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By Jacob Stockinger
Chances are good you have already heard about Beyoncé and Lizzo, about Bonnie Raitt and Harry Styles, and how they won their Grammy awards last Sunday night.
But it is not by chance that you have to scroll way, way, way down the list of Grammy nominees and winners to find the ones for classical music. (It comes a third from the end, just before the list of short-form and long-form videos.)
No doubt it is in part a question of respect. Classical is not even listed with other “Musical Genres” on the Grammys’ home website while you will find: Pop; Rock; R&B; Country; Rap; Latin; Global; Gospel and Contemporary Christian; New Age; Jazz; and Alternative.
It seems like the most important thing to say about classical music is that pop star Beyoncé (below above) surpassed the record for individual Grammys previously held for decades by the late Hungarian-born conductor Sir George Solti (below bottom). He had won 31, she has won 32. But it seems like an unfair comparison since The Ear suspects many more categories are open to Beyoncé and her pop music than were open to Solti and classical music.
But even more than respect, it is a question of popularity and money.
We mustn’t forget that the Grammys are above all an industry event designed to reward those who make the commercial recording industry flourish.
Still, there are trends to take note of.
You’ll notice that quite a few of the nominees and winners have performed had their music performed in Madison. They include composers Caroline Shaw and Kevin Puts; the Imani Winds and Valerie Coleman; the Attacca Quartet; singer Will Liverman; Third Coast Percussion; Hilary Hahn; and producer Judith Sherman (below, in 2016)), who has overseen recent recordings by the UW-Madison’s Pro Arte Quartet and won many such Grammys.
Also, just as in Madison this has also been a big year for performers and composers of color — Black, Indigenous, Latin and Asian — as well as women composers and performers. Florence Price, Valerie Coleman and Jessie Montgomery (below and in the YouTube video at the end of her composition “Strum”), who is now composer-in-residence at the Chicago Symphony Orchestra and was just named Composer of the Year by Musical America; and Valerie Coleman.
Local presenters and performers can be proud of reflecting the same priorities. They include: the University of Wisconsin-Madison School of Music; the Wisconsin Youth Symphony Orchestras (WYSO); the Madison Symphony Orchestra; the Madison Opera; the Wisconsin Union Theater; the Wisconsin Chamber Orchestra; the Willy Street Chamber Players; the Bach Dancing and Dynamite Society; Edgewood College; and Wisconsin Public Radio and WORT-FM among others.
See for yourself which ones you caught and which ones you missed.
Here is a list of the classical music winners of the 65th annual Grammy awards. It is provided by the insightful Australian arts and culture journal Limelight Magazine:
The 2023 Grammy Awards: Classical winners announced
And here is the complete list of the Grammy nominees along with the winners, so you can compare them all, find out details and judge for yourself. The Ear thinks many of the nominees are often just as worthwhile to check out and listen to as the winners:
https://www.grammy.com/awards/65th-annual-grammy-awards-2022
What do you think of the Grammy nominees and winners?
The Ear wants to hear.
ALERT: Mark your calendars and datebooks. The second annual Handel Aria Competition — with an encore appearance by the winner last summer — that is sponsored by local business owners Dean and Orange Schroeder will take place on July 17, 2014 as part of the annual Madison Early Music Festival. Last summer, the “slam down” format proved to be a lot of fun, as you can see for yourself if you revisit my coverage with these links:
By Jacob Stockinger
The pioneering early music vocal group the Hilliard Ensemble (below) has sounded another sour note to open the new year in classical music.
The ensemble, founded in 1973 and celebrating its 40th anniversary this season, will disband in 2014 after one last world tour, according to a story on NPR’s excellent classical music blog “Deceptive Candence.”
One has to wonder: How many more unfortunate events like this will we see as the Baby Boomer generation — which also fed and fostered the early music revival — ages and falls ill, then decides to retire or perhaps even dies?
Already we have seen some string quartets like the Guarneri and Tokyo (below), decide to disband, although the venerable Emerson Quartet has decided to continue on after cellist David Finckel retired and was replaced by Paul Watkins, formerly of the British Nash Ensemble. The Hilliard Ensemble has only one of its original members still singing.
Unlike so many other early music groups, the Hilliard Ensemble specialized in late Medieval and Renaissance music rather than the more popular and well-known Baroque music and composers. Their specialities included works by Giovanni da Palestrina, Carlo Gesualdo, Orlando Gibbons, Thomas Tallis and Josquin Des Prez plus a host of generally unknown names (like the work by William Cornish in the YouTube video at the bottom.). But they also did perform Baroque music and especially made headlines when they revealed parallels between certain Bach works on the CD “Morimur.”
The Hilliard Ensemble was also eclectic and adventurous. In its extensive catalogue of recordings, mostly on the innovative and inventive ECM label – an ideal home for the Hilliard Ensemble — it also performed music with best-selling New Age jazz saxophonist Jan Gabarek as well as the complete Bach motets. And they also recorded several works by the living popular Estonian composer Arvo Part.
Here is a link to see their impressive and extensive discography and impressive user review at amazon.com:
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dclassical&field-keywords=Hilliard+Ensemble
And to top it off, the members of the Hilliard Ensemble themselves set the tone for receiving this news with their calm acceptance of the end of their era and their mission, successfully accomplished.
Here is a link to the NPR story:
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