The Well-Tempered Ear

Classical music: Here is a true tale of a famous Mozart opera, sexual assault and Trump Tower

December 3, 2016
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By Jacob Stockinger

World-famous avant-garde stage director Peter Sellars (below, in a photo by Christian Carisius for the European Press Photo Agency) is known for his unorthodox recasting of operas and Bach cantatas.

peter-sellars-2016-cr-christian-charisiuseuropean-pressphoto-agency

But one of his productions, done almost 30 years ago, has proven especially prescient.

It involved the opera “The Marriage of Figaro” by Wolfgang Amadeus Mozart, which years ago he set in Trump Tower.

The plot centers on the medieval “droit du seigneur” that allowed a nobleman to be entitled by law to have sex with a servant on her wedding night before the husband did. (In the YouTube video at bottom is the famous and so breathtakingly beautiful Forgiveness scene, featured in the Oscar-winning film “Amadeus,” with the faithful Countess and the philandering Count that ends the masterpiece opera.)

In 1988 Sellars set the opera on the 52nd floor of the luxurious Trump Tower (below), as the equivalent of an aristocratic estate, of net-feudalistic excess and wealth.

trump-tower-up-to-sky

With great insight and articulateness, Sellars recently discussed with The New York Times the inspired settings in light of the past history, campaign and recent election of President-elect Donald Trump.

The Ear found the interview both enlightening and entertaining, and he hopes you do too.

Here is a link:

http://www.nytimes.com/2016/11/25/arts/music/remember-when-figaro-was-set-in-trump-tower.html?_r=0

It makes you wonder: How will other forms of art deal with the new administration?

Could it be that we are in for more activist protest art, something of a return to the 1960s and such efforts as Barbara Garson’s 1967 “MacBird,” which recast Shakespeare’s tragedy “Macbeth” as a theatrical satire of President Lyndon Baines Johnson, or LBJ, and First Lady Lady Bird Johnson as the Macbeths following the assassination of President John F. Kennedy or JFK?

What do you think?

Can you think of other works that lend themselves to such an approach to contemporary affairs?

The Ear wants to hear.


Classical music: Broadcasts of operas from the Met and string quartets by the UW-Madison’s Pro Arte Quartet are featured on old media and new media this Saturday and Sunday. Plus, the 89th Edgewood college Christmas Concert is tonight and tomorrow afternoon.

December 2, 2016
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ALERT: Edgewood College will present its 89th Annual Christmas Concerts tonight at 7 p.m. and Saturday afternoon at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.

Now expanded to two performances, the holiday concert features the Edgewood College choirs and Concert Band, along with audience sing-alongs, prelude music by the Guitar Ensemble, and a post-concert reception featuring the Jazz Ensemble.

Tickets are $10, and seating is limited for this very popular annual event. Tickets should be purchased online in advance.

By Jacob Stockinger

Classical music meets old media and new media this weekend through opera and chamber music.

SATURDAY

This Saturday marks the beginning of the LIVE RADIO broadcasts of operas from the Metropolitan Opera (below) in New York City. This will be the 86th season for the radio broadcasts, which educated and entertained generations of opera lovers before there were DVDs, streaming and the “Live in HD From the Met” broadcasts to movie theaters.

Metropolitan Opera outdoors use Victor J. Blue NYT

Met from stage over pit

The performances will be carried locally on Wisconsin Public Radio, WERN-FM 88.7. This Saturday, the starting time for Puccini’s “Manon Lescaut” with Russian superstar soprano Anna Netrebko (below, in a photo by Richard Termine for The New York Times), is 11:30 CST. Other operas will have different starting times, depending their length.

This season runs from Dec. 3-May 15.

Radio has certain strengths, The Ear thinks. For one, it allows the listeners to focus on the music, to be less distracted or less enriched – depending on your point of view – by sets, costumes, lighting, the physicality of the acting and other stagecraft that is left to the imagination.

This season, there will be lots of standard fare including: Verdi’s “La Traviata” and “Aida”; Puccini’s “La Boheme”; Bizet’s “Carmen”; Beethoven’s “Fidelio”; Wagner’s “Tristan und Isolde” and “The Flying Dutchman”; Richard Strauss’ “Der Rosenkavalier” and “Salome”; and Mozart’s “Idomeneo.”

But you can also hear the new music and less frequently staged operas. They include the 2000 opera “L’amour de loin” (Love From Afar) by Finnish composer Kaija Saariaho, which will receive its Metropolitan Opera premiere next week, on Dec. 10.

Here is a link to the complete season along with links to information about the various productions. Starting times are Eastern Standard Time, so deduct an hour for Central Standard Time or a different amount for your time zone:

http://www.metopera.org/Season/Radio/Saturday-Matinee-Broadcasts/

met-manon-lescaut-anna-netrebko-cr-richard-termine-nyt

SUNDAY

On this Sunday afternoon, the Pro Arte Quartet (below, in a photo by Rick Langer), longtime artists-in-residence at the University of Wisconsin-Madison School of Music, will wrap up the first semester of “Sunday Afternoon Live From the Chazen,” which used to air weekly on Wisconsin Public Radio but now is presented once a month, on the first Sunday of the month, directly by the museum.

The program this Sunday features the “Italian Serenade” by Hugo Wolf; the String Quartet No. 3 in F Major by Dmitri Shostakovich; and the String Quartet in A-Flat Major, Op. 105, by Antonin Dvorak.

Pro Arte Quartet new 2 Rick Langer

The FREE concert takes place from 12:30 to 2 p.m. in Brittingham Gallery No. 3 of the Chazen Museum of Art and the University of Wisconsin-Madison.

Donors to the museum can reserve seats. Concerts by the Pro Arte Quartet, kind of the house quartet of the museum, are usually “sold out.”

But the concert can also be streamed live via computer or smart phone by clicking on the arrow in the photo and using the portal on the following website:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen-12-4-16/

sal-pro-arte-12-4-16

You might also want to arrive early or stay late to see the historic and rare First Folio edition (below) of the plays by William Shakespeare that is on display at the Chazen Museum through Dec. 11 to mark the 400th anniversary of the death of the Bard.

First Folio


Classical music: Here is The New York Times holiday gift guide of classical music for 2016

November 27, 2016
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By Jacob Stockinger

The holiday shopping has started with a Black Friday that set records for on-line sales — more than $3 billion or an increase of 11 percent over last year, according to news reports.

And this coming Cyber Monday is supposed to be even bigger, setting more records.

Over the next several weeks, The Ear will feature several holiday gifts guides, including the upcoming Grammy Award nominations and lists of the year’s top recordings from Gramophone magazine, National Public Radio (NPR) and other media outlets.

The Ear will also offer some of his own ideas, although he thinks it is pointless to single out the “best,” given so many choices, and will feature instead things that gave him – and might give you or the recipient – special pleasure.

Anyway, here is the 2016 holiday gift guide for classical music from critics for The New York Times.

ny-times-classical-gifts-2016

Once again, the emphasis is on boxed sets, which have become more widespread and even more of a bargain as streaming becomes increasingly popular. One expensive set features Mozart’s complete works and runs almost $500 – or about only $2 a disc.

The list features tried-and-true classics and also more contemporary music and new music. It seems big on opera and orchestral works especially, but offers precious little chamber music or early music.

The list features CDs, DVDs, books and – The Ear’s favorite – a plea for giving tickets to live concerts or else gift certificates for them.

Read it and decide for yourself how useful it is.

Here is a link:

http://www.nytimes.com/2016/11/24/arts/music/gift-ideas-for-classical-music-fans.html?_r=0

If you have gift ideas of your own, or reactions to these suggestions, leave your thoughts in the COMMENT section.

The Ear wants to hear.


Classical music: For this coming Giving Tuesday, The Ear takes note that symphony orchestras are not alone in now being more like charities than businesses

November 26, 2016
4 Comments

By Jacob Stockinger

This coming Tuesday, Nov. 29, is Giving Tuesday.

It follows such hyped-up promotional and for-profit business days as Black Friday, Small Business Saturday and Cyber Monday.

But this year Giving Tuesday seems more important than ever.

It’s no secret that the conservative political forces now in ascendancy do not favor government subsidies of the arts. And one has no idea about what the taste in the arts is for the incoming administration.

Plus, economic competition among proliferating music groups has only tightened the screws even further on many organizations.

Of course, lots of music organizations – small, medium and big – need your help.

The Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Madison Opera, the Wisconsin Union Theater and increasingly the University of Wisconsin-Madison School of Music all seek out and solicit donations with more and more frequency.

And it is no secret that The Ear especially favors supporting music education organizations for young people such as the Wisconsin Youth Symphony Orchestras (below, at the group’s 50th anniversary concert last winter). They not only train future musicians but also build future audiences for classical music.

WYSO 50th players

But in whatever direction your philanthropy and generosity extend, here is some relevant news.

It is a story from The New York Times about how symphony orchestras are now less like businesses and more like charities.

Symphony orchestras aren’t alone, so the account seems especially timely with Giving Tuesday looming.

Here is a link:

http://www.nytimes.com/2016/11/16/arts/music/its-official-many-orchestras-are-now-charities.html?_r=0

If you have some thoughts, please leave them in the COMMENT section.

The Ear wants to hear.


Classical music: Minimalist pioneer Steve Reich turns 80 and now finds his music in the mainstream. Plus, here is the program for the clavichord concert on Sunday

November 5, 2016
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ALERT: The Ear has received late notice of the program for the clavichord concert on Sunday afternoon at 3 p.m. in the Gates of Heaven Synagogue in James Madison Park.

The music, to be played by early music specialist David Schrader of Roosevelt University in Chicago, includes the Partita No. 5 in G Major, BWV 829, by Johann Sebastian Bach; the Sonata in C Major, K. 330, by Wolfgang Amadeus Mozart; the Sonata No. 44 in G minor by Franz Joseph Haydn; and the Sonata in A minor by Carl Philipp Emmanuel Bach.

For more information about the unusual concert, go to:

https://welltempered.wordpress.com/2016/11/04/classical-music-a-rare-early-music-recital-on-a-locally-built-clavichord-is-this-sunday-afternoon-at-the-gates-of-heaven-synagogue/

By Jacob Stockinger

Here is another better-late-than-never posting.

Composer Steve Reich, along with Philip Glass, was one of the pioneering giants of minimalism in classical music, which in turn influenced even pop music icons such as David Bowie and Brian Eno. (You can hear Part 1 of his influential and hypnotic work “Drumming” in the YouTube video at the bottom.)

steve-reich-2016

Last month Steve Reich turned 80.

Here is a story that traces the evolution of Reich’s career and art — including his reliance on rhythm, his use of percussion and words, and his exploration and rediscovery of Judaism — from the Deceptive Cadence blog for National Public Radio (NPR):

http://www.npr.org/sections/deceptivecadence/2016/10/09/496552301/steve-reich-at-80-the-phases-of-a-lifetime-in-music

And here is another story from The New York Times that covers Reich past, present and future:

http://www.nytimes.com/2016/10/02/arts/music/steve-reich-at-80-still-plugged-in-still-plugging-away.html?_r=0

Enjoy!


Classical music: Rare repertoire for four pianos will be played at Farley’s House of Pianos on Friday and Saturday nights. Plus, Pro Arte Quartet gives a FREE concert tonight and tickets to pianist Christopher Taylor have SOLD OUT

October 25, 2016
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ALERT 1: The UW-Madison‘s Pro Arte Quartet will give a FREE concert TONIGHT at 7:30 p.m. in Mills Hall. The program is the “Italian Serenade” (1887) by Hugo Wolf (1860-1903); the String Quartet No. 3 in F Major, Op. 73, (1946) by Dmitri Shostakovich (1906-1975); and the String Quartet in A-flat Major, Op. 105 (1895) by Antonin Dvorak (1841-1904).

ALERT 2: Tickets to the piano recital of Johann Sebastian Bach‘s “Goldberg” Variations by Christopher Taylor this Friday night are SOLD OUT as of Monday morning.

By Jacob Stockinger

The Ear has received the following announcement to post about a set of unusual piano concerts this coming weekend:

In their only North American appearance, world-renowned pianists Daniel del Pino, Lucille Chung, Alon Goldstein and Roberto Plano will be heard this Friday and Saturday nights in the opening program of the third season of the Salon Piano Series.

Hosted by Tim and Renee Farley at Farley’s House of Pianos, the Salon Piano Series has quickly gained a reputation for unique and stimulating programs in the intimate and historic setting of the Farley showroom.

But never have four pianists been heard at once on four restored instruments.

“It’s an honor knowing the pianists chose our location for their only North American performance,” says Renée Farley, co-founder of the Salon Piano Series. “We thought of no better way to open our third season.”

The repertoire for the “Four on the Floor” concerts could hardly be more entertaining or appropriate for Halloween weekend: arrangements of the “Danse Macabre” by Camille Saint-Saens; the “Carmen Fantasy” based on the beloved opera by Georges Bizet; Maurice Ravel’s own transcription for four keyboards of his “Bolero” (heard in the YouTube video at the bottom); and an arrangement of the “Hungarian Rhapsody No. 2” by Franz Liszt.

four piano concert sketches--sps--2016b.indd

For the first time, an SPS program will be heard twice, on Friday, Oct. 28, and Saturday, Oct. 29, with both events beginning at 7:30 p.m. at the Farley’s House of Pianos Showroom, 6522 Seybold Road, Madison. That is on Madison’s far west side near the West Towne Mall.

Tickets are $45.

For more information about tickets, the concerts and the artists, plus other artists and concerts in the Salon Piano Series this season, visit:

http://salonpianoseries.org/concerts.html

For information about Farley’s House of Pianos, go to:

http://www.farleyspianos.com/index.html

THE ARTISTS

Daniel del Pino (below) is a leading Spanish concert pianist juggling an international recital career with teaching in the Basque Country in Donostia-San Sebastian, Spain.

Daniel del PIno square

The reputation of Lucille Chung (below), who often performs with her husband Alessio Bax, has grown steadily since her debut at the age of 10 with the Montreal Symphony Orchestra. To date she has performed with more than 60 orchestras.

lucille-chung

Alon Goldstein (below, in a photo by Meagan Cignoli) is particularly admired for his artistic vision and innovative programming. The New York Times described a recent performance as “exemplary throughout, with his pearly touch and sparkling runs.”

alon-goldstein-cr-meagan-cignoli

Roberto Plano lives in Travedona Monate, Italy and teaches there at Accademia Musicale Varesina, which he founded.

robert-plano


Classical music: Remembering The Modest Maestro. English conductor Sir Neville Marriner died this past week at 92

October 8, 2016
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By Jacob Stockinger

He played in a string quartet and a symphony orchestra before founding and directing a chamber orchestra that rose to the top ranks of the music world. Then he became a world-famous conductor of larger ensembles, including the Minnesota Orchestra.

He was Sir Neville Marriner (below, in old age), and he died at 92 on Oct. 2.

nevlle-marriner-old

Perhaps because Marriner, who pioneered period practices on modern instruments when playing music of the Baroque and Classical eras, was famous for recording the soundtrack to the Academy Award-winning film “Amadeus,” his death was announced the same day on radio news programs – something that doesn’t happen often and speaks to his popularity and influence.

By all accounts, in the world of many egotistical maestros, Marriner remained modest. For this friendly titan, music mattered most and he was busy conducting right up until the end. Apparently, Marriner was a wonderful man to know and to work with.

Chances are good that by now you have already heard about Marriner’s death. So The Ear is offering some homages that repeat the details of his career and his passing. (Below is a photo of the young Neville Marriner.)

neville-marriner-young

First are two moving testimonies from Marriner’s friend, the British critic Norman Lebrecht, published on Lebrecht’s blog Slipped Disc:

http://slippedisc.com/2016/10/sad-news-neville-marriner-is-gone-at-92/

http://slippedisc.com/2016/10/the-unforgettable-neville-marriner/

Here is the announcement of his death from the Academy of St. Martin in the Fields (heard playing the Adagio by Tomaso Albinoni in the YouTube video at the bottom), which Marriner founded and led for many years:

http://www.asmf.org/sir-neville-marriner/

Here is an exhaustive obituary from The New York Times:

http://www.nytimes.com/2016/10/03/arts/music/neville-marriner-prolific-musician-and-acclaimed-conductor-dies-at-92.html?_r=0

And here is another obituary from The Washington Post:

https://www.washingtonpost.com/entertainment/music/neville-marriner-led-renowned-academy-of-st-martin-in-the-fields-dies-at-92/2016/10/02/3bfbb3ec-88b2-11e6-875e-2c1bfe943b66_story.html

Here is a good overview with some audio-visual samples, from the Deceptive Cadence blog on NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2016/10/02/195882515/neville-marriner-who-recorded-the-beloved-soundtrack-to-amadeus-has-died

And here is a good summary from famed radio station WQXR-FM in New York City:

http://www.wqxr.org/#!/story/conductor-neville-marriner-dies-founded-london-orchestra/?utm_source=local&utm_medium=treatment&utm_campaign=carousel&utm_content=item5

Sir Neville Marriner was a prolific recording artist, with more than 500 recordings to his credit. The Ear fondly remembers an LP that had the Serenades for Strings by the Czech composer Antonin Dvorak and the “Holberg” Suite by Norwegian composer Edvard Grieg, which has been reissued as a “Legends” CD by Decca. The playing was warmly heart-felt and superb.

The Ear also loved his complete set of piano concertos by Wolfgang Amadeus Mozart, done with pianist Alfred Brendel.

What are your favorite Marriner recordings?

The Ear wants to hear.


Classical music: The Pittsburgh and Philadelphia Symphony Orchestras start their seasons with a strike by the players.

October 2, 2016
2 Comments

By Jacob Stockinger

The new concert season is just getting under way.

But not all is happy news and gala events.

Two of the country’s best and most respected orchestras — the Pittsburgh and Philadelphia Symphony Orchestras – have gone on strike. Issues include pay cuts, salary raises and reduced staff.

Performances were cancelled.

The Philadelphians even walked out right on opening night (below, in two photos by Mark Makela for The New York Times). And they played in the streets.

The Fort Worth Symphony in Texas is also out on strike.

philadelphia-orchestra-on-strike-2016-cr-mark-makela-nyt

Here is a fine story, with a lot of background, from The New York Times:

http://www.nytimes.com/2016/10/01/nyregion/philadelphia-orchestra-walks-out-on-opening-night.html?_r=0

And here is a story from The Washington Post with other details:

https://www.washingtonpost.com/entertainment/music/philadelphia-orchestra-goes-on-strike-cancels-opening-gala/2016/09/30/b368c44c-8781-11e6-b57d-dd49277af02f_story.html

phiadelphians-play-on-strike-2016-cr-mark-makela-2016

It is enough to deepen your appreciation for the Madison Symphony Orchestra (below top), which very successfully opened its season last weekend, and the Wisconsin Chamber Orchestra (below bottom), which will open its season in two weeks.

John DeMain and MSO from the stage Greg Anderson

WCO lobby

Here is a link to several reviews and a reprise of the opening MSO concert:

https://welltempered.wordpress.com/2016/09/28/classical-music-the-madison-symphony-orchestra-opens-its-new-season-with-superb-playing-hypnotizing-space-photos-by-nasa-and-close-to-full-houses-but-where-was-the-great-music/

Long live labor peace in Madison and its performing arts groups!


Classical music: The Madison Symphony Orchestra opens its new season this weekend with music by Holst and photographs by NASA in “The Planets: An HD Odyssey”

September 21, 2016
2 Comments

By Jacob Stockinger

The Ear has received the following announcement from the Madison Symphony Orchestra:

The Madison Symphony Orchestra (MSO, below), with Music Director John DeMain conducting, opens its 91st season – and its 23rd season under Maestro DeMain — with three works by 20th-century composers.

John DeMain and MSO from the stage Greg Anderson

Science, music and stunning visuals come together with Gustav Holst’s The Planets accompanied by a spectacular, high-definition film featuring NASA imagery. (Below is a photo of Jupiter, “The Bringer of Jollity” to Holst. The musical depiction of Jupiter — performed by James Levine conducting the Chicago Symphony Orchestra — is in the YouTube video at the bottom.

nasa-jupiter2

MSO’s Concertmaster Naha Greenholtz is featured in the Chaconne, a dramatic theme by John Corigliano, from The Red Violin film. The concert begins with George Enescu’s Romanian Rhapsody No. 1.

The concerts are in Overture Hall on this Friday., Sept. 23, at 7:30 p.m.; Saturday, Sept. 24, at 8 p.m.; and Sunday, Sept. 25, at 2:30 p.m.

A national hero in his homeland, Enescu rarely included hints of his Romanian heritage in his music, except when he composed the Romanian Rhapsodies as a teenager. Romanian Rhapsody No. 1 captures a series of Romanian folk songs, including melodies of increasingly wild Gypsy dances. This is MSO’s first performance of this work.

In the Chaconne, American composer John Corigliano (below) draws the audience in with a foreboding and haunting signature tune, which he wrote for the powerful film about music, The Red Violin. His film score for the movie earned him an Academy Award in 1999 for his original music. This will be the first time MSO has performed this Oscar-winning work, and features MSO Concertmaster Naha Greenholtz.

John Corigliano

Greenholtz (below) has captivated audiences as Concertmaster of the MSO and the Quad City Symphony Orchestra. A Canadian violinist, Greenholtz was born in Kyoto, Japan, where she began her violin studies at age three.

Since her solo debut at 14, she continues to perform internationally, most notably with: the Oregon Symphony, Calgary Philharmonic, National Ballet of Canada, Omaha Symphony, and Memphis Symphony.

Naha Greenholtz [playing

The Planets is known as Holst’s most popular work. The musical movements were inspired by characteristics connected with astrology’s seven planets. For instance, ominous sounding Mars, the Bringer of War, is followed by the calmly flowing Venus, the Bringer of Peace. (Below top is Mars and below bottom is Venus.)

nasa-mars

nasa-venus-2

The performances will be accompanied by a high-definition film projecting celestial images above the main stage.

According to New York Times senior critic Anthony Tommasini, the film shows “photographs from rovers and satellites, radar images and computer-generated graphics … combining to give the audience the impression of circling individual planets and sometimes flying over their awesomely barren landscapes.” (Below is a close-up of the surface of Mars.)

nasa-mars2

The Madison Symphony Women’s Chorus (below top, in a photo by Greg Anderson), under the direction of Beverly Taylor, will be part of the final movement of The Planets, and the Overture Concert Organ (below bottom) is featured at several moments in the piece.

MSO Chorus from left CR Greg Anderson

overture organ

This is the first time MSO’s performance of The Planets will be accompanied by the high-definition film.

One hour before each performance, Randal Swiggum, the artistic director of the Elgin Youth Symphony Orchestra Artistic, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, please view the Program Notes at: http://www.allsenmusic.com/NOTES/1617/1.Sep16.html or madisonsymphony.org/planets.

Before all of the concerts and at intermission, Friends of University of Wisconsin–Madison Astronomy will have an interactive display in the lobby concertgoers can experience.

The Symphony recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the pre-concert talk and the astronomy exhibit (free for all ticket-holders).

Single Tickets are $16 to $87 each and are on sale now at madisonsymphony.org/planets, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information visit, madisonsymphony.org/groups.

Student rush tickets can be purchased in person on the day of the concert at the Overture Box Center Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush.

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.     

Major funding for the September concerts is provided by: NBC15, Diane Ballweg, Capitol Lakes, Friends of University of Wisconsin–Madison Astronomy, The Gialamas Company, Inc., and Nicholas and Elaine Mischler. Additional funding is provided by: Analucia and Mark Allie, for their beloved “Doc” Richard Greiner; Judith and Nick Topitzes, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music: Women conductors speak out about breaking the glass ceiling with a baton

September 10, 2016
1 Comment

By Jacob Stockinger

The time has finally come!

It has been, in fact, long overdue.

The candidacy of Hillary Clinton as the Democratic nominee to be President of the United States is a historic first.

And it is generating a lot of buzz about breaking glass ceilings in politics and elsewhere.

So it seemed very timely when The New York Times reported on women conductors at a conference-festival in Lucerne, Switzerland. The pioneering American woman conductor Marin Alsop (below), who heads the Baltimore Symphony Orchestra, is among them.

Marin Alsop marching

Among the younger generation included is the Finnish conductor Susanna Malkki (below), who is taking over as the Chief Conductor of the Helsinki Philharmonic Orchestra this month. (You can hear her discuss her inaugural season in the YouTube video at the bottom.)

finnish-conductor-susanna-malkki

Here is a link to the story and interviews with four female conductors. They offer some terrific advice and many memorable anecdotes:

http://www.nytimes.com/2016/09/04/arts/music/female-conductors-lucerne-festival.html?_r=0


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