The Well-Tempered Ear
Classical music: Saturday afternoon, Live From the Met in HD closes this season with an acclaimed production of “Dialogues of the Carmelites.” Here is a background story, two rave reviews, and next season’s 10 operas
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ALERT:The Brass Choirs of the Wisconsin Youth Symphony Orchestras will present an afternoon of brass music this Saturday afternoon, May 11, at 2:30 p.m. in Mills Concert Hall, 455 North Park Street, in Madison. Directed by Tom Curry, the program features brass musicians from WYSO’s Concert, Philharmonia and Youth Orchestras. The concert is FREE and OPEN TO THE PUBLC. Music to be played is by Johann Sebastian Bach, George Frideric Handel, Giovanni Gabrieli, Charles Gounod, Edward Elgar, Paul Hindemith, Alan Hovahaness and Karel Husa.
CORRECTION: The Madison Youth Choirs will perform its “Legacy” concerts this weekend in the Capitol Theater of the Overture Center on Saturday and Sunday — NOT Friday, as mistakenly listed and then corrected in the original post, which is below: https://welltempered.wordpress.com/2019/05/08/classical-music-the-madison-youth-choirs-will-explore-the-theme-of-legacy-in-three-concerts-this-saturday-and-sunday-in-the-capitol-theater-of-the-overture-center/
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By Jacob Stockinger
This Saturday afternoon, May 11, the last production of this season’s “Live From the Met in HD” series, broadcast worldwide via satellite to cinemas, is Francis Poulenc’s “Dialogues of the Carmelites.”
By all accounts, it would be hard to end on a higher, stronger or more darkly dramatic note, given the outstanding music and performance of the score as well as the superb acting. (There is a brief preview of short scenes in the YouTube video at the bottom.)
The world premiere of the opera took place in 1957 at La Scala in Milan, Italy. One of the most successful operas of the later decades of the 20th century, “Dialogues of the Carmelites” is a rare case of a modern work that is equally esteemed by audiences and experts, according to program notes from the Metropolitan Opera.
The opera focuses on a young member of the order of Carmelite nuns, the aristocratic Blanche de la Force, who must overcome a pathological timidity in order to answer her life’s calling. The score reflects key aspects of its composer’s personality: Francis Poulenc (below) was an urbane Parisian with a profound mystical dimension, and the opera addresses both the characters’ internal lives and their external realities.
The opera takes place between 1789 and 1794 in Paris and in the town of Compiègne in northeastern France, the site of the Carmelite nuns’ convent.
Its historical basis is the martyrdom of a group of 16 Carmelite nuns and lay sisters from Compiègne, who chose to offer themselves as victims for the restoration of peace to France during the French Revolution.
The Met uses the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom.
Mezzo-soprano Isabel Leonard (below right) sings the touching role of Blanche and soprano Karita Mattila (below left), a legend in her own time, returns to the Met as the Prioress.
The conductor for the performance is the Met’s highly acclaimed new music director Yannick Nézet-Séguin, who also leads the Philadelphia Orchestra and the Metropolitan Orchestra of Montreal.
The high-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at noon and runs until 3:10 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
The encore HD showings are next Wednesday, May 15, at 1 p.m. and 6:30 p.m.
The opera will be sung in French with supertitles in English, German and Spanish.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the far west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this past season — PLUS an announcement, with dates and titles, for next season’s 10 productions (which feature five new productions but no Verdi):
https://www.metopera.org/season/in-cinemas/
Here is a background story that focuses on the French-Canadian conductor Yannick Nézet-Séguin, who leads the orchestra in this production and is the new music director of the Metropolitan Opera:
https://www.nytimes.com/2019/05/02/arts/music/met-opera-dialogues-des-carmelites.html
Here is a rave review of “Dialogues of the Carmelites” by senior classical music critic Anthony Tommasini for The New York Times:
https://www.nytimes.com/2019/05/05/arts/music/dialogues-des-carmelites-met-opera-review.html
And here is another rave review from New York Classical Review:
http://newyorkclassicalreview.com/2019/05/met-closes-season-with-a-riveting-devastating-carmelites/
Here are links to a synopsis and program notes:
https://www.metopera.org/discover/synopses/dialogues-des-carmelites/
https://www.metopera.org/season/2018-19-season/dialogues-des-carmelites/
And here is a Wikipedia history of the hi-def broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
Tags: #20thCentury, #AlanHovhaness, #AlbanBerg, #AnthonyTommasini, #BaroqueMusic, #BaroqueOpera, #BlogPost, #BlogPosting, #BlogReview, #BrassChoir, #BrassMusic, #CapitolTheater, #CatholicReligion, #CharlesGounod, #ChinaBroadcast, #ChristianReligion, #DialoguesoftheCarmelites, #EdwardElgar, #EnglishLanguage, #FacebookPost, #FacebookPosting, #FrancisPoulenc, #FrenchCanadian, #FrenchLanguage, #FrenchMusic, #FrenchRevolution, #GaetanoDonizetti, #GeorgeFridericHandel, #GermanLanguage, #GiacomoPuccini, #GiovanniGabrieli, #GiuseppeVerdi, #Hi-Definition, #HomeWebsite, #IsabelLeonard, #JohannSebastianBach, #JohnDexter, #JulesMassenet, #KarelHusa, #KaritaMattila, #LaScala, #LiveFrom the MetinHD, #LivePerformance, #MadamaButterfly, #MadisonYouthChoirs, #Marcus, #MarcusTheaters, #MarcusTheatres, #MetLiveinHD, #MetropolitanOpera, #MetropolitanOperaLiveinHD, #MetropolitanOrchestraofMontreal, #Mezzo-sopranoSinger, #MilanItaly, #MontrealCanada, #MovieTheater, #MusicCritic, #MusicDirector, #MusicEducation, #NewMusic, #NewYorkCity, #NewYorkClassicalReview, #OperaMusic, #OvertureCenter, #PalaceCinema, #ParisFrance, #PaulHindemith, #PhiladelphiaOrchestra, #PhiladelphiaPennsylvania, #PhilharmoniaOrchestra, #PhilipGlass, #PointCinema, #PorgyandBess, #ProgramNotes, #RichardWagner, #RomanCatholicism, #SopranoSinger, #SpanishLanguage, #SunPrairie, #TheFlyingDutchman, #TheMet, #TheNewYorkTImes, #VocalMusic, #Wikipediaentry, #WisconsinPublicRadio, #WisconsinYouthSymphonyOrchestras, #WorldPremiere, #YannickNezet-Seguin, #YouthOrchestra, #YouTubevideo, 20th-century, address, afternoon, Agrippina, air, Alan Hovhaness, Alban Berg, alert, Anthony Tommasini, aristocratic, Arts, aspect, audience, background, Baroque, basis, blog, brass, brass choir, Broadcast, calling, Capitol Theater, Carmelite, cast, Charles Gounod, China, choral music, Christian, Christianity, cinema, classic, Classical music, composer, conductor, convent, correction, dark, darkly, date, decade, devastating, dialogue, Dialogues of the Carmelites, dimension, Donizetti, drama, dramatic, Edward Elgar, encore, end, English, enormous, equal, esteem, expert, experts, external, Facebook, faith, forward, France, Francis Poulenc, free, French, French language, French Revolution, French-Canadian, georgegershwin, German language, Gershwin, Giovanni Gabrieli, global, Handel, HD, hi def, high, historical, History, information, inner, intermission, Isabel Leonard, Israel, Jacob Stockinger, Johann Sebastian Bach, John Dexter, Karel Husa, Karita Mattila, key, La Scala, language, last, lay, legend, like, link, Live From The Met in HD, live performance, Madama Butterfly, Madison, Madison Youth Choirs, Manon, martyr, martyrdom, Massenet, member, Met Live in HD, Metropolitan Orchestra of Montreal, Mezzo-soprano, Milan, modern, money, Montreal, more, Movie theater, Music, music critic, Music director, Music education, mystical, new, New York City, New York Classical Review, New York Times, Nobel Peace Prize, noon, note, nun, opera, Orchestra, order, outer, outstanding, overcome, Overture Center, Palace Cinema, Paris, Parisian, pathological, Paul Hindemith, peace, Pennsylvania, performer, personality, Philadelphia, Philadelphia Orchestra, Philharmonia, Philip Glass, Point Cinema, Porgy and Bess, preview, prioress, production, profound, program notes, public, Puccini, purchase, rave, realities, reality, Religion, restoration, review, role, Roman Catholicism, Russia, satellite, satellite broadcast, Saturday, scene, score, Season, share, short, showing, sisters, size, soprano, Spanish, story, strong, successful, Sun Prairie, sung, superb, supertitle, synopsis, tag, The Flying Dutchman, the Met, The New York Times, theatre, time, timid, timidity, title, Tosca, touching, Turandot, United States, urbane, Verdi, victim, victims, vocal music, Wagner, Website, Wikipedia, Wisconsin, wisconsin public radio, Wisconsin Youth Symphony Orchestras, work, world premiere, worldwide, Wozzeck, Yannick Nézet-Séguin, you, young, Youth Orchestra, YouTube
Classical music: Does Mozart’s opera “Don Giovanni” reveal anything about Republican Presidential candidate Donald Trump”?
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By Jacob Stockinger
For generations, the conquests of the legendary Don Juan were treated as seductions.
But were they really rape?
The question is important in considering the masterpiece opera “ Don Giovanni” by Wolfgang Amadeus Mozart.
One blog writer for slate.com – Bonnie Gordon, who teaches a class on music and gender at the University of Virginia — draws a link between the charismatic historic nobleman and the current charges of “womanizing” and allegations of sexual assault made against Republican presidential candidate Donald Trump (below).
She doesn’t bring up whether the same discussion applies to former Democratic President Bill Clinton, but it doesn’t seem a stretch.
She raises questions about what is sexual assault, seduction and rape – and how the definitions of a “rape culture” have changed over time and depending on whether it comes from a man’s or a woman’s point of view.
She pegged her essay to LAST weekend’s broadcast performance of the opera by “Live From the Met in HD” with Simon Keenlyside in the title role. In the YouTube video at the bottom, with English subtitles, Don Juan’s servant Leporello sings an aria about his master’s thousands of “conquests.”
But despite the week that has passed since the broadcast of the production, to The Ear the essay still seems relevant as the national election approaches.
Here is a link to that essay:
What do you think about the essay and its main argument or point?
The Ear wants to hear.
Tags: aria, Arts, Bill Clinton, blog, candidate, catalog, catalogue, Classical music, course, culture, Democrat, Democratic, Don Giovanni, Don JUan, Donald J. Trump, Donald Trump, Election, English, gender, History, Jacob Stockinger, Leporello, Madison, man, men, Met Live in HD, Metropolitan Opera, Mozart, Music, national, New York City, noble, opera, Orchestra, Politics, President, presidential nominee, rape, Republican, Republican Party, seduction, servant, sex, sexual assault, Simon Keenlyside, Slate.com, subtitles, United States, University of Virginia, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Wolfgang Amadeus Mozart, woman, womanizing, women, YouTube
Classical music: The “Met Live in HD” starts its 10th season this coming Saturday with Verdi’s “Il Trovatore.” Plus, today is your last time to hear the acclaimed opening concert by the Madison Symphony Orchestra. Read the reviews here.
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ALERT: Today at 2:30 p.m in Overture Hall is your last chance to hear the season-opening program of music by Ludwig van Beethoven, Aaron Copland and Peter Ilyich Tchaikovsky by the Madison Symphony Orchestra. The performance won acclaim from local critics.
Here is a review by John W. Barker for Isthmus:
http://www.isthmus.com/arts/stage/madison-symphony-orchestra-opens-2015-season/
And here is a review by Jessica Courtier for The Capital Times:
And here is Greg Hettmansberger’s review for Madison Magazine:
By Jacob Stockinger
Next weekend sure is a train wreck for local music. Not that this past weekend wasn’t or that future weekends won’t be.
So much is happening that The Ear sometimes gets discouraged rather than excited. You begin to think not about what you will see or hear, but about what you will miss!
And then there are the major non-local events.
One such big one is the opening this coming Saturday, Oct. 3, of the 10th season of the series of “Live From the Met in HD,” the broadcast of live opera performances that are broadcast via satellite to thousands of cinemas around the globe.
The series has been one of the Metropolitan Opera’s outstanding success stories and money-makers over the past decade and of the controversial tenor of the Met’s general director Peter Gelb.
Here in Madison, you have a choice of two locations: Eastgate cinemas on the far east side and Point Cinemas on the far west side.
Here is a link to the Marcus Theatres web site where you can find out about other locations in the area, state and region:
https://www.marcustheatres.com/movies/met-ii-trovatore-live
The opening production is Giuseppe Verdi’s “Il Trovatore” (The Troubadour, 1853) with the famous Anvil Chorus (heard from a previous production at the bottom in a YouTube video). The staging and production of the opera with a Spanish theme is the dramatic and disturbing art of Francisco Goya.
The cast features soprano Anna Netrebko and baritone Dmitri Hvorostovsky.
The show will start on Saturday at 11:55 a.m. Running time, with one half-hour intermission, is about 2 hours and 45 minutes. Admission is $24 for adults and $22 for seniors 60 and over; and $18 for children 3 to 11. Tickets to the encore productions are $18.
Here is a link with the title of the 10 other productions – including works by Richard Wagner, Wolfgang Amadeus Mozart, Gaetano Donizetti, Richard Strauss, Giacomo Puccini, Alban Berg and Georges Bizet for this season.
And you can follow links to plot synopses, cast notes and other information.
https://www.metopera.org/Season/In-Cinemas/
Tags: Anna Netrebko, Anvil Chorus, Arts, baritone, Beethoven, Berg, Broadcast, cast, choral music, cinema, clarinet, Classical music, concerto, Copland, Dmitri Hvorostovsky, Donizetti, Eastgate, Fidelio, Georges Bizet, Giuseppe Verdi, Goya, Greg Hettmansberger, hi def, High definition, Il Trovatore, Isthmus, Jacob Stockinger, Jessica Courtier, John W. Barker, Leonore, live music, live performance, Ludwig van Beethoven, Madison, Madison Magazine, Madison Symphony Orchestra, Marcus Theatres, Met Live in HD, Metropolitan Opera, Mozart, Music, New York City, opera, Orchestra, Overture, Peter Gelb, Point, Puccini, Pyotr Ilyich Tchaikovsky, Richard Strauss, Richard Wagner, satellite, soprano, Spain, symphony, synopses, synopsis, The Capital Times, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verdi, vocal music, Wisconsin, YouTube
Classical music: Pianist Stephen Hough offers good advice about dealing with stage fright. Plus, “The Met Live in HD” screenings start today with Verdi’s “Macbeth and the UW-Madison brass festival features its spotlight concert TONIGHT.”
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REMINDERS:
“Live from the MET in HD” kicks off today at 11:55 a.m. with soprano Anna Netrebko in a critically acclaimed production of Giuseppe Verdi‘s opera “Macbeth,” based on the famous tragedy by William Shakespeare. The show is at Point Cinemas on the city’s far west side and Eastgate Cinemas on the city’s far east side. Here is a link to more information:
http://www.metopera.org/metopera/liveinhd/live-in-hd-2014-15-season
ALSO: Just a reminder that the spotlight concert of the University of Wisconsin-Madison brass festival is TONIGHT AT 8 P.M. IN MILLS HALL. Admission is $25 for the public, but all students get in for FREE. Here is a link to details about this concert and the whole festival, which winds up Monday.
http://www.music.wisc.edu/brass-festival/
By Jacob Stockinger
Do you suffer from stage fright -– better known as performance anxiety?
The Ear sure does.
But the British pianist Stephen Hough (below) is a breathtaking virtuoso who at least seems never to suffer from stage fright or performance anxiety –- at least not judging by the performances of recitals and concertos that I have heard him give in Madison at the Wisconsin Union Theater, the Madison Symphony Orchestra and the University of Wisconsin-Madison School of Music, where he offered master classes.
But what about the rest of us?
It is surprising how many professional musicians, as well as amateur musicians, suffer from performance anxiety and state fright. The same goes for actors and public speakers of all kinds.
But Hough, who writes a wonderful blog that is both very readable and very informative for The Guardian newspaper in the United Kingdom, recently dealt with the topic in a way that The Ear really admired and found helpful.
Maybe you will feel the same way.
Here is a link:
Do you suffer form stage fright and performance anxiety?
What have you found helpful to overcome it?
Dr. Noa Kageyama (below), a performance psychologist who is a Juilliard School graduate and who writes a respected blog, also has some good advice in a YouTube video at the bottom:
Tags: Anna Netrebko, Arts, brass, brass music, Classical music, concerto, Giuseppe Verdi, Guardian, Jacob Stockinger, Macbeth, Madison, Madison Symphony Orchestra, master class, Met Live in HD, Metropolitan Opera, Noa Kageyama, opera, performance anxiety, Piano, recital, Shakespeare, stage fright, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verdi, William Shakespeare, Wisconsin Union Theater, YouTube
Classical music: The new “Met Live in HD” season opens this Saturday afternoon with an acclaimed performance by Anna Netrebko in Verdi’s “Macbeth.” Plus, the UW-Madison six-day brass festival opens tonight.
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ALERT: The University of Wisconsin-Madison School of Music’s brass festival, “Celebrate Brass,” starts TONIGHT at 7:30 p.m. in Mills Hall with the UW-Madison Wisconsin Brass Quintet and composer Anthony Plog. It runs through next Monday. All events and concert except the big one on this Saturday night — are FREE and open to the public.
Here is a link to a previous story about it:
And here is a link to a complete schedule of the festival:
http://www.music.wisc.edu/brass-festival/
By Jacob Stockinger
Recently, the famed Metropolitan Opera (below) in New York City had to weather some pretty severe turbulence –- labor strife that threatened to close down the Met and delay the opening of its season.
But general director Peter Gelb (bel0w) and his negotiators reached an agreement with several labor unions, and everything remains on schedule.
That means the new season of “Met Live in HD” will open this Saturday with the acclaimed production of Giuseppe Verdi’s opera “Macbeth” that features soprano Anna Netrebko in a major role that is unusually and unexpectedly dramatic for her. The conductor is Fabio Luisi.
That successful production should be very good news. The “MET Live in HD” program in seen in hundreds of cities around the world, and is one of the big moneymakers for the Met.
Main showings in Madison are this Saturday at 11:55 a.m. at the Point Cinemas on Madison’s far west side and the Eastgate Cinema on the city’s far east side. Running time is about 3-1/2 hours.
Admission is $24 for adults, $18 for children.
Encore showing are usually at 6:30 pm. on the following Wednesday and cost $18.
Here is some background including a review by New York Times critic Anthony Tommasini and a profile of Anna Netrebko (below), who can be heard singing an aria from the same opera, in a different production with conductor Valery Gergiev in Russia, at the bottom in a YouTube video.
Here is the link to the review by Anthony Tommasini:
And here is the feature about diva Anna Netrebko:
http://www.nytimes.com/2014/10/06/arts/after-anna-netrebkos-macbeth-triumph-norma-is-next.html
Want to know more about the Met’s HD season so you can plan?
Here is a link to see other information, including the entire season’s offering with dates, times, artist biographies, audio-video clips, synopses and program notes.
The season features lots of standards, including Georges Bizet’s “Carmen” and Jacques Offenbach’s “Tales of Hoffmann” “Carmen,” and some unusual works by Peter Tchaikovsky and Bela Bartok:
http://www.metopera.org/metopera/liveinhd/live-in-hd-2014-15-season
Tags: Anna Netrebko, Anthony Plog, Anthony Tommasini, Arts, Austin Lyric Opera, Bartok, Bizet, brass music, Brass quintet, Classical music, cornet, French horn, Georges Bizet, Giuseppe Verdi, Jacob Stockinger, Met Live in HD, Metropolitan Opera, Music, New York City, New York Times, Offenbach, opera, Peter Gelb, Saturday, Tchaikovsky, Trombone, Trumpet, Tuba, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verdi, Wisconsin, Wisconsin Brass Quintet, YouTube
Classical music: Good news! The Metropolitan Opera season will open on time, now that it has settled disputes with its labor unions.
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By Jacob Stockinger
A week ago, The Ear offered readers an update on the labor strife at the Metropolitan Opera (below), which had been partially resolved.
The final results, and successful settlement, came in earlier this week.
And the news is good.
Here is a wrap-up of what happened from several major media outlets, plus a link to the Met so you can check into its various seasons and productions.
First, here is link to the back story about the first settlements between general director Peter Gelb (below top), who sought even bigger salary rollbacks, and the unions (below bottom):
Now here are links to three stories that wrap up the labor disputes and the final outcome:
From The New York Times:
http://www.nytimes.com/2014/08/21/arts/music/metropolitan-opera-labor-talks.html?_r=0
From The Wall Street Journal:
http://online.wsj.com/articles/metropolitan-opera-reaches-deal-with-stagehands-1408526766
From the Associated Press via Billboard magazine:
http://www.billboard.com/biz/articles/6221948/metropolitan-opera-reaches-deal-with-stagehands-union
Last but not least, here is a link to the Met’s own website, where you can see the schedule of productions for the regular Met season -– which opens on Oct. 27 with Giuseppe Verdi’s “Aida” (below, the opera’s show-stoppping Act 2 Triumphal March from a 1989 Met Opera production in a YouTube video) –- and for the productions for “The Met Live in HD,” which are shown locally at the Eastgate and Point cinemas:
Tags: Aida, Arts, Associated Press, Billboard, Classical music, Giuseppe Verdi, Jacob Stockinger, labor unions, Madison Opera, Met Live in HD, Metropolitan Opera, Music, National Public Radio, New York City, New York Times, NPR, Peter Gelb, Stagehand, Wall Street Journal, YouTube
Classical music: The final curtain falls tonight on the “People’s Opera – the City Opera of New York while across town the Metropolitan Opera launches the new season of the globally successful “Live in HD” satellite broadcasts.
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By Jacob Stockinger
This will be a memorable and historic day, especially in New York City, for opera.
It is memorable on two counts.
It is ironic that this afternoon marks the opening of the new season, the eighth since it started in 2006, of “The Met Live in HD,” a spectacularly successful program, that will open this season of 10 Metropolitan Opera productions with soprano superstar Anna Netrebko and globe-trotting conductor Valery Gergiev in Tchaikovsky’s “Eugene Onegin.”
The very profitable “Live in HD” series helps to explain the financial success of the world-famous Metropolitan Opera. The series, show in thousands of cinemas around the world, has changed the opera scene world-wide.
Here is a story from this blog with links to other stories:
(In Madison, the live satellite broadcast starts at 11:55 a.m. at Point Cinemas and Eastgate Cinemas. Admission is $24 for adults, $18 for children.)
But by far the more memorable and historic event will no doubt be the final curtain falling on the historic 70-year-old City Opera of New York. That will come tonight at the Brooklyn Academy of Music — lately the City Opera has left its home venue in Lincoln Center and traveled around the city to perform in a vain attempt to save money and fundraise from new audiences — where the company will give a performance of the new opera “Anna Nicole” (below) by Marc-Anthony Turnage, which some critics see as a fast-food, high calorie and low nutrition, work of art that helped cause the fall of City Opera. (See the YouTube video at the bottom.)
By all accounts, the City Opera has been plagued with financial problems for a few years. But the immediate cause of the failure was the company’s inability to raise $7 million by last Monday.
The Madison Symphony Orchestra’s longtime music director and conductor, maestro John DeMain (below, in a photo buy Prasad) has had a long history with the City Opera, ever since he was a student at the Juilliard School, as he discussed in an interview last summer with The Ear:
Here are three pieces I think that will giver you a good ideas of the City Opera and the fallout from its failure.
Here is a link to the story by Jeff Lunden that aired on NPR:
Here is a background story from The New York Times:
http://www.nytimes.com/2013/10/04/arts/music/new-york-city-opera-files-for-bankruptcy.html?_r=0
And here is another New York Times story with recollections of the opera company by staff and performers reported by senior music critic Anthony Tommasini (below is a 1976 photo with star soprano Beverly Sills on the left, stage director Sarah Caldwell in the center and City Opera then-director Julius Rudel:
There are a lot of devoted opera fans in the Madison area an around the world and especially in New York City.
What do they think of the demise of City Opera?
I hope they will leave an observation in the COMMENT section.
The Ear wants to hear.
Tags: Anna Netrebko, Anna Nicole Smith, Beverly Sills, Brooklyn Academy of Music, City Opera, Eugene Onegin, Jacob Stockinger, John DeMain, Julius Rudel, LIncoln Center, Mark-Anthony Turnage, Met Live in HD, Metropolitan Opera, New York City, New York City Opera, Pyotr Ilyich Tchaikovsky, Valery Gergiev, YouTube
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The Well-Tempered Ear 