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By Jacob Stockinger
Today — Sunday, Feb. 12, 2023 — is Super Bowl LVII.
Or as we say in ordinary English — “57.”
(It airs at 5:30 p.m. Central Standard Time on Fox.)
The Ear thinks it is pretentious for the NFL to use Roman numerals, which are esoteric and incomprehensible to many members of the public.
Does anyone else think so?
Using the Roman numerals in sports also seems unpractical.
Imagine the NBA using the same antiquated number system to record LeBron James’ new record for a lifetime basketball score — 33,388 points. According to Google, it would be XXXIIICCCLXXXVIII.
How convenient! And silly, no?
It seems the same kind of pretentious authenticity The Ear hears too often in Classical music where authentic foreign pronunciations often seem a sort of status symbol that says “Look at what I know and you don’t, but should.”
Not exactly the kind of effort at reaching out that classical music needs to draw bigger and younger audiences.
It’s like when non-Hungarian, American speakers say “Budapesht” when in English it is simply Budapest. And this often comes from the same people don’t usually say München for Munich, or Roma for Rome, or Paree for Paris.
Can American speakers just speak plain American English for the sake of clarity and simplicity?
And can the NFL just use either English numbers or, like the Olympics, the year to show which competition it is?
Anyway, despite such preciousness and pretentiousness, we can enjoy today’s 57th or 2023 Super Bowl championship game in Phoenix between the Philadelphia Eagles and the Kansas City Chiefs.
Here’s another easier equivalency: a beautiful long pass and a beautiful javelin throw.
Which why The Eater is offering the classical music piece “Javelin” in the YouTube video at the bottom, played by Yoel Levi conducting the Atlantic Symphony Orchestra.
Written on commission for the Atlanta Olympics by the Wisconsin-born composer Michael Torke, it soars with a grace and an energy that is made all the more understandable and moving for its lack of words and numbers.
Whatever quarterback does it, winner or loser, here’s to the thrower of the most beautiful pass today.
What do you think of the music? And of the comparison between passing a football and throwing a javelin?
And what do you think about using Roman numerals is sports and foreign pronunciations in classical music
The Ear wants to hear.
ALERT: The administration of the Stoughton Opera House has decided to postpone the chamber music concert by Con Vivo (below) scheduled for this afternoon, Feb. 1, due to the anticipated snow storm.
The new concert date and time is: next Sunday, Feb. 8, at 7:30 p.m. at the Stoughton Opera House. Please help spread the word to anyone you know who might have been planning to come to the concert. Says the group: “We look forward to seeing you next week! Stay safe and warm. Thank you.”
By Jacob Stockinger
Today, Super Bowl XLIX — or 49 to most of us — will be played between the Seattle Seahawks and the New England Patriots in Glendale, Arizona.
Kickoff time is 5:30 p.m., CST.
It will be broadcast on NBC.
The game is billed as the world’s largest single sports event.
Given the number of people it will reach via TV and other social media, and given the advertising price of $4.5 million for a 30-second spot, that description sounds pretty accurate.
Here are some suggestions from past years:
Super Bowl 48 in 2014:
Super Bowl 47 in 2013, which drew a lot of reader suggestions and comments:
Let us know what you think.
The Ear wants to hear.
ALERT: If you are undecided about going to this afternoon’s concert at 2:30 p.m. in Overture Hall by the Madison Symphony Orchestra with Norwegian trumpet soloist Tine Thing Helseth (below), here are links to positive reviews by John W. Barker for Isthmus and by Greg Hettmansberger for Madison Magazine’s blog “Classically Speaking”:
http://www.thedailypage.com/daily/article.php?article=42078&sid=4d977189e5be9d039af0d641c547219f
By Jacob Stockinger
Well, when a holiday falls on a Friday – like Valentine’s Day this year — one can be forgiven for prolonging it over the weekend, don’t you think?
But it seems a good chance to blend two recent stories and trend lines that are increasingly coming together.
And coming out.
One is the recent various court victories for marriage equality, or same-sex marriage, or gay marriage. Whatever you want to call it, it seems to becoming more and more a legal and social reality with every week that passes.
And those legal victories lead to more and more gays and lesbians coming out, including the star football player and top NFL draft possibility star Michael Sam (below top) and “Juno” actress Ellen Page (below bottom).
Here is a link to a New York Times story about Michael Sam:
And here is a link to a Washington Post story about Ellen Page:
http://www.washingtonpost.com/national/juno-actress-ellen-page-comes-out-as-gay/2014/02/15/f3327800-9627-11e3-ae45-458927ccedb6_story.html
As for Valentine’s Day, imagine what how rewarding it could be to work cooperatively in the performing arts with your life partner and love.
That is exactly what was documented in a recent story on NPR’s great blog “Deceptive Cadence.”
NPR highlighted various musical couples in classical music who met in a musical setting and fell in love while working, and who now get to work together.
And for good measure, they included the Metropolitan Opera star soprano Patricia Racette (below top, out of costume, and below bottom in the title role of Puccini’s “Tosca”), who openly talks about what a great marriage she has with her female partner. (You can hear Patricia Racette as the title character Cio-Cio-San sing the finale of Puccini’s “Madama Butterfly” at the Metropolitan Opera in a popular YouTube video at the bottom.)
Of course, most of the couples are heterosexual in the story just as they are in real life. And we have seen some of them – tenor Stephen Costello (below top) at the Madison Opera‘s Opera in the Park as well as cellist David Finckel and pianist Wu Han (below bottom) at the Wisconsin Union Theater, in Madison.
But it is both sensitive and brave of NPR, which is always under the gun and budget knife of the self-righteous and nutty right-wing extremists and homophobes, to do the story.
Here is a link:
One can only hope and imagine the chain reaction that is to happen as each coming out brings several more, as bravery and tolerance build, and as the visible becomes visible.
Saint Valentine -– at least my Saint Valentine — would be very pleased.
By Jacob Stockinger
You don’t usually identity football – American football (below), not soccer — with classical music and especially playing the piano.
But now an American musician and instrumentalist from the West Coast has put together a new work called the “Fullback Fugue” that you might find a good accompaniment to football.
And the weekend is the heavy time for prep, college and professional NFL football.
It was posted on the famed classical music radio station WQXR in New York City. But you can also see it on YouTube, where it has garnered almost 25,000 hits since it was posted on Sept. 4.
A musician from Portland, Ore., named Ansel Wallenfang has created “Fantasy Football & Fugue,” a video featuring a fugue built of NFL themes from the four networks that broadcast pro football games (FOX, NBC, CBS, ESPN).
He even performs it in full costume — or should I say, “uniform” — with cleats and jersey, helmet and knuckle tape.
Now, given the football themes, just because the piece uses polyphony in the form of a fugue doesn’t automatically qualify it as classical music – though it does make it a classic curiosity for sure.
The Ear think it sounds rather like bad Rachmaninoff, or maybe a pedantically dry Bach toccata as transcribed by Busoni or some other bass-heavy Romantic piano virtuoso and transcriber.
But I’ll let you decide for yourselves whether the four-minute work is just a gimmick or a genuine, if admittedly derivative, work of classical music and tell me in the COMMENTS section what you think of it and what it sound like.
So go ahead: tackle it -– so to speak.
Here it is, including the composer’s comments about his intent, which he says:
“If football and classical piano were any more similar they would be the same thing.
“Both are fiercely competitive.
Both require violence, elegance, and nerves of steel.
Both demand a lifetime of intense training and discipline.
Both promise fame and glory but usually lead to working with kids.
Both will leave you with some sort of brain trauma.
But both will totally get you laid.
“The Fantasy Football and Fugue isn’t just a bad music pun, it’s a classical mashup of network NFL anthems (CBS, ESPN, FOX, and NBC) that would make Bach and Butkus proud.
Through the lens of classical music and short film, I hope to open these seemingly dissimilar fields to new audiences, sign a multi-million dollar development deal with a major Hollywood studio, become friends with Aaron Rodgers, and not get sued by 4 networks simultaneously.”
Now, it’s kickoff time — so on to the music:
Spread the word — and of course the music — to other football fans.
Remember to tell me how it scores in your playbook.
The Ear wants to hear.