The Well-Tempered Ear

Classical music: This Wednesday night, four teenage soloists compete in this year’s Final Forte competition with the Madison Symphony Orchestra. Attend it live for FREE, or watch and hear it live on PBS Wisconsin and Wisconsin Public Radio

February 23, 2020
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By Jacob Stockinger

This Wednesday night, Feb. 26, at 7 p.m. in Overture Hall, the Madison Symphony Orchestra (below in a  photo by Peter Rodgers), PBS Wisconsin and Wisconsin Public Radio will present the 14th annual “Wisconsin Young Artists Compete: The Final Forte.”

The concert of four teenage concerto competition winners features the Madison Symphony Orchestra (MSO) led by Associate Conductor Kyle Knox (below).

The concert is FREE and open to the public. But audience members must register in advance, and arrive by 6:45 p.m. on Wednesday, Feb. 26, prior to the beginning of the live broadcast. Reservations are required. Call (608) 257-3734 or go online to register at https://madisonsymphony.org/finalforte

Doors open at 6:15 p.m. and close at 6:45 p.m. due to the live broadcast. The event runs until 8:30 p.m. No tickets will be issued at the door. Seating is general admission in select areas of the concert hall.

The four finalists (below, in a photo by James Gill who did all the contestant photos) were chosen from 10 semi-finalists in November.

They are:

Jessica Jiang (far left), who will perform the first movement from Prokofiev’s Piano Concerto No. 3. (You can hear the Prokofiev movement, played by Martha Argerich, in the YouTube video at the bottom.)

Jonah Kartman (far right), who will perform the first movement from Saint-Saens’ Violin Concerto No 3.

Emily Hauer (third from left) who will perform the first movement from Sibelius’ Violin Concerto in D minor.

Pianist Michael Wu (second from left) who will perform Liszt’s “Totentanz” (Dance of Death).

Videos to introduce each finalist are now available for viewing online.

Jessica Jiang: https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-jessica-jiang-qto5ir/

Emily Hauer: https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-emily-hauer-8ihe8s/

Jonah Kartman: https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-jonah-kartman-xsr1z6/

Michael Wu): https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-michael-wu-frbf66/

Rebroadcast dates on the Wisconsin Channel (WPT-2) will be Friday, March 6 at 8 p.m. and 11p.m.; Saturday, March 7, at 3 p.m.; and Thursday, March 12, at 3 a.m.

ABOUT THE FINALISTS

Jessica Jiang (below) is a junior at Madison Memorial High School. She took up the piano at the age of four and currently studies with Bill Lutes, Emeritus Professor at the UW-Madison Mead Witter School of Music. Jessica received the Steenbock Youth Music Award in the 2018 Bolz Young Artist Competition and took second place in Division III of the National Steinway and Sons Piano Competition in 2019.

Emily Hauer (below) is a home-schooled senior from Appleton. She began violin lessons at the age of two and currently studies with Ilana Setapen, associate concertmaster of the Milwaukee Symphony Orchestra. Emily won the Wisconsin Chamber Orchestra Young Artist Concerto Competition in 2017 and is currently in her fourth year as the concertmaster of the Fox Valley Youth Symphony Orchestra.

Jonah Kartman (below) is a home-schooled senior from Glendale. He has been playing the violin for 13 years, and currently studies with I-Hao Lee at DePaul University’s School of Music. Jonah was a finalist in the 2019 Milwaukee Symphony Orchestra’s Audrey G. Baird Stars of Tomorrow competition, and a two-time winner and scholarship recipient in the Civic Music Association of Milwaukee Competition.

Michael Wu (below) is a senior at Sun Prairie High School. He began piano lessons at age five, and currently studies with Bill Lutes, Emeritus Professor at the UW-Madison Mead Witter School of Music. Michael received the Steenbock Youth Music Award in the 2017 Bolz Young Artist Competition and took first place in Division III of the National Steinway and Sons Piano Competition in 2018.

ABOUT THE FINAL FORTE

This competition has captured an enormous following and numerous honors, including an Emmy nomination, First Place in the “Special Interest” category from the Wisconsin Broadcasters Association in 2007, and the fifth most-watched program in the February 2007 Nielsen ratings. The 2008 broadcasts reached more than 60,000 viewers and listeners in the Madison market alone and the 2009 broadcasts reached an estimated 200,000 statewide.

The Final Forte is funded by major support from Diane Ballweg, Stephen Morton, W. Jerome Frautschi, A. Paul Jones Charitable Trust, Julie and Larry Midtbo, Fred and Mary Mohs, and Elizabeth Olson, with additional support from Bell Laboratories, James Dahlberg and Elsebet Lund, Kato Perlman, Cyrena and Lee Pondrom, Sentry Insurance Foundation, Darcy Kind and Marc Vitale, Dr. A. Beyer-Mears, Nick and Judith Topitzes, the Focus Fund for Young Performers, and Friends of PBS Wisconsin.

 


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Classical music: This weekend, the Madison Symphony Orchestra celebrates Valentine’s Day with violinist Pinchas Zukerman and cellist Amanda Forsyth in the Romantic “Double Concerto” by Brahms

February 10, 2020
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By Jacob Stockinger

This coming weekend, the Madison Symphony Orchestra, under the baton of John DeMain, will celebrate Valentine’s Day.

The program “Romantic Encounter” examines the brashness of French composer Hector Berlioz’s Le Corsaire” Overture, as well as the thundering seriousness of American composer Aaron Copland’s Symphony No. 3.

The husband-and-wife duo (below) of violinist Pinchas Zukerman, and cellist Amanda Forsyth make their return to Madison to reprise their performance of German composer Johannes Brahms’ Double Concerto for Violin and Cello in A minor. (You can hear the passionate slow movement in the YouTube video at the bottom.)

Performances will be held in Overture Hall, 201 State Street, on Friday, Feb. 14, at 7:30 p.m.; Saturday, Feb. 15, at 8 p.m.; and Sunday, Feb. 16, at 2:30 p.m.

Tickets are $19 to $95. See below for details.

Says maestro DeMain (below, in a photo by Greg Anderson) about the world-renowned duo: “The married team of Pinchas Zukerman and Amanda Forsyth return to recreate their exciting interpretation of the Brahms Double Concerto for violin, cello and orchestra.

“One of Berlioz’s finest overtures, the exhilarating Le Corsaire opens the concert. And Aaron Copland’s majestic, powerful and lyrical Third Symphony — which is one of Copland’s great masterpieces and includes his Fanfare for the Common Man — is heard on the second half of the program.”

Eight minutes long, Berlioz’s swashbuckling Le Corsaire” was composed in Nice, France, after the final break-up of his marriage. The composer resided in a tower above the sea, which explains the ruined fortification’s depiction in his overture. “Corsaire” translates to “a ship used for piracy,” but this meaning is not related to the work.

 The Double Concerto was Brahms’ final work for orchestra. He composed the concerto for his old but estranged friend, violinist Joseph Joachim, as well as for cellist Robert Hausmann. With few recent precedents, the closest comparison to this work would be the Baroque concerto grosso, in which a soloist or small group is contrasted with an entire ensemble.

Copland’s monumental Symphony No. 3 was commissioned by conductor Serge Koussevitsky and the Boston Symphony Orchestra. The work perfectly reflects the spirit of post-war America and impressively holds the title of “Greatest American Symphony.” In writing this piece, Copland (below) borrowed from himself by incorporating his triumphant Fanfare for the Common Man.

ABOUT PINCHAS ZUKERMAN

With a celebrated career encompassing five decades, Pinchas Zukerman reigns as one of today’s most sought-after and versatile musicians — violin and viola soloist, conductor and chamber musician. He is renowned as a virtuoso, admired for the expressive lyricism of his playing, singular beauty of tone, and impeccable musicianship, which can be heard throughout his discography of over 100 albums.

Born in Tel Aviv, Zukerman came to the United States where he studied at the Juilliard School with Ivan Galamian as a recipient of the American-Israel Cultural Foundation scholarship. He received the National Medal of Arts from President Ronald Reagan and is a recipient of the Isaac Stern Award for Artistic Excellence in Classical Music.

ABOUT AMANDA FORSYTH

The Canadian and Juno Award-winning Amanda Forsyth is considered one of North America’s most dynamic cellists. She has achieved her international reputation as soloist, chamber musician and was principal cello of Canada’s National Arts Centre Orchestra from 1999 to 2015. Her intense richness of tone, remarkable technique and exceptional musicality combine to enthrall audiences and critics alike.

PROGRAM NOTES, TICKETS AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert. The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion that takes place one hour before each concert.

Program notes are available at: http://www.allsenmusic.com/NOTES/1920/5.Feb20.html

Discounted seats are subject to availability, and discounts may not be combined.  

Major funding for the February concert has been provided by NBC 15; The Madison Concourse Hotel and Governor’s Club; Marvin J. Levy; Fred and Mary Mohs; Nancy Mohs; and David and Kato Perlman.

Additional funding has been provided by Robert Benjamin and John Fields; Boardman and Clark LLP; Forte; Barbara Melchert and Gale Meyer; and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

 


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Classical music: This weekend, the Madison Symphony Orchestra celebrates the legacy and works of Leonard Bernstein

November 5, 2018
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By Jacob Stockinger

This coming weekend, Leonard Bernstein (below, in a photo by Jack Mitchell) will be remembered, honored and celebrated by his friend and Madison Symphony Orchestra music director John DeMain in a “Remembering Lenny” concert that explores Bernstein’s musical contributions as an American composer and conductor.

Original works by Bernstein will be performed by the MSO on the first half of the concert. The MSO starts with the Overture to Candide, then moves on to On The Town, and, finally, performs his Symphony No. 2 “The Age of Anxiety,” featuring Van Cliburn Competition bronze medal winner and UW-Madison pianist Christopher Taylor.

The second half of the program features Ludwig van Beethoven’s Symphony No. 7, the last work that Bernstein (1918-1990) ever conducted during a concert at the summer Tanglewood Festival of the Boston Symphony Orchestra.

Performances will be held in Overture Hall, 201 State Street, on this Friday night, Nov. 9, at 7:30 p.m.; this Saturday night, Nov. 10, at 8 p.m.; and this Sunday afternoon, Nov. 11, at 2:30 p.m. Ticket information is below.

Says DeMain (below, in a photo by Greg Anderson): “To have my 25th anniversary with the MSO coincide with the 100th anniversary of Leonard Bernstein’s birth is special for me personally because of the unique opportunities I had to work with this great American musician.” 

DeMain, who premiered Bernstein’s opera “A Quiet Place” in Houston, adds: “The first half of the concert celebrates Lenny the composer, culminating in the first performance by the MSO of his second symphony, The Age of Anxiety, which has a dazzling and at times jazzy part for the piano, and carries with it, still, a timely social statement. Christopher Taylor (below), a Madison favorite with whom I have often enjoyed collaborating, will perform the challenging and exciting piano part.”

DeMain describes the final work in the program: “The second half of the concert pays tribute to Lenny the conductor, and his life-long love of Beethoven. Since the Symphony No. 7 in A Major, Op. 92, was the last piece Lenny conducted, I thought it would be the perfect way to celebrate Lenny and his great contribution to American musical life.” (NOTE: You can hear Bernstein conduct the famous second movement of Beethoven’s Symphony No. 7 during his last public performance, just two months before he died, in the YouTube video at the bottom.)

Here is some more background:

Bernstein’s operetta Candide is based on the 1759 novella by French philosopher Voltaire. The well-known Overture is quick-paced, with a feverish excitement that begins from the first breath of sound. Many of the meters are in seven beats, or of other non-traditional types, and quickly change. Each player of the ensemble is required to perform with simultaneously the utmost virtuosity and togetherness.

On the Town is a dance-centric musical scored by Leonard Bernstein based on Jerome Robbins’ idea for the 1944 ballet “Fancy Free.” The story depicts three American sailors on a 24-hour shore leave in New York City during wartime, where each man meets and quickly connects with the woman of their dreams. The musical is the source of the ubiquitously popular show tune New York, New York.

The Age of Anxiety was composed between 1948 and 1949, and is inspired by a poem of the same name by W.H. Auden (below). The 80-page poem follows four lonely strangers who meet in a wartime New York bar and spend the evening ruminating on their lives and the human condition. Subtitled “a baroque eclogue” (a pastoral poem in dialogue form), the characters speak mostly in long soliloquies of alliterative tetrameter, with little distinction among the individual voices.

Composed from 1811–1812, Beethoven’s Symphony No. 7 premiered with Beethoven (below) himself conducting in Vienna on December 8, 1813 at a charity concert for soldiers wounded in the Battle of Hanau.

The symphony’s dance elements, vitality and sense of celebration are conveyed principally through rhythm. It is not the melodies that are so striking and memorable as the general sense of forward movement.

The Overture lobby opens 90 minutes prior to each concert. One hour before each performance, Randal Swiggum (below) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends that concert attendees arrive EARLY for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online. Go to: http://bit.ly/nov2018programnotes

Tickets can be purchased in the following ways:

  • Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/bernstein\through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Subscribers to 5 or more symphony subscription concerts can save up to 50% off single ticket prices. More information is available about the season at: https://madisonsymphony.org/18-19
  • Flex-Ticket booklets of 10 vouchers for 2018-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex

Discounted seats are subject to availability, and discounts may not be combined.

Find more information at madisonsymphony.org

The Presenting Sponsor for the November concerts is Steinhauer Charitable Trust. Underwriting for Christopher Taylor is provided by Sharon Stark, “to Peter Livingston with love.” Major funding is provided by: Stephen D. Morton, The Gialamas Company, Inc., Myrna Larson, Madison Symphony Orchestra League, and Nancy Mohs. Additional funding is provided by Robert Benjamin and John Fields, Godfrey & Kahn, S.C., and Wisconsin Arts Board, with funds from the State of Wisconsin and the National Endowment for the Arts.


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