Due to technical difficulties beyond his control at the web site host, The Ear cannot publish a new post today that has many links in the text. He apologizes and will let you know if and when the problems are solved. In the meantime, he will offer what he can.
By Jacob Stockinger
The following announcement has been sent for posting by The Ear by the Rural Musicians Forum:
Widely praised for his shimmering virtuosity and technical precision, violinist Alexander Ayers performs a FREE recital at 7:30 p.m. on this Monday, June 27, in a concert sponsored by the Rural Musicians Forum in Frank Lloyd Wright’s Hillside Theater at Taliesin, south of Spring Green, Wisconsin.
Ayers (below, in a photo by O’Brien Photos of Waukesha), a native of Waukesha, Wisconsin, joined the Milwaukee Symphony in 2013. He was previously a member of the Madison Symphony Orchestra.
After studying nine years at the String Academy of Wisconsin-Milwaukee he studied at Indiana University, and in 2006 he won the grand prize of the Milwaukee Symphony Stars of Tomorrow Competition. This resulted in performances of the Violin Concerto No. 1 by Sergei Prokofiev with the MSO. He has performed collaboratively with Joshua Bell, Alex Kerr, Jaime Laredo, Gilles Apap and Soovin Kim.
Ayers’ June 27 program is international in scope. It includes works by German-born Ludwig van Beethoven and Parisian Camille Saint-Saens as well as the Belgian violinist and composer Eugene Ysaye and virtuosic Polish violinist Henryk Wieniawski, who was regarded by many as an exciting and flamboyant re-incarnation of Niccolo Paganini.
About the concert RMF Artistic Director Kent Mayfield said, “We are honored to work in close collaboration with Taliesin Preservation Inc. to host much of this year’s series at Taliesin’s Hillside Theater (below). It provides an especially dramatic but intimate setting for Ayers’ performance which will be totally consistent with Frank Lloyd Wright’s vision: imaginative, bold and beautiful.”
Hillside Theater is located at 6604 Highway 23, Spring Green.
The concert is not ticketed and is open to the public. A free-will offering will be taken to support the concert series.
For additional information and driving directions, see www.ruralmusiciansforum.org
By Jacob Stockinger
The Wisconsin Union Theater has announced some news:
The Milwaukee Symphony Orchestra with conductor Edo de Waart and Principal Cello Susan Babini will perform in Shannon Hall on Sunday afternoon, May 21, 2017 at 2:30 p.m.
The program includes the Overture to the opera “Don Giovanni,” K. 527, by Wolfgang Amadeus Mozart; “Schelomo, A Hebraic Rhapsody for Cello and Orchestra” by Ernest Bloch; and the Symphony No. 1 in A-flat major, Opus 55, by Sir Edward Elgar.
Ticket prices are as follows: General public tickets are $49, $45 and $25, Union Member and non-UW students tickets are $44, $40 and $25, UW Faculty and Staff tickets cost $46, $42 and $25, UW-Madison student tickets cost $15, and youth tickets (age 6-18) cost $20, limit 2 with the purchase of a full-priced ticket.
This performance will be conductor and former music director Edo de Wart’s the second-t0-last concert as MSO’s chief conductor. (His final ones are performances of the Symphony No. 3 by Gustav Mahler on the following weekend in Milwaukee ) He has served as conductor also for the Netherlands Wind Ensemble, the Rotterdam Philharmonic Orchestra, the Sydney Symphony Orchestra and the Hong Kong Philharmonic Orchestra.
De Waart was awarded the Australian Centenary Medal, and was appointed an Honorary Officer of the Order of Australia. He is also a knight in the Order of the Netherlands Lion. De Waart also has vast experience in opera conducting, from the Santa Fe Opera House and the Metropolitan Opera to the Royal Opera House.
The performance is presented by the Wisconsin Union Theater’s Performing Arts Committee.
By Jacob Stockinger
The Ear is passing along the following announcement in time for you to mark your datebook and make plans:
For the 2016 summer season, the Rural Musicians Forum welcomes audiences to Taliesin, the historic estate of Frank Lloyd Wright, near Spring Green, and to the Wright-designed Wyoming Valley Cultural Arts Center.
In commenting on the venues for the series, RMF’s artistic director Kent Mayfield (below) said: “RMF is honored to work in close collaboration with Taliesin Preservation Inc. to host much of this year’s series at the Taliesin’s Hillside School Theater.
The Hillside Theater (below) provides a dramatic but intimate setting for performances totally consistent with Frank Lloyd Wright’s vision: imaginative, bold and beautiful. And, for its part, the Wyoming Valley Cultural Arts Center underscores the sustained vitality of that vision.”
Madison’s acclaimed harpsichordist, fortepianist, pianist and founder of the Madison Bach Musicians, Trevor Stephenson (below top) opens the 2016 season on June 13 with mezzo-soprano Margaret Fox (below bottom).
Violinist Alexander Ayers (below) follows on June 27. Ayers, earlier a player in the Madison Symphony and now a member of the Milwaukee Symphony Orchestra, has been widely praised for his shimmering virtuosity and technical precision. (You can hear him perform the virtuosic Caprice No. 11 for solo violin by Niccolo Paganini in the YouTube video at the bottom.)
July 11 brings on the memorable trio of Dan Barker (piano), Rob Shepherd (saxophone) and Cleo Ware (vocals) for an evening of glorious, nostalgic music by George Gershwin (below).
Clocks in Motion (below) brings its adventurous and absolutely contemporary percussion repertoire to Taliesin on July 25.
That will be followed on Aug. 8, by a showcase of captivating new music by the Madison-based wind quintet, Black Marigold (below).
The season closes with RMF’s annual “Music in the Fields,” on Sunday, Aug. 21. The Stellanovas’ evening of café jazz promises equal parts Hawaiian luau, Parisian wedding and mellow summer pleasure on the lawn at the Wyoming Valley Cultural Arts Center. The center is located at 6306 State Highway 23. (This event is ticketed.)
Now in its 35th season, RMF continues to provide all members of the community an opportunity to enjoy live music featuring a wide range of styles and combinations of music with performers of extraordinary ability.
Performances begin at 7:30 p.m. There is no ticket charge for concerts at Hillside Theater, but a freewill offering to support the series is taken. Given the unique appeal of the Taliesin location, early arrival for the concerts is recommended.
NOTE: Sorry, but The Ear has received no word about specific programs an works to be performed. He also doesn’t see them listed on the website for the Rural Musicians Forum.
ALERT: This Sunday at 2 p.m., Wisconsin Public Radio (WERN-FM 88.7 in the Madison area) will start a new weekly two-hour broadcast series. It features 13 weeks of live recorded concerts given by the Milwaukee Symphony Orchestra. This Sunday’s music, conducted by MSO music director Edo de Waart, includes three outstanding works: the Four Sea Interludes from the opera “Peter Grimes” by Benjamin Britten; the beautiful Cello Concerto by Sir Edward Elgar with soloist Alisa Weilerstein; and the lyrical Symphony No. 8 in G Major by Antonin Dvorak.
For more information about the series and performers, visit:
By Jacob Stockinger
Just last year saw celebrations of Boulez, on the occasion of his 90th birthday, around the world.
That included one here at the University of Wisconsin-Madison School of Music by bassoonist and Professor Marc Vallon (below, in a photo by James Gill) who studied and worked with Boulez and the famous Ensemble Intercontemporain in Paris.
Professor Vallon generously agreed to write a personal reminiscence and appreciation of Pierre Boulez for The Ear.
Here it is:
By Marc Vallon
I had the privilege to work with Pierre Boulez in the early 1980s, a couple of years after he founded the Ensemble Intercontemporain (below) in Paris, the first-ever fully salaried ensemble devoted to contemporary music.
Boulez was a very demanding conductor (below) and everyone would come to the rehearsals very prepared. If you were not, you would likely take the sting of his sarcastic humor.
I remember a situation when the flutist kept fumbling on a tricky passage in Igor Stravinsky’s Symphony for Wind Instruments. After a couple of unsuccessful attempts, he made the mistake of saying, “I don’t understand, it worked perfectly at home,” to which Boulez replied, “Well then, perhaps we should play the concert in your living room.”
I was involved in the first performance of the work often considered as Boulez’s masterpiece, Répons for orchestra and live electronics (heard at bottom in a YouTube video). It was a fascinating window into Boulez’s compositional process.
During the two-week rehearsal period, the parts would be collected after each session and would come back on our music stands the next day with numerous additions of grace notes and changed rhythms and dynamics. The longer we worked, the more intricate and multi-layered the piece became.
This is not surprising if one remembers Boulez’s definition of good music: It is complex and can be looked at from so many different angles that it ultimately resists full analysis.
Another important contribution that Boulez brought to the French musical scene, and the artistic world in general, was the often explosive radicalism of his ideas.
From “Schoenberg is dead” to “We have to blow up the opera houses,” who else would proclaim the end of serialism or attack the conservatism of established opera houses in such provocative terms?
Boulez’s public aversion to any artistic conservatism was, in the 1970s, a much-needed antidote to an international musical scene that was often too easily tempted to fill concert halls by programming symphonies by Tchaikovsky again and again.
It is still needed today. “Boulez est mort,” but his fight for the endless renewing of musical creation should go on.
For more obituaries and appreciations of Pierre Boulez, who served as music director of the New York Philharmonic and was a major guest conductor of the Chicago Symphony Orchestra, here are four sources:
National Public Radio or NPR:
And here is a terrific and insightful personal appreciation of Pierre Boulez, with a link to current issues and events in classical music, by Anthony Tommasini, the senior classical music critic for The New York Times:
ALERT: This Saturday, from noon to 1 p.m. at Grace Episcopal Church, downtown on the Capitol Square, Madison Music Makers will give a FREE concert in the monthly Grace Presents series of music that includes works by Johann Sebastian Bach, Johann Pachelbel, Antonio Vivaldi and Ludwig van Beethoven as well as popular music, country music and American, Bolivian, French, German, Jewish, English folksongs. Founded in 2007 by Bonnie Green and sponsored by many individuals and groups, including the Madison public schools, Madison Music Makers is dedicated to giving low-income students in the Madison area high-quality music lessons.
For more information about how to support or participate in the organization, visit: www.MadisonMusicMakers.org
By Jacob Stockinger
Nearly 400 young musicians will display their talents to the community during the three concerts, which are dedicated to private and school music teachers.
The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the University of Wisconsin-Madison‘s George Mosse Humanities Building, 455 North Park Street, in Madison.
WYSO concerts are generally about an hour and a half in length, providing a great orchestral concert opportunity for families.
Tickets are available at the door, $10 for adults and $5 for youth 18 and under.
WYSO’s Percussion Ensemble (below), led by director Vicki Jenks will kick off the concert series at 1:30 p.m. on Saturday.
Immediately following the Percussion Ensemble, the Philharmonia Orchestra (below) and its conductor Michelle Kaebisch will take the stage and perform the Masquerade Suite by Aram Khachaturian; Reigger’s Rhythmic Dances; the Light Calvary Overture by Franz Von Suppe; and the Berceuse (Lullaby) and Finale from the “Firebird Suite” by Igor Stravinsky.
At 4 p.m. on Saturday, the Concert Orchestra (below) under the direction of conductor Christine Eckel will perform The Quest by Kerr, Romany Dances by DelBorgo and Slane by Douglas Wagner. The Concert Orchestra will also perform two works by John Williams in Star Wars: Episode 2 Attack of the Clones, and Harry Potter and the Deathly Hallows Part 1, which Williams co-composed with Alexandre Desplat.
Following the Concert Orchestra, WYSO’s string orchestra, Sinfonietta (below), will take the stage. Conductor Mark Leiser will lead the orchestra in seven works including the Adagio movement from the Symphony No. 2 by Sergei Rachmaninoff; Silva’s The Evil Eye and the Hideous Heart; Edward MacDowell’s Alla Tarantella; Shenandoah arranged by Erik Morales, Forever Joyful and Lullaby to the Moon by Balmages; and the Entrance of the Queen of Sheba by George Frideric Handel.
On Sunday, Nov. 15, WYSO’s Harp Ensemble (below), under the direction of Karen Atz, will open the 1:30 p.m. concert.
Following the Harp Ensemble, the Youth Orchestra (below), under the baton of WYSO music director Maestro James Smith, will perform three pieces.
In honor of WYSO’s 50th Anniversary, WYSO welcomes back one of their illustrious alumni, violist Vicki Powell (below). Powell began her vibrant musical career studying with UW-Madison faculty members Eugene Purdue and Sally Chisholm, who plays with the Pro Arte Quartet.
From there, she graduated from the Julliard School and the Curtis Institute of Music. She has performed as a soloist with the Philadelphia Orchestra, the Milwaukee Symphony, and the Wisconsin Chamber Orchestra. For her full bio, please visit our website at http://www.wysomusic.org/evelyn-steenbock-fall-concerts/vicki-powell.
Vicki Powell, along with the Youth Orchestra will perform the Concerto for Viola and Orchestra by Bela Bartok. (You can hear the rhapsodic slow first movement played by Yuri Bashmet and the Berlin Philharmonic in a YouTube video at the bottom.)
Following that performance, the Youth Orchestra will continue the concert with Rainbow Body by Theofanidis and the Symphony No. 9 by Dmitri Shostakovich.
This project is supported by Dane Arts with additional funds from the Evjue Foundation, Inc. charitable arm of The Capital Times. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
For more information about WYSO, visit:
By Jacob Stockinger
Stradivarius violins may be rare, but they have sure come in for their share of adventure in the past year and a half.
That story made national headlines.
Now comes word of a second Strad (below) that has been rescued 35 years after it was stolen.
This violin belonged to Roman Totenberg. He was the concertizing violinist and violin teacher at Boston University who was the father of the well-known and prize-winning legal affairs reporter for NPR, or National Public Radio, Nina Totenberg (below center with her two sisters). She is probably best known for her stories on the U.S. Supreme Court. When her father died in 2012 at 101, she also did a memorable obituary.
(At the bottom in a YouTube video, you can hear Roman Totenberg playing the Violin Concerto No. 1 by Polish composer Karol Szymanowski, with the Boston University Symphony Orchestra on the occasion of his 90th birthday.)
Roman Totenberg bought the so-called Ames Stradivarius for $15,000 in 1943. It is now said to be worth tens of millions of dollars after restoration. But his daughters promise it will be sold to a great violinist who will play it and perform with it as their father did — and not go into some museum or investment collection.
The story was all over the media -– maybe because it was good news amid so much bad news, a happy ending amid so many unhappy endings.
And what do you say when Nina Totenberg explains that her heart-broken father, who suspected who the thief was, moved on after the theft and bought another violin – a Guarneri del Jesu -– because he had personally suffered much bigger losses such as the deaths of his family in Nazi death camps during World War II.
That is perspective at a time when we sorely need perspective, especially about the worth of material objects versus humanist values.
Here is a story from NPR in which Nina Totenberg takes part and in which you can hear excerpts of her father playing a violin and piano sonata by Johannes Brahms and solo violin music by Johann Sebastian Bach:
And here is the big story it got in the New York Times:
By Jacob Stockinger
Four of Wisconsin’s most talented young musicians will perform in concert with the Madison Symphony Orchestra (MSO) as Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR) offer a live broadcast of “Wisconsin Young Artists Compete: The Final Forte” at 7 p.m. this Wednesday night, March 25.
WPT will air an encore presentation 11 a.m. Sunday, March 29.
The Final Forte features (below) harpist Maya Pierick, a student at Madison West High School, violinist Julian Rhee, a student at Brookfield East High School, pianist Vivian Wilhelms, a student at Waunakee High School and pianist Isabella Wu, a student at Madison Memorial High School. (Below are, from left to right, pianists Isabella Wu and Vivian Wilhelms, violinist Julian Rhee and harpist Maya Pierick.)
The four young artists will perform in the Capitol Theater (below) of the Overture Center for the Arts with MSO music director John DeMain conducting the MSO as the four teenagers vie for honors and scholarship money in the 2015 Bolz Young Artist Competition.
Each finalist will perform a movement from a concerto while judges determine who will win scholarships. The winners will be announced at the end of the concert.
Be sure to include your name and the number in your party. We are expecting a full house, so if you make a reservation and are unable to attend, please let us know.
Audience members MUST be seated by 6:45 p.m.
Wisconsin Young Artists Compete: The Final Forte is a partnership of Wisconsin Public Television, Wisconsin Public Radio and the Madison Symphony Orchestra.
Wisconsin Young Artists Compete: The Final Forte is part of WPT’s multi-year Young Performers Initiative, a statewide effort to raise the visibility of the arts, celebrate the creative achievements of Wisconsin’s young people and support the arts in education.
Major funding is provided by Diane Ballweg, Fred and Mary Mohs, Stephen D. Morton, and The Boldt Company, with additional funds from Sentry Insurance Foundation, AHMC Properties, A. Paul Jones Charitable Trust, Margaret C. Winston, W. Jerome Frautschi, James Dahlberg and Elsebet Lund, Larry and Julie Midtbo, Kato L. Perlman, Anne W. Bolz, and Friends of Wisconsin Public Television.
The Final Forte is the final round of the MSO’s Bolz Young Artist Competition. Young artists from across the state of Wisconsin competed in the Bolz Young Artist Competition’s two preliminary rounds for a chance to perform a movement from a concerto with the Madison Symphony Orchestra during the final round.
The 90-minute WPT program features profiles of each of the finalists.
Tune in to these ENCORE broadcasts:
HISTORIC COLLABORATION WINS AWARDS
The unique collaboration among the Madison Symphony Orchestra (below), Wisconsin Public Radio and Wisconsin Public Television is producing award-winning programming. In addition to an Emmy Award nomination, the Final Forte earned First Place in the “Special Interest” category from the Wisconsin Broadcasters Association in 2007 and was rated the fifth most-watched program in the February 2007 Nielsen ratings (the television audience was 63 percent greater than WPT’s average audience in the Madison market). The 2008 broadcasts on WPR and WPT reached more than 60,000 viewers in the Madison market alone and there were an estimated 200,000 statewide viewers and listeners for the 2009 broadcasts.
CONDUCTOR JOHN DEMAIN’S TAKE: “This has been a very auspicious partnership,” says John DeMain (below, in a photo by Prasad). “The quality of the broadcasts and the performances of the finalists are simply spectacular. I think this sends a magnificent message to our community and to the entire state of Wisconsin about the importance and effectiveness of our music education programs. It is an extraordinary opportunity for everyone to feel the commitment and energy of these young performers and to reflect on the central role the arts play in our lives. I look forward to these events with great joy.”
DeMain will lead the MSO in the final movement of the Symphony No. 4 in D Minor, Op. 120, by Robert Schumann while the four judges are evaluating the performers.
TO SUPPORT THIS PROGRAM
Please contact Director of Development Casey Oelkers at (608) 257-3734 or email@example.com.
HERE ARE BIOGRAPHIES OF THE FOUR PERFORMERS. YOU CAN ALSO FIND VIDEOS, DONE BY WISCONSIN PUBLIC TELEVISION, ABOUT THEM ON YOUTUBE. JUST PUT THEIR NAME OR “FINAL FORTE” INTO THE SEARCH ENGINE.
MAYA PIERICK, HARP
Maya Pierick, age 17, is a senior at Madison West High School. Having started early in Suzuki violin, she began playing harp at age eight with Karen Atz. She currently studies with Danis Kelly of the Milwaukee Symphony Orchestra. Maya has played harp in the Wisconsin Youth Symphony Orchestras (WYSO) from 4th through 11th grade. After playing for 6 years at the Youth level under conductor James Smith, she toured Argentina with WYSO in 2014.
Maya’s realized her love of singing with choir director Heather Thorpe at First Unitarian Society. In high school she has furthered her achievements in voice by successfully auditioning into the Cantabile choir of the Madison Youth Choirs under the direction of Michael Ross, as well as West High School’s Concert Choir under the direction of Anthony Cao – with whom she recently completed a semester as teaching assistant to the Freshman Choir.
In her spare time Maya also enjoys dance, ceramics, circus arts and photography. In college, Maya plans to study Harp Performance and Physics.
She will play Marcel Tournier’s “Feerie” for Harp and Strings.
JULIAN RHEE, VIOLIN
Julian Rhee, age 14, is a freshman at Brookfield East High School. Julian recently won the 2015 Wisconsin Chamber Orchestra Young Artist Competition; the 2015 Milwaukee Youth Symphony Concerto Competition; and the 2015 Concord Orchestra Dorothy J. Oestreich Concerto Competition. Also, Julian is one of the 11 violinists advancing to the semi-finals of the prestigious Johansen International Competition for Young String Players, where he will be traveling to Washington, D.C. representing Wisconsin.
Julian won the Madison Symphony Orchestra’s Fall Youth Concerto competition in 2011 and 2013. Julian has performed with the Milwaukee Symphony Orchestra, the Milwaukee Youth Symphony Orchestra, the Menomonee Symphony Orchestra, as well as being the youngest semi-finalist of the 2013 Stradivarius International Violin Competition at age 12.
In addition to violin, Julian has studied piano since age 7, and loves to read, play basketball and video games, and is an avid local sports team fan. Julian is Concertmaster of the Milwaukee Youth Senior Symphony Orchestra and is currently studying privately with Ms. Hye-Sun Lee at the Music Institute of Chicago.
He will perform the first movement of the Violin Concerto in D, Op. 77, by Johannes Brahms.
VIVIAN WILHELMS, PIANO
Vivian Wilhelms, 16, is a sophomore at Waunakee High School. Vivian began playing piano at age four and currently studies with Bill Lutes. In 2010, she was the winner of the MSO Fall Youth Concerto Competition, and in 2013, she was a winner of the Wisconsin Youth Symphony Orchestras (WYSO) Youth Orchestra Concerto Competition. In 2014, she received first place in the UW Madison School of Music High School Piano Extravaganza Competition and was the runner-up in the WMTA Badger State Competition. This year, she also received an honorable mention in the Lacrosse Rising Star Concerto Competition. Vivian has studied violin with Janet Chisholm since she was eight years old and has been an active member of WYSO since 2011.
In school, Vivian is a member of the varsity forensics and Science Olympiad teams. She also loves volunteering as a mentor for beginning violinists through Madison’s Music Makers program and frequently visits the Waunakee Manor, a local retirement center. In her free time, Vivian enjoys swimming, writing, listening to music, and hanging out with her friends.
She will plays the second movement of the Piano Concerto No. 2 in C Minor by Camille Sant-Saens.
ISABELLA WU, PIANO
Isabella Wu, 16, is a sophomore at Madison Memorial High School. She began piano at age 5 with Shu-Ching Chuang. Isabella won the 2010 and 2012 Madison Symphony Orchestra Fall Youth Concerto Competitions, the 2014 Wisconsin Chamber Orchestra Youth Artist Competition, the 2014 Chippewa Valley Symphony Kristo Orthodontics Young Artist Competition, and received honorable mention at the 2013 Midwest Young Artists National Walgreens Concerto Competition. She also won the 2009 Wisconsin State Badger Competition and placed runner-up in the 2012 Music Teachers National Association Wisconsin State Competition.
Isabella additionally plays violin and studies with Liz Norton. A member of the Wisconsin Youth Symphony Orchestras (WYSO) since 5th grade, she has won the Philharmonia Concerto Competition on violin, the Youth Concerto Competition on piano, and served as concertmaster and principal second.
This year, Isabella is a percussionist in her school’s highest band. Outside of music, she is a Mathcounts coach, Lincoln-Douglas debater, member of Future Business Leaders of America, and writes for the school newspaper. Isabella enjoys art, literature, and philosophy, and can be found wandering through the woods on bike or foot.
She will play the first movement of the Piano Concerto No. 1 in F-Sharp Minor, Op. 1, by Sergei Rachmaninoff.
By Jacob Stockinger
It has been a few years since the acclaimed and impressive Milwaukee Symphony Orchestra (MSO, below) –- still in the news (a link to a story on NPR, or National Public Radio, is below) because of the attempted theft of concertmaster Frank Almond’s $3-million Stradivarius violin — played an annual concert at the Wisconsin Union Theater. The Ear always looked forward to the top-flight playing and fine programs that the Milwaukee group brought to Madison.
But this week, the MSO, playing under an assistant conductor, will perform in nearby Edgerton at the Edgerton Performing Arts Center.
The Milwaukee Symphony Orchestra – without its music director Edo de Waart — will perform at the Edgerton Performing Arts Center on this coming Tuesday, November 18, 2014 at 7:30 p.m. Tickets are $30 in advance, $35 at the door.
Here is some information from a press release: “The Milwaukee Symphony Orchestra, under the dynamic leadership of Music Director Edo de Waart, has embarked upon a new era of artistic excellence and critical acclaim. Now in his fifth season with the MSO, Maestro de Waart has led sold-out concerts, elicited rave reviews, and conducted an acclaimed performance at Carnegie Hall. The Milwaukee Symphony Orchestra has four purposes: to comfort, educate, entertain and exhilarate the human soul.” For more information, visit www.mso.org
The concert will feature conductor Francesco Lecce-Chong and violin soloist Jeanyi Kim.
The program will include the Overture to the opera “Semiramide” by the Italian composer Gioachino Rossini (below top); the Concerto for Violin No. 2 in D Minor, Op. 22, by the well-traveled Polish violin virtuoso and composer Henryk Wieniawski (below middle); and the popular Symphony No. 5 in E minor, Opus 64, by the Russian composer Peter Ilyich Tchaikovsky (below bottom). You can hear the tuneful and melancholy Tchaikovsky symphony, played by the Boston Symphony Orchestra under Leonard Bernstein, in a popular YouTube video at the bottom.
Jeanyi Kim (below) is the associate concertmaster (third chair) of the Milwaukee Symphony Orchestra and the concertmaster of the Milwaukee Chamber Orchestra. In 2007, she served as a guest assistant concertmaster of the London Symphony Orchestra under Sir Colin Davis and Valery Gergiev.
As an orchestral musician, the Toronto native has performed in illustrious venues around the world, including Carnegie Hall, the Barbican Centre, Salle Pleyel, and the Concertgebouw. In addition to maintaining a private studio, she has served on the faculties at the University of Wisconsin-Parkside, University of New Haven, and Neighborhood Music School, to name a few.
She holds a Doctor of Musical Arts degree from Yale University, from which she also earned her BA, MM, and MMA degrees.
Francesco Lecce-Chong (below), currently associate conductor of the Milwaukee Symphony Orchestra, has worked with the Atlanta, Indianapolis, and St. Louis Symphony Orchestras, Saint Paul Chamber Orchestra, and the Hong Kong, Pitesti (Romania), and Ruse (Bulgaria) philharmonic orchestras. Equally at ease in the opera house, Maestro Lecce-Chong has served as principal conductor for the Brooklyn Repertory Opera and as staff conductor for the Santa Fe Opera.
He has earned national distinction, including the Solti Foundation Career Assistance Award and The Presser Foundation Music Award. In summer 2014, he served as the associate conductor at the Grand Tetons Music Festival and had guest appearances with the Toronto Symphony Orchestra, Las Vegas Philharmonic and the Breckenridge Music Festival.
He is a graduate of the Mannes College of Music, where he received his Bachelor of Music degree with honors in piano and orchestral conducting. Lecce-Chong also holds a diploma from the Curtis Institute of Music.
Tickets are $30 in advance, $35 at the door. They are available at the Edgerton Pharmacy and Edgerton Piggly Wiggly; and in Janesville at Knapton Musik Knotes and Voigt Music Center, and by calling (608) 561-6093. Online, go to at iTickets.com
All performances funded by the William and Joyce Wartmann Endowment for the Performing Arts. An additional sponsor is the Edgerton Piggly Wiggly.
ALERT: Today at 2:30 p.m. in Overture Hall is the final performance of this season’s second concert by the Madison Symphony Orchestra under the baton of John DeMain. Pianist Olga Kern (below) is the soloist in Sergei Rachmaninoff‘s Piano Concerto No. 1 in F-sharp minor. Other music includes the Suite from the ballet “Swan Lake” by Peter Tchaikovsky and the Symphony No. 6 by Dmitri Shostakovich. For information about tickets, the artists and the program, visit:
Here are reviews of Friday night’s opening night performance:
By John W. Barker of Isthmus:
By Jess Courtier for The Capital Times:
And by Greg Hettmansberger, who writes the Classically Speaking blog for Madison Magazine:
By Jacob Stockinger
The much admired but elusive, eccentric and enigmatic Russian pianist Grigory Sokolov (below) has signed up with Deutsche Grammophon and will release a live recital –- he refuses to make studio recordings – in January.
For the news plus an interesting interview and profile of Sokolov, here is a link to a story in the British magazine Gramophone. It includes some of his quirks such as not playing pianos older than five years and his specific repertoire favorites:
Italian conductor Daniele Gatti is named the new maestro of the famed Dutch Concertgebouw Orchestra in Amsterdam. He starts in 2016 and sounds like he might be quite a bit of a contrast to past Concertgebouw conductors such as Bernard Haitink. Here is a story:
The Atlanta Symphony Orchestra continues its lockout over labor disputes, thereby postponing or canceling the opening of the new season. But last weekend ASO music director Robert Spano conducted the Milwaukee Symphony Orchestra in the German Requiem of Johannes Brahms.
Here is a link to a story on NPR (National Public Radio) to yet another turmoil in the world of American symphony orchestras: