The Well-Tempered Ear

Middleton Community Orchestra performs the second of four FREE outdoor summer concerts at Firemen’s Park this Sunday at 11:30 a.m.

June 19, 2021
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

This Sunday from 11:30 a.m. to 1 p.m. in Firemen’s Park, the mostly amateur but critically acclaimed Middleton Community Orchestra (MCO) will give the second of its FREE four summer outdoors concerts.

Besides the fact that the day is Father’s Day holiday, weather predictions also call for a good chance of rain or even thunderstorms.

Updates on whether the concert will take place, be cancelled or postponed to a later date, can be found by checking the MCO’s website at 10 a.m.: https://middletoncommunityorchestra.org

Meanwhile, here are the programs, conductors and soloists for the remaining three concerts. All concerts take place in Firemen’s Park in Middleton close to Middleton High School:

CONCERT – SUNDAY, JUNE 20, 11 a.m.-1 p.m. (revised program)

Sergei Pavlov (below), conductor and professor at Edgewood College

George Walker – “Lyric for Strings”

Ralph Vaughan Williams – “Fantasia on a Theme of Thomas Tallis” (heard in the YouTube video at the bottom)

Giacomo Puccini – Lauretta’s aria from “Gianni Schicchi”; Mimi’s aria in Act 3 and Musetta’s aria in Act 2 from “La Boheme” with soprano Yanzel Rivera (below).

Selections from the Pixar movie COCO (piano and strings)

 

CONCERT – SUNDAY, JULY 25, 11:30 – a.m.-1 p.m.

Chris Ramaekers  (below),  conductor and professor at the University of Wisconsin-Whitewater

Peter Illyich Tchaikovsky – “March Slav”

Carl Maria von Weber — Clarinet Concerto No. 2 with soloist and Madison Symphony Orchestra principal clarinetist JJ Koh (below)

Tchaikovsky — Symphony No. 2  “Little Russian”          

CONCERT 4 – SUNDAY, AUG. 15, 11:30-1 p.m.

Sergei Pavlov, conductor 

Brahms Piano Concerto No. 1 with soloist and UW-Madison graduate Thomas Kasdorf (below)


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Going live! Here are some links to newly announced summer concerts and 2021-22 seasons

June 15, 2021
2 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Get out your datebooks.

Now that the pandemic is fast abating, at least locally, music groups and music presenters in the Madison area have been announcing a return to live music and their new seasons and summer events in a relentless way.

The Ear had been out of commission since mid-May until this week. But in any case, The Ear was overwhelmed and just couldn’t keep up with a separate post for each one.

Still, he thought it might be helpful to be able to check the dates, performers, programs, tickets and other information in one place.

Remember that the Madison Early Music Festival is no more. It has been absorbed into the regular music curriculum at the UW.

Please know that many groups – including, but not limited to, the University of Wisconsin-Madison’s Mead Witter School of Music (below is the UW Symphony Orchestra — masked, socially distanced and virtually streamed — during the pandemic), University Opera, Edgewood College, Just Bach, Grace Presents, the Salon Piano Series, the First Unitarian Society of Madison, Bach Around the Clock, the Festival Choir of Madison, the Wisconsin Chamber Choir and the Madison Bach Musicians – have not yet released details of their new seasons.

But most of their websites say that an announcement of their new season is coming soon.

There are also some trends you may notice.

Many of the groups are raising prices and persistently seek donations as well as subscribers, no doubt to help make up for the loss of revenue during the pandemic.

The Madison Symphony Orchestra and the Wisconsin Chamber Orchestra have reduced the number of concerts or start later.

Some have simply rescheduled events, like the Wisconsin Union  Theater closing its season with soprano Renée Fleming. And the Madison Symphony Orchestra’s new season is largely the same one they were planning to have to celebrate the Beethoven Year in 2020-21.

The Bach Dancing and Dynamite Society, the Middleton Community Orchestra and the Willy Street Chamber Players all have pop-up concerts and scheduled outdoor concerts in parks. Some have also scheduled individual mini-concerts or personal sessions.

If you look at programs, you will see an emphasis on Black composers and performers by almost all groups. (The Madison Symphony Orchestra has scheduled “Lyric for Strings” by George Walker, below. You can hear it performed by the Los Angeles Philharmonic under Gustavo Dudamel in the YouTube video at the bottom.)

What is most disappointing is that no group seems to have announced a special concert or event to pay homage to the public ordeal, health care workers and victims of the COVID-19 pandemic.

The Ear keeps thinking a performance of a suitable requiem (by perhaps Mozart, Faure, Brahms, Verdi or Britten) or Beethoven’s Ninth Symphony would have been an appropriate way to start the in-person season and, at the same time, acknowledge the more than 7,000 deaths in Wisconsin and almost 600,000 deaths in the U.S. and almost 4 million worldwide as of now. Maybe even Barber’s overplayed Adagio for Strings would suffice.

Finally, very few groups seem to be offering online virtual concert attendance as a possibility for those listeners who found that they actually enjoyed at least some the  music in their own homes and at their own times.

IN ANY CASE, HERE IS WHAT HAS ALREADY TAKEN PLACE OR IS STILL ON TAP. CHECK IT OUT! 

Bach Dancing and Dynamite Society in free live and for-pay recorded concertshttps://bachdancing.org

Middleton Community Orchestra’s summer concerts at Fireman’s Park (below) in Middleton: https://middletoncommunityorchestra.org

Madison Bach Musicians summer workshops (below): https://madisonbachmusicians.org/2021-summer-chamber-music-workshop/

Concerts on the Square with limited paid admission at Breese Stevens Field (below): https://wcoconcerts.org/concerts-tickets/concerts-on-the-square

Madison Symphony Orchestra (below, in a photo by Peter Rodgers): https://madisonsymphony.org/concerts-events/madison-symphony-orchestra-concerts/

Madison Opera and Opera in the Park (below): https://www.madisonopera.org/oitp21/; and https://www.madisonopera.org/21-22/

Wisconsin Union Theater: https://union.wisc.edu/visit/wisconsin-union-theater/seasonevents/concert-series/

Willy Street Chamber Players (below) at Orton Park: http://www.willystreetchamberplayers.org/2021-summer-concert-series.html

If you know of more entries or have observations to make about these, please leave word and, when possible, a link in the comment section.

The Ear wants to hear.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The amateur, acclaimed and affordable Middleton Community Orchestra suspends its new season until further notice

September 4, 2020
1 Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

At a time when many concert schedules are getting complicated due to virtual online concerts and other alternatives because of the coronavirus pandemic and Covid-19, the message couldn’t be simpler.

The Middleton Community Orchestra (below) has suspended its new season until further notice.

You can check for additional information by going to the website: https://middletoncommunityorchestra.org

There it says: “Concerts are postponed until further notice. Check back here and join our email list for updates to the season.”

It’s too bad.

The season took a lot of organizing. It was going to take place in alternative venues because the Middleton Performing Arts Center, attached to Middleton High School, is undergoing renovations. (In the YouTube at the bottom, you can hear the MCO performing the Overture to Wagner’s opera “Die Meistersinger.”

It was also to feature new soloists including violinist David Perry of the UW-Madison Pro Arte String Quartet, and two guest conductors from Edgewood College and the UW-Whitewater.

It could also mean another cancellation of the new teenage concerto competition and concert as well as the cancellation of conductor Kyle Knox’s inaugural season as the MCO’s new music director (below).

Here is the largely amateur, well planned, unquestionably ambitious and very affordable season that was scheduled: https://welltempered.wordpress.com/2020/03/30/classical-music-the-middleton-community-orchestra-announces-an-ambitious-2020-21-season-with-new-soloists-and-conductors-but-with-no-middleton-venue-for-the-season/

Do you have comments for the MCO?

The Ear wants to hear.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The amateur Middleton Community Orchestra, with pianist Thomas Kasdorf, closes its eighth season impressively by shining new light on music by Schumann and Brahms

June 2, 2018
Leave a Comment

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

By John W. Barker

The amateur Middleton Community Orchestra (below) closed its eighth season with another program of mainstream works. Maestro Steve Kurr clearly likes to challenge his players not only with demanding music, but also with works so familiar that audience expectations are extra high.

Of the two works presented, the first was the beloved Piano Concerto in A Minor by Robert Schumann. He wrote it for his wife, born Clara Wieck and an acclaimed pianist, to show off her talents. The soloist was the ubiquitous Thomas Kasdorf (below), a Middleton native and UW-Madison graduate who finds the MCO a wonderful platform in which he can have experience with a range of concertos.

Kasdorf is clearly working to make this concerto his own. He strove to integrate the polarities of melodiousness and showiness in the first movement, and seemed to have settled nicely into the extravagance of the final movement.

But it was the middle movement that intrigued me. (You can hear that movement, played by Sviatoslav Richter, in the YouTube video at the bottom.) Usually treated as a simplistic interval between the other movements, it emerged here as music of true delicacy, much of it a dialogue between the soloist and the orchestra. I daresay Kasdorf (below) will be able to make even more of this work as he grows in it, but he is off to a persuasive start.

The other warhorse — if you will — on the program was the Symphony No. 1 of Johannes Brahms. Kurr was the more daring in tackling it since the Madison Symphony Orchestra had already performed it just this past February. It is a deliberately monumental work, an ostentatious demonstration by Brahms that he had truly arrived as symphonist. Consequently, the composer made his players work hard to bring this off.

Though it sounds unfair, my initial grading would be an “incomplete”: a performance in the making. This was true certainly in the first movement, which did not yet have full coordination and coherence.

A major problem was the orchestra’s horn section. Brahms certainly wrote strong music for them in this work, but these players were occasionally inaccurate and, most damaging, far too loud and out of balance with the full ensemble. That distorted or undercut the performance all the way.

On the other hand, the string choir (below) continues to mature, and it delivered a very satisfying sound in the passages featuring it.

Most important of all, however, was Kurr’s interpretative approach, particularly in the second and third movements. These are usually presented as bits of superficial repose between the big flanking movements. But Kurr almost made them the genuine center of the work.

Taking much slower tempos than we usually hear, Kurr (below) turned the slow movement into a flow of beautiful sound, the third movement a subtly clever piece of whimsy. And the introduction to the finale, again taken more slowly than usual, unfolded with a powerful eloquence of its own, the more to pave the way for the Big Tune in the remaining body of the movement.

I am not sure I would advocate always treating Brahms’s First this way. But I salute Kurr for making me think anew about a score I had assumed I already knew well. He was able to lead his players, despite any shortcomings, in a performance of genuine artistic perceptions—an achievement in which this orchestra can take great pride.


Classical music: Need a break from the holiday rush? Try the Middleton Community Orchestra and soprano Emily Birsan this Monday night at 7:30. Plus, tuba, sousaphone, euphonium and baritone players — both amateurs and professionals — are wanted for Sunday’s “Tuba Christmas” in the state Capitol.

December 20, 2013
1 Comment

ALERT: Attention alls players of the tuba, sousaphone, euphonium and baritone players: If you want to have a Christmas blast, gathered in the Wisconsin State Capitol and around the state Christmas Tree in the Capitol Rotunda (bel0w), here is your chance. All you need is the instruments, the skills, the desire, some paraphernalia and $10. For details, see:

http://www.tubachristmas.com/readtcloc.php?TCState=WI&TCCity=Madison

tuba christmas in capitol

By Jacob Stockinger

Need a break from the rush of holiday shopping, partying and prepping?

You might try attending a concert by the Middleton Community Orchestra (below top), which is made up of amateurs and professionals and is conducted by Steve Kurr (below bottom).

Middleton Community Orchestra press photo1

Steve Kurr.

The concert is on this coming Monday night, December 23, at 7:30 p.m. at the comfortable Middleton Performing Arts Center (below), which is attached to Middleton High School.

Middleton PAC1

Tickets are $10 and are available at the door and at Willy St. Coop West.

The concert, “An Evening with the Middleton Community Orchestra and Soprano Emily Birsan” promises to be an enjoyable evening of great music.

The orchestra will be featured in: Mikhail Glinka’s “Russlan and Ludmilla Overture; Nikolai Rimsky-Korsakov’s “Dance of the Tumblers”; and Ludwig van Beethoven’sSymphony No. 6, “Pastoral.”

The very accomplished University of Wisconsin School of Music alumna Emily Birsan (below) will return top the MCO holiday concert to sing four arias by Mozart, Strauss, Donizetti and Charpentier.

Details are at www.middletoncommunityorchestra.org

Emily Birsan is in her final year of the Chicago Lyric Opera apprentice program and is on the brink of a stellar international career.  Here is a link to her bio for more details: http://www.emilybirsan.com/bio.html (You can hear her sing “Musetta’s Waltz,” from Puccini’s “La Boheme,” with the Middleton Community Orchestra under Steve Kurr in a YouTube video at the bottom.)

Emily Birsan 2013 in red

The Ear has found the MC performances a thoroughly enjoyable treat.

The performance usually lasts about 90 minutes without an intermission and features socializing over cookies and punch with the players afterwards.

Middleton Community Orchestra reception

If you need more reasons to attend, here is a review I wrote about one performance:

https://welltempered.wordpress.com/2012/06/04/classical-music-review-let-us-now-praise-amateur-music-makers-and-restoring-sociability-to-art-here-are-9-reasons-why-i-liked-and-you-should-attend-the-middleton-community-orchestra/

And if you use this website’s search engine, you can also check out the many positive reviews of the Middleton Community Orchestra by critic John W. Barker.


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,262 other followers

    Blog Stats

    • 2,328,204 hits
    October 2021
    M T W T F S S
     123
    45678910
    11121314151617
    18192021222324
    25262728293031
%d bloggers like this: