The Well-Tempered Ear

Classical music: Amazon’s new TV comedy “Mozart in the Jungle — Sex, Drugs and Classical Music” depicts the problems of classical musicians in New York City, and gets cheers and jeers from critics for The New York Times and National Public Radio.

January 22, 2015
8 Comments

By Jacob Stockinger

Bankrupt symphony orchestras and opera companies?

Highly trained but out-of-work classical musicians?

The unfortunate realities of classical music in contemporary American culture have made their way into a fictional comedy.

Fresh off its surprise win in the Golden Globe awards, Amazon Studios is broadcasting an unusual comedy series based on the behind-the-scenes problems and trials of classical musicians in New York City.

It is called “Mozart in the Jungle” – a title that reminds The Ear of the moving scenes in the classic film “Out of Africa” where recordings of works by Wolfgang Amadeus Mozart  — including the sublime middle movement of the Clarinet Concerto — are played by multiple Academy Award-winner Meryl Streep and Robert Redford on a phonograph in the midst of the African bush.

Below is a photo by Nicole Rivelli of Amazon Studios that shows Gael García Bernal (right), Bernadette Peters and Malcolm McDowell starring in the classical music comedy series “Mozart in the Jungle.” You can see the trailer, which has a lot of details and bacground and which already has more than 1 million hits, for the new streaming series in a YouTube video at the bottom.

mozart in the jungle

But this urbane comedy take gets mixed marks for its realistic depiction of the difficulties of the classical music scene in New York City, which could easily apply elsewhere.

Here is the critique from NPR of National Public Radio by Anastasia Tsioulcas:

http://www.npr.org/blogs/deceptivecadence/2015/01/15/377232599/what-we-love-and-hate-about-mozart-in-the-jungle

And here is the review by critic and reviewer Zachary Woolfe for The New York Times:

http://www.nytimes.com/2015/01/19/arts/television/mozart-in-the-jungle-an-amazon-series.html?_r=0

If you have watched “Mozart in the Jungle, let us know what you think.

The Ear wants to hear.


Classical music: Critics for The New York Times name their favorite works by and performers of Richard Strauss. Plus, catch the Madison Area Youth Chamber Orchestra and the Madison Early Music Festival on radio this Sunday.

January 3, 2015
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HERE ARE TWO ALERTS FOR SUNDAY:

At 10 a.m, on WORT FM 89.9: The Madison Area Youth Chamber Orchestra (MAYCO) under the direction of Mikko Utevsky will be featured in an hour-long broadcast this coming Sunday (January 4).

The “Summer Voices” concert was recorded live last August 22 at Music Hall on the UW-Madison campus. Included are interviews with MAYCO founder and conductor Mikko Utevsky and guest soprano Caitlin Ruby Miller (below).

The program includes: the Overture to “The Magic Flute” by Austrian composer Wolfgang Amadeus Mozart; the cantata “Knoxville Summer of 1915” by American composer Samuel Barber; and the Symphony No. 9 in E-Flat Major by Russian composer Dmitri Shostakovich. The hosts of Musica Antiqua yielded the final hour of their early music show so that WORT can provide these young musicians with the station’s largest classical music audience.

MAYCO 2014 Caitlin Ruby Miller and Mikko Uevsky

Then at 1 p.m. on Wisconsin Public Radio (88.7 FM in the Madison area and online at wpr.org): Wisconsin Public Radio (WPR) will broadcast a concert of 16th-century Renaissance music from Italy inspired by “I Trionfi” by Francesco Petrarch (1304-1374). The concert was designed and conducted by Grant Herreid, and was performed at the Madison Early Music Festival’s concluding All-Festival Concert (bel0w) in July 2014 at Luther Memorial Church in Madison. This recording is part of WPR’s new program, “Wisconsin Classical.”

Listen to station 88.7 FM at 1 p.m.or stream it online at http://www.wpr.org/

MEMF 2014 All-Festival

By Jacob Stockinger

One of the public’s favorite Late Romantic composers is Richard Strauss, seen below in old age in a photo by H. Hoffmann and Ullstein Bilderdienst.

Richard Strauss  old CR H. Hoffmann Ulstein Biulderdienst

Writing about Strauss is timely, if belatedly so, because 2014 was the 150th anniversary year of his birth.

But better late than never.

Strauss composed in every genre, from orchestra and opera to chamber music, and the last part of his career was controversial because of his involvement with Hitler and Nazi Germany during World War II.

What is your favorite work by Richard Strauss?

Your favorite performances and performers?

Your favorite recordings?

Various critics for The New York Times recently offered their own year-end takes on those questions.

Here is a link:

http://www.nytimes.com/2014/12/26/arts/music/richard-strauss-recordings-recommended-by-critics.html?_r=0

And here is my favorite Strauss music — the Suite from the opera “Der Rosenkavalier” in a YouTube video — although it is also hard to beat “Four Last Songs” for soprano and orchestra:


Classical music: Historic Steinway Hall in Manhattan to be torn down and moved.

December 29, 2014
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By Jacob Stockinger

I think of Steinway Hall the same way that some people think of and advertise Sedona, Arizona: A kind of navel to a spiritual world.

For many pianists, anyway, such is the case.

Steinway Hall (below is the hallmark rotunda of the famed building) is a landmark building where a historic meeting took place between composer-pianist Sergei Rachmaninoff and keyboard virtuoso Vladimir Horowitz.

steinway hall

For generations it is where the greatest keyboard artists have gone to select the proper instrument for the Carnegie Hall and other solo recitals, chamber music concerts and concerto appearances at other venues such as Avery Fisher Hall in Lincoln Center.

To be selected and named a “Steinway artist” was the highest professional accolade, whether you were Arthur Rubinstein or Van Cliburn or Emanuel Ax or Pierre-Laurent Aimard or Jeremy Denk or Daniil Trifonov. And there have been countless others.

But nothing can block “progress.”

Especially the progress officials call economic development.

So soon the old Steinway Hall will move to a new location, and the old Steinway Hall will be demolished to make room for upscale luxury condominiums.

Maybe it is just another example of the old real estate saying: Location, location, location.

After all, Steinway Hall is not very far from Carnegie Hall (below).

carnegie-hall-address

Talk about prime locations and reputable or prestigious addresses.

http://www.npr.org/blogs/deceptivecadence/2014/12/27/372730314/steinway-bids-farewell-to-its-historic-hall

Here is a link to an earlier story and less complete story, with less background, from March 2013 in The New York Times. Be sure to read the Reader Comments:

http://cityroom.blogs.nytimes.com/2013/03/26/steinway-to-sell-its-famed-showroom-building/?_r=1

 

 


Classical music: Gramophone magazine names its Best of 2014 Classical Recordings. Here it is, along with several other major compilations.

December 28, 2014
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By Jacob Stockinger

This post wraps up the holiday gift-giving season for this year.

Over the past month or so, I have offered several major roundups of the Best of 2014 classical music recordings.

https://welltempered.wordpress.com/2014/12/20/classical-music-here-are-the-best-classical-recordings-of-2014-from-the-new-york-times-and-the-boston-globe-as-well-as-npr/

NY Times top 20 classical CDs 2013 Tony Cenicola for NYT

The posts have included a Top 10 list from NPR or National Public Radio:

http://www.npr.org/blogs/deceptivecadence/2014/12/11/370067981/best-classical-albums-of-2014

A list from the critics at The New York Times:

http://www.nytimes.com/2014/12/19/arts/music/classical-critics-pick-the-top-music-recordings-of-2014.html?_r=1

A list — really, two lists — from the prize-winning critic Alex Ross (below), who writes for The New Yorker Magazine:

http://www.newyorker.com/culture/cultural-comment/ten-notable-performances-recordings-2014

Alex Ross 2

A link from critic Jeremy Eichler at the Boston Globe:

http://www.bostonglobe.com/arts/music/2014/12/13/the-best-albums/6q7Tin4lPvj5RmqfCCSTFP/story.html

And a list of the classical nominations for the 57th annual Grammy Awards:

https://welltempered.wordpress.com/2014/12/09/classical-music-the-57th-annual-grammy-award-nominations-provide-a-useful-guide-to-holiday-gift-giving/

grammy award BIG

Now, as the year ends, here comes the annual compilation by the venerable Gramophone magazine out of Great Britain. Top honors go to Riccardo Chailly and the Leipzig Gewandhaus Orchestra for their cycle of orchestral works, symphonies and overtures and more, by Johannes Brahms on the Decca label.

Brahms Chailly cover

But there is a lot more to look at and listen to, and, predictably, a lot of choices with ties to United Kingdom.

Anyway, if you still need to give a gift or maybe to redeem a gift card or spend cash you received, here is the story along with the direct link to the FREE digital magazine issue (below):

http://www.gramophone.co.uk/classical-music-news/recordings-of-the-year-2014-free-digital-magazine-out-now

http://www.exacteditions.com/read/gramophone/recordings-of-the-year-2014-41178

Gramophone recordings of 2014 cover


Classical music: Here are the best classical recordings of 2014 from The New York Times, The New Yorker magazine and The Boston Globe as well as NPR.

December 20, 2014
1 Comment

By Jacob Stockinger

This is the last weekend for holiday shipping before Christmas, and retailers expect today to be even bigger and busier than Black Friday.

But whether you go to a local brick-and-mortar store such as Barnes & Noble or use the Internet, there is still time to order and receive such items as gifts.

Plus, whether you are looking for a gift for someone else or for what to buy with that gift card or cash you receive, perhaps you will find the following lists convenient and helpful.

The three lists are compilations of the Best Classical Music Recordings of 2014, even if they appear a bit late. (I seem to recall that these lists appeared closer to Thanksgiving or Black Friday in past years, but I could be wrong.)

NY Times top 20 classical CDs 2013 Tony Cenicola for NYT

The first list, a long one, comes from the various critics at The New York Times:

http://www.nytimes.com/2014/12/19/arts/music/classical-critics-pick-the-top-music-recordings-of-2014.html?_r=0

It covers solo instruments, vocal music, operas, orchestral music, chamber music – you name it.

The second list from a critic for The Boston Globe:

http://www.bostonglobe.com/arts/music/2014/12/13/the-best-albums/6q7Tin4lPvj5RmqfCCSTFP/story.html

The third list comes from ace music critic and prize-winner Alex Ross (below) of The New Yorker Magazine. He names 20 different recordings along with 10 memorable live events from the concert scene in New York City.

http://www.newyorker.com/culture/cultural-comment/ten-notable-performances-recordings-2014

Alex Ross 2

The Ear finds it interesting how many agreements there are about certain composers, works and performers – such as the haunting, 2014 Pulitzer Prize-winning work “Become Ocean” by the contemporary American composer John Luther Adams (below top and at the bottom in a YouTube video) and the Schubert recording by British pianist Paul Lewis (below middle) in late music by Franz Schubert or Alan Gilbert conducting the New York Philharmonic in two symphonies by Danish composer Carl Nielsen.

John Luther Adams

Paul Lewis

Here is a link to a previous Top 10 Best of 2014 list from NPR (National Public Radio), complete with CD covers and sound samples, that I posted:

https://welltempered.wordpress.com/2014/12/14/classical-music-need-gift-suggestions-npr-names-its-top-10-classical-music-albums-of-2014/

Happy shopping!

And even happier listening!!

It will be interesting to see what 2015 brings.


Classical music: The 57th annual Grammy Award nominations are out — and they provide a useful guide to holiday gift-giving.

December 9, 2014
2 Comments

By Jacob Stockinger

This year, the holiday gift-giving season went into high gear on Thanksgiving Day, not just Black Friday. That was followed by Small Business Saturday and Cyber Monday and on and on.

Doesn’t such commercialism of the holidays just make you want to break into “Joy to the World” or the “Hallelujah” Chorus?

Traditionally, The Ear has offered many lists and compilations for suggested classical recordings for the holidays — Christmas, Hanukkah, Kwanzaa, whatever.

Over this past weekend, the nominations for the 57th annual Grammy Awards were announced.

grammy award BIG

Of course, this event – no matter how hyped and prestigious for helping music  — is an industry honoring and promoting itself. So of course classical music is way down on the list, far behind more money-making and better selling genres.

But over the years The Ear has found that the nominees are actually more useful than the much shorter list of winners, which doesn’t come out anyway until well after the holidays.

So here is a link to the complete list of Grammy nominations. Just go the website, and scroll down to Category 72 though Category 81.

http://www.grammy.com/nominees

Sure, the Big Labels and Gray Ladies – such as Deutsche Grammophon and EMI – are represented.

And so are some pretty big New Names, including the astonishingly gifted prize-winning young pianist Daniil Trifonov (below), who, The Ear thinks, show get a Grammy for his Carnegie Hall recital. (Just listen to the YouTube video, taken from that live recital, at the bottom. It features a difficult Chopin prelude and notice the virtuosic ferocity combined with lyricism, the voicing, and the flexibility of tempo or rubato.)

danill trifonov

But once again The Ear notices how many recordings are being done by labels that have been established by the performing groups themselves or by smaller labels. Decentralization continues. So does the rediscovery of Baroque opera and early music as well as new music.

In addition, there continues to be an emphasis, established in recent years, on newer music and lesser known composers. So specialization also continues.

Notice too that veteran independent record producer Judith Sherman (below, holding the Grammy she won in 2012) is once again up for Producer of The Year – she has won it several times already.

Judith Sherman Grammy 2012

Sherman is the same person who recorded the impressive first double CD of four centennial commissions for the University of Wisconsin-Madison Pro Arte Quartet. That release included string quartets by John Harbison and Walter Mays as well as Piano Quintets by Paul Schoenfield and William Bolcom.

pro arte cd commission cover

This spring Judith Sherman is coming back to the UW-Madison School to record the last two commissions: the terrific Clarinet Quintet based on Allen Ginsberg’s Beat poem “Howl’ by American composer Pierre Jalbert (below top) and for the String Quartet No. 3 by Belgian composer Benoît Mernier (below bottom, in a photo by Lise Mernier).

Pierre Jalbert

Benoit Mernier by Lise Mernier

More such suggestions for classical music gifts are to come.

Usually critics from The New York Times and The Wall Street Journal weigh in, as does Alex Ross of The New Yorker magazine and the Deceptive Cadence blog for NPR (National Public Radio), and The Ear will include those.

And often The Ear throws in his own idea for gifts, which often involves linking a local live concert with a CD or a book and a CD. Stay tuned.

In addition, other website devoted to classical music – say the BBC and radio stations WQXR in New York City and WMFT in Chicago –- often featured a Best of the Year compilation.

And here is a link to more about the Grammys, including background

http://www.grammy.com

The Grammys will be awarded on Sunday, Feb. 8, 2015 and broadcast on CBS-TV from 8 to 11 p.m. LIVE from the Staples Center in Los Angeles.


Classical music: Ukrainian pianist Valentina Lisitsa’s solo recital of music by Beethoven, Schumann, Brahms and Rachmaninoff is a MUST-HEAR for piano fans. It is this Thursday night at 8 in the Wisconsin Union Theater.

November 18, 2014
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By Jacob Stockinger

Compared to the start of many seasons, surprisingly this fall hasn’t seen a lot of piano music— either solo recitals or concertos.

The Ear says “surprisingly” because box office statistics seem to suggest that piano concerts general draw good audiences. Pianists are favorites as soloists with orchestra fans -– as you could see in October when Russian pianist Olga Kern performed a concerto by Sergei Rachmaninoff with the Madison Symphony Orchestra under conductor John DeMain to a big, enthusiastic house.

Maybe it has to do with the fact that so many people take piano lessons when they are young. Or maybe it is because the repertoire is so big, so varied and so appealing.

And, true to form, next semester promises a whole lot more piano concerts of all kinds at the University of Wisconsin-Madison School of Music, the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Salon Series at Farley’s House of Pianos.

Anyway, one piano standout of the fall is about to happen this week.

The Ukrainian-born and Ukraine-trained pianist Valentina Lisitsa (below) will perform on this Thursday night at 8 p.m. in the Wisconsin Union Theater.

Valentina Lisitsa

The program is an outstanding one. It features the dramatic “Tempest” Sonata in D minor, Op 31, No. 2, by Ludwig van Beethoven; the “Symphonic Etudes” by Robert Schumann; a medley of the late piano intermezzi and other miniatures, Op. 116 through Op. 119, by Johannes Brahms, works we hear too infrequently, possibly because they are more for the home than the concert hall; and the rarely played Piano Sonata No. 1 in D minor by Sergei Rachmaninoff.

Tickets are $40, $42 and $45; $10 for UW-Madison students.

For more information, plus a video and some reviews, visit this link:

http://www.uniontheater.wisc.edu/season14-15/valentina-lisitsa.html

And here is a link to a story about her unusual career that appeared in The New York Times:

http://www.nytimes.com/2013/10/13/arts/music/valentina-lisitsa-jump-starts-her-career-online.html?_r=1&

This is Valentina Lisitsa’s third appearance at the Wisconsin Union Theater. She has performed there twice when she accompanied American violinist Hillary Hahn in what The Ear found to be memorable programs that offered a wonderful balance of dynamics in a chamber music partnership.

Lisitsa_Valentina_2

Lisitsa has established a special reputation for building her live concert and recording career not through the traditional ways or by winning competitions, but through using new media. In particular, she has amassed a huge following with something like 62 million individual views of and 98,000 subscribers to  her many YouTube videos.

Valentina LIsitsa playing

So impressive was her record with YouTube, in fact, that the venerable record label Decca offered her a contract. Her first release was a live recording of a recital of music by Beethoven, Chopin, Liszt, Rachmaninoff and Scriabin that she gave in the Royal Albert Hall in London — a recital for which she let her fans determine the program through voting on-line.

Then she recorded the complete knuckle-busting Rachmaninoff concertos, an all-Liszt album and a bestselling CD of “Chasing Pianos” by the contemporary British composer Michael Nyman, who wrote the well-known score for the popular gothic romance film “The Piano.”

valentina lisitsa and michael nyman

Here is a link to an interview Valentina Lisitsa did with NPR (National Public Radio):

https://welltempered.wordpress.com/2014/05/02/classical-music-youtube-sensation-pianist-valentina-lisitsa-talks-with-npr-about-her-unusual-career-and-her-new-recording-of-music-by-michael-nyman-she-performs-next-season-again-at-the-wisconsin-un/

Now she has a new and nuanced recording out of the complete Etudes, Opp. 10 and 24, by Frederic Chopin plus the “Symphonic Etudes” By Robert Schumann that she will perform here. (You can hear Chopin excerpts from the new CD in a YouTube video at the bottom.) The Ear is betting that, if an encore is in the offing this Thursday night, it will be a Chopin etude or two from the new recording — perhaps a slow and poetic one, perhaps a virtuosic one, or perhaps one of both kinds.

Valentina Lisitsa Chopin Schumann etudes CD cover

Her Madison appearance features a big and difficult program. But Lisitsa has the technique and power, the chops, to bring it off. She also demonstrated how she combines that substantial power with sensitive musicality in memorable solo recitals at Farley’s House of Pianos. And she claims to have developed a keyboard method that allows her to play difficult music for long periods of time without strain or injury. To one admiring reader comment about the new YouTube etude video, she says simply: “Playing piano is easy!”

Valentina Lisitsa's hands

Well, good for her! But I say go and judge for yourself — and don’t forget to enjoy the music as much as the musician.


Classical music: The Minnesota Orchestra will try performing shorter and more informal concerts next season. What do you think? Should that be tried here in Madison and elsewhere?

November 16, 2014
4 Comments

By Jacob Stockinger

You may remember that at the beginning of November, The Ear posted a series of 10 suggestions  to improve orchestral concerts (below bottom) intended to draw in bigger, newer and younger audiences.

concert

The suggestions were made by conductor Baldur Bronniman (below).

Baldur Bronniman

I added two suggestions of my own: Make concerts shorter and make tickets cheaper.

The post drew a lot of strong responses, mostly con but some pro, from readers. You should check them out.

Here is a link:

https://welltempered.wordpress.com/2014/11/02/classical-music-an-orchestra-conductor-suggests-10-ways-to-improve-concerts-the-ear-adds-two-more/

Now I see that, with the help of a grant, the Minnesota Orchestra will try putting on some shorter and more informal concerts. The orchestra recently returned from the brink of bankruptcy and disaster under Finnish Grammy-winning music director Osmo Vanska, who took the same percentage pay cut at his players. (He is below and at bottom in a YouTube video conducting symphonies by Finnish composer Jean Sibelius), 

osmo vanska

While The Ear proposed 90-minute concerts without intermission, it seems the Minnesota Orchestra will try out the 60-minute formula in three concerts between this coming January and June. The programs look pretty good.

(Thanks for directing me to the story goes to Steve Kurr, below, the Middleton High School  music teacher and conductor of the Middleton Community Orchestra, which generally follows a short and more informal programs  for its concerts.)

Steve Kurr conducting

I will be anxious to see the results. So will a lot of other orchestra maestros and administrators, I suspect.

Just maybe we are beginning to see the start of a trend in bringing concert hall practices up to – or down to? — the standards of a high-tech and very busy society that is both timed-deprived and driven by a shorter attention span.

Here is a link to the story:

http://m.startribune.com/entertainment/music/280257972.html

What do you think of the ideas in general and the experiments in Minnesota?

The Ear wants to hear.

 


Classical music: American composer Stephen Paulus dies at 65. The Festival Choir of Madison performed many world premieres by him and will perform the All-Night Vigil by Tchaikovsky this coming Saturday night.

October 27, 2014
4 Comments

By Jacob Stockinger

Last week brought sad news.

The prolific American composer Stephen Paulus, who lived and worked in St. Paul, Minnesota, died last week at 65. He died of complications from a stroke he suffered last year, according to his son.

Stephen Paulus 1

Paulus was probably best known to Madison-area residents for the many works and several compositions that the Festival Choir of Madison commissioned and performed.

And talk about timing.

The Festival Choir of Madison (below) will open its new season by performing the All-Night Vigil of Pyotr Ilyich Tchaikovsky –- NOT the more famous work with the same name by Sergei Rachmaninoff –- on this coming Saturday night, November 1, at 7:30 p.m. at the First Unitarian Society of Madison, 900 University Day Drive, on Madison’s near west side.

Festival Choir of Madison 2013

One wonders if the group will dedicate the performance to the memory of Paulus, whose music proved both modern and accessible, and often seemed Midwestern in that Aaron Copland kind of way.

Written nearly 35 years before the more famous Vespers by Sergei Rachmaninoff, the All-Night Vigil by Tchaikovsky (below) was written in an attempt to ensure that church music in Russia retained a uniquely Russian flavor. (You can hear a sample of the Tchaikovsky work in a YouTube video at the bottom.)

young tchaikovsky

The work, containing settings from three “overnight” canonical hours (Vespers, Matins and First Hour), is a beautiful representation of the Russian liturgical repertoire.

A pre-concert lecture begins at 6:30 p.m.

Tickets are $15 for the general public; $12 for seniors; and $9 for students.

Here is a link with information and reservations:

http://festivalchoirmadison.org/Season1415/tickets.htm

And here is more about Stephen Paulus (below), whom The Ear interviewed many years ago when he was working for The Capital Times. He was the model of a cordial and gracious artist who cared deeply about the public’s ability to appreciate his work.

Stephen Paulus 2

Here is an obituary that appeared in The New York Times:

http://www.nytimes.com/2014/10/22/arts/music/stephen-paulus-classical-composer-rich-in-lyricism-dies-at-65.html?_r=0

And here is a story that appeared on Minneapolis Public Radio, which, like Wisconsin Public Radio, emphasizes classical music when many affiliates of NPR (National Public Radio) are increasingly turning to talk radio.

http://www.mprnews.org/story/2014/10/20/stephen-paulus-a-musical-life

 

 


Classical music: Here are news items. Elusive and eccentric pianist Grigory Sokolov signs with Deutsche Grammophon. Italian maestro Daniele Gatti is named director of the famed Concertgebouw Orchestra of Amsterdam. The Atlanta Symphony Orchestra remains silent and locked out. And THIS AFTERNOON is your last chance to hear the Madison Symphony Orchestra and pianist Olga Kern in an all-Russian program of Tchaikovsky, Rachmaninoff and Shostakovich.

October 19, 2014
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ALERT: Today at 2:30 p.m. in Overture Hall is the final performance of this season’s second concert by the Madison Symphony Orchestra under the baton of John DeMain. Pianist Olga Kern (below) is the soloist in Sergei Rachmaninoff‘s Piano Concerto No. 1 in F-sharp minor. Other music includes the Suite from the ballet “Swan Lake” by Peter Tchaikovsky and the Symphony No. 6 by Dmitri Shostakovich. For information about tickets, the artists and the program, visit:

http://www.madisonsymphony.org/kern

Here are reviews of Friday night’s opening night performance:

By John W. Barker of Isthmus:

http://www.isthmus.com/daily/article.php?article=43817&sid=665cd87de278be4a3d198906d0365515

By Jess Courtier for The Capital Times:

http://host.madison.com/ct/news/local/city-life/symphony-review-mercurial-shostakovich-and-glamorous-olga-kern-make-a/article_289ef9a6-568e-11e4-821b-3be5190f72cd.html

And by Greg Hettmansberger, who writes the Classically Speaking blog for Madison Magazine:

http://www.madisonmagazine.com/Blogs/Classically-Speaking/October-2014/Russian-Music-Savory-and-Sweet/

Olga Kern

By Jacob Stockinger

The much admired but elusive, eccentric and enigmatic Russian pianist Grigory Sokolov (below) has signed up with Deutsche Grammophon and will release a live recital –- he refuses to make studio recordings – in January.

For the news plus an interesting interview and profile of Sokolov, here is a link to a story in the British magazine Gramophone. It includes some of his quirks such as not playing pianos older than five years and his specific repertoire favorites:

http://www.gramophone.co.uk/classical-music-news/grigory-sokolov-signs-exclusive-contract-with-deutsche-grammophon

Grigory Sokolov, Piano

Italian conductor Daniele Gatti is named the new maestro of the famed Dutch Concertgebouw Orchestra in Amsterdam. He starts in 2016 and sounds like he might be quite a bit of a contrast to past Concertgebouw conductors such as Bernard Haitink. Here is a story:

http://www.gramophone.co.uk/classical-music-news/daniele-gatti-named-new-chief-conductor-of-the-royal-concertgebouw

Daniele Gatti

The Atlanta Symphony Orchestra continues its lockout over labor disputes, thereby postponing or canceling the opening of the new season. But last weekend ASO music director Robert Spano conducted the Milwaukee Symphony Orchestra in the German Requiem of Johannes Brahms.

Here is a link to a story on NPR  (National Public Radio) to yet another turmoil in the world of American symphony orchestras:

http://www.npr.org/2014/09/28/351810425/the-atlanta-symphony-lockout-continues-musicians-picket-on-peachtree-street

Atlanta Symphony Orchestra

 

 

 

 


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