The Well-Tempered Ear

Just Bach concludes its season this Wednesday morning with highlights of the past season

May 18, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about this season’s final Just Bach online concert this Wednesday:

Greetings from Just Bach!

We hope this finds you all well, enjoying the spring, and ready to experience more of the timeless beauty of Bach’s music.

Our May concert features musical highlights from this extraordinary past season.

The complete program listing is below. It is organized in two parts, corresponding to the two semesters.

Indoor singing was risky during the pandemic, so the bulk of our programming was instrumental, with strings and keyboard for the most part (below in a photo by Barry Lewis).

The Sinfonia from the Christmas Oratorio was recorded at St. Matthias Episcopal Church in Waukesha, because of the Dane County Emergency Order prohibiting indoor gatherings in November and December during the pandemic.

We were back at Luther Memorial Church for the January concert, and by April we were able to include woodwinds (below, in a photo by Barry Lewis)

You can view the May concert here, starting at 8 a.m. this Wednesday, May 19, and then staying available indefinitely:  https://justbach.org/concerts/

Please join us for a half-hour live Zoom post-concert reception on Wednesday night, May 19, at 7 p.m. Chat with the performers by following the link: https://us02web.zoom.us/j/85144014343?pwd=RmVURXBBU1hMcloyalJhbUdCQ1NmQT09

Viewing the concerts is FREE, but we ask those who are able, to help us pay our musicians by making a tax-deductible donation at: https://justbach.org/donate

Just Bach will take a break for the summer, and concerts will resume in September.

Here is the May program:

• Welcome

Part I – Fall Semester

• Cantata 146: Sinfonia

• Violin Sonata, BWV 1001: movement 4 Presto

• Double Violin Concerto: movement 3 Allegro (in the YouTube video, with an animated graphic, at the bottom)

• Christmas Oratorio, Part II: Sinfonia

• Christmas Oratorio: Chorale “Ich steh’ an deiner Krippen hier” (I stand here by your crib)

Part II – Spring Semester

• Cantata 35: Sinfonia

• Trio Sonata, BWV 526: movement 2 Largo

• Violin Sonata, BWV 1019: movement 5 Allegro 

• Flute Sonata BWV 1034: movement 1 Adagio ma non tanto

• Cantata 42: Sinfonia

• Cantata 149: Chorale “Ach Herr, laß dein lieb Engelein” (O Lord, let your dear little angel)

Performers are: Kangwon Kim, Christine Hauptly Annin, Leanne League, Xavier Pleindoux, Nathan Giglierano and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen and Lindsey Crabb, cello; Linda Pereksta and Monica Steger, traverse flute; Marc Vallon, bassoon; Grammy-winner Sarah Brailey, soprano; John Chappell Stowe and Jason Moy, harpsichord; Mark Brampton Smith, organ; and Bruce Bengston, organ.

Dave Parminter is the videographer and Barry Lewis is the photographer.

For more information, go to:

https://justbach.org

facebook.org/JustBachSeries

youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ


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Just Bach’s FREE concert for April welcomes back woodwinds and will be posted early this Wednesday morning

April 18, 2021
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By Jacob Stockinger

The Ear has received the following notice from Just Bach about the FREE concert they will post starting at 8 a.m. this Wednesday morning, April 21.

Our April concert program opens with a welcome and overview from our co-director, Grammy-winning soprano and UW-Madison graduate student Sarah Brailey (below, in a photo by Miranda Loud).

And then comes the music: after a season of pieces for strings and keyboards, we’re delighted to welcome woodwinds back to our stage! (Below from left, in a photo by Barry Lewis, are Monica Steger, Linda Pereksta and UW-Madison Professor Marc Vallon.)

The exuberant Sinfonia from Cantata 42 was composed for the first Sunday after Easter, and its jubilant writing is the perfect way to celebrate spring and the expanded musical forces (below, in a photo by Barry Lewis) made possible by the vaccine.

Linda Pereksta follows this up with a performance of the Sonata in E Minor for Flute and Keyboard, BWV 1034. Her musical partner is harpsichordist Jason Moy (below, in a photo by Barry Lewis), making his Just Bach debut.

The program closes with our popular chorale sing-along, this time  “Der Herr ist mein getreuer Hirt” (The Lord Is My Faithful Shepherd), BWV 104. (You can hear it in the YouTube video at the bottom.)

Sarah Brailey introduces the text, Andrew Schaeffer plays the music on the organ, and then Sarah and Andrew perform it together. The music and text are displayed on the computer screen, so please join in, if you’d like!

Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels at 8 a.m. on the third Wednesday of every month: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Concert viewers are invited to a half-hour live Zoom Post-concert Reception is this Wednesday night, April 21, at 7 p.m. Chat with the performers and other audience members, via this link: https://us02web.zoom.us/j/85490470546…

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation: https://justbach.org/donate/

The final Just Bach concert of this season launches on Wednesday, May 19.

Performers are: Linda Pereksta, traverso 1; Monica Steger, traverso 2; Marc Vallon, bassoon;  Leanne League, violin 1; Aaron Yarmel, violin 2; Marika Fischer Hoyt, viola; Lindsey Crabb, cello; Jason Moy, harpsichord; Sarah Brailey, soprano; Andrew Schaeffer, organ.

Dave Parminter is the videographer and Barry Lewis is the photographer.


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Classical music: Saturday night the Wisconsin Baroque Ensemble will perform rarely heard works. Plus, tickets are still available for the Dec. 6 “Messiah” by the Wisconsin Chamber Orchestra and the Festival Choir of Madison

November 27, 2019
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ALERT 1: Tickets are still available for the 11th annual performance of Handel’s oratorio “Messiah” by the Wisconsin Chamber Orchestra and the Festival Choir of Madison with guest soloists (below). The performance, under the baton of Andrew Sewell, takes place on Friday, Dec. 6, at 7 p.m. at the Blackhawk Church in Middleton. The critically acclaimed performance  usually sells out. Tickets are $30. For more information about the performers and tickets, go to: https://wisconsinchamberorchestra.org/performances/messiah-2/

By Jacob Stockinger

The Wisconsin Baroque Ensemble (below) will perform a concert of varied and rarely performed baroque chamber music on this coming Saturday night, Nov. 30, at 7:30 p.m. in Saint Andrew’s Episcopal Church, 1833 Regent Street, in Madison.

Performers are: Eric Miller, viola da gamba, baroque cello; Sigrun Paust, recorder; Chelsie Propst, soprano, Charlie Rasmussen, viola da gamba and baroque cello; Monica Steger, traverse flute and recorder; and Max Yount, harpsichord.

Tickets at the door only are $20, $10 for students.

The program is:

Marin Marais– Pieces for Viol, selections from Book 1

Tomaso Albinoni– Sonata for recorder and basso continuo, Op. 6, No. 5

Louis-Nicolas Clérambault– “Orphée” (Orpehus) a cantata

INTERMISSION

Antoine Forqueray – Pieces for Viol, selections from Suite No. 2

Anna Bon– Sonata No. 5 for traverso flute and basso continuo

Nicolas Métru– Duos for viols

Georg Philipp Telemann– Trio sonata in C major for two recorders and basso continuo, TWV 42:C1 (heard in the YouTube video at the bottom)

For more information, go to www.wisconsinbaroque.org

 


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Classical music: This week brings three period-instrument concerts — two of them FREE — of early music from the Baroque and Classical eras including works by Bach, Telemann and Haydn

April 23, 2019
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CORRECTION: The concert listed below by Sonata à Quattro on Thursday night at Oakwood Village West, near West Towne Mall, is at 7 p.m. — NOT at 8 as erroneously first listed here. The Ear regrets the error.

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This week features three concerts of music from the Baroque and early Classical eras that should attract the attention of early music enthusiasts.

WEDNESDAY

This Wednesday, April 24, is the penultimate FREE Just Bach concert of the semester. It takes place at 1 p.m. in Luther Memorial Church, 1021 University Avenue.

This month’s program, featuring the baroque flute, presents the program that was canceled because of the blizzard in January.

First on the program is the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo, a gorgeous example of baroque chamber music.

Following that comes the Orchestral Suite No. 2, BWV 1067, for flute, strings and harpsichord, really a mini flute concerto.

The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted Flesh and Blood), scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: UW-Madison soprano Julia Rottmayer; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and UW-Madison bass-baritone Paul Rowe.

The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverse flutists Linda Pereksta and Monica Steger.

The last Just Bach concert of this semester is May 29. For more information, go to: https://justbach.org

THURSDAY

On Thursday night, April 25, at 7 p.m. — NOT 8 as mistakenly listed here at first –at Oakwood Village West, 6209 Mineral Point Road, the Madison group Sonata à Quattro (below) will repeat the Good Friday program it performed last week at a church in Waukesha.

The one-hour concert – featuring “The Seven Last Words of Christ” by Franz Joseph Haydn — is FREE and OPEN TO THE PUBLIC. (You can sample the first part of the Haydn work in the YouTube video at the bottom.)

Commissioned by the southern Spanish episcopal city of Cadiz, this piece was originally scored for orchestra, but it enjoyed such an immediate, widespread acclaim, that the publication in 1787 also included arrangements for string quartet, and for piano. In nine movements beginning with an Introduction, Haydn sets the phrases, from “Father, forgive them, for they know not what they do” to “Into Thy hands I commend my spirit,” concluding with one final movement depicting an earthquake.

Performers for this program are:  Kangwon Kim, Nathan Giglierano, Marika Fischer Hoyt and Charlie Rasmussen. Modern string instruments will be used, but played with period bows.

The period-instrument ensemble Sonata à Quattro was formed in 2017 as Ensemble-In-Residence for Bach Around The Clock, the annual music festival in Madison.

The ensemble’s name refers to baroque chamber music scored for three melody lines plus continuo. The more-familiar trio sonata format, which enjoyed great popularity in the 17th and 18th centuries, employs a continuo with only two melody instruments, typically treble instruments like violins or flutes. 

In contrast, a typical sonata à quattro piece includes a middle voice, frequently a viola, in addition to the two treble instruments and continuo; this scoring has a fuller, richer sonority, and can be seen as a precursor to the string quartet. For more information, go to: https://www.facebook.com/sonataaquattro/

SATURDAY

On Saturday, April 27, at 7:30 p.m. at Saint Andrew’s Episcopal Church, 1833 Regent Street, the veteran Wisconsin Baroque Ensemble (below) will perform a concert of baroque chamber music.

Tickets are at the door only: $20 for the public, $10 students.

Performers are: Brett Lipshutz, traverse flute; Sigrun Paust, recorder; Monica Steger, traverse; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

The program is:

Johann Baptist Wendling – Trio for two flutes and bass

Johann Pachelbel – Variations on “Werde Munter, mein Gemuethe” (Be Happy, My Soul)

Friedrich Haftmann Graf – Sonata or Trio in D major for two German flutes and basso continuo

Daniel Purcell – Sonata in F Major for recorder

INTERMISSION

Georg Philipp Telemann – Trio for recorder, flute,and basso continuo TWV 42:e6

Franz Anton Hoffmeister – Duo for two flutes, Opus 20, No. 1

Joseph Bodin de Boismortier – Trio Sonata, Op. 37, No. 5

Telemann – Trietto Methodicho (Methodical Sonata) No 1. TWV 42: G2

After the concert, a reception will be held at 2422 Kendall Avenue, second floor.

For more information, go to: https://wisconsinbaroque.weebly.com


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Classical music: January’s FREE “Just Bach” midday concert is this Wednesday at 1 p.m. and spotlights the flute

January 22, 2019
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NEWS UPDATE: Tomorrow’s Just Bach concert as been canceled due to weather and the expected snowstorm. The Ear has been told that the program will be performed on another date. The next Just Bach concert is Feb. 20.

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This month’s FREE hour-long “Just Bach” concert of music by Johann Sebastian Bach will take place this Wednesday, Jan. 23, at 1 p.m. in Luther Memorial Church, 1021 University Avenue.

Admission is FREE with good will offerings accepted. Food and drink are allowed during the concert. (Below is a photo by John W. Barker of an earlier Just Bach concert.)

The program, which puts the spotlight on the baroque flute (below), includes: the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo; and the Orchestral Suite No. 2 BWV 1067, for flute, strings and harpsichord, which is really a mini flute concerto. (You can hear the popular Orchestral Suite No. 2 in the YouTube video at the bottom.)

The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted flesh and blood), which is scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: soprano Sarah Brailey; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and bass-baritone Paul Rowe.

The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverso flutists Linda Pereksta (below top) and Monica Steger (below bottom).

Just Bach concert dates – all Wednesdays at the same time and in the same church  — for this semester are Jan. 23, Feb. 20, March 13, April 24 and May 29.


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Classical music: A new statewide collective has been formed to perform and promote Baroque music in Wisconsin, with initial concerts in Madison and Milwaukee. Plus, the Lawrence Chamber Players from Appleton will perform music by Brahms, Elliott Carter and Juan Orrega-Salas this Sunday afternoon on Wisconsin Public Radio’s “Sunday Afternoon Live From the Chazen” Museum of Art.

February 21, 2014
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ALERT: The accomplished and always popular Lawrence Chamber Players, from the Lawrence University Conservatory of Music in Appleton, Wisconsin, will perform on this weekend’s edition of “Sunday Afternoon Live From the Chazen” on Wisconsin Public Radio (88.7 FM in the Madison area). The FREE concert is in Brittingham Gallery III of the art museum at the University of Wisconsin-Madison and airs live from 12:30 to 2 p.m. The program includes the Piano Quartet No. 3 in C Minor, Op. 60, by Johannes Brahms; Duos for Violin and Viola by Elliott Carter, and the  Sonata for Viola and Piano by Juan Orrego-Salas. As always, the host will be WPR’s Lori Skelton.

SAL3

By Jacob Stockinger

Attention, all early music fans!

If you haven’t heard news yet, a new statewide collective has been formed to perform and promote Baroque music in Wisconsin, with initial concerts and groups in Madison and Milwaukee.

Major organizers, with their hometowns, include: Brett Lipshutz, Monica Steger and Christine Hauptly Annin, who all live in Milwaukee; and Eric Miller and Theresa Koenig, who live in Madison. 

Brett Lipschutz and Monica Steger — you can hear them with cellist Anton Ten Wolde and harpsichordist Max Yount — performing flute music by Baroque master Georg Philipp Telemann in a YouTube video at the bottom — recently cooperated to answer an email Q&A by The Ear to give readers more information:

Monica Steger

Brett Lipschutz 2014

When and why did the collective come into being?

The idea began when Monica moved to Milwaukee. Being two of a very small disparate group of musicians playing on period instruments, they wanted to create more activity locally.

Having to travel all of the time to play with good musicians didn’t seem logical, considering the size of Milwaukee. The idea then went from local to statewide in the hopes of connecting a broad base of period musicians, regardless of affiliation.

Our first informal public gathering was July 3, 2013. Brett Lipshutz, Monica Steger, Eric Miller (below), Theresa Koenig, and Christine Hauptly-Annin came together to do open public rehearsals just to bring some awareness to historically informed performance practice.

Eric Miller viol

We know that there are many musicians playing Baroque music on period instruments in Wisconsin, but some feel isolated. The collective offers an opportunity for such musicians to find like-minded colleagues with whom to collaborate, as well as a way to encourage improvement in performance through peer review or studying with guests we would like to bring here. (Below are the Madison Bach Musicians, who will perform a FREE program of J.S. Bach, Handel, Vivaldi, Corelli and Scarlatti this Saturday from noon to 1 p.m. at the Grace Episcopal Church, 116 West Washington Avenue, on the Capitol Square downtown.)

Kangwon KIm with Madison Bach Musicians

What does such a statewide collective say about the state of early music and how established it is among the general public by now?

Because this is such a new endeavor, the Collective is just starting to be discussed among musicians interested in developing such a community. It might take a bit of time and exposure for the general public to catch on. The emphasis now is the music and the people who play it. The hope is that this emphasis will create excitement about projects that lead to audience education and development.

How many members or chapters belong to it now and where are they located? How does the collective benefit its musician members?

This collective has just gotten started, and we have about 10 musicians in the Madison and Milwaukee areas who have participated in reading sessions and informal public performances, or concerts. But there are more and more who are expressing interest.

What is the plan of concerts and events that the collective has in mind? Do you have other projects such as recordings or special plans in mind?

At this point, members of the Collective have been creating concerts and playing for events under the name of the Wisconsin Baroque Musicians Collective. We’ve also had a music reading session and plan to do them on a regular basis. This includes discussions about relevant peripheral elements such as aesthetics of music, etc. (Below is a concert from the annual Madison early music Festival that takes place every July.)

MEMF1

Are there special aspects of Baroque music – composers, works, instruments (below) – that you expect to champion and educate the public about?

We want our audiences to learn to be curious about the music and its cultural context. Much of the music we play is enjoyable upon the first hearing, but we want to encourage listeners to take a “deep dive” into learning about styles and philosophies informing the music as well as the underlying systems that make the music’s narrative apparent.

MEMF 14 2013 Piffaro instruments

How do musicians, presenters or the general public contact you and learn about you?

Musicians interested in playing Baroque music on period instruments are encouraged and welcome to contact us at wisbmc@gmail.com.

We also have a basic informational webpage up at www.harmonyhallforall.com/collective.

Because we are just beginning, our performances are mostly informal and sporadic. However, presenters can contact us for a list of potential projects that group members have expressed interest in realizing in the next couple of years.

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