The Well-Tempered Ear
The Metropolitan Opera has canceled the rest of this season and announced the following season of Live in HD. How will the cancellation affect concert seasons here and elsewhere?
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By Jacob Stockinger
Unfortunately, it seems like The Ear’s prediction on Monday is coming true.
Given the coronavirus spikes and complications of vaccine production, testing, distribution and administration, The Ear said, it looks like live concerts are likely to be canceled for the rest of this season and perhaps even for the fall of 2021.
Here is that post:
Then yesterday the Metropolitan Opera (below) in New York City announced exactly that: It is going to cancel the whole season, and not just the fall productions, as originally planned. (You can hear general manager Peter Gelb discuss the plans for this season and the next season in the YouTube video at the bottom.)
Given that the Met is the largest performing arts organization in the United States, it promises to be a Big Domino with a lot of influence and side effects.
Here is the Met story, with more quotes, details and information, from The New York Times:
https://www.nytimes.com/2020/09/23/arts/music/metropolitan-opera-cancels-coronavirus.html
Perhaps to provide some reassurance and attenuate the negative news of the decision to cancel, the Met also announced its Live in HD season for the 2021-22 season, which is based on live productions.
Here it is on the website Opera Wire: https://operawire.com/met-opera-2021-22-season-here-is-all-the-information-for-this-seasons-live-in-hd-performances/
And if you want to know what the Met (below, from the stage) is planning to offer instead, here is a link to the Met’s own website: https://www.metopera.org.
What do you think will be the local effects of the Met decision to cancel the entire season?
Will other musical organizations follow suit, cancel the entire new season of in-person events and go safely online with virtual events?
The Ear wants to hear.
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Classical music: This Saturday, you can hear and see UW-Madison grad Brenda Rae make her Metropolitan Opera debut in Handel’s “Agrippina.” Read a local interview with her. Plus, the Avanti Piano Trio gives a free concert on Saturday afternoon.
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ALERT: The Avanti Piano Trio will perform a FREE concert this Saturday, Feb. 29, at 3 p.m. at Christ Presbyterian Church, 944 East Gorham St. in Madison. The Madison-based trio is pianist Joseph Ross, violinist Wes Luke and cellist Hannah Wolkstein.
The program includes the Piano Trio No. 1 by Claude Debussy, Three Nocturnes by Ernest Bloch and the Tango Trio of Miguel del Aguila.
By Jacob Stockinger
This Saturday, Feb. 29, soprano Brenda Rae (below, in a photo by Harrison Parrott) – an Appleton native and a graduate of the UW-Madison School of Music – makes her worldwide debut at the Metropolitan Opera in New York City.
Rae appears in the role of the temptress Poppea – below left, in a photo by Marty Sohl, with acclaimed soprano Joyce DiDonato in the title role on the right — in a new production of “Agrippina” by Baroque composer George Frideric Handel. (In the YouTube video at the bottom, you can hear Rae sing an excerpt of an Act I aria by Poppea.)
Starting at noon, you can hear it live on Wisconsin Public Radio or see and hear it in “Live in HD From the Met” (below is the poster) in the Point Cinema (608 833-3980) on Madison’s far west side and the Palace Cinema (608 242-2100) in Sun Prairie.
The live broadcast will be seen in 2,200 theaters in 70 countries worldwide. Encore performances on Wednesday are at 1 p.m. and 6:30 p.m. at the Point Cinema only.
Admission is $24 with $22 for seniors and $18 for children 3 to 11. Encore tickets are $18 for everyone. The tickets no longer include sales tax.
The opera will be sung in Italian with surtitles in English, Italian, German and Spanish.
The running time is 3 hours and 35 minutes with one 25-minute intermission.
Here is a link to the Met’s website about the production with photos of cast members and some videos of the the opera: https://www.metopera.org/season/in-cinemas/2019-20-season/agrippina-live-in-hd/
Here is a link to a list of cast members and production staff: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/agrippina_feb20_global.pdf
Here is a synopsis of the plot that takes place in ancient Rome and involves the Emperor Nero (Nerone): https://www.metopera.org/discover/synopses/agrippina/
Finally, here is an email Q&A with Brenda Rae done by Norman Gilliland (below), host of The Midday program on Wisconsin Public Radio: https://www.wpr.org/shows/soprano-brenda-rae-appleton-native-and-uw-alumna-performing-metropolitan-opera
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Classical music: Saturday afternoon, Live From the Met in HD closes this season with an acclaimed production of “Dialogues of the Carmelites.” Here is a background story, two rave reviews, and next season’s 10 operas
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ALERT:The Brass Choirs of the Wisconsin Youth Symphony Orchestras will present an afternoon of brass music this Saturday afternoon, May 11, at 2:30 p.m. in Mills Concert Hall, 455 North Park Street, in Madison. Directed by Tom Curry, the program features brass musicians from WYSO’s Concert, Philharmonia and Youth Orchestras. The concert is FREE and OPEN TO THE PUBLC. Music to be played is by Johann Sebastian Bach, George Frideric Handel, Giovanni Gabrieli, Charles Gounod, Edward Elgar, Paul Hindemith, Alan Hovahaness and Karel Husa.
CORRECTION: The Madison Youth Choirs will perform its “Legacy” concerts this weekend in the Capitol Theater of the Overture Center on Saturday and Sunday — NOT Friday, as mistakenly listed and then corrected in the original post, which is below: https://welltempered.wordpress.com/2019/05/08/classical-music-the-madison-youth-choirs-will-explore-the-theme-of-legacy-in-three-concerts-this-saturday-and-sunday-in-the-capitol-theater-of-the-overture-center/
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By Jacob Stockinger
This Saturday afternoon, May 11, the last production of this season’s “Live From the Met in HD” series, broadcast worldwide via satellite to cinemas, is Francis Poulenc’s “Dialogues of the Carmelites.”
By all accounts, it would be hard to end on a higher, stronger or more darkly dramatic note, given the outstanding music and performance of the score as well as the superb acting. (There is a brief preview of short scenes in the YouTube video at the bottom.)
The world premiere of the opera took place in 1957 at La Scala in Milan, Italy. One of the most successful operas of the later decades of the 20th century, “Dialogues of the Carmelites” is a rare case of a modern work that is equally esteemed by audiences and experts, according to program notes from the Metropolitan Opera.
The opera focuses on a young member of the order of Carmelite nuns, the aristocratic Blanche de la Force, who must overcome a pathological timidity in order to answer her life’s calling. The score reflects key aspects of its composer’s personality: Francis Poulenc (below) was an urbane Parisian with a profound mystical dimension, and the opera addresses both the characters’ internal lives and their external realities.
The opera takes place between 1789 and 1794 in Paris and in the town of Compiègne in northeastern France, the site of the Carmelite nuns’ convent.
Its historical basis is the martyrdom of a group of 16 Carmelite nuns and lay sisters from Compiègne, who chose to offer themselves as victims for the restoration of peace to France during the French Revolution.
The Met uses the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom.
Mezzo-soprano Isabel Leonard (below right) sings the touching role of Blanche and soprano Karita Mattila (below left), a legend in her own time, returns to the Met as the Prioress.
The conductor for the performance is the Met’s highly acclaimed new music director Yannick Nézet-Séguin, who also leads the Philadelphia Orchestra and the Metropolitan Orchestra of Montreal.
The high-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at noon and runs until 3:10 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
The encore HD showings are next Wednesday, May 15, at 1 p.m. and 6:30 p.m.
The opera will be sung in French with supertitles in English, German and Spanish.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the far west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this past season — PLUS an announcement, with dates and titles, for next season’s 10 productions (which feature five new productions but no Verdi):
https://www.metopera.org/season/in-cinemas/
Here is a background story that focuses on the French-Canadian conductor Yannick Nézet-Séguin, who leads the orchestra in this production and is the new music director of the Metropolitan Opera:
https://www.nytimes.com/2019/05/02/arts/music/met-opera-dialogues-des-carmelites.html
Here is a rave review of “Dialogues of the Carmelites” by senior classical music critic Anthony Tommasini for The New York Times:
https://www.nytimes.com/2019/05/05/arts/music/dialogues-des-carmelites-met-opera-review.html
And here is another rave review from New York Classical Review:
http://newyorkclassicalreview.com/2019/05/met-closes-season-with-a-riveting-devastating-carmelites/
Here are links to a synopsis and program notes:
https://www.metopera.org/discover/synopses/dialogues-des-carmelites/
https://www.metopera.org/season/2018-19-season/dialogues-des-carmelites/
And here is a Wikipedia history of the hi-def broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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Classical music: Saturday is busy with baroque music by Vivaldi and Bach at the Wisconsin Union Theater; Wagner’s opera “Die Walküre” in cinemas; and FREE Beethoven performances for families by the Wisconsin Chamber Orchestra
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By Jacob Stockinger
This Saturday, March 30, is busy with classical music from morning until night.
In the morning, the Wisconsin Chamber Orchestra’s Family Series features two FREE performances of “Beethoven Lives Next Door” featuring Beethoven’s iconic Fifth Symphony.
They start with pre-concert educational activities at 9 a.m. and 10:45 a.m. with 40-minute concerts at 9:30 a.m. and 11:15 a.m.
All activities take place at the Warner Park Recreational Center, 1625 Northport Drive.
To get FREE tickets and see more information, go to:
https://wisconsinchamberorchestra.org/education/wco-connect-family-concerts/
From 11 a.m. to 4 p.m., the penultimate Live From the Met in HD production of this season will feature “Die Walküre” (The Valkyries), the Metropolitan Opera’s second installment of the epic “Ring” cycle by Richard Wagner.
Screenings will be at the Point Cinema on the west side, near West Towne Mall, and the Palace Cinema in Sun Prairie.
The encore HD showings are next Wednesday, April 3, at 1 p.m. and 6:30 p.m.
The opera will be sung in German with supertitles in English, Italian and Spanish.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
It will also be broadcast live on Wisconsin Public Radio, starting at 11 a.m. (You can hear the famous and dramatic “Ride of the Valkyries” in the YouTube video at the bottom.)
For a cast list and synopsis, go to:
https://www.metopera.org/season/in-cinemas/synopsiscast/2018-19/die-walkure/?performanceNumber=15381
For information about the production, go to:
https://www.metopera.org/season/2018-19-season/die-walkure/
But the big local event is the Madison debut of Apollo’s Fire (below), a period-instrument baroque group that just won a 2019 Grammy Award, at 7:30 p.m. in Shannon Hall of the Wisconsin Union Theater.
The program features suite and concertos by Antonio Vivaldi and Johann Sebastian Bach. Vivaldi’s Concerto for Four Violins and “The Goldfinch” Flute Concerto will be featured as will Bach’s Orchestral Suite No. 2 and Brandenburg Concerto No. 3.
Trevor Stephenson, founder and director of the Madison Bach Musicians, will give a FREE pre-concert lecture at 6 p.m. in the Old Madison Room.
For more information and samples of rare reviews about the Cleveland-based group devoted to passionate and dramatic performances of early music, go to:
For the full program, background, videos and ticket information ($10-$47), go to:
https://union.wisc.edu/events-and-activities/event-calendar/event/apollos-fire/
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Classical music: Saturday at noon, Bizet’s “Carmen” airs in cinemas during “Live from The Met in HD” and on Wisconsin Public Radio. Saturday night, the Pro Arte Quartet performs a FREE concert of Haydn, Schumann and Shostakovich
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ALERT: This Saturday night, Feb. 2, at 8 p.m. in Mills Hall, the University of Wisconsin-Madison’s Pro Arte Quartet performs a FREE concert. The program offers the String Quartet in D Major, Op. 50, No. 6, “The Frog” by Franz Joseph Haydn; the String Quartet No. 9 in E-flat Major by Dmitri Shostakovich; and the String Quartet in A Major, Op. 41, No. 3, by Robert Schumann. For more about the unusual history of the critically acclaimed Pro Arte Quartet, go to: https://www.music.wisc.edu/event/pro-arte-quartet-2/
By Jacob Stockinger
This Saturday, Feb. 2, the seventh production of this season’s “Metropolitan Opera Live in HD” series is Georges Bizet’s lusty, sultry and violent “Carmen,” one of the most popular operas ever composed.
Its successful world premiere was in Paris in 1875, which Bizet did not live to see. But Bizet’s masterpiece of the gypsy seductress who lives by her own rules has had an impact far beyond the opera house.
The opera’s beautiful melodies are as irresistible as the title character herself, a force of nature who has become a defining female cultural figure. (You can hear one of Carmen’s signature arias– “Love Is a Wild Bird” — in the YouTube video at the bottom.)
“Carmen” was a scandal at its premiere but soon after became a triumphal success and has remained one of the most frequently staged operas in the world.
French mezzo-soprano Clémentine Margaine reprises her acclaimed portrayal of opera’s ultimate temptress, a triumph in her 2017 debut performances.
Opposite her is the impassioned tenor Roberto Alagna (below right, in a photo by Karen Almond for The Met) as her lover, Don José.
French native Louis Langrée (below, in a photo by Jennifer Taylor), who heads the Mostly Mozart Festival and is the artistic director of the Cincinnati Symphony Orchestra, will conduct Sir Richard Eyre’s production, a Met favorite since its 2009 premiere.
The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
There will be encore HD showings next Wednesday, Feb. 6, at 1 p.m. and 6:30 p.m. (“Carmen” is so popular that some cities will also host a second encore showing on Saturday, Feb. 9.)
The opera will be sung in French with supertitles in English, German, Spanish and Italian.
Tickets for Saturday broadcasts are $24 for adults, and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus Theaters website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all Met productions this season:
https://www.metopera.org/season/in-cinemas/
Here is a link to a synopsis and cast list:
Here is a link to other information about the production of “Carmen,” including photos and audiovisual clips:
https://www.metopera.org/season/2018-19-season/carmen/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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Classical music: This Saturday the critically acclaimed new production of Francesco Cilea’s “Adriana Lecouvreur” is featured in cinemas in “Live from The Met in HD” satellite broadcasts and on Wisconsin Public Radio. Read a rave review
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By Jacob Stockinger
This Saturday afternoon, Jan. 12, brings the fifth production of this season’s “Live From the Met in HD” series: Francesco Cilea’s “Adriana Lecouvreur.”
This 1902 opera – the only well-known one by this Italian composer (1866-1950) — seeks to capture the Baroque era’s richness of Paris and the French court in 1730. It is based on a real-life French actress who captured the public with her on-stage and off-stage passion.
The Metropolitan Opera’s new production, directed by Sir David McVicar, features superstar soprano Anna Netrebko as Adriana while the acclaimed tenor Piotr Beczala plays Maurizio, who is as smitten with Adriana as she is with him. (You can hear their duet from Act I in the YouTube video at the bottom.)
The conductor is the acclaimed and much in-demand Gianandrea Noseda (below), the music director of the National Symphony Orchestra at the Kennedy Center in Washington, D.C., and a frequent conductor at the Met.
Mezzo-soprano Anita Rachvelishvili (below) has also received critical acclaim for her powerful singing in the production.
The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 4:15 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
The encore HD showings are next Wednesday, Jan. 16, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which includes operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Verdi and Poulenc plus a new work, “Marnie,” by Nico Muhly: https://www.metopera.org/season/in-cinemas/
Here is a rave review of “Adriana Lecouvreur” by senior classical music critic Anthony Tommasini for The New York Times: https://www.nytimes.com/2019/01/01/arts/music/review-adriana-lecouvreur-metropolitan-opera.html
Here is a link to a synopsis and cast list: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/adriana_usglobal.pdf?performanceNumber=15136
Here is a link to other information about the production of “Adriana Lecouvreur,” including photos and audiovisual clips: https://www.metopera.org/season/2018-19-season/Adriana-Lecouvreur/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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Classical music: We should hear more operas sung in English translation – like Wisconsin Public Radio’s live broadcast TODAY at noon of the Metropolitan Opera’s shortened version of Mozart’s “The Magic Flute”
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By Jacob Stockinger
The Ear thinks that we in English-speaking countries should hear more operas sung in our native language.
Yes, sung in English – not the original Italian, French or German.
You can see how you’d like it for yourself if you listen at noon TODAY– Saturday, Dec. 29 — to Wisconsin Public Radio. That’s when you can hear the Metropolitan Opera’s live broadcast of its family-friendly production of Mozart’s “The Magic Flute.”
The Ear did so and – except for deleting the wonderful overture — loved it.
So, apparently, did a lot others. (You can hear Nathan Gunn in a sample in the YouTube video at the bottom.)
After many years, the production has now become a holiday tradition for the Met to offer children while school is out for the holidays.
And one suspects it is developing new audiences – especially with the colorful staging and costumes by Julie Taymor, who won such acclaim for her staging of “The Lion King” on both the stage and film.
Sure, a lot of purists will probably object to substituting English for the original Italian, French, German and Russian. But it is so freeing and feels so good to understand what you are hearing without the distraction of constantly going back and forth trying to look at both the supertitles and the stage.
It also seems worth a try, given the problems that many opera companies are having competing with the “Live from the Met in HD” productions that you can see in movie theaters for far less money, and the decline of both season subscribers and single tickets.
To be honest, of course even in English you will miss some of the words. That’s the nature of singing. But excellent diction helps. And if you are lucky enough to see the production in person, supertitles in Italian, French German and Spanish and, yes, English are still provided.
It is not a completely new idea. After all, Great Britain has the English National Opera, which performs standard operas by Verdi and Puccini, Monteverdi and Handel, Mozart and Wagner, in English. So, many of the very great operas have already been translated into English and could be staged in English elsewhere.
Here are links where you can learn more about the English National Opera:
https://en.wikipedia.org/wiki/English_National_Opera
Do you question how the text is hurt in translation?
It’s worth remembering that Mozart himself used the vernacular German instead of his usual opera house Italian so that he would reach the general public. Why not do the same today? Translation could make opera much more accessible, less pretentious and more populist.
The same is true for cutting the show down to 100 minutes from almost 3 hours. Let’s just admit that the attention span of the general public is much shorter than it used to be.
Orchestra and chamber music concerts as well as solo recitals are trimming their running times often down to 90 minutes or less, and meet with great approval from the public. Why not try the same approach with opera? Indeed, both the Madison Opera and the University Opera have limited but successful experiences with editing operas and using English.
It is also worth recalling that in translation we read greater words than an opera libretto. If we can translate Homer and Shakespeare, Dostoevsky and Proust, why can’t we translate opera librettos? One just has to be sure to find a great translator with a sensitive musical ear– such as American poet Richard Wilbur is with his award-winning, rhyming translations of Moliere’s comedies and Racine’s tragedies. Similarly, American poet J.D. McClatchy has done a fine job with The Met’s “Magic Flute.”
Here is a link to more information about the production, including a synopsis:
https://www.metopera.org/season/2018-19-season/the-magic-flute/
And here is a review of the Met’s “Magic Flute” by Tommasini:
https://www.nytimes.com/2018/12/20/arts/music/review-mozart-magic-flute-met-opera.html
What do you think?
Should more operas be staged in English?
Should long operas be edited?
Why or why not?
The Ear wants to hear.
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Classical music: This Saturday the acclaimed German tenor Jonas Kaufmann returns to the Metropolitan Opera in Puccini’s “Girl of the Golden West. It’s the second “Live from The Met in HD” production this season
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By Jacob Stockinger
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This Saturday, Oct. 27, the second production of this season’s “Live From the Met” in HD series will be broadcast worldwide: It is Puccini’s “La Fanciulla del West” (Girl of the Golden West), his last work that, for some reason, has never achieved the popularity of “La Boheme,” “Tosca,” “Madama Butterfly” and “Turandot.”
The production features acclaimed superstar German tenor Jonas Kaufmann (below top), who is returning to the Met stage after four years. Soprano Eva-Maria Westbroek (below bottom) plays the gun-slinging title role.
The hi-definition broadcast of a live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 4 p.m. with two intermissions.
The encore showings are next Wednesday, Oct. 31, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian. (You can see the trailer preview in the YouTube video at the bottom.)
Tickets are for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be screened are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
http://www.marcustheatres.com/movies/met-aida-live
Here is a link to the Metropolitan Opera’s web site where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which includes operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly:
https://www.metopera.org/season/in-cinemas/
Here is a review from The New York Times, which right now has a technical glitch that makes loading it difficult (the Times said the problem should be fixed soon):
https://www.nytimes.com/2018/10/18/arts/music/review-jonas-kaufmann-met-opera-puccini-fanciulla.html
And here is a more positive review from Opera Wire:
http://operawire.com/metropolitan-opera-2018-19-review-la-fanciulla-del-west-jonas-kaufmann-edition/
Here is a link to a synopsis and cast list:
Here is a link to other information about the production of “Girl of the Golden West,” including photos and audiovisual clips:
https://www.metopera.org/season/2018-19-season/la-fanciulla-del-west/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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Classical music: The 13th season of “Live from The Met in HD” opens this Saturday with Verdi’s opera “Aida” starring Anna Netrekbko
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By Jacob Stockinger
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This Saturday, Oct. 6, the new 10-opera season of the series “Live From the Met in HD” starts with Giuseppe Verdi’s popular late masterpiece and epic opera “Aida.”
The hi-definition broadcast of a live performance from the Metropolitan Opera (below) in New York City – which is a revival production with the superstar Russian soprano Anna Netrebko — starts at 11:55 a.m. and runs until 4:13 p.m. The encore showings are on next Wednesday, Oct. 10, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.
Tickets are for Saturday broadcasts are $24 for adults and $22 for seniors. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison and the Palace Cinema in Sun Prairie.
Here is a link to the Marcus website for address and more information:
http://www.marcustheatres.com/movies/met-aida-live
Get out your datebooks!
Here is a link to the Metropolitan Opera’s web site where you can find the titles, dates, casts, production information and video clips of all 10 productions in the 2018-19 season, which include operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly. (You can also see and hear the season trailer in the YouTube video at the bottom.)
https://www.metopera.org/season/in-cinemas/
Here is a link to a very positive review of “Aida” — Anna Netrebko as Aida is on the left in the photo by Sara Krulwich for The New York Times — by senior music critic Anthony Tommasini that appeared in The New York Times:
https://www.nytimes.com/2018/09/27/arts/music/anna-netrebko-aida-met-opera-review.html
Here is a link to a synopsis and cast list, which can be printed out:
Here is a link to other information about the production of “Aida,” including photos and audiovisual clips:
https://www.metopera.org/season/2018-19-season/aida/
And here is a Wikipedia history of the successful broadcast series that gives you more information about how many cinemas it uses, the size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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The Well-Tempered Ear 