The Well-Tempered Ear

Classical music: Spring arrives today. What is your favorite music celebrating spring?

March 20, 2017
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By Jacob Stockinger

Has March’s proverbial lion finally yielded to the lamb?

Here is Madison there is still some snow on the ground. But it should all be gone by the end of today, which, like yesterday, will reach into the 50s.

Just in time.

Today is the Vernal Equinox, bringing the first day of spring. It arrives at 5:29 a.m. this morning.

Spring has been an inspiration to many composers. So there is a lot of music to choose from when you want to celebrate season musically.

The Ear is fickle and his choice changes from year to year.

But lately, his favorite has been the “Spring” Sonata in F Major for violin and piano by Ludwig van Beethoven. (You can hear the opening of the famously tuneful and upbeat sonata, performed by violinist Itzhak Perlman and pianist Vladimir Ashkenazy, in the YouTube video at the bottom.)

Of course there are violin concertos by Antonio Vivaldi and Arcangelo Corelli; choral works by Johann Sebastian Bach and Franz Joseph Haydn; chamber music by Wolfgang Amadeus Mozart; orchestral music by Robert Schumann, Peter Tchaikovsky and Igor Stravinsky; piano pieces by Felix Mendelssohn and Edvard Grieg; songs by Franz Schubert and Johannes Brahms. And there is more, so much more.

Yesterday, Wisconsin Public Radio programmed a lot of spring music, and The Ear expects the same for today’s programming.

But you can be your own DJ if you want. Here is a list of almost two hours of spring-related music:

https://www.youtube.com/watch?v=sfe3MUMdWKQ

And here is a springtime puzzler, or quiz, about flowers in opera from NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2015/05/06/404499920/flower-songs-a-springtime-opera-puzzler

Plus, there are plenty of other guides and anthologies to music for spring that you can find online.

So here is what The Ear wants to know: What is your favorite piece of music to greet spring with?

Leave words in the COMMENT section along with a link to a YouTube performance if possible.

And a Happy Spring to you!


Classical music: Bach Dancing and Dynamite Society announces its upcoming summer season of “Alphabet Soup” this June

March 18, 2017
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By Jacob Stockinger

The time for announcing new seasons has arrived.

Pretty soon, over the next several weeks and months, The Ear will hear from larger and smaller presenters and ensembles in the Madison area, and post their new seasons.

First out of the gate is the critically acclaimed and popular summer group, the Madison-based Bach Dancing and Dynamite Society. (You can see a short promo video about BDDS on the YouTube video at the bottom.)

It has just announced its upcoming summer season this June, and sent out brochures with the season’s details.

This will be the 26th annual summer season and it has the theme of “Alphabet Soup.”

The concept is explained online and in a brochure newsletter (also online) in an editorial essay by BDDS co-founder and co-artistic director flutist Stephanie Jutt (seen below with co-founder and co-director pianist Jeffrey Sykes).

By the way, Jutt is retiring from the UW-Madison this spring but will continue to play principal flute with the Madison Symphony Orchestra and to work and perform with BDDS.

In many ways it will be a typical season of the eclectic group. It will feature local and imported artists. Many of both are favorites of The Ear.

His local favorites include UW-Madison pianist Christopher Taylor; violist Sally Chisholm of the UW-Madison’s Pro Arte Quartet; UW violinist Soh-Hyun Park Altino (below top, in a photo by Caroline Bittencourt); and Pro Arte cellist Parry Karp (below bottom).

Among The Ear’s favorite guest artists are violinist Carmit Zori, clarinetist Alan Kay, the San Francisco Piano Trio (below top); UW alumna soprano Emily Birsan; pianist Randall Hodgkinson; and baritone Timothy Jones (below bottom).

As usual, the season features 12 concerts of six programs over three weeks (June 9-25) in three venues – the Playhouse in the Overture Center (below top), the Hillside Theater (below middle) at Frank Lloyd Wright’s Taliesin compound in Spring Green and the Stoughton Opera House (below bottom).

In addition, there is a FREE family concert in the Overture Playhouse on June 10.

What does seem somewhat new is the number of unknown composers and an edgier, more adventurous choice of pieces, including more new music and more neglected composers.

Oh, there will be classics by such composers as Joseph Haydn, Wolfgang Amadeus Mozart, Luigi Boccherini, Franz Schubert, Johannes Brahms, Peter Tchaikovsky, Sergei Prokofiev, Maurice Ravel, Bela Bartok, Arnold Schoenberg, Benjamin Britten and others. These are the ABC’s of the alphabet soup, according to BDDS.

But also represented are composers such as Philippe Gaubert, Czech Holocaust victim Gideon Klein (below), Guillaume Conneson, Carl Czerny, Paul Moravec and Franz Doppler. These are the XYZ’s of the alphabet soup.

In between come others. Contemporary American composer, and Pulitzer Prize winner, Kevin Puts (below) is a BDDS favorite and is well represented. You will also find less performed works by Ned Rorem, Erich Wolfgang Korngold and Gerald Finzi.

For the complete programs and schedules as well as the list of performers, some YouTube videos and ticket prices, both for season tickets ($109.50, $146, $182 and $219) and for individual concerts ($43), and other information, go to:

http://bachdancinganddynamite.org/concerts/festival-concerts/


Classical music: A second photograph of Chopin has been discovered. Here it is along with how it was found and what it tells us

March 11, 2017
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By Jacob Stockinger

A conservative musician who admired and valued the music of Johann Sebastian Bach and Wolfgang Amadeus Mozart above that of  Ludwig van Beethoven and his own contemporaries, Frederic Chopin (1810-1849) is one of the most popular and most played of all Romantic composers.

He remains a perennial favorite of audiences, students and concert artists. Witness the recent sold-out concerts featuring Chopin’s music by Trevor Stephenson at his home and by Adam Neiman at Farley’s House of Pianos. An amazingly high percentage of Chopin’s works remains in the active repertoire.

His was no belated posthumous fame, either. Chopin, the famous Polish pianist-composer who was exiled in Paris, was well-known and widely respected in his own lifetime by the public and by other famous composers and pianists such as Franz Liszt and Robert Schumann.

Yet despite many drawings and paintings of Chopin – often at odds in their depictions — until recently only one known photograph of Chopin existed: The familiar one taken by Louis-Auguste Bisson in Paris towards the end of Chopin’s life, just months before he died of tuberculosis at age 39 in 1849.

Now a second photograph — or daguerreotype, to be exact — has been discovered. It probably dates from 1847 or so.

Here is the new photographic portrait of Chopin:

Want to know some background?

Here is the story from Poland via The Washington Post and the Associated Press:

https://etsuri.com/articles/a-rare-unknown-photo-of-frederic-chopin-probably-found

Here are the two known photographs side by side for comparison:

http://www.businessinsider.com/only-2-known-photos-of-chopin

And here is a terrific blog analysis of the two photographs that also discusses his late music and what the photographs tell us about Chopin:

http://jackgibbons.blogspot.com/2010/03/chopins-photograph.html

The Ear wonders how long it will be before we start seeing the new photograph of Chopin on CD jackets and liner notes.

In any case, as an homage, here is Chopin’s last composition, the archetypically Polish form of the Mazurka in F minor, Op. 68, No. 4, played in a YouTube video by Vladimir Ashkenazy :


Classical music: The Madison Symphony Orchestra presents two organ concerts this week – this season’s final organ recital TONIGHT at 7:30 p.m. and this season’s final FREE community hymn sing on Saturday at 11 a.m.

March 7, 2017
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By Jacob Stockinger

The Ear has received the following information to post about two performances, put on by the Madison Symphony Orchestra, in Overture Hall this week. The first is the season’s final organ recital and the second is the  season’s final hymn sing:

ORGAN RECITAL

The Madison Symphony Orchestra welcomes acclaimed organist Erik Wm. Suter in recital, TONIGHT, March 7, at 7:30 p.m. in Overture Hall, 201 State Street.

Suter will perform works by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Maurice Duruflé and William Bolcom, among others. For the specific works on the program, go to: http://madisonsymphony.org/suter

A native of Chicago, Suter (below) enjoys an international career from Tokyo to Toronto and from Massachusetts to Madison. For 10 years he served as organist at the Washington National Cathedral.

Additionally, he has won five first place awards in numerous organ competitions around the world.

His performances of the complete organ works of Maurice Duruflé have garnered high praise: “Suter’s impeccable organ playing and musicianship were certainly the highlight of the evening.” (You can sample Suter’s Duruflé project, performed at the National Cathedral, in the YouTube video at the bottom.)

HYMN SING

On Saturday, March 11, at 11 a.m., the MSO invites the entire community to sing together with the Overture Concert Organ at a free Hymn Sing in Overture Hall, 201 State Street.

All ages are welcome and no registration or tickets are required.

The Hymn Sing will feature classic hymns and spirituals such as Rock of Ages, Were You There, and I Know That My Redeemer Lives as well as solo organ works by Johann Sebastian Bach, Douglas Bristol and Louis Vierne.

Gary Lewis (below), organist at Bethel Lutheran Church in Madison, will lead the hymn singing, which will last approximately one hour.

TICKETS

General Admission for each Overture Concert Organ performance is $20. Tickets can be purchased at madisonsymphony.org/suter, (608) 258-4141 or the Overture Center Box Office.

Student Rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $10 tickets.

The Erik Wm. Suter performance is sponsored by Mike and Beth Hamerlik.

Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund. With a gift from Pleasant T. Rowland, the Madison Symphony Orchestra (MSO) commissioned the Overture Concert Organ, which is the backdrop of all MSO concerts.


Classical music: The 14th annual Wisconsin Flute Festival takes place this Saturday and offers a FREE concert at 5 p.m. Plus, a FREE recital of French flute music is this Friday at noon

March 2, 2017
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ALERT: This week’s FREE Friday Noon Musicale, at the First Unitarian Society of Madison, 900 University Bay Drive, will feature flutist Iva Ugrčić, flute and pianist Kyle Johnson performing an all-French program of music by Francis Poulenc, Olivier Messiaen, Claude Debussy and Jules Bouquet. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

The Ear has received the following information to post:

The 14th annual Wisconsin Flute Festival will take place this coming Saturday, March 4.

Flute

The Wisconsin Flute Festival brings together flutists and music lovers of all ages from Wisconsin and the greater Midwest.

The day’s events include workshops, performances, youth and collegiate competitions, a master class, and a 2,300-plus square foot exhibition hall with purveyors of fine flutes, music and accessories.

This year’s Festival will feature guest artist Lorna McGhee (below), principal flute of the Pittsburgh Symphony Orchestra and Artist Lecturer in Flute at Carnegie Mellon University.

lorna-mcghee-2

The 14th annual Wisconsin Flute Festival will begin at 8 a.m. in the Pyle Center at UW-Madison and will culminate in a FREE public concert beginning at 5 p.m. in Mills Concert Hall, in the Mosse Humanities Building, at UW-Madison.

This concert, “Landscapes and Love Songs,” will be performed by featured guest artist Lorna McGhee. (Sorry, The Ear has no details on the program.)

This year, an expanded variety of workshops and performances will be offered. Workshop topics will include circular breathing, articulation and vibrato, in addition to sessions on maximizing practice time, musicians’ health and interpreting musical pieces.

Participants will also have the opportunity to experience an interactive session with low flutes including; alto flutes, bass flutes and a contrabass flute (below).

contrabass-flute

Performances during the day will feature: electro-acoustic music; Telemann (below top) on historical flutes; lesser-known modern masters; Romanian composers; Latin music; Bach (below bottom) transcriptions; contemporary interpretation; and works for flute, clarinet and voice. Student soloists and chamber ensembles from UW-Whitewater and UW-Madison will present concerts.

georg philipp telemann

Bach1

For flutists shopping for an instrument, music or accessories, over a dozen companies and organizations from across the US will be on-site in the Festival’s exhibit hall. Technicians will be also available to evaluate instruments and conduct minor repairs.

Exhibitors include Altus Flutes, Atlantic Crossing Records, Brannen Brothers Flutemakers, Inc., Burkart Flutes & Piccolos, Di Zhao Flutes, Flute Center of New York, Flute Specialists, Flute World, Heid Music, The National Flute Association, Ward-Brodt, White House of Music and Wisconsin Youth Symphony Orchestras.

Tickets are $20 to $35 for Festival participants. Tickets for non-flutist family members of participants (parents, siblings) are available for at a special rate of $5. Registration information is available online at wisconsinflutefestival.org. Tickets can be purchased at the Festival.

The evening concert beginning at 5 p.m. in Mills Hall, is FREE and OPEN TO THE PUBLIC.

The Wisconsin Flute Festival is a program of the Madison Flute Club.

About the Madison Flute Club

The Madison Flute Club was founded in 2002 and currently presents over 20 concerts each year to an audience of more than 1,500 community members. The club involves, on average, 35 active adult members and over 30 youth from the surrounding area.

To advance and achieve its mission, the Madison Flute Club has undertaken several large projects and partnered with numerous organizations and events in Dane County.

These projects include the commissioning and world premiere of a work for flute choir for Design MMoCA, successfully fundraising for a contrabass flute (the first such instrument in Wisconsin) and performing at the National Flute Association Convention.

Madison Flute Club ensembles and members have been featured on Wisconsin Public Radio’s The Midday with Norman Gilliland, WORT 89.9FM Madison and in the publication The Flutist Quarterly.

The 2017 Wisconsin Flute Festival is co-hosted by Madison Flute Club and UW-Madison Flute Studio.

Major funding is provided by: Heid Music, American Printing Company, Eric and Tobi Breisach, Distillery Marketing and Design, Karl Sandelin in honor of Joyce Sandelin and Wisconsin Youth Symphony Orchestras.

Additional funding is provided by Altus Handmade Flutes, Breisach Cordell PLLC, and Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation.


Classical music education: The Wisconsin Youth Symphony Orchestras’ annual “Art of Note” gala next Saturday night, March 4, seeks to raise $85,000 for music education

February 24, 2017
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By Jacob Stockinger

The Ear has received the following public service announcement to post, and he is happy to do so because he believes there is no better investment you can make in the future of both classical music and adult success:                                      

Wisconsin Youth Symphony Orchestras will hold its annual Art of Note Gala fundraiser, on Saturday, March 4, 2017 from 6 to 10 p.m., at Marriott West, 1313 John Q. Hammons Drive, in Middleton just off the Beltline on Madison’s far west side.

WYSO Logo blue

WYSO AoN logo

You can join dozens of major corporate underwriters and small business sponsors as well as individual attendees in helping WYSO to meet its goal of raising $85,000.

Study after study confirms that music education reaps lifelong benefits in academic and career success that go far beyond making music.

WYSO 50th Photo 1

No single music educational organization in Wisconsin reaches more students or listeners than the Wisconsin Youth Symphony Orchestras (WYSO), which is based at the University of Wisconsin-Madison Mead Witter School of Music.

WYSO has served nearly 5,000 talented young musicians from more than 100 communities throughout south central Wisconsin over the past 51 years.

WYSO provides over $50,000 in scholarships for students in need.

WYSO performs through the community and undertakes local concerts and TV appearances as well as international tours. International tours have included Vienna, Prague (below), Budapest, Argentina and Italy.

WYSO Tour Prague final audience

The Art of Note Gala garners community-wide support from those who are passionate about music education, ensuring that WYSO remains one of the top youth orchestra programs in the country.

The evening will feature live music performed by several WYSO student groups including the Brass Choir (below), Percussion Ensemble and Youth Advanced String Ensemble.

(In the YouTube video at the bottom, you can hear a WYSO orchestra under retiring music director James Smith, perhaps part of the suite from the opera “Carmen” by Georges Bizet.)

WYSO Brass Choir

The event will have an Italian theme to food, drinks and decor to bring back memories of WYSO’s most recent tour of Italy.

Fundraising events include silent and live auctions of more than 100 items that include everything from fine wine and restaurant gift certificates to holiday getaways, jewelry and tickets to major sporting and arts events.

To see the auction items, go to: http://www.wysomusic.org/artofnote/the-live-and-silent-auction-2017/

Of special note are the recycled violins that have been hand-painted and transformed into works of art by local artists. They are currently on display at Goodman Jewelers, 220 State Street. (Below top is the violin by Ellie Taylor, and below bottom by Margaret Andrews.)

wyso-art-of-note-2017-ellie-taylor-violin

wyso-art-of-Note-2017-margaret-andrews-violin

Individual admission is $125 in advance, $135 at the door ($85 tax-deductible as a charitable donation per person). You can also purchase a table of four for $450, a table of 8 for $900 and a table of 10 for $1,100.

For reservations and more information about attending or sponsoring the gala, donating auction items as well as WYSO’s overall program and upcoming concerts, visit WYSO’s home website for the fundraising event at www.wysomusic.org/artofnote. You can also call (608) 263-3320, ext. 2.

For more general information about WYSO and its programs, go to: www.wysomusic.org

NOTE: If you are a WYSO student, a WYSO parent or a WYSO donor or supporter and have encouraging words to help others decide about attending the WYSO “Art of Note” fundraiser, please leave them in the COMMENT section.


Classical music: Edgewood College Chamber Orchestra performs Sunday afternoon. Plus a FREE violin recital is this Friday at noon

February 23, 2017
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features violinist Paran Amirinazari in music by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Johannes Brahms, Camille Saint-Saens and Dmitri Shostakovich. Amirinazari, a graduate of the UW-Madison, is a member of the Willy Street Chamber Players. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

The Edgewood College Chamber Orchestra will perform a concert of music by Domenico Cimarosa, Ludwig van Beethoven and Gioachino Rossini this Sunday afternoon, Feb. 26, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.

Admission is $5, and free with an Edgewood College ID.

The program features the rarely performed Concerto for Oboe by the 18th-century Italian composer Domenico Cimarosa. Oboist Malia Huntsman will be the soloist. The orchestra will perform under the baton of its music director, Edgewood College professor Blake Walter (below).

You can sample the Oboe Concerto by Cimarosa in the YouTube video at the bottom.

blake walter john maniaci

The program opens with music by Rossini and also features Beethoven’s Symphony No. 1, one of the early symphonic masterpieces of the German composer.

Originally from Los Angeles, Malia Huntsman (below) has been playing oboe since the age of 14. She holds an undergraduate degree in Oboe Performance from the Oberlin Conservatory of Music, and a Master of Arts degree in Oboe Performance from Rice University.

malia-huntsman

Founded in 1993 via an endowment established by benefactors William O. Hart and the late Edgewood College music professor Vernon Sell, the Edgewood Chamber Orchestra provides performances and unique educational opportunities. The ensemble is the permanent, in-house chamber orchestra at Edgewood College.


Classical music: Here are the classical music winners of the 2017 Grammy Awards

February 18, 2017
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By Jacob Stockinger

This posting is both a news story and a shopping guide for recordings you might like to give or get.

It features the classical music winners for the 59th annual Grammy Awards that were announced last Sunday night.

grammy award BIG

Music about the famed American writer Ernest “Papa” Hemingway (below), writing while on safari in Kenya in 1953), with cellist Zuill Bailey, turned out to be a four-time winner for Naxos Records. You can hear the opening movement — titled “Big Two-Hearted River” after the famous short story by Hemingway — in the YouTube video at the bottom.

EH3541P

For more information about the nominees and to see the record labels, as well as other categories of music, go to:

https://www.grammy.com/nominees

On the Internet website, the winners are indicated by a miniature Grammy icon. On this blog they are indicated with an asterisk and boldfacing.

As a point of local interest, veteran producer Judith Sherman – who has won several Grammys in the past but not this year – was cited this year for her recordings of the University of Wisconsin-Madison’s Pro Arte Quartet centennial commissions, Vol. 2. So at least there was a local Grammy nominee, a rare event.

Of regional interest, the non-profit label Cedille Records of Chicago won for its recording of percussion music by Steve Reich.

And to those Americans who complain about a British bias in the Gramophone awards, this list of Grammy winners shows a clear American bias. But then that is the nature of the “industry” – and the Grammys are no less subject to national pride and business concerns than similar awards in the United Kingdom, France and Germany. At least that is how it appears to The Ear.

Anyway, happy reading and happy listening.

BEST ENGINEERED ALBUM, CLASSICAL

*“Corigliano: The Ghosts of Versailles” — Mark Donahue & Fred Vogler, engineers (James Conlon, Guanqun Yu, Joshua Guerrero, Patricia Racette, Christopher Maltman, Lucy Schaufer, Lucas Meachem, LA Opera Chorus & Orchestra)

“Dutilleux: Sur Le Même Accord; Les Citations; Mystère De L’Instant & Timbres, Espace, Mouvement” — Alexander Lipay & Dmitriy Lipay, engineers (Ludovic Morlot, Augustin Hadelich & Seattle Symphony)

“Reflections” — Morten Lindberg, engineer (Øyvind Gimse, Geir Inge Lotsberg & Trondheimsolistene)

“Shadow of Sirius” — Silas Brown & David Frost, engineers; Silas Brown, mastering engineer (Jerry F. Junkin & the University Of Texas Wind Ensemble)

“Shostakovich: Under Stalin’s Shadow: Symphonies Nos. 5, 8 & 9” — Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra)

PRODUCER OF THE YEAR, CLASSICAL

Blanton Alspaugh

*David Frost (below)

Marina A. Ledin, Victor Ledin

Judith Sherman (pictured below with a previous Grammy Award. She came to Madison to record the two volumes of new commissions for the centennial of the University of Wisconsin-Madison’s Pro Arte Quartet)

Robina G. Young

david-frost-grammy

BEST ORCHESTRAL PERFORMANCE

“Bates: Works for Orchestra” — Michael Tilson Thomas, conductor (San Francisco Symphony)

“Ibert: Orchestral Works” — Neeme Järvi, conductor (Orchestre De La Suisse Romande)

“Prokofiev: Symphony No. 5 In B-Flat Major, Op. 100” — Mariss Jansons, conductor (Royal Concertgebouw Orchestra)

“Rouse: Odna Zhizn; Symphonies 3 & 4; Prospero’s Rooms” — Alan Gilbert, conductor (New York Philharmonic)

*“Shostakovich: Under Stalin’s Shadow – Symphonies Nos. 5, 8 & 9” (below) — Andris Nelsons, conductor (Boston Symphony Orchestra)

nelsons-shostakovich-5-cd-cover

BEST OPERA RECORDING

*“Corigliano: The Ghosts of Versailles” (below) — James Conlon, conductor; Joshua Guerrero, Christopher Maltman, Lucas Meachem, Patricia Racette, Lucy Schaufer & Guanqun Yu; Blanton Alspaugh, producer (LA Opera Orchestra; LA Opera Chorus)

“Handel: Giulio Cesare” — Giovanni Antonini, conductor; Cecilia Bartoli, Philippe Jaroussky, Andreas Scholl & Anne-Sofie von Otter; Samuel Theis, producer (Il Giardino Armonico)

“Higdon: Cold Mountain” — Miguel Harth-Bedoya, conductor; Emily Fons, Nathan Gunn, Isabel Leonard & Jay Hunter Morris; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra; Santa Fe Opera Apprentice Program for Singers)

“Mozart: Le Nozze Di Figaro” — Yannick Nézet-Séguin, conductor; Thomas Hampson, Christiane Karg, Luca Pisaroni & Sonya Yoncheva; Daniel Zalay, producer (Chamber Orchestra of Europe; Vocalensemble Rastatt)

“Szymanowski: Król Roger” — Antonio Pappano, conductor; Georgia Jarman, Mariusz Kwiecień & Saimir Pirgu; Jonathan Allen, producer (Orchestra of the Royal Opera House; Royal Opera Chorus)

ghosts-of-versailles-cd-cover

BEST CHORAL PERFORMANCE

“Himmelrand” — Elisabeth Holte, conductor (Marianne Reidarsdatter Eriksen, Ragnfrid Lie & Matilda Sterby; Inger-Lise Ulsrud; Uranienborg Vokalensemble)

“Janáček: Glagolitic Mass” — Edward Gardner, conductor; Håkon Matti Skrede, chorus master (Susan Bickley, Gábor Bretz, Sara Jakubiak & Stuart Skelton; Thomas Trotter; Bergen Philharmonic Orchestra; Bergen Cathedral Choir, Bergen Philharmonic Choir, Choir of Collegium Musicum & Edvard Grieg Kor)

“Lloyd: Bonhoeffer” — Donald Nally, conductor (Malavika Godbole, John Grecia, Rebecca Harris & Thomas Mesa; the Crossing)

*“Penderecki Conducts Penderecki, Volume 1” — Krzysztof Penderecki, conductor; Henryk Wojnarowski, choir director (Nikolay Didenko, Agnieszka Rehlis & Johanna Rusanen; Warsaw Philharmonic Orchestra; Warsaw Philharmonic Choir)

“Steinberg: Passion Week” — Steven Fox, conductor (The Clarion Choir)

penderecki-conducts-penderecki-vol-1-cd-cover

BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE

“Fitelberg: Chamber Works” — ARC Ensemble

“Reflections” — Øyvind Gimse, Geir Inge Lotsberg & Trondheimsolistene

“Serious Business” — Spektral Quartet

*“Steve Reich”— Third Coast Percussion

“Trios From Our Homelands” — Lincoln Trio

reich-third-coast-percussion-cd-cover

BEST CLASSICAL INSTRUMENTAL SOLO

“Adams, John.: Scheherazade.2” — Leila Josefowicz; David Robertson, conductor (Chester Englander; St. Louis Symphony)

*“Daugherty: Tales of Hemingway” — Zuill Bailey (below); Giancarlo Guerrero, conductor (Nashville Symphony)

“Dvořák: Violin Concerto & Romance; Suk: Fantasy” — Christian Tetzlaff; John Storgårds, conductor (Helsinki Philharmonic Orchestra)

“Mozart: Keyboard Music, Vols. 8 & 9” – Kristian Bezuidenhout

“1930’s Violin Concertos, Vol. 2” – Gil Shaham; Stéphane Denève, conductor (The Knights & Stuttgart Radio Symphony Orchestra)

Deluxe Photography / Diane Sierra

BEST CLASSICAL SOLO VOCAL ALBUM

“Monteverdi” — Magdalena Kožená; Andrea Marcon, conductor (David Feldman, Michael Feyfar, Jakob Pilgram & Luca Tittoto; La Cetra Barockorchester Basel)

“Mozart: The Weber Sisters” — Sabine Devieilhe; Raphaël Pichon, conductor (Pygmalion)

*“Schumann & Berg” (below top) — Dorothea Röschmann; Mitsuko Uchida, accompanist (tied)

*“Shakespeare Songs” (below bottom) — Ian Bostridge; Antonio Pappano, accompanist (Michael Collins, Elizabeth Kenny, Lawrence Power & Adam Walker) (tied)

“Verismo” — Anna Netrebko; Antonio Pappano, conductor (Yusif Eyvazov; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia)

uchida-and-roschmann-schumann-and-berg-cd-cover

bostridge-shakespeare-songs-cd-cover

BEST CLASSICAL COMPENDIUM

*“Daugherty: Tales of Hemingway; American Gothic; Once Upon A Castle” — Giancarlo Guerrero, conductor; Tim Handley, producer

“Gesualdo” — Tõnu Kaljuste, conductor; Manfred Eicher, producer

“Vaughan Williams: Discoveries” — Martyn Brabbins, conductor; Andrew Walton, producer

“Wolfgang: Passing Through” — Judith Farmer & Gernot Wolfgang, producers; (Various Artists)

“Zappa: 200 Motels – The Suites” — Esa-Pekka Salonen, conductor; Frank Filipetti & Gail Zappa, producers

tales-of-hemingway-cd-cover

BEST CONTEMPORARY CLASSICAL COMPOSITION

“Bates: Anthology of Fantastic Zoology” — Mason Bates, composer (Riccardo Muti & Chicago Symphony Orchestra)

*“Daugherty: Tales of Hemingway” — Michael Daugherty (below), composer (Zuill Bailey, Giancarlo Guerrero & Nashville Symphony)

“Higdon: Cold Mountain” — Jennifer Higdon, composer; Gene Scheer, librettist (Miguel Harth-Bedoya, Jay Hunter Morris, Emily Fons, Isabel Leonard, Nathan Gunn & the Santa Fe Opera)

“Theofanidis: Bassoon Concerto” — Christopher Theofanidis, composer (Martin Kuuskmann, Barry Jekowsky & Northwest Sinfonia)

“Winger: Conversations With Nijinsky” — C. F. Kip Winger, composer (Martin West & San Francisco Ballet Orchestra)

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Classical music: The Willy Street Chamber Players kick off their new FREE Community Connect concert series this coming Sunday afternoon at Warner Park. Plus, FREE oboe and piano concerts are this Friday at noon and Saturday night

February 16, 2017
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features oboist Laura Medisky and pianist Vincent Fuh in sonatas by Paul Hindemith, Henri Dutilleux and Malcolm Arnold. The concert runs from 12:125 to 1 p.m. On Saturday night at 7 p.m., the same performers will repeat the same program in a FREE concert at Oakwood Village West auditorium, 6201 Mineral Point Road, on Madison’s far west side near West Towne.

By Jacob Stockinger

The Ear’s friends at the Willy Street Chamber Players (below), which The Ear named as Musicians of the Year for 2016, write:

Willy Street Chamber Players 2016 outdoors

We wanted to let you know about the upcoming kickoff of the Willy Street Chamber Players’ “Community Connect” series. We are committed to our mission of making classical music accessible to all.

The Willy Street Chamber Players’ Northside Community Connect Concert is on this coming Sunday, Feb. 19, at noon at the Warner Park Community Recreation Center.

Warner Park shelter

Enjoy hot coffee, exciting classical music and great conversation with the Willy Street Chamber Players. 

This program is FREE, family-friendly and will last about 60 minutes. All are welcome.

The program is: String Quartet in C Major, K. 157, by Wolfgang Amadeus Mozart; String Quartet No. 5, “Rosa Parks” by Daniel Bernard Roumain; “Entr’acte” for String Quartet by Pulitzer Prize-winner Caroline Shaw (you can hear the piece, which The Ear loves for its pulsing and hypnotic rhythm plus unusual and interesting string textures, in the YouTube video at the bottom); and “Four, for Tango” by Astor Piazzolla.

There was an announcement about this series in the January string quartet program at A Place to Be (below, in a photo by John W. Barker), and it included a couple more concerts. But we have decided to make Community Connect a self-produced series.

willy-street-chamber-players-at-a-place-to-be-jan-2017-cr-jwb

We are planning a second Community Connect concert in July during our regular summer series, and have listed our other free appearances on our regular calendar.

The concert is made possible in part by Willy Street Co-Op and the North/Eastside Senior Coalition (NESCO).

For more information go to: www.willystreetchamberplayers.org

Willy Street Chamber Players logo


Classical music: Madison Opera scores a big artistic and commercial success with the Midwest premiere of “Charlie Parker’s Yardbird.” How about seeing and hearing more new music and new operas?

February 15, 2017
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By Jacob Stockinger

Here is a guest review by The Opera Guy, who is himself a senior and who has followed opera for many decades and across several continents, including North America, Europe and Asia. Performance photos are by James Gill for the Madison Opera.

By Larry Wells

On Sunday afternoon I attended the second, and final, of two sold-out performances of Daniel Schnyder’s “Charlie Parker’s Yardbird,” presented by Madison Opera, which gave the Midwest premiere of the new work.

Although it is a chamber opera featuring only 16 instrumentalists and running a little over 90 minutes, it was an engaging, satisfying and often hypnotic operatic experience.

The orchestral and vocal music were readily accessible.  As a compliment to the composer, I was reminded of the later work of the great British composer Michael Tippett.

The plot features Charlie Parker’s mother, three of his wives, his friend Dizzy Gillespie and his current patroness, the fascinating Baroness Nica de Koenigswarter, as they confront Parker’s spirit after his death but before his removal from the morgue and burial.

madison-opera-charlie-parker-body-cr-james-gill

(Below, standing in front of the photo-portrait set of the Birdland jazz club, are the major cast members, many of whom were in the original world premiere productions at Opera Philadelphia and the Apollo Theater of Harlem in New York City. From the left, they are: Angela Brown as Addie Parker; Will Liverman as Dizzy Gillespie; Rachel Sterrenberg as Chan Parker; Angela Montellaro as Doris Parker; Joshua Stewart as Charlie Parker; and Krysty Swann as Rebecca Parker.)

madison-opera-angela-brown-as-addie-parker-will-liverman-as-dizzy-gillespie-rachel-sterrenberg-as-chan-parker-angela-montellaro-as-doris-parker-joshua-stewart-as-charlie-parker-krysty-swann

A pioneer and innovator of bebop in the world of jazz, saxophonist Parker died young and dissolute, destroyed by drugs and alcohol. Portrayed by Joshua Stewart (below), Parker is unsympathetic and weak, desperate to create but distracted. Stewart is a fine, convincing actor. His singing was often compelling, but his voice was too thin in the higher reaches demanded by the score.

madison-opera-joshua-stewart-as-charlie-parker-cr-james-gill

The other characters were ably portrayed and consistently strong vocally. Will Liverman’s Dizzy Gillespie was a standout – lyrical and touching.

Likewise, Krysty Swann (below center with a baby) was solid vocally and emotionally convincing as Parker’s abandoned first wife Rebecca Parker.

madison-opera-joshua-stewart-as-charlie-parker-krysty-swann-and-rebecca-parker-angela-brown-as-addie-parker-cr-james-gill

Rachel Sterrenberg was moving and gripping vocally as Parker’s final wife Chan.

Julie Miller as Baronness Nica commanded the stage whenever she appeared, perhaps because of her bright red dress in a sea of black garments but also because of her powerful portrayal and expressive singing.

Whenever Angela Brown (below right, with Joshua Stewart as Charlie Parker) was onstage as Parker’s mother, Addie, she was the focus. She owned the role, she sang beautifully, and she had some of the best material to sing.

(You can hear Angela Brown, who has appeared here before with the Madison Symphony Orchestra and the Madison Opera, in the world premiere production in the YouTube video at the bottom.)

madison-opera-joshua-stewart-as-charlie-parker-angela-brown-as-addie-parker-cr-james-gill

One of the finest moments in the opera was an orchestral interlude followed by a vocalise by another of Parker’s wives, Doris, sung by Angela Mortellaro (below). I was totally captivated, as I was by the quintet toward the end with Dizzy, the three wives and Parker’s mother.

madison-opera-angela-mortellaro-as-doris-parker-joshua-stewart-as-charlie-parker-cr-james-gill

Such are the moments for which an opera aficionado waits – several minutes of total aural delight.

Maestro John DeMain was, as always, in full command of the score as he led members of the Madison Symphony Orchestra. I was in a position to watch him conduct, and he was always totally involved in the moment. I repeat what I have said before: Maestro DeMain (below, in a photo by Prasad) is a treasure for which Madison should be constantly grateful.

John DeMain full face by Prasad

I personally like newer music and always welcome the chance to hear something other than the tired Brahms overtures, Tchaikovsky symphonies and Mozart piano concertos.

The argument in Madison seems to be that to fill seats, you have to give the audience what it wants; and the belief is that it wants music that is tried, true and safe.

The fact that this new work sold out both performances in the Capitol Theater of the Overture Center and that the audience was not entirely made up of seniors seems to suggest that the halls can be filled if the programming is more adventurous.

I say let’s hear more music of the 20th and 21st centuries, draw in a new audience and give the seniors a little thrill.

What do you think?


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