The Well-Tempered Ear

Classical music: Here are the world premieres of the second and third pieces of “pandemic music” commissioned by the U.S. Library of Congress

June 18, 2020
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By Jacob Stockinger

It has started.

This is the week when the world premieres of the 10 short pieces — written for the Library of Congress’ “Boccaccio Project” — started going public and began being posted on various social media sites as well as the Internet.

One performance is released each weekday night starting at 8 p.m. EDT.

The project is a way to capture some of the unique culture brought about by the coronavirus pandemic and COVID-19.

The first was “Sequestered Thoughts,” a solo piano work by composer Damien Sneed and performed by Jeremy Jordan. You can hear it in the post preceding this one.

Now it’s on to two new ones.

The second piece in the series is  the 4-1/2 minutes “shadow of a difference/falling” by composer Richard Drehoff Jr. (below top, in a photo by James Matthew Daniel) and solo oboist Andrew Nogal (below bottom, in a photo by Jay Morthland) of the Grossman Ensemble.

https://www.loc.gov/concerts/boccaccio-project/drehoff-nogal.html

The third work is the  three-minute “Intuit – (a way to stay in the world)” by Miya Masaoka (below top, in a photo by Heika no koto) performed by solo  cellist Kathryn Bates (below bottom) of the Del Sol String Quartet.

https://www.loc.gov/concerts/boccaccio-project/masaoka-bates.html

On the same page as the performance video, you can read what the composer and sometimes the performer have to say about the new work and what the music strives to mean or express.

You can also go to past performances and premieres.

You can follow links on the bottom of the page to see more information about both the composer and the performer, and to general background of the project.

If you would like some more background, along with some commentary and questions from The Ear, go to https://welltempered.wordpress.com/2020/06/13/classical-music-the-library-of-congress-has-commissioned-new-music-about-the-coronavirus-pandemic-you-can-listen-to-the-premieres-from-this-monday-june-15-through-june-28/

What do you think of the pieces?

What do you think of the project?

Woud you like to hear more of the commissioned music?

The Ear wants to hear.


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Classical music: University of Wisconsin percussion group Clocks in Motion will give a FREE concert of unusual new music, including the world premiere of the winner of its first composing contest, this Sunday afternoon. Plus, on Saturday a harpsichord recital of Baroque masters will be given at the First Unitarian Society.

February 13, 2014
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ALERT: This Saturday night at 7 p.m. in the Landmark Auditorium at the historic Meeting House at the First Unitarian Society of Madison, 900 University Bay Drive, Stephen Alltop of Northwestern University will give a harpsichord recital. The program features the music of Johann Sebastian Bach (Toccata in E minor, Preludes and Fugues in D major and D minor from The Well-Tempered Clavier, Book I), Domenico Scarlatti (two sonatas), Jean-Philippe Rameau (Suite in A Minor), Franz Joseph Haydn (Sonata No. 6 in G Major) and George Frideric Handel (Suite in G Minor). A free will offering will be taken. 

Stephen Alltop harpsichord

By Jacob Stockinger

Clocks in Motion, Madison’s cutting-edge new music ensemble, will present Unfamiliar Voices 1.0, an expansive program featuring music from both the heart of the established percussion ensemble literature and the forefront of modern percussion composition. 

The FREE performance is this coming Sunday, Feb. 16, at 3 p.m. in Mils Hall. It will celebrate composer and UW-Madison student Ben Davis, the 2014 Clocks in Motion Call for Scores winner, with the world premiere of his exciting new work, “Night.”

The ensemble will also perform the meditative percussion quartet, “Threads,” by Paul Lansky and the grand percussion sextet, “Kryptogramma,” by Georges Aperghis.

clocks in motion in concert

Ben Davis (below), a composer, trumpeter and teacher from Richmond, Virginia, writes for unique instruments built by Clocks in Motion. His new work employs sixxen — large aluminum keyboard instruments that are tuned microtonally (vastly different from the standard repeating 12-tone scale in most western music).

ben davis

The three sets of sixxen (below, in the foreground with other percussion instruments) in the piece are purposefully out of tune with each other, creating an entrancing sound cloud of beading frequencies for the listener.  In contrast, the other three players in the piece each play a bombastic multi-percussion setup of tom toms, snare drums, kick drums, and china cymbals.  Davis’ innovative work is sure to impress.

sixxen ensemble foreground-1

Paul Lansky (below) shares some insightful thoughts on his 2005 work: “Threads… is a half-hour long ‘cantata’ for percussion quartet in ten short movements. (You can hear it at the bottom in a YouTube video performance from the Peabody Conservatory of Music at Johns Hopkins University in Baltimore.)

Adds Lansky: “There are three “threads” that are interwoven in the piece: Arias and Preludes that focus on the metallic pitched sounds of vibraphones, glockenspiel and pipes; Choruses in which drumming predominates; and Recitatives made largely from John Cage-like noise instruments, bottles, flower pots, crotales, etc. The aim of the different threads is to highlight the wide range of qualities that percussion instruments are capable of, from lyrical and tender to forceful and aggressive, and weave them into one continuous ‘thread.’ The movements are performed without interruption.”

paul lansky

Georges Aperghis’ 1970 composition “Kryptogramma” is a massive undertaking. Puzzling instrumental combinations and bizarre rhythmic structures make this one of the most fascinating and complex percussion ensemble works ever written.

“Kryptogramma” means “concealed text/writing”.  In the  words of composer Aperghis (below): “Every cyptogram [in the piece] conceals a text or number sequence, behind which information is hidden…simple rhythms…are developed in a tapestry of soaring movements, and…subjected to a mass of variation.”

georges aperghis

Clocks in Motion members are Dave Alcorn, Jennifer Hedstrom, Sean Kleve, Michael Koszewski James McKenzie, and Joseph Murfin.  For the concert on Feb. 16, Clocks in Motion will welcome percussionists Vincent Mingils and Somali Wilson as guest performers.

All performers are either current or former students of the UW-Madison percussion studio.

Hailed as “nothing short of remarkable” (ClevelandClassical.com), Clocks in Motion is a group that performs new music, builds rare instruments, and breaks down the boundaries of the traditional concert program.

Formed in 2011, the ensemble is currently in residence at the University of Wisconsin School of Music.  The individual members of Clocks in Motion’s unique skill sets and specialties contain an impressive mix of musical styles including, rock, jazz, contemporary classical music, orchestral percussion, marching percussion, and world music styles.

Among its many recent engagements, the group served as resident performers and educators at the Interlochen Arts Academy, Rhapsody Arts Center, University of Michigan, Baldwin-Wallace University, and the Madison Museum of Contemporary Art.

Admission is free. For more information, including repertoire, upcoming events, biographies, and media, visit http://clocksinmotionpercussion.com.

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