The Well-Tempered Ear

Classical music: The Oakwood Chamber Players celebrate the holidays this weekend with two performances of seasonal music

November 20, 2018
2 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This weekend the Oakwood Chamber Players (below) continue their 2018-2019 season series “Vignettes” with a holiday concert on this Saturday night, Nov. 24, at 7 p.m. and Sunday afternoon, Nov. 25, at 2 p.m.

On the program is a range of musical styles and a charming story set for chamber ensemble and narrator.

The cheery holiday-themed program will include familiar seasonal music, treasured classical composers, entertaining arrangements, and some delightful musical storytelling.

Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: the cost is $25 for general admission, $20 for seniors, and $5 for students. For more information, go to: www.oakwoodchamberplayers.com or call (608) 230-4316.

The program includes music from two beloved classical composers: “Joseph, dearest, Joseph mine” from “Geistliches Wiegenlied” by Johannes Brahms; and Suite of Christmas Songs, Op. 72, by Felix Mendelssohn.

In 1927, “The Adoration of the Magi” (below) by Renaissance painter Sandro Botticelli, who did many scenes of that subject, inspired Italian composer Ottorino Respighi to create an evocative composition that weaves traditional carols into his musical response to the famous painting. This version has been arranged for chamber ensemble of flute, harp and cello. (You can hear the orchestral version in the YouTube video at the bottom.)

The group will be joined by special guest artist baritone Robert “Bobby” Goderich, who has appeared with the Madison Opera and the Four Seasons Theatre. He will sing an upbeat version of the traditional Welsh Gower Wassail as well as performing Silent Night set for the intimate combination of voice, clarinet and harp.

Central to the program, Goderich (below) will narrate Sweep Dreams, an enchanting tale about a lonely man who falls in love with an enchanted broom that dances in the moonlight.

The story by the late and prize-winning author Nancy Willard (below top) was set to music by the late and renowned American choral composer Stephen Paulus (below bottom), who lived in Minneapolis and created the piece while he was composer-in-residence for the Minnesota Orchestra.

Additional works on the concert are “A Winter’s Night” by American composer Kevin McKee (below) for flugelhorn and harp, Australian composer Percy Grainger’s warm-hearted setting of “Sussex Mummers’ Carol,” and two sunny woodwind quintet settings of beloved holiday songs.

The Oakwood Chamber Players will be joined by a significant array of guest artists: Margaret Mackenzie, harp; Wes Luke, violin; Ariel Garcia, viola; Brad Townsend, bass; Jennifer Morgan, oboe; John Aley trumpet and flugelhorn; Robert “Bobby” Goderich, singer/narrator; Nicholas Bonacio, percussion; and Carrie Backman, conductor.

Regular members, who play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and other local groups, include: Maggie Darby Townsend, cello; Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Anne Aley, horn; and Amanda Szczys, bassoon.

This is the second of five concerts in the Oakwood Chamber Players’ 2018-2019 season series entitled Vignettes. Remaining concerts will take place in 2019 on Jan. 12 and 13; March 2 and 3; and May 18 and 19.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Wisconsin Youth Symphony Orchestras perform the Evelyn Steenbock fall concerts TODAY and next Friday night. The Edgewood Chamber Orchestra performs this Sunday afternoon

November 10, 2018
2 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: This Sunday afternoon, Nov. 11, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its fall concert. Conducted by Blake Walter, the chamber orchestra will play Franz Joseph Haydn’s “The Word on the Moon” Overture, Arthur Honegger’s Pastorale D’été (Summer Pastoral) and Symphony No. 1 in C minor by Felix Mendelssohn. Tickets are $5 for general admission, free with Edgewood College ID.

By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO, below) will present their first concert series of the 2018-19 season, the Evelyn Steenbock Fall Concerts TODAY, Saturday, Nov. 10, and next Friday, Nov. 16.

WYSO orchestras will perform works by Igor Stravinsky, Aram Khachaturian, Soon Hee Newbold and more. The Youth Orchestra concert will include a performance of Tchaikovsky’s “Rococo” Variations with special guest cellist Joseph Johnson.

“Joseph Johnson is an extraordinary artist and person and it will be a treat for us all to hear and collaborate with someone of his stature,” says Youth Orchestra Conductor Kyle Knox (below).

Johnson has been heard throughout the world as a soloist, chamber musician and educator. Principal cellist of the Toronto Symphony Orchestra since the 2009-10 season, he previously held the same position with the Milwaukee Symphony Orchestra. (You can hear an interview with Joseph Johnson in the YouTube video at the bottom.)

He also serves as principal cellist of the Santa Fe Opera, and during the 2008-2009 season was acting principal cellist of the Honolulu Symphony Orchestra. Prior to his Milwaukee appointment, Johnson was a member of the Minnesota Orchestra cello section for 11 years.

“The Youth Orchestra couldn’t be more excited to present a program of all-Russian music for our first concert of the season,” Knox says. “We will begin with a rarely performed gem by 20th-century composer Igor Stravinsky, followed by one of the great solo works in the cello repertoire, the “Rococo” Variations by Tchaikovsky. Finally, we will finish the evening with the mighty Symphony No. 4 by Tchaikovsky, one of the most famous orchestral works in history, which features all sections of the orchestra.”

TODAY’S concerts begin at 11:30 a.m. in Mills Hall at the UW-Madison’s Mead Witter School of Music, 455 North Park Street, Madison.

The Nov. 16 Youth Orchestra concert with guest soloist Joseph Johnson begins at 7:30 p.m. at the Middleton Performing Arts Center, 2100 Bristol Street, next to Middleton High School, with a reception to follow.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.

Concert admission is $10 for adults, and $5 for youth 18 and under, with tickets available at the door.

Full concert repertoire is available at https://www.wysomusic.org/evelyn-steenbock-fall-concerts-repertoire/

To learn more about Joseph Johnson, go to: www.joecello.com.

Evelyn Steenbock Fall Concerts

Saturday, Nov. 10, Mills Concert Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Harp Ensemble & Concert Orchestra
4 p.m. Percussion Ensemble (below) and Philharmonia Orchestra

Friday, Nov. 16, Middleton Performing Arts Center
7:30 p.m. Youth Orchestra, reception to follow
With guest artist Joseph Johnson, cello


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Tonight brings an all-Bach organ recital at Overture Hall. At the UW-Madison, this week brings music for band, brass and strings

October 23, 2018
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

TONIGHT, Tuesday, Oct. 23

At 7:30 p.m. in Overture Hall, Paul Jacobs (below) will perform an all-Bach program. Jacobs, who is the only organist to have won a Grammy Award, is the chair of the organ department at the Juilliard school in New York City and was the teacher and mentor of Greg Zelek, who is the new organist for the Madison Symphony Orchestra.

Heralded as “one of the major musicians of our time” by Alex Ross of The New Yorker and as “America’s leading organ performer” by The Economist, the internationally celebrated Jacobs combines a probing intellect and extraordinary technical mastery with an unusually large repertoire, both old and new. He has performed to great critical acclaim on five continents and in each of the 50 United States.

Jacobs made musical history at age 23 when he played Bach’s complete organ works in an 18-hour marathon performance on the 250th anniversary of the composer’s death. (You can hear Jacobs play Bach in the YouTube video at the bottom.) Jacobs has premiered works by Samuel Adler, Mason Bates, Michael Daugherty, Wayne Oquin, Stephen Paulus, Christopher Theofanidis and Christopher Rouse, among others.

During the 2018-19 season, Jacobs will perform the world premiere of John Harbison’s “What Do We Make of Bach?” for organ and orchestra with the Minnesota Orchestra under conductor Osmo Vanska; with the Cleveland Orchestra he will give the American premiere of Austrian composer Bernd Richard Deutsch’s “Okeanos” for organ and orchestra.

For more details about Jacobs, his complete all-Bach program and tickets ($20), go to: https://madisonsymphony.org/event/paul-jacobs/

WEDNESDAY, Oct. 24

At 7:30 p.m. in Mills Hall, the UW Concert Band will perform a FREE concert of music by Leonard Bernstein (excerpts from “Candide”), Vincent Persichetti, Percy Grainger, Mark Markowski and Steven Bryant.

For more information about the performance and the program, go to: https://www.music.wisc.edu/event/uw-concert-band-fall-concert-2/

THURSDAY, Oct. 25

At 7:30 p.m. in Mills Hall, the Wisconsin Brass Quintet and special guest UW percussionist Anthony DiSanza (below, in a photo by Katherine Esposito) will perform a ticketed concert of genre-bending music by Michael Tilson Thomas, Pat Metheny, Modest Mussorgsky, Alan Ferber, James Parker and David Sanford.

Admission is $17 for adults, $7 for students and children.

For more information about the performers, the program and how to purchase tickets, go to:

https://www.music.wisc.edu/event/wisconsin-brass-quintet-with-anthony-disanza-professor-of-percussion-2/

Members of the Wisconsin Brass Quintet (below, from left, in a photo by Michael R. Anderson) are: Daniel Grabois, horn; Mark Hetzler, trombone; Matthew Onstad, trumpet; Tom Curry, tuba; and Alex Noppe, trumpet.

SATURDAY, Oct. 27

At 8 p.m. in Mills Hall, the Pro Arte Quartet will perform a FREE concert.

The program features: the String Quartet in C Major, D. 46 (1813), by the young Franz Schubert; Three Rags for String Quartet (“Poltergeist” from 1971, “Graceful Ghost” from 1970, and “Incinteratorag” from 1967) by William Bolcom; and the String Quartet in E minor, Op. 44, No. 2 (1837), by Felix Mendelssohn.

For more information about the Pro Arte Quartet and its long, historic and fascinating background, go to: https://www.music.wisc.edu/event/pro-arte-quartet-3/

Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer, are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Remembering The Modest Maestro. English conductor Sir Neville Marriner died this past week at 92

October 8, 2016
3 Comments

By Jacob Stockinger

He played in a string quartet and a symphony orchestra before founding and directing a chamber orchestra that rose to the top ranks of the music world. Then he became a world-famous conductor of larger ensembles, including the Minnesota Orchestra.

He was Sir Neville Marriner (below, in old age), and he died at 92 on Oct. 2.

nevlle-marriner-old

Perhaps because Marriner, who pioneered period practices on modern instruments when playing music of the Baroque and Classical eras, was famous for recording the soundtrack to the Academy Award-winning film “Amadeus,” his death was announced the same day on radio news programs – something that doesn’t happen often and speaks to his popularity and influence.

By all accounts, in the world of many egotistical maestros, Marriner remained modest. For this friendly titan, music mattered most and he was busy conducting right up until the end. Apparently, Marriner was a wonderful man to know and to work with.

Chances are good that by now you have already heard about Marriner’s death. So The Ear is offering some homages that repeat the details of his career and his passing. (Below is a photo of the young Neville Marriner.)

neville-marriner-young

First are two moving testimonies from Marriner’s friend, the British critic Norman Lebrecht, published on Lebrecht’s blog Slipped Disc:

http://slippedisc.com/2016/10/sad-news-neville-marriner-is-gone-at-92/

http://slippedisc.com/2016/10/the-unforgettable-neville-marriner/

Here is the announcement of his death from the Academy of St. Martin in the Fields (heard playing the Adagio by Tomaso Albinoni in the YouTube video at the bottom), which Marriner founded and led for many years:

http://www.asmf.org/sir-neville-marriner/

Here is an exhaustive obituary from The New York Times:

http://www.nytimes.com/2016/10/03/arts/music/neville-marriner-prolific-musician-and-acclaimed-conductor-dies-at-92.html?_r=0

And here is another obituary from The Washington Post:

https://www.washingtonpost.com/entertainment/music/neville-marriner-led-renowned-academy-of-st-martin-in-the-fields-dies-at-92/2016/10/02/3bfbb3ec-88b2-11e6-875e-2c1bfe943b66_story.html

Here is a good overview with some audio-visual samples, from the Deceptive Cadence blog on NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2016/10/02/195882515/neville-marriner-who-recorded-the-beloved-soundtrack-to-amadeus-has-died

And here is a good summary from famed radio station WQXR-FM in New York City:

http://www.wqxr.org/#!/story/conductor-neville-marriner-dies-founded-london-orchestra/?utm_source=local&utm_medium=treatment&utm_campaign=carousel&utm_content=item5

Sir Neville Marriner was a prolific recording artist, with more than 500 recordings to his credit. The Ear fondly remembers an LP that had the Serenades for Strings by the Czech composer Antonin Dvorak and the “Holberg” Suite by Norwegian composer Edvard Grieg, which has been reissued as a “Legends” CD by Decca. The playing was warmly heart-felt and superb.

The Ear also loved his complete set of piano concertos by Wolfgang Amadeus Mozart, done with pianist Alfred Brendel.

What are your favorite Marriner recordings?

The Ear wants to hear.


Classical music: Prize-winning Finnish composer Einojuhani Rautavaara has died at 87

July 30, 2016
1 Comment

By Jacob Stockinger

He was a contemporary composer who wasn’t afraid to change or adapt his compositional style in radically differently ways, and who found a broad public as well as great respect from fellow composers and performers.

He was Einojuhani Rautavaara (below, in a photo from Getty Images), who was considered the most important composer of his country since Jean Sibelius, and he died at 87 this past week.

einojuhani rautavaara GETTY IMAGES

Here is a fine summary and obituary by Tom Huizenga for the Deceptive Cadence blog on NPR or National Public Radio.

http://www.npr.org/sections/deceptivecadence/2016/07/28/487824438/eclectic-finnish-composer-einojuhani-rautavaara-dies-at-87

And here, in the YouTube video below, is the piece, complete with recorded bird songs recorded by the composer — Cantus Arcticus, Op, 61, from 1972 — that Rautavaara is perhaps best known for. It is also the piece that his fellow Finn, conductor Osmo Vanska, now the music director of the Minnesota Orchestra, says he most admires.


Classical music: NPR looks back at important classical music events in 2015. How many do you recall?

January 10, 2016
Leave a Comment

By Jacob Stockinger

Anniversaries and deaths (below is a link to the musicians we lost in 2015).

https://welltempered.wordpress.com/2016/01/02/classical-music-here-are-the-people-that-classical-music-lost-in-2015/

Debuts, farewells and unusual tours.

(In a YouTube video at the bottom and below in photo by Yamil Lang for Getty Images, is the Minnesota Orchestra playing in Havana under music director Osmo Vanska during its historic tour to Cuba in May 2015.)

Minnesota Orchestra in Havana with Osmo Vanska May 2015 Getty Images Yamil Lang

Revivals and world premieres.

Appointments and retirements.

What were the notable events in classical music in 2015?

How many do you recall?

The blog Deceptive Cadence, written and posted by NPR or National Public Radio, takes a look back at 2015.

http://www.npr.org/sections/deceptivecadence/2016/01/04/461908315/classical-music-in-2015-the-year-in-review

 


Classical music: The Minnesota Orchestra made history with its recent visit to Cuba. If you missed it, here are stories to catch up. Plus, fans of great singing should hear the Madison Choral Project under the legendary Dale Warland on Sunday afternoon.

May 30, 2015
Leave a Comment

ALERT: The Ear attended an outstanding choral concert Friday night. It was put on by the Madison Choral Project with singers (below) plus UW-Madison trumpeter John Aley (far right), cellist Eric Miller and UW-Madison pianist Martha Fischer, all under the direction of the legendary conductor Dale Warland. The concert “Music of Our Time” will be repeated at 2:30 p.m. on this Sunday at the First Congregational United Church of Christ, 1609 University Ave. You can park in the lot two blocks away at the UW Foundation. If you love choral music, don’t miss it.

Madison Choral Project 5-15 1

By Jacob Stockinger

Yesterday, President Obama made it official. He removed Cuba from the State Department‘s list of outlaw countries that sponsor terrorism.

The economic and cultural thaw is gathering momentum. And just as happened with the Soviet Union, cultural exchanges are going to play a major role.

The Minnesota Orchestra made history with its recent visit to Cuba, where it gave two concerts, played a side-by-side concert with a youth orchestra, played in a cafe informally with Cuban musicians and tutored music students.

Minnesota Orchestra in Cuba with banner

If you missed it, here are stories — and a YouTube video interview with the orchestra’s Finnish-born music director and conductor Osmo Vanska and orchestra players at the bottom — to catch up.

Here is a photo essay put together by Minnesota Public Radio:

http://www.mprnews.org/story/2015/05/18/photos-a-look-back-at-the-orchestras-trip-to-cuba

Here is the story from the Deceptive Cadence blog on NPR (National Public Radio):

http://www.npr.org/sections/deceptivecadence/2015/05/17/406993869/after-thaw-minnesota-orchestra-returns-to-cuba

Here is The New York Times account of the two well received concerts that include the “Eroica” Symphony by Ludwig van Beethoven and the two countries’ national anthems:

http://www.nytimes.com/2015/05/17/arts/music/minnesota-orchestra-in-groundbreaking-cuba-tour-sells-out-house.html?_r=0

And here is The New York Times account of a more informal café get-together:

http://www.nytimes.com/2015/05/18/arts/music/fire-and-ice-minnesotans-join-orquesta-aragon-in-havana.html?src=relcon&moduleDetail=lda-articles-0&action=click&contentCollection=Music&region=Footer&module=MoreInSection&version=WhatsNext&contentID=WhatsNext&configSection=article&isLoggedIn=false&pgtype=article

Finally, here is an account from the orchestra’s hometown Minneapolis Star-Tribune:

http://www.startribune.com/minnesota-orchestra-wins-hearts-in-cuba-as-it-caps-a-historic-trip/304004891/

 


Classical music: St. Paul Chamber Orchestra gets a new, first-rate hall to perform in.

March 15, 2015
Leave a Comment

By Jacob Stockinger

For a couple of years, the music news coming out of the Twin Cities has been pretty negative. It involved labor strife, personnel strife and economic strife.

But now something welcome and promising, in addition to the resurgence of the Grammy-winning Minnesota Orchestra under Finnish-born conductor Osmo Vanska, has emerged: A new state-of-the-art and unusual hall (below) as the musical home in Ordway Center for the acclaimed St. Paul Chamber Orchestra -– where the Madison Symphony Orchestra’s Music Director and the Madison Opera’s Artistic Director John DeMain once served as an associate conductor.

And, of course, a lot of Madison-area residents travel to the Twin Cities to see the sights and maybe hear the St. Paul Chamber Orchestra. (In a YouTube video at the bottom, the orchestra performs Johann Pachelbel’s famous Canon in D, with former music director Pinchas Zukerman conducting.)

St. Paul Chamber Orchestra

So important is the new hall as an event that The New York Times sent out a critic to file a review. Here it is:

http://www.nytimes.com/2015/03/09/arts/music/review-st-paul-chamber-orchestra-opens-its-new-concert-hall.html?_r=0


Classical music: The Minnesota Orchestra will try performing shorter and more informal concerts next season. What do you think? Should that be tried here in Madison and elsewhere?

November 16, 2014
4 Comments

By Jacob Stockinger

You may remember that at the beginning of November, The Ear posted a series of 10 suggestions  to improve orchestral concerts (below bottom) intended to draw in bigger, newer and younger audiences.

concert

The suggestions were made by conductor Baldur Bronniman (below).

Baldur Bronniman

I added two suggestions of my own: Make concerts shorter and make tickets cheaper.

The post drew a lot of strong responses, mostly con but some pro, from readers. You should check them out.

Here is a link:

https://welltempered.wordpress.com/2014/11/02/classical-music-an-orchestra-conductor-suggests-10-ways-to-improve-concerts-the-ear-adds-two-more/

Now I see that, with the help of a grant, the Minnesota Orchestra will try putting on some shorter and more informal concerts. The orchestra recently returned from the brink of bankruptcy and disaster under Finnish Grammy-winning music director Osmo Vanska, who took the same percentage pay cut at his players. (He is below and at bottom in a YouTube video conducting symphonies by Finnish composer Jean Sibelius), 

osmo vanska

While The Ear proposed 90-minute concerts without intermission, it seems the Minnesota Orchestra will try out the 60-minute formula in three concerts between this coming January and June. The programs look pretty good.

(Thanks for directing me to the story goes to Steve Kurr, below, the Middleton High School  music teacher and conductor of the Middleton Community Orchestra, which generally follows a short and more informal programs  for its concerts.)

Steve Kurr conducting

I will be anxious to see the results. So will a lot of other orchestra maestros and administrators, I suspect.

Just maybe we are beginning to see the start of a trend in bringing concert hall practices up to – or down to? — the standards of a high-tech and very busy society that is both timed-deprived and driven by a shorter attention span.

Here is a link to the story:

http://m.startribune.com/entertainment/music/280257972.html

What do you think of the ideas in general and the experiments in Minnesota?

The Ear wants to hear.

 


Classical Music: At Bach Dancing and Dynamite Society concerts, The Ear always learns as he listens. Here are some lessons from last weekend that will no doubt reappear this coming weekend.

June 26, 2014
3 Comments

By Jacob Stockinger

This summer, The Ear has yet to see a missed opportunity or hear a false note from the Bach Dancing and Dynamite Society, which seems headed for a perfect season.

I find that each of the two weekend programs that the BDDS offers in three venues for three weekends each summer usually rewards me with a generous share of pleasure plus important lessons and pleasant surprises. Little wonder, then, that the BDDS has had its best second weekend ever last Friday, Saturday and Sunday, according to BDDS executive director Samantha Crownover.

Last weekend certainly did offer much pleasure, plus many lessons and surprises, with the “Take a Hike” and “Hasta la Vista, Baby” programs. And there is no reason to think that this coming weekend’s two programs — “Cut and Run” and “Hightail It” — won’t do the same.

So here are some quick looks backward that are likely to serve as good looks forward.

Here is a link for more information about performers, date and times, programs and tickets:

www.bachdancinganddynamite.org

An avid amateur pianist myself, I get to hear terrific pianists whom I can emulate and who inspire me to practice and play better.

Almost every concert features BDDS co-founder and co-artistic director Jeffrey Sykes, who teaches at University of California-Berkeley and California State University-East Bay. Sykes never disappoints. He is a master of different styles, color and dynamics — in short, an ideal collaborator.

And last weekend, this Pianist for All Seasons demonstrated yet another skill with his improvised embellishments and ornamentation on themes and passage work in a well-known Mozart piano concerto (Piano Concerto No. 23 in A Major, K. 488).

BDDSrehearsalJeffrySykes

This weekend Sykes will play by himself in piano trios by Dmitri Shostakovich and Antonin Dvorak with the San Francisco Piano Trio of which he is a member. He will also perform duets and trios with his BDDS co-founder and co-artistic director flutist Stephanie Jutt. Particularly noteworthy is that this weekend, Sykes will again be joined by fellow pianist Randall Hodgkinson (below) in works for one piano, four hands, one by Darius Milhaud with a Charlie Chaplin movie to accompany it.  Hodgkinson teaches at the New England Conservatory of Music and Wellesley College, and he is really good.

Randall Hodgekinson 1

Still, the real piano treat last weekend was tango pianist – and also music arranger -– Pablo Zinger (below), a native Uruguayan who now lives in New York City. Zinger once arranged music for and performed the works of Argentinean tango master Astor Piazzolla. And it was in two evenings of Piazzolla’s tangos that Zinger displayed his amazing skills.

I watched how carefully he pedaled, never overdoing it. I listened to how well he balanced volume with other instruments. I heard his unfailing ability to execute complex rhythms and to quickly but naturally change tempi. I listened to what seemed an undeniably classical keyboard technique that allowed him to play multiple voices independently, as in a Bach fugue. Articulate and laconic, Pablo Zinger (below top, he is talking; below bottom, he is playing) proved nothing short of a master instrumentalist, not just some generic dance-band pianist. I don’t think I will ever forget his rendition with BDDS of Astor Piazzolla’s heartbreakingly beautiful “Oblivion,” which you can hear in a comparable chamber music arrangement in a YouTube video at the bottom.

BDDS 2014 Pablo Zinger talks

BDDS 2014 Pablo Zinger playing

I get to hear first-rate, terrific artists from out-of town.

Some of the performers who were familiar from past BDDS seasons included husband-and-wife cellists Anthony Ross and Beth Rapier, who both play with the Minnesota Orchestra. They are terrific separately and together, as when they played the only Concerto for Two Cellos composed by Antonio Vivaldi (below) whose appealing works we hear played live too infrequently.

Beth Rapier and Anthony Ross BDDS 2014

Violinist Carmit Zori, who is the founder and artistic director of the Brooklyn (NY) Chamber Music Society, never fails to impress me with her sound and her expressiveness. This was especially true is the Romance, Op. 23, for Violin and Piano by Amy Beach, which I had never heard before. (You can hear it below in a YouTube video of Chicago violinist Rachel Barton Pine, who also discusses the American violinist Maud Powell to whom the Romance was dedicated and who gave the world premiere of the work. Barton Pine will perform with the Wisconsin Chamber Orchestra next season.)

The Beach Romance also reminded me of what a great strategy it is to open a concert with a slow piece to help get the audience into The Zone. In a way, it seems like back to the future, back to Baroque-era sonatas that went Slow-Fast-Slow-Fast rather than the Classical-era style of Fast-Slow-Fast in their sequence of movements. More concert programs should do the same.

Carmit Zori BDDS 2014

Clarinetist Alan Kay, who performs in New York City and who teaches at both the Mannes School of Music and the Juilliard School of Music in New York City, proved simply sublime in the great “autumnal” Clarinet Trio by Johannes Brahms as well as other pieces. What tone, color and control the man has. He made klezmer-like passages both howl with laughter and lament with moans.

Alan Kay 1 BDDS 2014

I get to hear unknown or neglected repertoire, both old and new.

Last weekend, as I said earlier, one gem was the Romance for Violin and Piano by Amy Beach; another was the chamber music arrangement by Johann Nepomuk Hummel of a Mozart piano concerto. I also liked a pampas- or gaucho-inspired work by Alberto Ginastera for cello and piano. Contemporary composer Osvaldo Golijov’s string quartet and clarinet called “The Dreams and Prayers of Isaac the Blind” (1994) was breathtaking.

This weekend I will get to hear music by composers I have never even heard of: Philippe Gaubert (below top), who, I suspect, sounds a bit like Gabriel Faure, and will feature virtuoso flutist Stephanie Jutt, BDDS co-founder and co-artistic director ; plus another Argentinean composer Angel Lasala (below bottom)  and William Hirtz (below bottom right with pianist Jon-Kimura Parker on the left), who are also complete unknowns to me. That adds excitement.

Philippe Gaubert 2

Angel Lasala

John Kimura Parker (left) and composer William Hirtz

I learned that the importance of dance forms in music survives.

In Baroque suites like the French and English Suites of Johann Sebastian Bach, the Concerti Grossi of George Frideric Handel and of various Italian composers, you find the allemande, gigue, minuet and sarabande among other dance forms.

In the Romantic era, it was the waltz, the polonaise, the mazurka, the polka and the Slavonic Dances of Antonin Dvorak and Hungarian Dances of Brahms.

Right into that tradition fits the Tango or, more precisely, the “new tango” or “nuevo tango.”

I could go on, but, you get the idea.

I find the Bach Dancing and Dynamite programs extremely well planned and then extremely well executed. And I am not alone, as repeated standing ovations demonstrate (below left at the Stoughton Opera House, below right at The Playhouse in the Overture Center).

To miss music and performances as fine as these is to cheat yourself.

And that just doesn’t make sense, does it?

BDDS 2014 Standing ovation in Stoughton

BDDS 2014 Playhouse standing ovation

 

 


Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,213 other followers

    Blog Stats

    • 2,105,807 hits
    December 2019
    M T W T F S S
    « Nov    
     1
    2345678
    9101112131415
    16171819202122
    23242526272829
    3031  
%d bloggers like this: