The Well-Tempered Ear
Classical music: This Friday night, Nov. 22, the UW-Madison’s Pro Arte Quartet begins its 14-month complete cycle of Beethoven’s 16 string quartets. Here are programs and information about the six concerts
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By Jacob Stockinger
As you might have already heard, 2020 is a Beethoven Year. Musicians are already marking the 250th anniversary of the birth of Ludwig van Beethoven (1770-1827, below).
One of the big local events – unfolding over the next 14 months — is that the University of Wisconsin-Madison’s acclaimed Pro Arte Quartet will perform a complete, six-concert cycle of Beethoven’s 16 string quartets, which are considered to be a monumental milestone in chamber music and in the development of the genre.
They encompass the styles of Beethoven’s early, middle and late periods, and often served as an experimental laboratory for musical ideas he used on other works. Each of the Pro Arte’s programs wisely features works from different periods, which makes comparisons and differences easier to understand. (You can hear Beethoven biographer Jan Stafford discuss the late quartets in the YouTube video at the bottom.)
For more about Beethoven’s string quartets, go to: https://en.wikipedia.org/wiki/Category:String_quartets_by_Ludwig_van_Beethoven
A Beethoven cycle is also what originally brought the Pro Arte Quartet from Belgium — where it was founded by students at the Royal Conservatory in 1912 — to Madison, where they performed it at the Wisconsin Union Theater in 1940. In fact, they were in the process of performing the cycle when they heard that their homeland of Belgium has been invaded by Hitler and the Nazis, and they could not go home.
Stranded here by World War II, they were offered a chance to be artists-in-residence at the UW-Madison. They accepted — and the quartet has remained here since, becoming the longest performing quartet in music history.
For more about the history of the Pro Arte (below, in 1928), go to: https://www.music.wisc.edu/pro-arte-quartet/
Current members of the Pro Arte Quartet (below from left, in a photo by Rick Langer) are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.
PROGRAM I: Friday, Nov. 22, 8 p.m. in Collins Recital Hall
String Quartet in G Major, Op. 18, No. 2 (1798-1800)
String Quartet in F Minor, Op. 95 “Serioso” (1810)
String Quartet in B-Flat Major, Op. 130 (1825-6)
PROGRAM II: Friday, Feb. 28, 8 p.m., Mead Witter Foundation Concert Hall
String Quartet in F Major, Op. 18, No. 1 (1798-1800)
String Quartet in E-Flat Major, Op. 74 “Harp” (1809)
String Quartet in C-Sharp Minor, Op. 131 (1826)
PROGRAM III: Thursday, April 16 (NOT April 23, as was mistakenly listed in a press release), 7:30 p.m., Mead Witter Foundation Concert Hall
String Quartet in D Major, Op. 18, No. 3 (1798-1800)
String Quartet in E Minor, Op. 59, No. 2 (1806)
String Quartet in E-Flat Major, Op. 127 (1825)
PROGRAM IV: Friday, Oct. 2, 2020, 8 p.m., Mead Witter Foundation Concert Hall
String Quartet in A Major, Op. 18, No. 5 (1798-1800)
String Quartet in C Minor, Op. 18, No. 4 (1798-1800)
String Quartet in A Minor, Op. 132 (1825)
PROGRAM V: Friday, Nov. 20, 2020, 8 p.m., Mead Witter Foundation Concert Hall
String Quartet in B-Flat Major, Op. 18, No. 6 (1798-1800)
String Quartet in F Major, Op. 135 (1826)
String Quartet in C Major, Op. 59, No. 3 (1806)
PROGRAM VI: Saturday, Jan. 30, 2021, 8 p.m., Mead Witter Foundation Concert Hall
String Quartet in F Major, Op. 59, No. 1 (1806)
String Quartet in B-Flat Major, Op. 130 with the Great Fugue Finale, Op. 133 (1825)
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Classical music: Starting Wednesday, the second LunART Festival will again spotlight women in the performing and creative arts. Here is the first of a two-part preview
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By Jacob Stockinger
The Ear has received a long and detailed announcement about the upcoming second LunART Festival. Here is Part 1 with background and participants. Tomorrow will be Part 2 with more information about new music and a schedule of events.
The LunART Festival is back for its second season from this Wednesday, June 5, through Sunday, June 9, and will continue its mission of supporting, inspiring, promoting and celebrating women in the arts.
The 2019 season brings 10 events to eight venues in the Madison area, providing accessible, high-quality, engaging concerts and events with diverse programming from various arts fields.
The festival will showcase over 100 artists this season, including many familiar local artists and performers as well as guest artists hailing from Missouri to Texas, Minnesota to Florida and as far away as Peru.
LunART’s inaugural 2018 season was a success on numerous fronts. From showcasing a wide variety of artists and arts disciplines to building lasting relationships and collaborations, LunART has distinguished itself from other arts events in Madison.
Both artists and audiences have commented that the LunART atmosphere is one of camaraderie, love and acceptance. Festival directors Iva Ugrcic and Laura Medisky (below right and left, respectively) have set this season to come back even stronger, with expanded dates and more diverse programming.
Like last year, the three ticketed evening gala concerts are centered on classical chamber music. Other art forms — including contemporary and aerial dance, poetry, spoken word and visual arts — are interwoven throughout the programs to create a unique atmosphere for performers, artists and audiences.
This year’s Grammy-nominated composer-in-residence is flutist Valerie Coleman (below), a former member of Imani Winds, who was described as one of the “Top 35 Female Composers in Classical Music” by The Washington Post.
Coleman embodies LunART’s vision by challenging norms and being a strong advocate for diversity in the arts. Her rich compositional output infuses elements of jazz and African secular music into the Western classical tradition, creating a soundscape that honors both worlds. (In the YouTube video at the bottom, you can hear Valerie Coleman playing her own composition “Fanmi Imen” at the 2018 convention of the National Flute Association.)
Coleman’s music will be featured throughout the festival among the works of other remarkable women who shaped music history, from Baroque composer Barbara Strozzi to Romantic composer Clara Schumann to living composer Missy Mazzoli.
Drawing from Madison’s rich arts scene and community, LunART 2019 features local artists including: former Madison poet laureate Andrea Musher (below); actor and theater artist Deborah Hearst; choreographers and dancers Liz Sexe and Kimi Evelyn; and aerial dancer Linda DiRaimondo.
Also featured are musicians from arts organizations such as Madison Symphony Orchestra, Wisconsin Chamber Orchestra, Fresco Opera Theatre, Arbor Ensemble, Madison New Music Ensemble and Sound Out Loud Contemporary Music Collective. Under the direction of Edgewood College professor Kathleen Otterson, Madison’s only women’s choir ARTemis Ensemble returns in greater numbers and will present a work by LunART 2018 “From Page to Stage” alum Meg Huskin among others.
Visual art will have a stronger presence in the 2019 Festival. From May 11-July 7, Overture’s Playhouse Gallery will house “Women Against Hate United by Love,” a collaborative, traveling art exhibition and multi-step “anti-hate” campaign united against bigotry, intolerance and racism, created by J. Leigh Garcia (below), Rachael Griffin and Kelly Parks Snider.
A gallery reception on Wednesday, June 5, serves as LunART’s opening event, in which Snider will give a talk about the exhibit and her use of art to educate communities about targeted issues in the hopes of shaking up the status quo. This engaging and thought-provoking exhibit is meant to provide a meaningful and hopeful community experience for all who attend.
In collaboration with Studio 84 and ArtWorking, two nonprofit art studios specializing in the creative development of people with disabilities, the final Gala concert at First Unitarian Society of Madison, 900 University Bay Drive, on Saturday, June 8, will showcase 40 artworks. This exhibit will feature 20 women artists whose works will be displayed, flanking the Atrium Auditorium stage as well as in the lobby.
Tomorrow: New music to be premiered, comedy and the full schedule of events
Tags: #AfricanMusic, #AndreaMusher, #ArborEnsemble, #ARTemisEnsemble, #ArtExhibit, #ArtExhibition, #ArtForm, #ArtWorking, #ArtWorks, #AtriumAuditorium, #BarbaraStrozzi, #BaroqueMusic, #BlogPost, #BlogPosting, #CelebratingWomen, #ChamberMusic, #ClaraSchumann, #Composer-in-Residence, #ContemporaryMusic, #CulturalDiversity, #DeborahHearst, #EdgewoodCollege, #EthnicDiversity, #FacebookPost, #FacebookPosting, #FemaleComposer, #FeministArt, #FirstUnitarianSocietyofMadison, #FluteMusic, #FrescoOperaTheatre, #FromPagetoStage, #GenderDiversity, #GrammyAward, #GrammyNominations, #GuestArtist, #High-Quality, #ImaniWinds, #J.LeighGarcia, #JazzMusic, #KathleenOtterson, #KellyParksSnider, #KimiEvelyn, #LindaDiRaimondo, #LivingComposer, #LizSexe, #LunARTFestival, #MadisonNewMusicEnsemble, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MegHuskin, #MeToo, #MeToomovement, #MissyMazzoli, #MusicHistory, #NationalFluteAssociation, #NewMusic, #NonprofitOrganization, #OpeningNight, #OvertureCenter, #PoetLaureate, #RachelGriffin, #RomanticMusic, #SaturdayNight, #SecularMusic, #SoundOutLoud, #SpokenWord, #StatusQuo, #Studio84, #TheEar, #ThePlayhouse, #TheWashingtonPost, #ThoughtProvoking, #UniversityofWisconsin-Madison, #ValerieColeman, #VisualArts, #WindMusic, #WisconsinChamberOrchestra, #Women'sChoir, #WomenArtists, #YouTubevideo, accessible, accpetance, Actor, actress, advocate, aerial, African, all-women, alum, alumna, Andrea Musher, announcement, Arbor Ensemble, area, art exhibition, art form, Art Works, ARTemis Ensemble, artists, Arts, atmosphere, Atrium Auditorium, audience, background, Barbara Strozzi, Baroque, bigotry, blog, camaraderie, campaign, celebrating, Cello, challenging, Chamber music, choral music, choreographer, Clara Schumann, Classical music, classicalmusic, collaborative, comedy, community, composer, Composition, Concert, contemporary, contemporary music, convention, create, dance, dancer, dates, Deborah Hearst, detail, disabilities, disciplines, diverse, diversity, Early music, Edgewood College, educate, engaging, ethnic, evening, event, exhibit, expand, experience, Facebook, female, female composer, feminism, feminist, fina, final gala, First Unitarian Society of Madison, Florida, flute, flutist, forward, Fresco Opera Theatre, From Page to Stage, fronts, gala, gallery, gender, Grammy, Grammy Award, guest artist, hate, History, honor, hope, hopeful, Imani Winds, information, inspiring, intolerance, J. Lee Garcia, Jacob Stockinger, Jazz, Kathleen Otterson, Kelly Parks Snider, Kimi Evelyn, like, Linda DiRaimondo, link, Living composer, Liz Sexe, lobby, local, Love, LunART Festival, Madison, Madison New Music Ensemble, Madison Symphony Orchestra, Me Too, Mead Witter School of Music, Meg Huskin, Minnesota, mission, Missouri, Missy Mazzoli, Music, music history, National Flute Association, New Music, nominations, nonprofit, norms, numbers, opening, Overture Center, page, part, participants, People, performer, Peru, Piano, Playhouse, Poet laureate, Poetry, professor, programming, race, Rachel Griffin, racism, reception, rich, Romantic, Romanticism, Saturday, scene, schedule, second, secular, shake up, share, showcase, Sound Out Loud, soundscape, spoken word, stage, status quo, strong, studio, Studio 84, success, supporting, tag, talk, target, Texas, The Ear, The Washington Post, thought provoking, ticket, tomorrow, tradition, traveling, united, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, VALERIE COLEMAN, venue, Viola, Violin, vision, visual arts, vocal music, Wednesday, Western, winds, Wisconsin, Wisconsin Chamber Orchestra, women, women artists, women;s choir, world, YouTube
Classical music: The UW-Madison’s Pro Arte Quartet – music’s oldest string quartet — will play a FREE concert of late quartets by Haydn, Beethoven and Shostakovich this Friday night
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By Jacob Stockinger
Clocking in at over 100 years old, the University of Wisconsin-Madison’s Pro Arte Quartet (below in a photo by Rick Langer) is the longest-lived string quartet in the history of music.
Current members are (from left) David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.
Ever since it was founded in Brussels, Belgium in 1912 and then in 1938 found refuge from World War II as the first musical artists-in-residence at the UW-Madison (or anywhere), the Pro Arte has had the reputation of commissioning and championing living composers and new works. Such composers, whose works they also premiered, include Samuel Barber, Bela Bartok, Darius Milhaud, Arthur Honegger, Frank Martin and many others.
Here is a link with some of its background:
https://www.music.wisc.edu/event/pro-arte-quartet-4/
And here is a link to a more expanded history of the Pro Arte, along with a schedule of concerts this season:
https://www.music.wisc.edu/pro-arte-quartet/
But the Pro Arte Quartet (below, performing at Carnegie Hall in a photo by Rick Langer) is also unparalleled in performing the classics of the quartet repertoire.
You can hear that for yourself this coming Friday night at 8 p.m. in Mills Hall, when they will play a FREE concert of three quartets that came late in the composers’ careers.
The quartet will perform the famous and aptly nicknamed “Sunrise” String Quartet in B-flat Major, Op. 76, No. 4, by Franz Joseph Haydn; the late Beethoven String Quartet No. 15 in A minor, Op. 132, with its “Heiliger Dankgesang” – or “Sacred Hymn of Thanksgiving” (which you can hear and see graphically depicted in the YouTube video at the bottom); and the String Quartet No. 7, Op. 108, by Dmitri Shostakovich.
The Ear thinks the program is hard to beat for either experienced string quartets listeners or for newcomers to the genre.
He bets you will too.
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Classical music: Five alumni composers return to UW-Madison for two FREE concerts of their work this Thursday and Friday nights. On Tuesday night, UW trombonist Mark Hetzler and friends premiere four new works.
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ALERT: On Tuesday night at 7:30 in Mills Hall, UW-Madison trombone professor Mark Hetzler with be joined by Anthony DiSanza, drums/percussion; Vincent Fuh, piano; Ben Ferris, bass; Tom Ross-percussion; Garrett Mendelow, percussion.
Mark Hetzler and friends present a FREE concert titled “Mile of Ledges” with the premiere of four new works. Two new compositions (Falling and Mile of Ledges) by Mark Hetzler will feature lyrical and technical trombone passages, soulful and spirited piano writing, complex percussion playing and a heavy dose of electronics. In addition, the group will showcase new music by UW-Madison alum Ben Davis (his $$$$$$$$$$$$$$$$$$ for quartet and electronics) and Seattle composer David P. Jones (a chamber work for trombone, piano, bass and two percussionists).
Read a Wisconsin State Journal about Mark Hetzler. Download PDF here.
By Jacob Stockinger
If The Ear recalls correctly, alumni who return to the University of Wisconsin-Madison School of Music are generally performers or scholars.
All the more reason, then, to celebrate this week’s major UW event, which was organized by UW-Madison composer and teacher Stephen Dembski (below). It features five composers who trained at the UW-Madison and who are now out in the world practicing their art and teaching it to others.
Steve Dembski’s class
Dembski writes:
This week, the UW-Madison School of Music will welcome back five graduates of the composition studio who have developed creative, multi-dimensional careers in a range of fields: acoustic and electronic composition, musicology, theory, audio production, conducting, education, concert management and administration, performance, and other fields as well.
The two-day event is intended to show the breadth of talent at UW-Madison as well as demonstrating that music students focus on much more than performance as a way to shape successful careers.
The composers include: Jeffrey Stadelman (below), who is now associate professor of music composition at the University at Buffalo.
Paula Matthusen (below, BM, 2001), who is assistant professor of music at Wesleyan University.
William Rhoads (below, BM, 1996), who is vice-president of marketing and communications for Orchestra of St. Luke’s in New York City.
Andrew Rindfleisch (below, BM, 1987), who is a full-time composer living in Ohio. (You can hear his introspective and microtonal work “For Clarinet Alone” in a YouTube video at the bottom.)
Kevin Ernste (below, BM, 1997), who is professor of composition at Cornell University.
The UW-Madison School of Music will present two FREE concerts of their music, performed by the Wisconsin Brass Quintet (below top), the Wingra Woodwind Quintet (below bottom, in a photo by Michael Anderson), the UW Wind Ensemble, and other faculty members and students.
Wisconsin Brass Quintet
The FREE concerts are on this Thursday, Nov. 5, at 7:30 p.m. in Mills Hall; and on this Friday, Nov. 6, 7:30 p.m. in Mills Hall. There will be workshops and colloquia yet to be announced.
For complete composer biographies, along with comments about their works, and more information about the two-day event, visit this site:
http://www.music.wisc.edu/2015/10/08/uw-madison-composers-return/
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