The Well-Tempered Ear

Classical music: A critic “unwraps” the holiday gift of Tchaikovsky’s music and other mysteries in “The Nutcracker.” The production by the Madison Ballet and the Wisconsin Chamber Orchestra opens this Friday and runs through Dec. 27.

December 6, 2015
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By Jacob Stockinger

Perhaps it is because it is so popular, especially at holiday time when it has become an annual tradition almost everywhere.

Perhaps it is because it is basically a story about children and the holidays, especially Christmas.

Whatever the reason, the ballet “The Nutcracker” by Peter Ilyich Tchaikovsky is usually seen as a largely naïve work, an innocent fairy tale or fantasy with some darker undertones.

Madison Ballet The Nutcracker title screen

But the truth is that, if you dig into it, “The Nutcracker” is far more complex than most people usually think.

Of course it was meant to be more about dance — classical ballet — than about the music.

Yet it is the beautiful music by one of history’s greatest melody writers that draws so many people to the work.

Madison Ballet Nutcracker WCO playing

And according to one writer for The New York Times, of the many mysteries layered in “The Nutcracker,” the music remains one of the biggest mysteries. (In a YouTube video at the bottom, you can hear a 2012 performance by conductor Valery Gergiev at the Mariinsky Theatre in St, Petersburg, Russia.)

It is always especially relevant at this time of the year.

So The Ear is posting about the production by the Madison Ballet and Wisconsin Chamber Orchestra, which opens this coming Friday night for nine performances in Overture Hall of the Overture Center.

It features the choreography of Madison Ballet’s artistic director W. Earle Smith (below top) and the live music by the WCO under the baton of its longtime music director Andrew Sewell (below bottom).

w. earle smith

AndrewSewellnew

Here are performance dates:

December 12  |  2 p.m. and 7:30 p.m. Saturday

December 13  |  2 p.m. Sunday

December 19  |  2 p.m. and 7:30 p.m. Saturday

December 20  |  2 p.m. Sunday

December 24  |  1 p.m. Thursday

December 26  |  2 p.m. Saturday

December 27  |  2 p.m. Sunday

Here are links with detail of the performances and the production, including tickets, which start at $14:

http://www.wcoconcerts.org/performances/nutcracker/

http://www.madisonballet.org/nutcracker/

Madison Ballet The Nutcracker

And here is a link to a story in The New York Times with some excellent background about various productions and their interpretations:

http://www.nytimes.com/2015/11/22/arts/dance/the-nutcracker-and-its-many-mysteries.html?_r=0

If you go see and hear “The Nutcracker,” enjoy — and solve or at least appreciate — some of the mysteries in this evergreen holiday work!

 


Classical music: Today is Cyber Monday. Here are some gift guides and links to local music organizations if you want to buy tickets and look into performers, concerts and dates.

November 30, 2015
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By Jacob Stockinger

Today is Cyber Monday, which follows on the heels of Thanksgiving, Black Friday and Small Business Saturday.

Just look at those names of Institutionalized Shopping Days. Are we a consumer society or what?

All the news stories that the Ear hears and sees seem to agree: Online buying is by far the fastest growing segment of the holiday retail market.

In that spirit, here are two links to various gifts guides.

First, BBC Music Magazine and the Telegraph newspaper:

https://welltempered.wordpress.com/2015/11/27/classical-music-here-are-the-best-classical-music-cds-of-2015-according-to-the-bbc-music-magazine-and-the-telegraph-newspaper/

And The New York Times:

https://welltempered.wordpress.com/2015/11/28/classical-music-its-small-business-saturday-here-are-classical-music-gift-suggestions-from-the-critics-for-the-new-york-times/

But just as important are the local music makers and concert promoters. The Ear thinks that tickets to future concerts make a great gift – especially if you agree to accompany someone and provide companion or maybe even transportation is the person is older.

And you don’t have to buy today.

The important thing is to USE YOUR COMPUTER OR SMART PHONE to browse and shop, to assist you in shopping.

Computers

smart phone

Some of the local groups are even offering major and minor holiday discounts. Or the past several years, the Madison Symphony Orchestra has offered has reduced price tickets. (This year, the MSO tickets sale of seats for $20 or $48 takes place Dec. 12-24.) This year, the Wisconsin Union Theater is waiving handing fees (but not discounting tickets) for the month of December and through Jan. 2. And other deals are likely, given the competitive nature of the performing arts in Madison.

And if you don’t buy them today or the sales come later, at least you can do the research right now and find out what you might want to buy later.

In some cases, as with the FREE Friday Noon Musicales at the First Unitarian Society of Madison, performers and programs are not listed much in advance. And the terrific new ensemble Willy Street Chamber Players won’t announce its new dates and programs until the spring.

The Ear thinks that combining a ticket to a live performance with a recording of the music or a book about music makes a superb holiday gift. And you will be supporting local businesses and local musicians.

So here are some links. But please forgive The Ear if the list is not exhaustive. There are so many classical music groups now in Madison and the surrounding area, it is hard to keep up.

If you want to ask something, please put the name and a link in the COMMENT section. The Ear will be grateful, and so will other readers.

The Ear hopes you find it useful.

A drumroll, please!

University of Wisconsin-Madison School of Music:

http://www.music.wisc.edu/events/

MAYCO in MIlls June 2015 JWB

Edgewood College:

http://www.edgewood.edu

Edgewood Chamber Orchestra poster Sept 12

Madison Symphony Orchestra:

https://www.madisonsymphony.org

MSO playing

Madison Opera (a scene from “La Boheme” in a photo by James Gill):

http://www.madisonopera.org

Boheme Madison Opera USE Mimi and Rodolfo GILL

Wisconsin Chamber Orchestra:

http://www.wcoconcerts.org

WCO lobby

Overture Center for the Arts:

http://www.overturecenter.org

OvertureExteior-DelBrown_jpg_595x325_crop_upscale_q85

Wisconsin Union Theater:

http://www.uniontheater.wisc.edu

Shannon Hall UW-Madison

Wisconsin Youth Symphony Orchestras:

https://www.wysomusic.org

WYSO Youth Orchestra

Oakwood Chamber Players:

http://www.oakwoodchamberplayers.com

Oakwood Chamber Players 2015-16

Madison Bach Musicians:

http://madisonbachmusicians.org

Kangwon KIm with Madison Bach Musicians

Wisconsin Baroque Ensemble:

http://www.wisconsinbaroque.org

Wisconsin Baroque Ensemble 2014

Middleton Community Orchestra:

http://middletoncommunityorchestra.org

Middleton Community Orchestra press photo1

Con Vivo:

http://www.convivomusicwithlife.org

Con Vivo group

Festival Choir of Madison:

http://festivalchoirmadison.org/seasons/events.html

Festival Choir of Madison at FUS

Madison Choral of Madison:

http://themcp.org/concerts/

Madison Choral Project color

Farley’s House of Pianos:

http://www.farleyspianos.com

Farley Daub plays

Fresco Opera Theatre:

http://www.frescooperatheatre.com

Fresco Opera Theatre cast for Opera SmackDown

Live From the Met in HD:

http://www.metopera.org/Season/In-Cinemas/

Met Live IlTrovatore poster


Classical music: This Saturday brings Alban Berg’s “Lulu,” one of the most unusual and noteworthy offerings of the “Live From the Met in HD” series of operas shown in cinemas this season.

November 20, 2015
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By Jacob Stockinger

This Saturday, “Live From the Met in HD” features Alban Berg’s  opera “Lulu,” a difficult landmark work know for both its 12-tone music and its plot of social commentary, all marked by the violent and decadent German Expressionist sensibility.

Met Lulu poster

The opera will be shown at the Marcus Corporation‘s Point Cinemas on Madison far west side and — now that the Eastgate Cinemas have closed — at the Marcus Palace Cinema in Sun Prairie, a bit past Madison’s far east side.

The production by the Metropolitan Opera in New York City starts at 11:30 a.m. and has a running time, with two intermissions, of 4-1/2 hours. (Below, in a photo by Sara Krulwich of The New York Times, is Marlis Petersen, who is known for the role of Lulu — but who says she will retire the role after this production — and Donald Brenna as a smitten man. Susan Graham, not shown, also stars.)

Tickets are $28 for adults; $22 for seniors; and $18 for young people.

Here is a synopsis and notes about the cast:

http://www.metopera.org/Season/In-Cinemas/SynopsisCast/Lulu/

Met Lulu Marlis Petersen as LuLu and Daniel Brenna a smitten man Sara Krulwich NYT

And here is a link to more about the cast and production with video samples:

http://www.metopera.org/Season/2015-16-Season/lulu-berg-tickets/

The Ear thought some other things might be useful and might whet your appetite to see this unusual production.

Here is a fascinating background piece by Zachary Woolfe of The New York Times, who interviewed several sources involved with the production and are knowledgeable about the opera (below is a photo of the German Expressionist set, taken by Sara Krulwich for The New York Times):

http://www.nytimes.com/2015/11/01/arts/music/in-lulu-the-question-that-stops-an-opera.html

Met Lulu and German Expressionism CR Sara Krulwich NYT

And if you are undecided or wavering about going to the acclaimed production, directed by William Kentridge, here is a rave review by senior music critic Anthony Tommasini of The New York Times:

http://www.nytimes.com/2015/11/07/arts/music/metropolitan-opera-lulu-review.html?ref=topics

 


Classical music: This Saturday, “Live From the Met in HD” offers a controversial and innovative production of Verdi’s “Otello.” Here are some background stories plus a positive review from The New York Times.

October 15, 2015
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By Jacob Stockinger

This Saturday, “Live From The Met in HD” will present a live performance by the Metropolitan Opera of Giuseppe Verdi’s “Otello,” which is based on William Shakespeare’s tragedy “Othello.”

This is the production that has made news because it is the first one in the history of The Met not to use blackface. (Below, in a photo by Ken Howard for The Metropolitan Opera, are the Latvian tenor Aleksandrs Antonenko, right, as Otello and baritone Zjelko Lucic as Iago.)

otello (left) Aleksandrs Antonenko CR Ken Howard:Metropolitan Opera

This year marks the 10th season of the popular and innovative series of high-definition broadcasts that are beamed via satellite to 2,000 screens in 70 countries.

In Madison, the opera can be seen at the Point Cinemas on the city’s far west side and at Eastgate cinemas on the far east side.

Admission is $24 for adults and $22 for seniors 60 and over; and $18 for children 3 to 11. Tickets to the encore productions are $18.

The performance starts at 11:55 a.m. and will last about 2 hours and 45 minutes including an intermission. (Below center is the acclaimed Bulgarian soprano Sonja Yoncheva as Desdemona.)

Otello Met Sonja Yoncheva as Desdemona

The handsome new and ingenious Romantic-era production (below top) in a photo by Sarah Krulwich for The New York Times) has been praised for its stage direction by Bartlett Sher.

Otello (Aleksandrs Antonenko) and Iago (Zeljko Lucic, right) CR Sara Krulwich NYT

Also drawing praise is the production’s firebrand conductor Yannick Nezet-Seguin (below bottom), the acclaimed French-Canadian music director of the Philadelphia Orchestra who reportedly is a likely candidate to succeed the legendary James Levine as music director of The Met.

Yannick Nezet-Seguin in aciton

For information about the cast and a synopsis:

https://www.metopera.org/Season/In-Cinemas/SynopsisCast/Otello/

https://www.metopera.org/Season/2015-16-Season/otello-verdi-tickets/

From NPR or National Public Radio, here is a story about The Met foregoing blackface in this production. It is especially interesting because the reporter talks to an African American tenor who does not object to the use of such makeup:

http://www.npr.org/sections/deceptivecadence/2015/09/21/442279816/farewell-to-blackfaced-otellos-at-the-met

And here is a debate about the blackface issue in which the central question is: If you didn’t know the plot of the play or opera, would you realize the pivotal role that race plays in the story without blackface? Read it and decide for yourself. (In a YouTube video at bottom is part of the love duet between Otello and Desdemona.)

http://www.nytimes.com/2015/10/01/arts/music/debating-otello-blackface-and-casting-trends.html?_r=0

Finally, here is a positive review by Anthony Tommasini for The New York Times:

http://www.nytimes.com/2015/09/23/arts/music/review-metropolitan-operas-new-otello-bold-and-tentative.html


Classical music education: Here are some highlights of Semester 2 during the upcoming season at the University of Wisconsin-Madison School of Music.

August 14, 2015
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By Jacob Stockinger

Get out your datebooks.

The final schedules for the upcoming season by most major classical music groups in the area are now available.

Last but not least is the biggest of them all: The University of Wisconsin-Madison School of Music, which offers some 300 events in a season, most of them FREE to the public.

UW logos

Some things are new. For example, you will note that the UW Choral Union has gone to just ONE performance instead of two, as in the past for many years.

Concert manager and director of public relations Kathy Esposito (below) writes:

Katherine Esposito

The UW-Madison School of Music is jazzed about its upcoming season and we’d like the world to know. Please make plans to attend!

Here is a link to the online calendar, which is now complete except for specific pieces on programs and last-minute changes: http://www.music.wisc.edu/events/

Our events of 2015-2016 range from performances by a vocal dynamo (soprano Brenda Rae, Sept. 27) to an in-demand LA jazz woodwind musician (Bob Sheppard in April) plus an enterprising young brass quintet (Axiom Brass in October) and a dollop of world music in March (duoJalal). In addition, we offer ever-popular opera productions, faculty concerts and student ensembles ranging from classical to jazz to percussion.

Full concert calendar link: http://www.music.wisc.edu/events/

Other social media connections include:

http://www.music.wisc.edu/

https://www.facebook.com/UWMadisonSchoolOfMusic

https://twitter.com/UWSOM

Our Newsletter, A Tempo!

https://uwmadisonschoolofmusic.wordpress.com/

Hear our sound: https://soundcloud.com/uw-madisonsom

Here’s a partial list with highlights.

Semester 1 was posted yesterday, and here is a link to that:

https://welltempered.wordpress.com/2015/08/13/uw-highlights-semester-1/

Here are highlights of Semester 2:

SEMESTER 2

January 19-24: Student Recital Festival. The public is invited to our first free weeklong feast of music performed on all instruments by many of our students, both undergraduate and graduate. Morphy and Music Halls. Times and programs to be announced in late fall.  All events free. (Below is the scholarship-winning Perlman Piano Trio from several years ago.)

http://www.music.wisc.edu/event/student-recital-festival/

Perlman-Trio Thomas Kasdorf piano, Eleanor Bartsch violin and Maureen Kelly cello

January 30: Our third “Schubertiade” (below) with pianists Martha Fischer, Bill Lutes, students, faculty and guests. Songs, chamber music and four-hand piano works, all composed by Franz Schubert.

Mills Hall, 8 PM.

Tickets $12.

http://www.music.wisc.edu/event/schubertiade-2016-the-music-of-franz-schubert/

Schubertiade 2014 stage in MIlls Hall

February 12: Jazz singer Sharon Clark (below) with the UW Jazz Orchestra. Washington, D.C. standout Sharon Clark has brought festival and concert audiences to their feet across the U.S. and Europe. Her New York run drew raves from the New York Times and the Wall Street Journal, and she won New York’s Bistro Award for Best Vocalist.

Music Hall, 8 PM. Free concert.

http://www.music.wisc.edu/event/guest-artist-jazz-singer-sharon-clark-with-the-uw-jazz-orchestra/

Sharon Clark

February 14: Symphony Showcase Concerto Winners Solo Recitals. The best performers of 2015-2016, graduate and undergraduate, from the UW-Madison School of Music. Bring your Valentine! Click the link below to watch videos. (Below top is the UW-Madison Symphony Orchestra; below bottom are the concerto winners in 2015.)

Mills Hall, 7:30 PM.

Tickets $10.

http://www.music.wisc.edu/event/symphony-showcase-concerto-winners-solo-recital/

uw concerto winner 2014 big audience Michael R. Anderson

2014 Concerto Winners

February 26: Pianist Christopher Taylor in solo recital.  “We in Wisconsin are privileged to call Christopher Taylor (below) one of our own,” wrote reviewer Jessica Courtier in the Capital Times following his performances last spring with the Madison Symphony Orchestra. Taylor is also known for his work inventing a digital double keyboard piano, now being built.

Mills Hall, 8 PM.

Tickets $15.

http://www.music.wisc.edu/event/christopher-taylor-piano-faculty-concert/

Christopher Taylor new profile

March 11-13-15: University Opera presents “Transformations” (Conrad Susa (below top)/Anne Sexton below bottom). Directed by David Ronis, music conducted by Kyle Knox. Susa’s chamber opera for eight singers and eight players, is an adult re-telling of 10 classic fairy tales (among them, Snow White, Rumpelstiltskin, Rapunzel and Hansel and Gretel) as seen through the eyes of poet Anne Sexton. Sexton’s struggle with mental illness frames the darkly humorous, and audaciously recounted tales, filled with mid-20-century references, both literary and musical. (You can hear excerpts and a summary in a YouTube video at the bottom;)

Music Hall.

$25/$20/$10

http://www.music.wisc.edu/event/university-opera-transformations/

Conrad Susa

anne sexton

March 14: duoJalal (below) with Kathryn Lockwood and Yousif Sheronick, the wife-and-husband viola and percussion global chamber music duo. From their chamber music foundation, duoJalal moves from Classical to Klezmer, Middle Eastern to Jazz, with a skillful confluence that is natural, exploratory and passionate.

Morphy Hall, 7:30 PM.

Tickets $15.

http://www.music.wisc.edu/event/duojalal-viola-percussion-guest-artists/

Kathryn Lockwood and Yousif Sheronick

April 26-28-29: Jazz Immersion Week. A weeklong residency with LA-based Bob Sheppard (below), worldwide multi-woodwind performer, recording artist, and jazz musician. Also featuring UW Jazz Ensembles, the UW Jazz Orchestra, the UW High School Honors Jazz Band, and the Johannes Wallmann Quintet.

April 26: Bob Sheppard with the UW-Madison Composers Septet & Contemporary Jazz Ensemble. Free concert.

April 28: Bob Sheppard with the Johannes Wallmann Quintet. Tickets $15.

April 29: Bob Sheppard with the UW Jazz Orchestra & High School Honors Jazz Band. Tickets $15.

Buy tickets for both concerts for $25.

http://www.music.wisc.edu/event/jazz-bob-sheppard-guest-artist/

Tickets sold through the Campus Arts Ticketing Box Office online or in person. You may also buy day of show.

http://www.uniontheater.wisc.edu/location.html

bob sheppard

 


Classical music education: The University of Wisconsin-Madison School of Music has lined up its schedule of events for the 2015-16 season. Here it is in two parts. Today is Semester 1.

August 13, 2015
1 Comment

By Jacob Stockinger

Get out your datebooks.

The final schedules for the upcoming season by most major classical music groups in the area are now available.

Last but not least is the biggest of them all: The University of Wisconsin-Madison School of Music, which offers some 300 events in a season, most of them FREE to the public.

UW logos

Some things are new. For example, you will note that the UW Choral Union has gone to just ONE performance instead of two, as in the past for many years.

Concert manager and public relations director Kathy Esposito (below) writes:

Katherine Esposito

The UW-Madison School of Music is jazzed about its upcoming season and we’d like the world to know. Please make plans to attend!

Here is a link to the online calendar, which is now complete except for specific pieces on programs and last-minute changes: http://www.music.wisc.edu/events/

Our events of 2015-2016 range from performances by a vocal dynamo (soprano Brenda Rae, Sept. 27) to a in-demand LA jazz woodwind musician (Bob Sheppard in April) plus an enterprising young brass quintet (Axiom Brass, October) and a dollop of world music in March (duoJalal). In addition, we offer ever-popular opera productions, faculty concerts and student ensembles ranging from classical to jazz to percussion.

Full concert calendar link: http://www.music.wisc.edu/events/

Other social media connections include:

http://www.music.wisc.edu/

https://www.facebook.com/UWMadisonSchoolOfMusic

https://twitter.com/UWSOM

Our Newsletter, A Tempo!

https://uwmadisonschoolofmusic.wordpress.com/

Hear our sound: https://soundcloud.com/uw-madisonsom

Here’s a partial list with highlights (Semester 1 is posted today; Semester 2 will be posted tomorrow):

SEMESTER 1 

August 30: “Performing the Jewish Archive”: Shining a Spotlight on Forgotten Jewish Performance Works. Various venues and times; click link for details.

The U.S. component of an international research project led by the University of Leeds, England, with UW-Madison leadership provided by Teryl Dobbs, chair of music education. Featuring a Sound Salon with Sherry Mayrent and Henry Sapoznik (below) of the Mayrent Institute; Chamber Music with the Bach Dancing and Dynamite Society; and a Cabaret Performance with Mark Nadler. Events continue in May, 2016. All events are free.

Link to event: http://www.music.wisc.edu/event/performing-the-jewish-archive/

BDDS Henry Saposnik

September 7: 37th Annual Karp Family Concert. Mills Hall, 7:30 PM.

Chamber music of the 19th and 20th centuries for piano and strings. Pianist and patriarch Howard Karp (below center) passed away last summer, but the family continues with a long-standing tradition. With Suzanne Beia, Violin; Katrin Talbot, Viola; Parry Karp, Violoncello; Frances Karp, Piano; Christopher Karp, Piano. Free.

http://www.music.wisc.edu/event/37th-annual-karp-family-concert/

karps 2008 - 13

September 26: Soprano Brenda Rae with the UW-Madison Symphony Orchestra. Mills Hall, 7:30 PM.

On the program: Reinhold Gliere’s Concerto for Coloratura Soprano. A benefit for University Opera.

Brenda Rae (below) is a 2004 graduate of the School of Music, and has been impressing audiences and critics all over Europe for many years. Her 2013 U.S. debut as Violetta in Verdi’s “La Traviata” won her praise from James R. Oestreich of The New York Times: “Ms. Rae soared beautifully in the early going, but it was in her pianissimo singing that she really shone.”

Tickets $25.

Master class: Friday, September 25, Music Hall, 5-7 PM.

http://www.music.wisc.edu/event/soprano-brenda-rae-with-the-uw-symphony-orchestra/

Soprano Brenda Rae

October 7: Pro Arte Quartet (below top, in a photo by Rick Langer) with Violist Nobuko Imai (below bottom, in a photo by Marco Borggreve). Mills Hall, 7:30 PM.

Nobuko Imai is considered to be one of the most outstanding viola players of our time. After finishing her studies at the Toho School of Music, Yale University and the Juilliard School, she won the highest prizes at both the Munich and the Geneva international competitions.

http://www.music.wisc.edu/event/pro-arte-quartet-with-violist-nobuko-imai/

Master class: October 6, 7:30 PM, Mills Hall. Both events are free.

Pro Arte 3 Rick Langer copy

Imai Nobuko 018.jpg

October 9-10-11:  BRASS FEST II!

Last year’s Celebrate Brass festival was so much fun, we decided to program another. Three days of exhilarating music from leading brass players and ensembles, including the award-winning Axiom Brass Quintet (below, now in residence at the Tanglewood Music Festival) and trumpeter Adam Rapa. With the Wisconsin Brass Quintet and students from the UW-Madison School of Music. 

October 9: Axiom Brass, Mills Hall, 8 PM. Tickets $15.

October 10: Festival Brass Choir with Axiom Brass, the Wisconsin Brass Quintet and trumpeter Adam Rapa. Tickets $15.

October 11: Trumpeter Adam Rapa and vocalist Elizabeth Vik. Classical and jazz. Free concert.

http://www.music.wisc.edu/event/brass-fest-2/

Buy tickets for both concerts for $25.

Axiom Brass Quintet

October 23-24-25-27: University Opera presents Mozart’s “The Marriage of Figaro.” Mozart and da Ponte’s masterpiece of comedy and intrigue, shows the two geniuses at the height of their powers. Directed by David Ronis (below, in a photo by Luke De Lalio); music conducted by James Smith.

Music Hall. Tickets $25/$20/$10.

http://www.music.wisc.edu/event/university-opera-the-marriage-of-figaro/

David Ronis color CR Luke DeLalio

November 5-6: Celebrating Alumni Composers. UW-Madison prize-winning alumni composers of new music Andrew Rindfleisch (below), Paula Matthusen, Jeffrey Stadelman, Bill Rhoads and Kevin Ernste return for a two-day event featuring their acoustic and electronic music.

November 5, Mills Hall, 7:30 PM: Performances by the Wisconsin Brass Quintet, the Wingra Woodwind Quintet, and smaller ensembles of faculty and students.

November 6, 7:30 PM: Performance with the UW Wind Ensemble, Scott Teeple, conductor.

Both concerts are free.

http://www.music.wisc.edu/event/celebrating-alumni-composers-two-free-concerts/

Andrew Rindfleisch portrait

November 13: Debut Faculty Concert with Violinist Soh-Hyun Park Altino (below in a photo by Caroline Bittencourt). Altino takes the stage as the newest member of the school’s string faculty. With pianist Martha Fischer.

Mills Hall, 8 PM.

Tickets $12. Students free

http://www.music.wisc.edu/event/debut-faculty-concert-soh-hyun-park-altino-violin/

Soh-Hyun Park Altino Carroline Bittencourt

December 10: Wingra Woodwind Quintet (below, in a photo by Michael Anderson). With Stephanie Jutt, flute; Marc Vallon, bassoon; Kostas Tiliakos, oboe; and welcoming new members Wesley Warnhoff, clarinet; and Joanna Schulz, horn. 

Morphy Hall, 7:30 PM. Free.

http://www.music.wisc.edu/event/wingra-woodwind-quintet/

Wingra Woodwind Quintet 2013 Michael Anderson

December 12: UW Choral Union & UW Symphony Orchestra with Beverly Taylor, conductor. Presenting “Gloria” of Francis Poulenc and “Symphony of Psalms” by Igor Stravinsky.

Mills Hall, 8 PM.

Tickets $15/$8.

http://www.music.wisc.edu/event/uw-choral-union1/

UW Choral Union and Symphony Nov. 2014

Tomorrow: Highlights of Semester 2

 


Classical music: Madison’s maestro John DeMain and others preview and review the world premiere by the Santa Fe Opera’s production of Jennifer Higdon’s opera “Cold Mountain.”

August 10, 2015
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By Jacob Stockinger

First it was a best-selling and prize-winning novel.

Then it became a popular Oscar-winning Hollywood movie.

Now it is an opera that received its world premiere at the Santa Fe Opera this past week and is proving so popular with audiences that an extra performance has been added and regional premieres are already booked around the country. (The Minnesota Opera will give the Midwest premiere.)

It is “Cold Mountain,” a Civil War story about a Confederate soldier’s return home that is loosely based on Homer’s epic poem “The Odyssey.”

cold mountain cast and set

Here is a review, posted on Facebook, by our own John DeMain, the music director and conductor of the Madison Symphony Orchestra and the artistic director of the Madison Opera, who attended the world premiere performance. DeMain came to Madison, by the way, from his post as director of the Houston Grand Opera, where he gave the world premiere of John Adams’ “Nixon in China.” So he is a fan of new operas.

DeMain (below, in a photo by Prasad) writes:

“How wonderful “Cold Mountain” was last night at its world premiere in Santa Fe. Jennifer Higdon is simply a wonderful composer and her piece with Gene Scheer‘s compelling libretto, soared to great heights. Great directing from Leonard Foglia, with a brilliant design concept, and a great cast. Emily Fons was magnificent as Ruby. Fabulous orchestral writing, beautiful choral work, and compelling duets and ensembles. A very sad, grim piece given a dynamic treatment by all involved.”

John DeMain full face by Prasad

Such discerning enthusiasm makes you wonder if DeMain and the Madison Opera’s general director Kathryn Smith might not be looking to bring “Cold Mountain” to Madison in a couple of seasons. (The male lead Nathan Gunn has already sung in Madison at the Wisconsin Union Theater and  with the Madison Symphony Orchestra, by the way.) One can hope! (Below are the leads mezzo-soprano Isabel Leonard as Ada and baritone Nathan Gunn as Inman in a photo by Ken Howard for the Santa Fe Opera.)

Cold Mountain Nathan Gunn as Inman and Isabel Leonard as Ada CR Ken Howard for Santa Fe Opera

You can hear the creators of the opera discuss it in a YouTube video at the bottom.

Here are some other sources for previews and reviews:

Here is a story from NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2015/08/05/429370329/cold-mountain-takes-civil-war-odyssey-to-the-opera-stage

cold mountain by ken howard

The PBS NewsHour aired a lengthy feature by Jeffrey Brown that includes lots of video and interviews with the cast; with Charles Frazier (below right), who wrote the best-selling novel; and with Jennifer Higdon (below left), the composer of the opera who teaches at the Curtis Institute of Music in Philadelphia:

http://www.pbs.org/newshour/bb/civil-war-tragedy-cold-mountain-inspires-opera/

Jennifer Higdon and Charles Frazier

And here is a short news story and a longer, more negative or critical review from Zachary Woolfe of The New York Times:

http://artsbeat.blogs.nytimes.com/2015/07/16/santa-fe-opera-adds-performance-of-cold-mountain/?_r=0

http://www.nytimes.com/2015/08/07/arts/music/review-cold-mountain-at-santa-fe-opera-recounts-a-separated-lovers-arduous-journey-only-one-half-makes-the-journey.html


Classical music: Another Stradivarius violin is rescued – and teaches us a valuable lesson about loss and perspective.

August 9, 2015
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By Jacob Stockinger

Stradivarius violins may be rare, but they have sure come in for their share of adventure in the past year and a half.

First, there was the theft of the “Lipinski” violin owned and played by Frank Almond, the Paganini Competition-winning concertmaster of the Milwaukee Symphony Orchestra.

That story made national headlines.

Now comes word of a second Strad (below) that has been rescued 35 years after it was stolen.

Ames Totenberg Stradivarius

This violin belonged to Roman Totenberg. He was the concertizing violinist and violin teacher at Boston University who was the father of the well-known and prize-winning legal affairs reporter for NPR, or National Public Radio, Nina Totenberg (below center with her two sisters). She is probably best known for her stories on the U.S. Supreme Court. When her father died in 2012 at 101, she also did a memorable obituary.

(At the bottom in a YouTube video, you can hear Roman Totenberg playing the Violin Concerto No. 1 by Polish composer Karol Szymanowski, with the Boston University Symphony Orchestra on the occasion of his 90th birthday.)

Stradivarius Totenberg sisters

Roman Totenberg bought the so-called Ames Stradivarius for $15,000 in 1943. It is now said to be worth tens of millions of dollars after restoration. But his daughters promise it will be sold to a great violinist who will play it and perform with it as their father did — and not go into some museum or investment collection.

The story was all over the media -– maybe because it was good news amid so much bad news, a happy ending amid so many unhappy endings.

And what do you say when Nina Totenberg explains that her heart-broken father, who suspected who the thief was, moved on after the theft and bought another violin – a Guarneri del Jesu -– because he had personally suffered much bigger losses such as the deaths of his family in Nazi death camps during World War II.

That is perspective at a time when we sorely need perspective, especially about the worth of material objects versus humanist values.

Here is a story from NPR in which Nina Totenberg takes part and in which you can hear excerpts of her father playing a violin and piano sonata by Johannes Brahms and solo violin music by Johann Sebastian Bach:

http://www.npr.org/2015/08/06/427718240/a-rarity-reclaimed-stolen-stradivarius-recovered-after-35-years

And here is the big story it got in the New York Times:

http://www.nytimes.com/2015/08/07/arts/music/roman-totenbergs-stolen-stradivarius-is-found-after-35-years.html


Classical music: Mexican modern composer Carlos Chavez gets his first full examination and hearing from the Bard Music Festival this weekend and next.

August 8, 2015
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By Jacob Stockinger

Do you know much about the 20th-century Mexican composer Carlos Chavez (below, in a portrait by famed photographer Paul Strand)?

Carlos Chavez mature CR Paul Strand

Despite the emphasis on cultural diversity these days, have you heard much of his music in concerts halls, on recordings and on the radio? (You can hear his Symphony No. 2 in a YouTube video at the bottom. Furthermore, YouTube has quite a lot of the music written by Carlos Chavez.)

Judging from The Ear’s own experience, probably not.

But that may be about to change.

Once again the Bard Music Festival -– under the direction of Bard College president Leon Botstein (below) who also directs the American Symphony Orchestra -– is known for taking on neglected composers or neglected aspects of well-known composers.

Leon Botstein conducting USE

Leon Botstein and American Symphony Orchestra

This year is no different.

Starting this weekend and continued next weekend, the Bard Music Festival will explore the world and music of Carlos Chavez, who was the foremost Mexican modernist.

Like his American colleague Aaron Copland, Chavez (below) helped to free the classical music of both North America and South America from the grip of European music and especially the excesses of late German Romanticism.

Carlos Chavez young with mss

Here is a link to the website of the festival, the center of which is the concert hall (below) designed by architect Frank Gehry. Looking at the schedule will give you some idea of the range and quality of the events and concerts that are planned.

http://fishercenter.bard.edu/bmf/

bard college fisher center frank gehry

Perhaps the best preview appeared in The New York Times:

http://www.nytimes.com/2015/08/02/arts/music/carlos-chavez-mexican-modernist.html?_r=0


Classical music: A play about Sergei Rachmaninoff’s composing block sounds so good, The Ear wants to see it staged in Madison.

July 12, 2015
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By Jacob Stockinger

It is a famous story about writer’s block –- or, in this case, composer’s block.

The young Russian Romantic composer Sergei Rachmaninoff (below, 1873-1943) was so devastated by bad reviews of his first symphony in 1897 that he fell into a deep depression and couldn’t compose music for three years.

rachmaninoffyoung

But then he sought the help of a hypnotherapist Nikolai Dahl who kept repeating, “You will write a great piano concerto.”

And eventually he did.

Out of those sessions came Rachmaninoff’s popular Piano Concerto No. 2 in C minor, Op. 18. (You can hear the concerto in a YouTube video that features pianist Yuja Wang at the bottom.)

Now that legendary incident has been depicted in a new play called “Preludes.”

Here is a review by critic Ben Brantley that appeared in The New York Times.

It makes The Ear hope that one of the local theater companies will produce it, much as they did with the play about music education called “Master Class,” written by famed playwright Terrence McNally about the temperamental opera diva Maria Callas and some students.

“Preludes” is a chamber drama in which actors play multiple parts, many of the other famous artistic figures of the day such as the singer Fyodor Chaliapin (below right, played by Joseph Keckler in a photo by Tina Fineberg for The New York Times) and the writer-playwright Anton Chekhov.

Rachmaninoff and Chaliapin Tina Fineberg NYT

It also involves two Rachmaninoffs (below in a photo by Tina Fineberg for The New York Times): one, called Rach, is the composer, portrayed by Gabriel Ebert, left; the other, called Rachmaninoff, is the pianist played by Or Matias.

Rac and Rachmaninoff Tina Fineberg NYT

Those of us who are not creative artists find it endlessly fascinating to try to get inside the head of important artistic figures.

Moreover, the drama gets a rave review that whets one’s appetite to see this play about a composer who was once dismissed as hopelessly sentimental but whose gorgeously melodic and stirringly harmonic music has had remarkable staying power and appeal – and continues to do so.

See what you think and whether the play stimulates your own curiosity.

Here is a link to the review:

http://www.nytimes.com/2015/06/16/theater/review-preludes-shows-rachmaninoff-failed-by-his-muse-and-killing-time.html?_r=0


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