The Well-Tempered Ear

Classical music: This weekend, the Madison Symphony Orchestra celebrates Valentine’s Day with violinist Pinchas Zukerman and cellist Amanda Forsyth in the Romantic “Double Concerto” by Brahms

February 10, 2020
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By Jacob Stockinger

This coming weekend, the Madison Symphony Orchestra, under the baton of John DeMain, will celebrate Valentine’s Day.

The program “Romantic Encounter” examines the brashness of French composer Hector Berlioz’s Le Corsaire” Overture, as well as the thundering seriousness of American composer Aaron Copland’s Symphony No. 3.

The husband-and-wife duo (below) of violinist Pinchas Zukerman, and cellist Amanda Forsyth make their return to Madison to reprise their performance of German composer Johannes Brahms’ Double Concerto for Violin and Cello in A minor. (You can hear the passionate slow movement in the YouTube video at the bottom.)

Performances will be held in Overture Hall, 201 State Street, on Friday, Feb. 14, at 7:30 p.m.; Saturday, Feb. 15, at 8 p.m.; and Sunday, Feb. 16, at 2:30 p.m.

Tickets are $19 to $95. See below for details.

Says maestro DeMain (below, in a photo by Greg Anderson) about the world-renowned duo: “The married team of Pinchas Zukerman and Amanda Forsyth return to recreate their exciting interpretation of the Brahms Double Concerto for violin, cello and orchestra.

“One of Berlioz’s finest overtures, the exhilarating Le Corsaire opens the concert. And Aaron Copland’s majestic, powerful and lyrical Third Symphony — which is one of Copland’s great masterpieces and includes his Fanfare for the Common Man — is heard on the second half of the program.”

Eight minutes long, Berlioz’s swashbuckling Le Corsaire” was composed in Nice, France, after the final break-up of his marriage. The composer resided in a tower above the sea, which explains the ruined fortification’s depiction in his overture. “Corsaire” translates to “a ship used for piracy,” but this meaning is not related to the work.

 The Double Concerto was Brahms’ final work for orchestra. He composed the concerto for his old but estranged friend, violinist Joseph Joachim, as well as for cellist Robert Hausmann. With few recent precedents, the closest comparison to this work would be the Baroque concerto grosso, in which a soloist or small group is contrasted with an entire ensemble.

Copland’s monumental Symphony No. 3 was commissioned by conductor Serge Koussevitsky and the Boston Symphony Orchestra. The work perfectly reflects the spirit of post-war America and impressively holds the title of “Greatest American Symphony.” In writing this piece, Copland (below) borrowed from himself by incorporating his triumphant Fanfare for the Common Man.

ABOUT PINCHAS ZUKERMAN

With a celebrated career encompassing five decades, Pinchas Zukerman reigns as one of today’s most sought-after and versatile musicians — violin and viola soloist, conductor and chamber musician. He is renowned as a virtuoso, admired for the expressive lyricism of his playing, singular beauty of tone, and impeccable musicianship, which can be heard throughout his discography of over 100 albums.

Born in Tel Aviv, Zukerman came to the United States where he studied at the Juilliard School with Ivan Galamian as a recipient of the American-Israel Cultural Foundation scholarship. He received the National Medal of Arts from President Ronald Reagan and is a recipient of the Isaac Stern Award for Artistic Excellence in Classical Music.

ABOUT AMANDA FORSYTH

The Canadian and Juno Award-winning Amanda Forsyth is considered one of North America’s most dynamic cellists. She has achieved her international reputation as soloist, chamber musician and was principal cello of Canada’s National Arts Centre Orchestra from 1999 to 2015. Her intense richness of tone, remarkable technique and exceptional musicality combine to enthrall audiences and critics alike.

PROGRAM NOTES, TICKETS AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert. The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion that takes place one hour before each concert.

Program notes are available at: http://www.allsenmusic.com/NOTES/1920/5.Feb20.html

Discounted seats are subject to availability, and discounts may not be combined.  

Major funding for the February concert has been provided by NBC 15; The Madison Concourse Hotel and Governor’s Club; Marvin J. Levy; Fred and Mary Mohs; Nancy Mohs; and David and Kato Perlman.

Additional funding has been provided by Robert Benjamin and John Fields; Boardman and Clark LLP; Forte; Barbara Melchert and Gale Meyer; and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

 


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Classical music: Here are the performers, programs and schedule for Saturday’s concerts by the Wisconsin Youth Symphony Orchestras

March 8, 2018
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By Jacob Stockinger

The Ear has received the following announcement from the Wisconsin Youth Symphony Orchestras to post:

Join us for our second concert series of the season, the Diane Ballweg Winterfest Concerts on this Saturday, March 10, in Mills Concert Hall, 455 North Park Street, on the University of Wisconsin-Madison campus.

Programmed pieces include works from Brian Balmages, Ludwig van Beethoven, Ralph Matesky, Gustav Holst, Samuel Barber, and more.

For the full concert repertoire, go to: https://www.wysomusic.org/2018-winterfest-repertoire/

“Every one of these concerts is jam-packed with great music—the kind of classics that have endured,” said interim WYSO artistic director Randal Swiggum (below).

“These concerts will inspire audiences, guaranteed, not just with masterworks like Holst’s ‘Jupiter’ from The Planets, and Beethoven’s Symphony No. 5, but with the energy and freshness that young musicians bring to this music.” (You can hear the dramatic and well-known opening of Beethoven’s Fifth Symphony, with an engaging graphic display of its structure, in the YouTube video at the bottom.)

Additional highlights from the concerts include an Opus One collaboration with the WYSO Music Makers Honors Ensemble on the traditional piece Goin’ To Boston; a guest appearance from NBC-15 TV News Anchor/Reporter John Stofflet (below top) who will narrate Sinfonietta’s performance of Lincoln at Gettysburg; and concerto performances from the 2017-2018 Youth Orchestra Concerto Competition winners, violist Maureen Sheehan (below middle) of Middleton and violinist Dexter Mott (below bottom) of Madison.

“Both Maureen with the Walton Viola Concerto, and Dexter with the Sibelius Violin Concerto, have tackled mature pieces that demand not just technical prowess, but thoughtful, nuanced interpretation,” Swiggum said. “I know audiences will be truly moved by their playing.”

Tickets are available at the door the day of the concerts, and are $10 for adults and $5 for youth 18 and under.

               Diane Ballweg Winterfest Concerts Schedule

11:30 a.m. – Opus One with WYSO Music Makers (below, playing at the Wisconsin Union Theater) and Sinfonietta with NBC-15 News Anchor/Reporter John Stofflet narrating Lincoln at Gettysburg.

1:30 p.m. – Harp Ensemble (below) and Concert Orchestra.

4:00 p.m. – Philharmonia Orchestra (below), with a performance of Beethoven’s Symphony No. 5, and Holst’s “Jupiter” from The Planets.

7:00 p.m. – Youth Orchestra, with performances from the 2017-2018 Youth Orchestra Concerto Competition winners, Dexter Mott and Maureen Sheehan.


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