The Well-Tempered Ear

Classical music: Acclaimed Canadian violinist James Ehnes discusses Max Bruch’s “Scottish Fantasy,” which he will perform this weekend with the Madison Symphony Orchestra.

October 12, 2015
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By Jacob Stockinger

This weekend, the acclaimed Canadian-born violinist James Ehnes returns to Madison to perform with the Madison Symphony Orchestra.

James Ehnes playing 2

Ehnes will play Max Bruch’s Scottish Fantasy for violin and orchestra, a piece that blends rustic folk tunes and tender themes to convey the stark Scottish landscape.

Opening the program will be Joseph Haydn’s spirited Symphony No. 85, nicknamed “La Reine” (The Queen) because it was the favorite of French Queen Marie AntoinetteSergei Rachmaninoff’s Symphonic Dances will close out the concert.

The concerts are in Overture Hall of the Overture Center, 201 State Street, on Friday, Oct. 16, at 7:30 p.m.; Saturday, Oct. 17, at 8 p.m.; and Sunday, Oct. 18, at 2:30 p.m.

James Ehnes made his major orchestral solo debut with the Orchestre Symphonique de Montréal (Montreal Symphony Orchestra) at age 13 and was awarded the Avery Fisher Career Grant in 2005. Today, he is a sought-after chamber musician, recitalist and soloist with the world’s finest orchestras. (You can hear his astonishing playing in Antonio Bazzini’s “Dance of the Goblins” in a YouTube video at the bottom.)

One hour before each performance, Tyrone Greive, retired MSO Concertmaster and Professor of Violin at University of Wisconsin-Madison, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

Background about the music can also be found in the Program Notes by bass trombonist and UW-Whitewater professor Michael Allsen at: http://www.madisonsymphony.org/ehnes

MSO playing

Single Tickets are $16 to $85 each, available at www.madisonsymphony.org/singletickets and through the Overture Center Box Office at 201 State Street or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25 percent by calling the MSO office at (608) 257-3734. For more information visit, www.madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: www.madisonsymphony.org/studentrush. Students can receive 20% savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20 percent savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts can NOT be combined.

Find more information at www.madisonsymphony.org.

Major funding for the October concerts is provided by Margaret C. Winston, Kenneth A. Lattman Foundation, Inc., Capitol Lakes, the Madison Symphony Orchestra League, and Peggy and Tom Pyle. Additional funding is provided by Dr. Stanley and Shirley Inhorn and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

James Ehnes kindly agreed to an email Q&A with The Ear:

james ehnes cr Benjamin Ealovega

Could you bring readers up to date with your career and achievements – including future recordings and events — since your last appearance in Madison in 2012?

A lot has happened in my life since 2012! Most importantly, the birth of my second child in 2014.

Musically, I’ve had a lot of wonderful experiences. It’s hard to narrow it down, but some of the highlights were the BBC Proms last summer, a play-conduct recording of Antonio Vivaldi’s “Four Seasons” with the Sydney Symphony, and performances with all of the so-called Big Five orchestras here in the states (New York, Philadelphia, Boston, Cleveland, Chicago).

James Ehnes Four Seasons CD cover

What should people know about composer Max Bruch and his Scottish Fantasy? What distinguishes it from his concertos?

Bruch (below) was one of the great melodists of the Romantic era, but interestingly this piece uses “borrowed” Scottish tunes, hence its title.

I think the piece has just about the perfect combination of elements — virtuosity, beautiful melodies, and interesting and colorful orchestration (the harp plays a very major role). Unlike a “standard” concerto, there is an introduction and four movements in this piece, so it’s a bit unusual in a formal sense.

max bruch

You are especially known for your interpretations of modern composers like Bela Bartok. What do you think of the Romantic composers and repertoire? Do you try to bring anything special to them?

I didn’t realize that was the case! I play lots of different styles of music, and having that variety in my career is probably my greatest inspiration. I love the Romantic repertoire. It is probably this music above all other that made me initially fall in love with the violin as a boy.

Is there anything else you would like to say about the music or Madison or the Madison Symphony Orchestra?

I’m very much looking forward to my return. The performances in 2012 were my first visit to Madison, and I really enjoyed the city. I look forward to having a bit more time to explore, and I’m delighted to be able to bring my family this time.


Classical music: Madison Symphony Orchestra’s Club 201 marks 10 years of reaching out to young professionals to promote classical music. Plus, the UW-Madison Contemporary Chamber Ensemble performs a FREE concert of new music on Wednesday night.

October 10, 2015
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ALERT: The UW Contemporary Chamber Ensemble will perform a FREE program of new music this coming Wednesday night at 7:30 p.m. in Mills Hall. It will play under the direction of UW-Madison composer Laura Schwendinger. The program includes two works by “post-tonal” American composer Cindy Cox (b. 1961, below in a photo by K. Karn), who teaches at the University of California-Berkeley.

Cindy Cox, composer, University of California, Berkeley

By Jacob Stockinger

Club 201, a group affiliated with the Madison Symphony Orchestra (MSO, below), will hold its first event of the 2015-16 season on this coming Friday, Oct. 16. (Club 201 is named after the address of the Overture Center, which is located at 201 State Street.)

MSO playing

Later this year, Club 201 will celebrate its 10th anniversary, fulfilling its mission as the premiere organization promoting classical music to the young professional community in Madison.

For a $45 ticket – a savings of $36-$56 — young professionals, aged 22 to 40, will have access to outstanding seats in Overture Hall to hear the 7:30 p.m. performance by violinist James Ehnes (below), conductor John DeMain and the Madison Symphony Orchestra perform three highly regarded staples of the classical repertoire: Symphony No. 85 “La Reine” by Franz Joseph Haydn; the “Scottish Fantasy” for violin and orchestra by Max Bruch; and the Symphonic Dances by Sergei Rachmaninoff.

James Ehnes playing 2

The ticket also includes access to an exclusive post-performance party in the Promenade Lounge on the second floor of the Overture Center with food, one drink ticket and a cash bar.

Conductor John DeMain, as well as young musicians who play in the symphony, will be attending to mingle with Madison’s young professionals.

The deadline to purchase tickets is this Wednesday, Oct. 14. Tickets can be purchased for this event, as well as the other three events throughout the 2015-16 season at the Club 201 website: http://www.madisonsymphony.org/club201.

Additionally, interested parties can stay up-to-date by liking the Club 201 Facebook page:

www.facebook.com/MSOClub201

MSO Club 201 Pic 2

 


Classical music: Door County’s Midsummer’s Music Festival hosts opening night gala is this Friday night. Performers include the Preucil Family plus David Perry and Sally Chisholm of the Pro Arte Quartet at the UW-Madison.

June 10, 2015
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By Jacob Stockinger

Our friends in Door County write:

Sister Bay, Wis.  –  Door County’s Midsummer’s Music Festival kicks off with a gala opening night concert and celebration on this Friday night, June 12, at 7 p.m. in Juniper Hall at the Birch Creek Music Performance Center (below) in Egg Harbor.

Birch Creek Music Performance Center exterior

Birch Creek interior concert

For this special 25th anniversary season opener, the festival will welcome to the stage the talented Preucil family (below) whose story is deeply entwined in the history of Midsummer’s Music Festival.

After a special pre-concert performance by the Preucils, the renowned musicians of Midsummer’s Music will perform lovely chamber works — including the Piano Quartet by Robert Schumann that they played on their very first concert in 1991 — to celebrate the opening of this year’s Midsummer’s Music concert season. (You can hear the heartbreaking slow movement of Schumann’s Piano Quartet, played by the Beaux Arts Trio, in a YouTube video at the bottom.)

Twenty-five years ago, festival founders Jim and Jean Berkenstock invited a young couple, along with other top-flight musicians from the Midwest, to join them for the first season of the Midsummer’s Music Festival.

Walter Preucil was a cellist with the Lyric Opera of Chicago and his wife Stephanie was an accomplished violinist.  Stephanie gave birth to the couple’s first child eight months before the start of the first season.  Over the next several years, the couple had two more sons – Anthony and James.  And the apple did not fall far from the tree.  Each of the Preucil boys shared the family’s musical talent.

Preucil Family 2 2

Walter and Stephanie have spent every summer in Door County performing with the Midsummer’s Music Festival, and their boys have become favorites of Door County audiences who have essentially watched them grow up.

Now Zachary is an accomplished cellist at age 24 and is on the cello faculty of the renowned Music Institute of Chicago. He holds a degree from the New England Conservatory of Music and recently graduated with a masters degree from the Eastman School of Music.

Eighteen-year-old Anthony has been concertmaster for the Schaumburg Youth Symphony Orchestra as well as the District 211 Honors Orchestra. Anthony was also Principal Viola for Illinois All-State Honors Orchestra.  He will be attending Pennsylvania State University in the fall where he will pursue a double degree in meteorology and violin performance.

And 13-year-old James is a skilled violinist who also is the youngest member to have been accepted into the Schaumburg Youth Symphony Orchestra.

To showcase the story of a very important part of the Midsummer’s Music family, all five Preucils will take the stage and captivate the audience with a performance of the slow “Andante con moto” movement from the String Quintet in E-flat Major by Max Bruch (below).

max bruch

After the special performance by the Preucils, the prestigious ensemble known as Midsummer’s Music will take the stage to present works in a program entitled “Romantic Legacy.”

The group will perform the Piano Trio by Nino Rota, famous for his film scores  for Italian director Federico Fellini, with Jean Berkenstock, flute; UW-Madison professor and Pro Arte Quartet member David Perry, violin; and William Koehler, piano.

nino rota at piano

Next will be the Quintet in C Minor, Op. 54, by Robert Kahn with Elizandro Garcia-Montoya, clarinet; John Fairfield, horn, David Perry, violin; Walter Preucil, cello; and William Koehler, piano.

Robert Kahn

Closing out the program will be the Piano Quartet in E-flat, Opus 47, by Robert Schumann with William Koehler, piano; David Perry, violin (below top); UW-professor and Pro Arte Quartet member Sally Chisholm, viola (below bottom); and Walter Preucil, cello.

Pro Arte Quartet Rehearsal with composer Benoit Mernier

Pro Arte Quartet Rehearsal with composer Benoit Mernier

Sally Chisholm

Following the concert, guests will have the opportunity to mingle with the Preucils, the Berkenstocks and all of the Midsummer’s Music performers at a special reception of wine and hors d’oeurves.

A selection of large photos showcasing the Midsummer’s Music Festival’s family over the 25 years will be on display.

During the reception portion of the evening, Midsummer’s Music will unveil a brand new artwork designed by Door County artist Charles “Chick” Peterson to celebrate the festival’s 25th anniversary season. Peterson is best known for his watercolor paintings and has established a world-class reputation for his maritime works. Many of his pieces depict fond memories of everyday life.

The painting will capture the collegial spirit of the Midsummer’s Music ensemble.  Patrons can purchase matted copies of the limited edition print beginning June 12 and continuing through the Big Top Door County event on July 12. Proceeds will support the Midsummer’s Music mission of bringing exceptional classical music to Door County audiences at affordable prices.

Midsummer’s Music Festival features world-class musicians from organizations such as the Lyric Opera of Chicago, Pro Arte Quartet (below, in a photo by Rick Langer), Aspen Music Festival, the Chicago Philharmonic Orchestra and artist faculty from major universities.

Pro Arte 3 Rick Langer copy

The festival presents a series of more than 30 classical music concerts in a host of unique venues ranging from a 120-year old bay side warehouse, to a quaint community church from the 1850s, to luxury homes of private residents. Each venue exudes character and offers a distinct musical experience for the listener.

This year’s festival runs June 12 through July 14, with an additional concert series of 10 performances during the week and a half leading up to Labor Day.

Tickets for the opening night gala are $60.

For more information on the opening night gala or any of the Midsummer’s Music concerts, visit www.midsummersmusic.com or call 920-854-7088.

The Birch Creek Performance Center is located at 3821 County Road E, Egg Harbor, WI 54209.

 

 

 

 

 


Classical music: The Middleton Community Orchestra closes its fifth season with a lively concert that featured fiery Marquez, subtle Brahms, lyrical Bruch and thrilling Tchaikovsky.

June 5, 2015
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

John-Barker

By John W. Barker

Spring is officially over now, for the Middleton Community Orchestra (below, in a photo by Margaret Barker) has given the fourth and last concert of its fifth season — as usual, on a Wednesday night and before a sizable crowd at the Middleton Performing Arts Center.

Middleton Community Orchestra Margaret Barker

The opening work was a rarity from the little-known Mexican composer Arturo Marquez (b.1950, below), called Danzon 2. It is a piece that starts with promise of melodic expression, but soon slips into a piling up of the usual hard-driven Latin dance rhythms, for a large orchestra, playing very loudly. A kind of musical refried beans.

arturo marquez 3 USE

More substantial was the early orchestral masterpiece, the “Variations on a Theme by Haydn” by Johannes Brahms (below).

This is a very thickly scored piece, placing particular emphasis on the winds. I found myself, as I listened, appreciating more than ever how cunningly Brahms designed the seams and sutures among the instruments, taxing the skills of the players for subtlety. Fortunately, the Middleton musicians faced the challenges bravely and brought off a very sturdy and convincing performance.

brahms3

After the intermission, it was concerto time.

First, as MCO maestro Steve Kurr (below top) has regularly done, the young concertmaster was given a chance to tackle a solo assignment. Valerie Sanders (below bottom), a new graduate from the UW-Madison School of Music, took on the Violin Concerto No. 1 in G minor by Max Bruch, though only its slow movement. She played this lovely music quite sweetly, and one was tempted to wonder how she would have fared in taking on the two bolder wing movements, in the full concerto.

Steve Kurr conducting

MCO Valerie Sanders plays Bruch

The Big Event was, of course, local pianist Thomas Kasdorf playing the Piano Concerto No. 1 in B-flat minor by Peter Ilyich Tchaikovsky. This is a very warhorse of the warhorses, a work that some will be surprised to learn that predates Van Cliburn, whose recording of it was the first classical album to sell one million copies. (Vladimir Horowitz was once the exponent automatically brought to mind.)

It is a colossally demanding piece, technically, and a summit of virtuosic display — as you can see and hear in the popular YouTube video at the bottom.

Kasdorf (below), a locally born, raised and educated pianist and a well-established young Madison fixture of enormous talent and virtuosity, made this his latest entry into the warhorse corral.

MCO Thomas Kasdorf plays Tchaikovsky

Yes, he had the chops to bring it off, in an undeniably exciting performance. But I had the sense that his heart was really in the quieter passages, where he had some ideas of his own.

In the prevailingly bravura writing, by contrast, he was battling for survival. He certainly won the battle, on technical points alone. But this is not a work he has fully made his own—he played from score, rather than memory. It is an interpretation in progress, rather than one securely controlled.

And I hope this is not a career effort in progress. He is too fine a musician to be just a barn-storming, roof-raising virtuoso. He should pursue rather the great variety of roles he as developed, in which he has so much more that is personal and nuanced to offer.

The orchestra, with fewer perils to face than in the Brahms, sounded confident and full-voiced.

All in all, it was a lively and stimulating concert, as we have come to expect from Steve Kurr and his remarkable Middletonians.

 


Classical music: Madison native son cellist, blogger and conductor Kenneth Woods has been named to head Colorado MahlerFest, starting in 2016. Plus, the Middleton Community Orchestra plays tonight at 7:30.

June 3, 2015
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REMINDER: The Middleton Community Orchestra plays tonight at 7:30 p.m. in the Middleton Performing Arts Center that is attached to Middleton High School. Admission is $10; students get in FREE.

The terrific program includes concertmaster Valerie Sanders in the Adagio from the Violin Concerto by Max Bruch and guest pianist Thomas Kasdorf in the ever-popular Piano Concerto No. 1 in B-flat minor by Peter Ilyich Tchaikovsky (AKA the “Van Cliburn Concerto”). Here is a link to a fuller posting with more information:

https://welltempered.wordpress.com/2015/05/29/classical-music-the-middleton-community-orchestra-closes-out-its-fifth-season-next-wednesday-night-with-music-by-marquez-bruch-brahms-and-the-never-fail-tchaikovsky-piano-concerto-no-1/

By Jacob Stockinger

The Ear has received the following important and impressive news about Kenneth Woods. Woods, you may recall, attended Memorial High School in Madison, played in the Wisconsin Youth Symphony Orchestra (WYSO) and attended graduate school at the University of Wisconsin-Madison School of Music, where he work with Pro Arte Quartet cellist Parry Karp. We can all say Congratulations, Maestro!

Kenneth_Woods

Here is the press release:

Kenneth Woods has been appointed Artistic Director of the Colorado MahlerFest. He is only the second Artistic Director in the festival’s 28-year history and succeeds Founding Artistic Director Robert Olson. Woods will oversee his first festival, MahlerFest XXIX, in May 2016.

MahlerFest poster 1

Of his appointment, Woods remarks: “I’m thrilled and humbled to be invited to steer the festival’s ongoing exploration of one of the greatest composers of all time. I’ve always been impressed by the sophistication of MahlerFest’s programming and presentation, not to mention the musical standards attained by its participants. I must extend enormous congratulations to Bob Olson for everything he has achieved.”

Woods continues: “The complexity and scale of some tasks can only be fully appreciated once you’ve done them yourself, and as someone who has put together a few crazy Mahler projects of my own over the years, I know something about the kind of heroic effort Bob has made to build and sustain this festival. I take very seriously my responsibility to keep the torch he has lit blazing brightly for many years to come.”

Founded by conductor Robert Olson (below in 1988, the Boulder-based Colorado MahlerFest is an annual celebration of the life and music of Gustav Mahler.

Robert Olson is leaving the MahlerFest he founded at the end of this year's performances. He'll stay on as conductor of Longmont Symphony Orchestra. (Greg Lindstrom/Times-Call)

Robert Olson is leaving the MahlerFest he founded at the end of this year’s performances. He’ll stay on as conductor of Longmont Symphony Orchestra. (Greg Lindstrom/Times-Call)

Throughout one week every May, the festival explores Mahler through symposia, exhibits, films and the performance of a major symphonic work by the composer. MahlerFest is currently in the midst of its third cycle of Mahler’s symphonic compositions.

MahlerFest orchestra

In 2005, MahlerFest received the Gold Medal  (below) of the Vienna-based International Gustav Mahler Society, an honor so far bestowed on only one other American organization, the New York Philharmonic.

MahlerFest gold medal

Gustav Mahler’s music has been a lifelong source of inspiration for Kenneth Woods, and has played an important part in his career. He has conducted acclaimed performances of the symphonies and songs across the Americas and Europe.

His first recording of Mahler’s music, Schoenberg’s chamber ensemble versions of Das Lied von der Erde (Song of the Earth) and Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (Somm Records, 2011), received an IRR Outstanding rosette from International Record Review.

Off the podium, Woods (below) is in demand as an essayist and speaker on Mahler’s life and music. He has given talks and participated in panel discussions on Mahler for the BBC and NPR, and was the official blogger of The Bridgewater Hall’s Mahler in Manchester series in 2010-11.

Kenneth Woods

In his native U.S., Woods achieved national media recognition as conductor of the Pendleton-based Oregon East Symphony for staging Redneck Mahler, an event that galvanized the community of a small, western Rodeo town.

With its combination of conducting, symposia, pre-concert lectures, films, community engagement and blog posts, MahlerFest’s format plays perfectly into Woods’ multifarious hands.

“For me,” Woods says, “Mahler has a singular creative voice. His music should be experienced as an immersive, transformative experience.”

You can hear Kenneth Woods conducting Mahler, with UW-Madison baritone Paul Rowe and the UW-Madison Symphony Orchestra, in a YouTube video at the bottom.

PRAISE FOR KENNETH WOODS’ MAHLER

“This is a most important issue, and all Mahlerians should make its acquisition an urgent necessity.” International Record Review

“a richly balanced performance that easily stands out” Gramophone Magazine

“gives Mahler the ride of his life.” The Oregonian

“something that every lover of Mahler should hear.” MusicWeb International

* * * * *

For more information about Kenneth Woods please visit http://kennethwoods.net/blog1/

For more information about the Colorado MahlerFest please visit http://www.mahlerfest.org

About Kenneth Woods

Kenneth Woods is Artistic Director and Principal Conductor of the English Symphony Orchestra, a post he assumed in 2013, succeeding Vernon Handley.

Hailed by the Washington Post as a “true star” of the podium, Woods has worked with many orchestras of international distinction, and has appeared on the stages of some of the world’s leading music festivals. His work on the concert platform and in the recording studio has led to numerous broadcasts on BBC Radio 3, National Public Radio, and the Canadian Broadcasting Corporation.

As Principal Guest Conductor of Stratford-upon-Avon-based Orchestra of the Swan (2010-2014), Woods made numerous acclaimed recordings, including the first-ever cycle of the Symphonies of Hans Gál (AVIE).

Kenneth Woods Schumann 2 Gal cover

Woods’ unique gifts have been widely acknowledged by some of today’s leading conductors. In 2001, he was selected by Leonard Slatkin to be one of four participants in the National Conducting Institute at the Kennedy Center, where he made his National Symphony debut.

Toronto Symphony Music Director Peter Oundjian has praised Woods as “a conductor with true vision and purpose. He has a most fluid and clear style and an excellent command on the podium … a most complete musician.”

kenneth woods conducting english symphony orchestra

A widely read writer and frequent broadcaster, Woods’ blog, “A View from the Podium,” is one of the 25 most popular classical music blogs in the world. He has provided commentary for the BBC Proms, and has spoken on Mahler on NPR’s “All Things Considered” and BBC Radio 4’s “Today” Programme.

 


Classical music: The Middleton Community Orchestra closes out its fifth season next Wednesday night with music by Marquez, Bruch, Brahms and the never-fail Tchaikovsky Piano Concerto No. 1.

May 29, 2015
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By Jacob Stockinger

The Middleton Community Orchestra (below) will present its final concert of the season on Wednesday, June 3, at 7:30 p.m.

Middleton Community Orchestra press photo1

The concert will take place at the Middleton Performing Arts Center (below, exterior and interior), attached to Middleton High School.

Middleton PAC2

Middleton PAC1

This concert concludes MCO’s fifth year.

On the program is Danzon No. 2 by Mexican composer Arturo Marquez; the “Haydn” Variations by German composer Johannes Brahms; the slow Adagio movement from the Violin Concerto by Max Bruch with MCO concertmaster Valerie Sanders (below top) soloing; and the never-fail Piano Concerto No. 1 in B-Flat Minor by the Russian composer Pyotr Ilyich Tchaikovsky –- the same exciting concerto that launched the career of Van Cliburn — by performed by the talented Middleton native, Thomas Kasdorf.

Valerie Sanders MCO 2015

Tickets are $10 for general admission.  Students are admitted free of charge.  Tickets are available at Willy St. Coop West and at the door. The box office opens at 7 p.m.

There will also be a meet-and-greet reception (below) after the concert.

Middleton Community Orchestra reception

Here is information about pianist Thomas Kasdorf (below):

He is a recent graduate of UW-Madison School of Music with his Bachelor of Music in Piano Performance, where he studied with Christopher Taylor.

thomas kasdorf 2:jpg

He was an inaugural member of the Perlman Piano Trio, which awards scholarships and performance opportunities to talented undergraduate students to give performances of chamber music.

His work with the Perlman Trio (below, with cellist Maureen Kelly and violinist Eleanor Bartsch) has been featured in performances on Wisconsin Public Radio’s “Live at the Midday” series and as part of Bach Dancing and Dynamite Society’s House Concerts series, as well as in Middleton Community Orchestra’s inaugural season performance of Beethoven’s Triple Concerto.

Perlman-Trio Thomas Kasdorf piano, Eleanor Bartsch violin and Maureen Kelly cello

He was named co-winner of the Irving Shain Woodwind and Piano Duo Competition, with collaborative partner, flutist Morgann Davis. He was awarded the Bolz Prize of the Madison Symphony Orchestra’s Concerto Competition and performed Grieg’s Piano Concerto in A Minor at their Spring Youth Concerts.

He has performed in master classes given by Nadja Salerno-Sonnenburg, Pinchas Zukerman, Sam Rhodes, Steven Isserlis, Ronald Leonard, Ralph Kirshbaum, Jonathan Miller, Timothy Eddy, Robert MacDonald, Jeffrey Siegel and Adam Neiman.

Thomas has worked in a variety of roles (both on and offstage) with a multitude of local theatre groups in over 100 different shows. With a specialty in the oeuvre of Stephen Sondheim, he has been called upon to arrange and perform reduced or solo orchestrations of Sondheim scores, including “A Little Night Music,” “Sunday in the Park with George,” “Putting It Together,” “Sweeney Todd,” “Side by Side by Sondheim,” “Into the Woods” and, most recently, “Company.” He proudly serves on the board of directors for Middleton Players Theatre, and was the director of the company’s recent production of “Les Mis.”

Last year’s performance of the Grieg Piano Concerto (below) was Thomas Kasdorf’s third performance with the Middleton Community Orchestra. He had performed the Triple Concerto by Ludwig van Beethoven as part of the Perlman Trio, and the Piano Concerto in A major by Wolfgang Amadeus Mozart.

MCO june 2014 Thomas Kasdorf plays Grieg

He has just concluded a wildly successful collaboration with MCO to produce a staged production of “Carousel,” and he says he is looking forward to his performance of Tchaikovsky’s Piano Concerto No. 1 with the MCO. (You can hear Van Cliburn play the opening movement of the concerto in a YouTube video at the bottom. It has some great shots of hands and fingers.)

 

 


Classical music: The Wisconsin Baroque Ensemble performs music by J.S. Bach, Handel, Purcell, Telemann and others this Sunday afternoon at 3. In Sunday night Con Vivo performs music by Prokofiev, Mozart, Bruch, Gershwin and others at the Stoughton Opera House.

February 6, 2015
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REMINDER: The Con Vivo! (music with life) chamber music ensemble (below) invites the public to its debut performance at the Stoughton Opera House on this coming Sunday night. The concert has been rescheduled to this Sunday evening due to the snowstorm last weekend.

Here are the details: Sunday, February 8, 2015, at 7:30 p.m.
Stoughton Opera House
381 E. Main St. Stoughton, WI
(608) 877-4400
Tickets are $20, $10 for an obstructed view and are available at www.stoughtonoperahouse.com

Here is the program:
Sergei Prokofiev: “Overture on Hebrew Themes” for Piano, string quartet and clarinet, Op.34
Max Bruch: “Romance” for Viola and Piano op. 85
Jay Ungar: “Ashokan Farewell” for violin and piano
John Williams – “Air and Simple Gifts” for violin, cello, clarinet and piano (It was performed by violinist Itzhak Perlman, cellist Yo-Yo Ma, clarinetist Anthony McGill and piano Gabriela Montero and others at President Barack Obama’s first inauguration.)
George Gershwin – Preludes for solo piano
Wolfgang Amadeus Mozart – Quintet for Clarinet and String Quartet, KV 581

Here is a link to the original post about the concert:

https://welltempered.wordpress.com/2015/01/29/classical-music-con-vivo-music-with-life-will-perform-chamber-music-by-mozart-gershwin-prokofiev-bruch-and-others-at-the-stoughton-opera-house-this-sunday-afternoon-before-kickoff/

Con Vivo core musicians

By Jacob Stockinger

The Wisconsin Baroque Ensemble will give a concert of baroque chamber music on this coming Sunday afternoon, February 8, at 3 p.m.

Madison Baroque Ensemble

The concert will take place in the historic Gates of Heaven synagogue located in downtown Madison, in James Madison Park at 300 East Gorham Street.

Gates of Heaven

Tickets are at the door only: $20, $10 for students.

For more information, call 238-5126 or info@wisconsinbaroque.org, or you can visit www.wisconsinbaroque.org.

Participating members in the concert – the veteran ensemble uses period instruments and historically informed performance practices — are:

Mimmi Fulmer – soprano

Brett Lipshutz – traverso

Eric Miller – viola da gamba, baroque cello

Consuelo Sañudo – mezzo-soprano

Monica Steger – traverso, harpsichord

Anton TenWolde – baroque cello

Max Yount – harpsichord

Wisconsin Baroque Ensemble composite

Here is the program:

Gabriel Bataille – “Sortez soupirs”

Henry Purcell – “Sweeter than roses”

Gabriel Bataille – “Que douce est la violence”

Georg Philipp Telemann – “Die Landlust”

Louis de Caix d’Hervelois – sonata for traverso and continuo

INTERMISSION

Benoît Guillemant – Sonata in D Major, Op. 2 Nr. 6 for two traversos

Johann Sebastian Bach – “Betörte Welt”

Giuseppe Sammartini – Sonata 3 for violoncello and continuo

George Frideric Handel – “Tanti Strali”

 

 


Classical music: Con Vivo — Music With Life — will perform chamber music by Mozart, Gershwin, Prokofiev, Bruch and others at the Stoughton Opera House this Sunday afternoon – BEFORE kickoff time for Super Bowl XLIX.

January 29, 2015
1 Comment

By Jacob Stockinger

Our friends at the outstanding local chamber music group “Con Vivo” (Music With Life), which made its Carnegie Hall debut last season, has sent the following word:

Hello Friends,

The Madison-based chamber music ensemble con vivo! … music with life (below) invites you to our debut performance at the Stoughton Opera House on this Sunday afternoon, Feb. 1, at 3 p.m.

Con Vivo core musicians

The concert will feature music by Wolfgang Amadeus Mozart, George Gershwin, Sergei Prokofiev, Max Bruch and John Williams.

The musicians in Con Vivo are professionals who often play in other noted ensembles including the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

The beautifully restored Stoughton Opera House (below, from the outside and inside) is located at 381 E. Main St. Stoughton. For more information, call (608) 877-4400.

Stoughton Opera House ext

StoughtonOperaHouse,JPG

Stoughton Opera House 2

You can get tickets at the door or by visiting www.stoughtonoperahouse.com The prices are $20 for regular admission and $10 for an obstructed view.

It’s sad that the Packers aren’t playing in Super Bowl XLIX — that’s 49 to normal people — but if you intend to watch the big game anyway, come spend your pre-game with us. You will be home in time for the kick-off!

We hope to see you this Sunday.

Here is the complete program:

Sergei Prokofiev: Overture on Hebrew Themes for piano, string quartet and clarinet, Op. 34

Max Bruch: Romance for Viola and Piano, Op. 85

Jay Ungar: “Ashokan Farewell for violin and piano. (It was famously used in the Ken Burns documentary ‘The Civil War.” You can hear it in a lovely and moving YouTube video that features the composer at the bottom.)

John Williams: Air and Simple Gifts for violin, cello, clarinet and piano

INTERMISSION

George Gershwin: Preludes for solo piano

Andante con moto e poco rubato

Allegro ben ritmato e deciso

Wolfgang Amadeus Mozart – Quintet for Clarinet and String Quartet, KV 581

Allegro, Andante, Menuetto, Rondo


Classical music: The Ear names the Middleton Community Orchestra and adult amateur music-makers as Musicians of the Year for 2014.

December 31, 2014
9 Comments

By Jacob Stockinger

Today is New Year‘s Eve, 2014.

Each year, I close out the old year and greet the new year by naming a Musician of the Year.

I heard a lot of great music this past year.

Much of it you can relive in the year-end roundup by John W. Barker, the regular classical music critic for Isthmus who also contributes so much to this blog.

Here is a link that that roundup:

https://welltempered.wordpress.com/2014/12/30/classical-music-here-is-a-wrap-up-of-the-best-of-2014-in-madison-thanks-to-isthmus-critic-john-w-barker/

One of the ways in which John and I agree –- and in fact, we usually do agree — is regarding the Middleton Community Orchestra (below) for its admirable achievements in only four seasons.

Middleton Community Orchestra press photo1

As loyal readers know, I am a big supporter of music education. In fact, for the sake of full disclosure, I should say that I sit on the board of the Wisconsin Youth Symphony Orchestras (WYSO). And music education for young people and young students is about a lot more than music, as so much social science and psychological research continues to prove.

But this year I want to recognize ADULT amateur musicians.

These days, adult amateurs may seem unusual or an exception. But the historical fact is that for centuries, classical music was primarily the domain of amateur rather than professional performers.

So I am singling out the Middleton Community Orchestra, which uses some professional talent, but relies mostly on amateurs.

I have already written about how they point the way to the future for larger ensembles with the shorter programs; with the kind of music that is programmed; with the low price of admission ($10 for adults and FREE for students); and with the post-concert socializing with musicians and other audience members (below) — all of which adds up to a laudable community service that integrates a performing art into everyday life and society. That is a mission worth supporting.

Middleton Community Orchestra reception

Here is a older review that I did. In it I talk about some of what I admire by giving nine reasons to attend the MCO:

https://welltempered.wordpress.com/2012/06/04/classical-music-review-let-us-now-praise-amateur-music-makers-and-restoring-sociability-to-art-here-are-9-reasons-why-i-liked-and-you-should-attend-the-middleton-community-orchestra/

But the MCO, founded by members Mindy Taranto and Larry Bevic, is as much about hearing great and accessible music as it is about community service.

I will long remember piano concertos by Wolfgang Amadeus Mozart and Edvard Grieg played by UW-Madison pianist Thomas Kasdorf, who will perform the famously popular Piano Concerto No. 1 in B-Flat Minor — the signature concerto of Van Cliburn — by Peter Ilyich Tchaikovsky with the MCO this spring.

thomas kasdorf 2:jpg

I will also remember Madison-born, UW-trained and Juilliard-trained violist Vicki Powell (below) in shorter and unknown works by Johann Nepomuk Hummel and Max Bruch.

Vicki Powell at MCO

I will long remember former MCO concertmaster Alice Bartsch, who studied at the UW-Madison School of Music, in a wonderful interpretation of a Romance by Antonin Dvorak before she left for graduate studies at McGill University in Montreal, Canada.

The same held true for Alice’s gifted violinist sister, Eleanor Bartsch,when she was joined (below) by fellow UW-Madison grad Daniel Kim in Mozart’s sublime Sinfonia Concertante for violin and viola.

Eleanor Bartsch and Daniel Kim MCO Mozart

And I will remember the most recent performance with Madison Symphony Orchestra’s amazing principal clarinetist Joe Morris performing a rarely heard concerto by the under-appreciated 20th-century English composer Gerald Finzi.

joe morris playing CR Cheryl Savan

I will also remember fondly performances of symphonies by Antonin Dvorak and Johannes Brahms done by the MCO under the baton of conductor Steve Kurr (below), who teaches music at Middleton High School. (The MCO performs in the Middleton Performing Arts Center that is attached to the high school.)

Steve Kurr conducting

As with so many groups, including professional ones, booking great soloists seems to push the performers in the group to an even high level of playing. But the MCO takes care to book soloists with local ties, including soprano Emily Birsan who recently was at the Lyric Opera of Chicago, which adds an element of local pride to the event.

Emily Birsan MSO 2014

The MCO has some appealing concerts coming up in 2015. It deserves to have even larger audiences at its mid-week concerts.

Here is a link to their website, where you can see photos and learn about how to support the group and how to join the group as well as what concerts and program the MCO will perform during the rest of this season.

http://middletoncommunityorchestra.org

But I would also be remiss if I didn’t mention other ways that are outlets for adult amateur musicians.

They include the University of Wisconsin Choral Union (below) and many other local choirs, including the Isthmus Vocal Ensemble, the Madison Symphony Chorus and Madison Opera Chorus, the Wisconsin Chamber Symphony Chorus, the Wisconsin Chamber Choir, the Festival Choir -– to say nothing of the many church choirs, secular choirs and adult amateur performing groups in Madison and the surrounding area.

UW Choral Union and UW Symphony 11-2013

So leaving 2014 and heading into 2015, The Ear -– who is himself an avid amateur pianist — proclaims the new year to be The Year of the Adult Amateur.

If you want to sing, join a choir.

If you want to play an instrument, start practicing or sign up for lessons. It is never too late, even after retirement.

And if you want to perform and share the joy and love of music with others, find an outlet, including the Middleton Community Orchestra.

Nothing beats the thrill of experiencing music from the inside.

So don’t just listen to music.

Make it!

 


Classical music: You Must Hear This -– the Romance for Viola and Orchestra by Max Bruch.

October 26, 2014
5 Comments

By Jacob Stockinger

I saw and heard Madison-born and Madison-raised violist Vicki Powell (below) last Wednesday night. That was when the alumna of the Wisconsin Youth Symphony Orchestras (WYSO), the UW-Madison School of Music, the Juilliard School and the Curtis Institute  who now plays with the New York Philharmonic and other prestigious groups and who has participated in the Marlboro and Aspen festivals, returned from New York City to solo with the Middleton Community Orchestra.

Vicki Powell at MCO

It was a wonderful and thoroughly enjoyable performance as well as very affordable event, as you can read in the review by John W. Barker that was posted yesterday.

Here is a link:

https://welltempered.wordpress.com/2014/10/25/classical-music-the-middleton-community-orchestra-opens-its-season-with-polished-viola-playing-from-vicki-powell-and-infectious-enthusiasm-from-the-entire-orchestra-in-a-dvorak-symphony/

After the concert done in the terrific 90-minute, no intermission format that I think attracts many people, there was a meet-and-greet, with cookies and punch, where the public and the musicians could mingle – and did.

MCO June 2014 reception

That’s when I went up to the lovely, gifted and poised Vicki Powell and remarked on how beautiful her playing had been with the MCO under conductor Steve Kurr (below top). I was quite taken with her reading of the rarely heard Fantasy on Themes by Mozart for Viola and Orchestra by Johann Nepomuk Hummel (below bottom).

Hummel remains a much underappeciated composer who was invited by none other than Wolfgang Amadeus Mozart himself to live in his house and take free lessons.

Vicki Powell and Steve Kurr MCO finale

Hummelcolor

But what really swept me away was the Romance for Viola and Orchestra by the 19th-century Romantic German composer Max Bruch (below).

max bruch

I have heard Max Bruch’s popular violin concertos – especially No. 1  in G minor — and his Kol Nidre for cello and piano as well as his Scottish Fantasy for violin and orchestra.

But this work was completely new and unknown to me, but captivated me from the first notes. No 10 listenings or more needed to like and appreciate this work!

“I am amazed it hasn’t yet been used for a movie soundtrack,” I said to Powell.

“Really?” she said. “So am I.”

That is how beautiful and tuneful, how accessible and emotional, it is.

And maybe you will be surprised too.

So here is a YouTube video of the work performed by violist Miles Hoffman, who also comments frequently on classical music for NPR (National Public Radio). It lasts about 9-1/2 minutes and is pure loveliness.

Miles Hoffman NPR

And maybe it has indeed been used in the movies.

If so and you know, please let us know.

And let us know what you think of the piece, which The Ear thinks deserves to be programmed much more often, even though the viola is not often featured as a solo instrument with orchestra. (All the more reason to admire the Middleton Community Orchestra and its mission.)

The Ear wants to hear.


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