The Well-Tempered Ear

Classical music: The Madison Bach Musicians will perform its ninth annual Baroque Holiday Concert this coming Saturday night

December 1, 2019
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By Jacob Stockinger

On this coming Saturday night, Dec. 7, the Madison Bach Musicians will present its ninth annual Baroque Holiday Concert (below, in  2014, in a photo by Kent Sweitzer).

The concert, using period instruments and historically informed performance practices, is again at the First Congregational United Church of Christ, 1609 University Ave., near Camp Randall Stadium. A pre-concert lecture by MBM founder and director Trevor Stephenson is at 7:15 p.m. followed by the concert at 8 p.m.

Advance-sale tickets are $35 at Orange Tree Imports and the Willy St. Co-op (East and West). Online advance-sale tickets are available at https://madisonbachmusicians.org. Tickets at the door at $38 for general admission and $35 for seniors. Student Rush tickets are $10 at the door and go on sale 30 minutes before the lecture.

The program features masterworks by Bach, Handel, Purcell and Torelli which, in their appealing Baroque way, explore the fusion of celebration, reflection and ultimate renewal often felt as the year’s end approaches.

MBM welcomes baroque trumpet virtuoso Kathryn Adduci (below), who will show how wonderfully vintage brass resounds in the magnificent Old World acoustics of the church.

Other performers are: Ariadne Lih, soprano (below); Lindsey Meekhof, alto; Ryan Townsend Strand, tenor; Michael Hawes, bass; Christine Hauptly Annin and Nathan Giglierano, violins; Micah Behr, viola; James Waldo, cello; and Trevor Stephenson, harpsichord.

Here are a couple of fun facts, provided by Stephenson, about each piece on the program.

Sound the Trumpet, by Henry Purcell (1659−1695, below)
1. This piece was composed in 1694, the year before Purcell died at the age of just 36. It is part of a birthday ode — Come Ye Sons of Art, Away! — for Queen Mary II of England, wife of King James II.
2. There is no trumpet in it at all, but the two voices implore the trumpet to play and they emulate trumpet-style writing with long, swelling notes mixed in with brilliant decorative flourishes.


Trumpet Concert in D major 
by Giuseppe Torelli (1658−1709, below)
1. Torelli was one of the most prolific trumpet composers of all time.
2. The baroque trumpet has no valves and is designed to play in one tonality at a time. Favorite baroque keys were D major and C major.

Comfort Ye and Every Valley from Messiah, by George Frideric Handel (1685−1759, below)
1. After the instrumental Overture to Messiah, this Recitative and Aria are the work’s first sung pieces.
2. Handel was 56 years old when he composed Messiah in 1741 in London; the work was premiered, however, in Dublin in 1742, much to the chagrin of Handel’s librettist Charles Jennens.

Cantata BWV 51, Jauchzet Gott in allen Landen (Exult in God in Every Land), by Johann Sebastian Bach (1685−1750, below)
1. Composed around 1730, this is one of the very few Bach cantatas requiring only one singer.
2. In Bach’s Leipzig church, where the work was probably first heard, the soloist would have been either a male falsettist (or castrato) or an exceptionally skilled boy soprano.

Contrapunctus XIX and Vor deinen Thron tret ich hiermit (Before Thy throne I stand), from The Art of Fugue, BWV 1080, by J.S. Bach
1. According to Bach’s son Carl Philipp Emanuel (CPE), this fugue is the last piece his father wrote — though scholars hotly contest this claim.
2. In measure 195, Bach’s own name appears suddenly as a musical motive: B (B-flat in the German scale) – A – C – H (B natural) and the fugue has no ending but simply trails off in measure 239.

Grosser Herr, o starker König (Great Lord, O Powerful King) from Christmas Oratorio,BWV 248, by J.S. Bach
1. It features dance-like melodic figures in dialogue between trumpet and solo bass voice. (Heard in the YouTube video at the bottom.)
2. Text celebrates the birth of the savior, which makes the powers of the Earth irrelevant.

Cantata BWV 196, Der Herr denket an uns (The Lord thinks of us),by J.S. Bach
1. With its textual focus on blessings (from Psalm 115), the work is likely a wedding cantata.
2. Written probably when Bach was only 22 years old, the work is absolutely perfect in its structure and easy concision; its high-energy but quiet final cadence has a curiously modern, neo-Classical charm that might have made Stravinsky smile.

Chorale: Wohl mir, dass ich Jesum habe (What joy for me that I have Jesus),from Cantata, BWV 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life)by J.S. Bach
1. The famous opening figure in the strings is really just Bach’s ingenious obligato lead-in to a chorale tune that parishioners in his church would have instantly recognized.
2. This work has enjoyed tremendous popularity as “Jesu, Joy of Man’s Desiring” since it was arranged for one and then two pianos in 1926 and 1934 respectively by English pianist Myra Hess. It has since been arranged for myriad combinations of instruments and voices.


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Classical music: Madison Bach Musicians summer workshops in early music are open to the public. A faculty concert is on Wednesday night and a FREE all-participants concert is on Friday at 12:30 p.m.

July 21, 2019
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REMINDER: Madison Opera’s annual Opera is the Park was cancelled last night because of weather and takes place TONIGHT in Garner Park at 8 p.m. For more information, go to: https://welltempered.wordpress.com/2019/07/15/classical-music-madison-operas-annual-free-opera-in-the-park-returns-this-saturday-night-july-20-in-garner-park-and-celebrates-18-years-in-madison-plus-a-glimpse-of-the-upcoming-season/

By Jacob Stockinger

The fifth annual Madison Bach Musicians Summer Chamber Music Workshop (below,  a cello class from last year) will be held from Monday, July 23, to Friday, July 26, at the West Middleton Lutheran Church, 3763 Pioneer Road, in Verona, Wisconsin.

The workshop is chaired by MBM assistant artistic director and baroque violinist Kangwon Kim (below), who says: “I’m excited to welcome 32 participants, our largest number ever, working in nine chamber groups this summer to share a week of intense music-making and learning.

” We will explore wonderful repertoire from the baroque and early classical periods, both familiar and rarely performed, while working intensely in an encouraging community that will support musical growth.”

Harpsichordist JungHae Kim (below top) from San Francisco and baroque violist Micah Behr from Madison will join returning faculty members recorder player Lisette Kielson, cellist Martha Vallon (below bottom), dance instructor Karen McShane-Hellenbrand, and MBM founder, artistic director and keyboardist Trevor Stephenson.

Musicians who range in age from 13 to older adulthood will receive personalized ensemble coaching in violin, viola, baroque cello, viola da gamba, piano, fortepiano, harpsichord and recorder. (You can sample the Madison Bach Musicians in the YouTube video at the bottom.)

The public is invited to an evening Faculty Concert and various afternoon classes exploring continuo playing, specific instrument master classes, stage presence for musicians, sight-reading, baroque dance, and more.

The Faculty Concert on Wednesday night, July 23, at 7:30 p.m. will feature works by Carl Heinirch Graun (below top), Francesco Turini, Jean-Henri D’Anglebert (below  bottom), Georg Philipp Telemann, Joseph Bodin de Boismortier and Henry Purcell on period instruments. Admission is $15 at the door.

The all-participants final concert of the music from the workshops is on Friday, July 26, at 12:30 p.m. It is FREE and open to the public.

An Auditor’s Pass for afternoon programming for the entire festival — including the Faculty Concert — is $40.

For more information, go to: https://madisonbachmusicians.org/summer-workshop/


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