new National Center for the Performing Arts in China.)
https://www.interlude.hk/front/culture-construction-chinas-new-concert-halls/
Nineteen of the 24 final competitors, ages 13-17, in the second Van Cliburn Junior Competition – which starts in Dallas, Texas, on May 31 and ends on June 8 – are Asian, Asian-American and Asian-Canadian, all with astonishingly impressive credentials and experience. It will be streamed live and free. Take a look and listen:
https://www.cliburn.org/2019-cliburn-junior-competitors/
Why this Asian shift is happening remains somewhat of a mystery to The Ear, although he had been thinking about for a long time.
Then he came across a op-ed column confirming the prevalence of Asian classical musicians. It was written by the American concert pianist and teacher Inna Faliks (below), who teaches at UCLA and who wrote convincingly about her recent concert experiences in China in The Washington Post.
Read it and see what you think, and tell us whether you agree:
https://www.washingtonpost.com/opinions/the-future-of-classical-music-is-chinese/2019/03/22/2649e9dc-4cb5-11e9-93d0-64dbcf38ba41_story.html?utm_term=.7f149e0f8eb9
Why are Asians so interested in Western classical music and music education? And why do they respect it or even revere it so much?
Does it have to do with the “tiger mom” phenomenon of strong parental pressure to succeed and achieve?
Is it largely a function of population?
Is it because of the collective teamwork required to make a lot of chamber music and orchestral music, or with the intense and instructive teacher-student relationship?
Is it because the cultural depth and seriousness in Western music education – ing contrast to the increasingly pop culture of the West – that prepares students well for the training and intellectual discipline required in other educational fields and careers, including the STEM areas (science, technology, engineering and mathematics)?
Is Asia simply fascinated by Western culture the same way that Western culture was fascinated by the exotic Asian cultures – especially in China and Japan — during the 19th century and earlier? Or is the West increasingly ignoring its own culture. (The Ear can’t recall any classical musicians performing at President Donald Trump’s White House. Can you?)
How do you see the situation and react to it? And what do you think about the causes and effects?
Please leave your reactions and thoughts in the COMMENT section.
The Ear wants to hear.
Share this:
Like this:
Tags: #BeijingChina, #BlogPost, #BlogPosting, #ChamberMusic, #ChineseNationalOpera, #ChopinInternationalPianoCompetition, #ClassicalMusician, #ClassicalRecording, #ConcertHall, #ConcertTour, #CulturalRevolution, #CurtisInstitute, #DallasTexas, #DeutscheGrammphon, #ElementarySchool, #FacebookPost, #FacebookPosting, #GeorgeLi, #HarvardUniversity, #HighSchool, #HongKong, #HongKongChina, #InnaFaliks, #JoyceYang, #JuilliardSchool, #LangLang, #LeedsCompetition, #LiJingZhan, #LiveStreaming, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MiddleSchool, #MusicEducation, #MusicSchool, #NationalCenterforthePerformingArts, #NewEnglandConservatoryofMusic, #NewYorkCity, #NorthAmerica, #OperaHouse, #OperaMusic, #OrchestralMusic, #ParentalPressure, #People'sRepublicofChina, #PerformingArts, #PersonalRelationship, #PopCulture, #PresidentDonaldTrump, #Prize-Winning, #PrizeWinner, #QueenElizabeth, #QueenElizabethCompetition, #RayChen, #RecordingLabels, #RecordLabels, #ShangaiQuartet, #ShanghaiChina, #ShanghaiSymphonyOrchestra, #SilverMedal, #SocialMedia, #SonyClassical, #SouthAmerica, #SouthKorea, #SouthKorean, #StreamedLive, #StringQuartet, #TchaikovskyCompetition, #TheEar, #TheWashingtonPost, #TheWest, #TianjinChina, #TigerMom, #UnitedStates, #UniversityofWisconsin-Madison, #VanCliburn, #VanCliburnInternationalPianoCompetition, #WesternCulture, #WesternEurope, #WhiteHouse, #WisconsinUnionTheater, #WisconsinYouthSymphonyOrchestras, #YouTubevideo, American, Arts, Asia, asian, attend, audience, Australia, Australian, Beethoven, Beijing, Belgium, blog, building, Canadian, career, cause, Cello, Chamber music, Child, children, China, Chinese, Chinese National Opera, Chopin International Piano Competition, Classical music, classical musician, classicalmusic, collective, comment, Compact Disc, Competition, composer, Concert, concert hall, concert tour, conclusion, conduct, conductor, construction, credential, Cultural Revolution, culture, Curtis Institute of Music, Dallas, decline, depth, Deutsche Grammophon, discipline, Donald Trump, Education, effect, elementary school, engineering, Europe, exotic, experience, Facebook, first-rate, forward, free, function, future, George Li, group, Harvard, high school, Home, Hong Kong, icon, immigrant, immigrated, immigration, imprison, Inna Faliks, instruct, instructive, intense, International Tchaikovsky Competition, item, Jacob Stockinger, Japan, Japanese, Joyce Yang, Juilliard School, Juilliard School of Music, Korean, Lang Lang, Leeds Competition, Li Jing Zhan, like, link, listen, live, look, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, market, Master, mathematics, Mead Witter School of Music, medal, media, member, meteoric, Middle school, Music, Music education, music school, music schools, Musician, mystery, National Center for the Performing Arts, New England, New England Conservatory, New York City, North America, number, opera, Opera house, Orchestra, orchestral music, parental pressure, parents, People, People's Republic of China, performer, Performing arts, personal relationship, Pianist, Piano, pop, pop culture, population, President, President Donald Trump, pressure, prison, prize, public, Queen Elizabeth, Queen Elizabeth Competition, Ray Chen, reaction, recital, Record label, recording, relationship, respect, revere, rite, science, section, seriousness, Shanghai, share, silver, sing, social media, solo, Sony Classical, South America, South Korea, STEM, streamed, String quartet, Student, symphony, tag, Taiwan, Taiwanese, Teacher, teamwork, technology, Texas, The Ear, The Washington Post, The West, The White House, thought, Tianjin, tiger mom, tour, training, U.S., UCLA, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Van Cliburn, Van Cliburn International Piano Competition, Violin, violinist, Western Cuture, Western Europe, White House, winner, Wisconsin, Wisconsin Union Theater, Wisconsin Youth Symphony Orchestras, wrote, Youth, YouTube