The Well-Tempered Ear

Classical music: It will be a busy week with many FREE concerts of many different kinds of music at the University of Wisconsin School of Music. Plus, the Miro Quartet of Austin, Texas, will perform Haydn, Schubert and Philip Glass on Friday night.

February 17, 2014
6 Comments

By Jacob Stockinger

The next two weeks will be especially busy ones at the University of Wisconsin-Madison School of Music.

All save one of the concerts will be FREE, and they include orchestral music, percussion, strings, winds and even lectures linking science and music.

The one major non-free exception is a notable MUST-HEAR: The acclaimed Miro Quartet (below) as presented by the Wisconsin Union Theater, will perform on Friday night at 8 p.m. in Mills Hall. The Miro Quartet is in residence at the University of Texas-Austin. (You can hear it playing Beethoven in a YouTube video at the bottom.)

miro quartet informal

The program of Classical and contemporary masterpieces of features the “Lark” Quartet, Op. 64, No. 5, by Franz Joseph Haydn; Franz Schubert’s well-known and the String Quartet No. 14 “Death and the Maiden”; and Philip Glass’ Quartet No. 5 (1991).

Tickets are $25 for the general public; $21 for UW faculty and staff and for Memorial Union members; and $10 for UW students.

Here is a link to more information that includes tickets, sound samples and critical reviews:

http://www.uniontheater.wisc.edu/Season13-14/Miro-String-Quartet.html

miro quartet playing

TUESDAY

At 7:30 p.m.in Mills Hall, the accomplished UW Chamber Orchestra, under the baton of director James Smith, the Overture to “La scale di seta”  (The Silk Ladder) by Gioacchino Rossini;
 the Chamber Symphony by Franz Schreker; the
 “Classical” Symphony by Sergei Prokofiev; and the
 “Winter’s Tale” by Lars-Erik Larsson.

UW Chamber Orchestra entire

WEDNESDAY

At 7:30 p.m. in Mills Hall, guest artist Todd Reynolds (below) will give a FREE recital. Reynolds is the violinist of choice for such well known individual and ensemble performers as composers as Steve Reich and Meredith Monk and the group Bang on a Can. He violinist, composer, educator and technologist is known as one of the founding fathers of the hybrid-musician movement.

Todd Reynolds will be performing compositions of his own from his critically acclaimed 2011 CD “Outerborough,” including music by Michael Gordon, David Little, Michael Lowenstern and Ingram Marshall, and a couple of pieces written and improvised  especially for the evening, right there, from the stage and in real time.

Todd Reynolds

THURSDAY

At 7:30 p.m. in Mills Hall, the UW Western Percussion Ensemble (below) will perform a concert that features the monumental work “Strange and Sacred Noise” by the contemporary American composer John Luther Adams (below), whose work was also featured recently by Clocks in Motion. Directors of the Western Percussion Ensemble are Tom Ross and Anthony Di Sanza.

Western Percussion Ensemble

FRIDAY

At 7 p.m. in the Wisconsin Institutes for Discovery (below), at 330 North Orchard Street, across from the Union South, the ongoing SoundWaves program, curated by UW hornist Daniel Grabois, program will explore the science and art of wood. Here is a summary that, unfortunately, offers no information about the music and specific topics and speakers:

Wood You Could You? The Science and Music of Wood

“SoundWaves combines scientific lectures about the world with live classical music performances. Each event revolves around a theme, exploring it first from many scientific angles and then through the lens of music. The program concludes with a live performance of music related to the evening’s theme.

“The science lectures are delivered using language that the curious layman can understand, with a minimum of jargon and formulas. The music lectures, while demanding careful listening, are likewise designed for the layman and not the specialist.

“Every SoundWaves event brings UW-Madison scientists from several departments together with UW-Madison School of Music faculty performers to explore a topic that is relevant to our world and our lives. SoundWaves is free and open to the public. This series generally is held in the evening at the Town Center of the Wisconsin Institutes for Discovery.’

8 p.m. in Mills Hall: The Miro Quartet. (See above.)

WID_night10_2152

SATURDAY

At 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below) will give concert under director Scott Teeple that features the Wisconsin premiere of a work by composer Roger Zare

Works on the program include “Smetana Fanfare,” by Karol Husa; “Mar Tranquillitatis (Sea of Tranquility),” by Roger Zare (Wisconsin premiere); and “Ecstatic Waters for Wind Ensemble and Electronics,” by Steven Bryant.

UW School of Music

SUNDAY

At 2 p.m. in Mills Hall, the UW Concert Band will perform under Mike Leckrone (below). Sorry, no details about the program are available yet.

leckrone

Then at at 3:30 p.m. in Morphy Recital Hall, the Hunt Quartet will perform a FREE concert. The program includes Franz Joseph Haydn’s “Sunrise” Quartet, Op. 76, No. 4, and Bela Bartok’s String Quartet No. 1.

The Hunt Quartet (below, in a photo by Katrin Talbot) is comprised of outstanding graduate students from the School of Music, and is sponsored by the Madison Symphony Orchestra.

This year’s members (from the left) include Ju Dee Ang, Elspeth Stalter-Clouse, Paran Amirinazari and Lindsey Crabb.

hunt quartet 2013-14

 

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Classical music: Pianist Jeremy Denk is named a MacArthur “genius.” Here is a sampler of his immense talent as displayed in concerts at the Wisconsin Union Theater, at NPR, in his blog “Think Denk” and on his latest Nonesuch recordings of Bach, Beethoven and Ligeti.

September 28, 2013
2 Comments

By Jacob Stockinger

As you may have already heard, classical pianist Jeremy Denk (below) received a prestigious MacArthur Foundation “genius grant” this week. The stipend is $625,000 to be paid over five years and to be used for whatever the recipient wants, no string attached.

Here is a link to the MacArthur Foundation announcement (curiously, yet another year has gone by without any recipients from the UW-Madison):

http://www.macfound.org

Jeremy Denk 1

Several observations and interpretations come to mind.

One is that Jeremy Denk, a trained chemist as well as pianist, has already performed in Madison – TWICE – at the Wisconsin Union Theater. Both programs were mammoth undertakings. I met and worked with Denk both times, especially the first, and he is a remarkably deserving artist who is honest, droll, articulate and original. I also very much like his philosophy that radical music should stay sounding radical, no matter how many years later.

The first recital featured J.S. Bach’s “Goldberg” Variations on the first half with Charles Ives’ Sonata No. 1 on the second half. Whew!

While here for that concert, Denk, a master blogger as you can find in “Think Denk,” he gave a public master class for young pianists (below), a fascinating talk on pedaling in Chopin at the UW School of Music, and a panel on blogging. As you can tell, Denk is a terrifically gifted musician with many different achievements to his credit.

Jeremy Denk teaching 1

Then last season, Denk appeared again in recital, in Mills Hall, to a regrettably small audience, and he played Franz  Liszt and Bela Bartok, followed by J.S. Bach and Beethoven. It was nothing short of phenomenal and utterly convincing.

Both concerts were outstanding events.

And both events point to the wisdom of the Wisconsin Union Theater in finding and booking up-and-coming talent.

Not that Jeremy Denk is young.

At 43, Denk is a seasoned concert veteran and he has taken the time to make the music he plays his own. He is not fresh out of some competition win at 23 or 24, and still stretching to find his maturity and a personal point of view. He is writing a book for Alfred A. Knopf based, to be published this year, based on some articles (on making his first recording and on being a piano student under various teachers) that he wrote for The New Yorker magazine and on his blog “Think Denk.”

Denk is also a devout Francophile who loves Proust and Balzac as well as great food and drink. The Ear thinks that helps to explain the sheer beauty and sensuality as well as logic of his playing.

Jeremy Denk street 1 

If you have any qualms about the Wisconsin Union Theater concert series this year –which features violinist Rachel Barton Pine (below top) with the UW Symphony Orchestra under UW alumnus conductor Kenneth Woods on Saturday, Nov. 2, the Miro String Quartet (below middle, in a photo by Jim Leisy) on Friday, Feb. 21; the Chicago Symphony Orchestra principal tuba player Gene Pokorny with the UW Symphony Orchestra on Sunday, March 8; and pianist Inon Barnatan (below bottom) on Friday, April 18. The MacArthur’s high-profile recognition of Jeremy Denk is a good reminder to trust the WUD series, however unexpected its choices may seem.

Here is a link to the Wisconsin Union Theater series:

http://www.uniontheater.wisc.edu/season2013-14.html

Rachel Barton Pine

Miro Quartet Jim Leisy

Inon Barnatan

Here is a link to Jeremy Denk’s blog:

http://jeremydenk.net/blog/

And here are links to NPR, where Denk was an artist-in-residence  for a week and where you can hear both interviews and excerpts from his first Nonesuch recording of etudes by Gyorgy Ligeti and Beethoven’s final Piano Sonata No. 32 in C minor, Op. 111; and excerpts from his CD and DVD of J.S. Bach’s “Goldberg” Variations (the famous opening Aria is at the bottom in a YouTube video) that will be released this coming week. (He also recorded a fabulous album of Turn-of-the-20th-Century French violin sonatas with Joshua Bell for Sony Classical.)

http://www.npr.org/event/music/155236091/in-practice-jeremy-denk

jeremy denk ligeti-beethoven CD

http://www.npr.org/2013/09/21/224429650/first-listen-jeremy-denk-j-s-bach-goldberg-variations

jeremy denk bach golbergs cd

Personally, The Ear hopes Jeremy Denk records a lot more repertoire, and soon, especially now that he is a house artist of the prestigious Nonesuch Records label, which gives the notoriously difficult-to-record piano  outstanding sonic engineering. Several requests come to mind: Ludwig van Beethoven’s Piano Concerto No. 1, Op. 15, for which he is well-known; Wolfgang Amadeus Mozart’s Piano Concerto No. 25 in C Major, K. 503, which he is touring with right now; the six Piano Pieces, Op. 118, by Johannes Brahms; some shorter J.S. Bach preludes and fugues as well as various suites; some sonatas by Domenico Scarlatti; and some works by Frederic Chopin, preferably the thorny and often underplayed mazurkas and the ballades that are so rich for fresh interpretation.

Did you hear Jeremy Denk perform in Madison?

Have you listened to his recordings?

What do you think of Denk’s playing and writings?

The Ear wants to hear.


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