The Well-Tempered Ear
Classical music: Acclaimed pianist Ya-Fei Chuang plays works by Schubert, Liszt and Ravel this Saturday night at Farley’s House of Pianos
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By Jacob Stockinger
The critically acclaimed pianist Ya-Fei Chuang (below) will return to Madison this weekend to perform a solo recital and give a master class for the Salon Piano Series at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.
Advance tickets are $45 (students $10) or $50 at the door
You can purchase tickets at: https://www.brownpapertickets.com/event/3499200
Service fees may apply. Tickets are also for sale at Farley’s House of Pianos by calling 608 271-2626. Student tickets can only be purchased online and are not available the day of the event.
An artist’s reception will follow the concert.
For more information, go to: https://salonpianoseries.org
RECITAL
The recital by Chuang, who appears at festivals and concert halls around the world, is this Saturday night, April 6, 7:30 p.m. at Farley’s House of Pianos.
She comes with high praise from the famed Alfred Brendel, who said: “If you want to listen to Chopin and Liszt with different ears, Ya-Fei Chuang’s ecstatic performances cannot leave you cold, and her pianism is staggering.”
The program will include:
Maurice Ravel – Sonatine (1905) – Moderate; Menuet; Animated
Franz Schubert – “Moments Musicaux” (Musical Moments), D. 780/Op. 94
No. 2 in A-flat Major (1827); No. 3 in F Minor (1823) – played by Vladimir Horowitz in the YouTube video at the bottom; No. 6 in A-flat Major (1824)
Franz Liszt – “Reminiscences of Bellini’s ‘Norma,’” S. 394 (1831)
INTERMISSION
Maurice Ravel – “Jeux d’eau” (Fountain, or Play of Water) (1901)
Franz Liszt – “Reminiscences of Mozart’s ‘Don Juan,’” S. 418 (1841)
MASTER CLASS
On this Sunday afternoon, April 7, at 2 p.m., Ya-Fei Chuang will teach a master class at Farley’s House of Pianos, where she will instruct local students.
This is a FREE event that the public is invited to observe.
The master class program will include:
- Ludwig van Beethoven – Piano Sonata No. 8 in C minor (”Pathetique”), Op. 13, Third Movement; performed by Angelina Chang whose teacher is Julie Chang
- Franz Liszt – “Liebestraum” (Dream of Love) No. 3 in A-flat Major “Notturno” (Nocturne); performed by Antonio Wu whose teacher is Shu-Ching Chuang
- Sergei Rachmaninov – Prelude Op. 3 No. 2, in C-sharp Minor; performed by Alexander Henderson whose teacher is Vlada Henderson
The master classes for the 2018-19 season are supported by the law firm of Boardman and Clark LLP.
This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts, with additional support from Jun and Sandra Lee.
Another year of exceptional artists is planned for the 2019-20 season. Subscribe to the series’ e-newsletter, and check the website and social media sites Instagram and Facebook for the season announcement in June.
For more information, go to: https://salonpianoseries.org
To become a sponsor of Salon Piano Series, contact Renee Farley. Salon Piano Series is a nonprofit organization founded to continue the tradition of intimate salon concerts, including solo recitals and chamber music with piano, featuring exceptional artists.
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Classical music: Prize-winning composer John Harbison has turned 80. In February, Madison will see many celebrations of his birthday, starting this Friday night with the Imani Winds
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By Jacob Stockinger
This Friday night, Feb. 1, a month-long celebration in Madison of the 80th birthday of critically acclaimed and prize-winning composer John Harbison (below) gets underway.
The festivities start with a concert by the Grammy-nominated Imani Winds (below), which will perform this Friday night at 7:30 p.m. – with a pre-concert lecture at 6 p.m. — in Shannon Hall at the Wisconsin Union Theater. The program includes Harbison’s popular Wind Quintet.
Here is a link with more information about the group, the program and tickets: https://union.wisc.edu/events-and-activities/event-calendar/event/imani-winds/
Among America’s most distinguished artistic figures, Harbison is the recipient of numerous awards and honors, among them a MacArthur ”genius grant’ and a Pulitzer Prize. His work encompasses all genres, from chamber music to opera, sacred to secular. (You can hear Harbison discuss his approach to composing in the YouTube video at the bottom.)
He has composed for most of America’s premiere musical institutions, including the Metropolitan Opera, the symphony orchestras of Chicago, Boston, Los Angeles, Seattle and New York; and the Chamber Music Society of Lincoln Center and the Santa Fe Chamber Music Festival.
Institute Professor at MIT, Harbison serves as composer, conductor, performer, teacher and scholar. He divides his time between Cambridge, Mass., and Token Creek, Wis., where he co-founded and co-directs a summer chamber music festival with his violinist wife Rose Mary Harbison.
Other local birthday events include a performance by the Madison Symphony Orchestra; several chamber music and choral concerts at the First Unitarian Society of Madison, including one by the Mosaic Chamber Players; an exhibition of books and manuscripts at the Mills Music Library at UW-Madison’s Memorial Library.
There are also several concerts, including the world premiere of a new Sonata for Viola, and a composer residency at the University of Wisconsin-Madison’s Mead Witter School of Music; and the world premiere of a new motet by the Madison Choral Project.
Harbison will also be featured in radio interviews and broadcast retrospectives by both Wisconsin Public Radio and WORT community radio.
National and international celebrations include other world premieres of commissions, many new recordings and the publication of Harbison’s autobiographical book about Johann Sebastian Bach, “What Do We Make of Bach?”
For more details about the many local celebrations, you can go to the following two links. Schedules, programs and updates – events are subject to change — will be posted at www.tokencreekfestival.org and www.johnharbison.com.
To receive “Harbison Occasions,” an intermittent e-newsletter, write to arsnova.artsmanagement@gmail.com
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Classical music: The new FREE concert brochure for the UW-Madison’s music school is both entertaining and informative — it’s a MUST-GET, MUST-READ and MUST-USE
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By Jacob Stockinger
The new 2018-19 concert season has started. And the Internet makes it very easy to take out your date book and plan out what you want to attend.
If you just use Google to go to home websites, you will find lots of information about the dates and times of performances; cost of tickets; works on the program; biographies of performers; and even notes about the pieces.
That is true for all large and small presenters, including the biggest presenter of all for live classical music events: The University of Wisconsin-Madison’s Mead Witter School of Music. Just click on the Events Calendar when you go to http://www.music.wisc.edu
You can also subscribe to an email newsletter by sending an email to: join-somnews@lists.wisc.edu
And you can also download the helpful mobile app for your smart phone that gives you what is happening today with searches possible for other months and days.
But there is something more old-fashioned that you should not forego: the printed season brochure (below).
It is 8-1/2 by 11 inches big and has 24 pages, and it features numerous color photographs. Along the right hand edge is an easy-to-use calendar of major events for the month.
It is a fun and informative read that gives you even more respect for the School of Music than you already had because it contains a lot of background and human interest stories about students, faculty members, guest artists, alumni and supporters. Editor and Concert Manager Katherine Esposito and her staff of writers and photographers have done an outstanding job.
The brochure also has a lot of news, including updates about the new Hamel Music Center that is being built on the corner of Lake Street and University Avenue and will open in 2019, and about the seat-naming, fundraising campaign ($1,500-plus) that is being used for the new performance center.
A particularly useful page (23) gives you information about ordering tickets (many have increased to $17 this year) either in advance or at the door (for the latter you are asked to show up 30 minutes early to avoid long lines); about finding parking, both free and paid; and about making special arrangements for disability access.
In larger and bolder type, the brochure tells you about stand-out special events: the 100th birthday tribute to Leonard Bernstein being held tonight (Saturday, Sept. 15) at 8 p.m. in Mills Hall; the fifth annual Brass Fest on Sept. 28 and 29; the University Opera’s production of Monteverdi’s “The Coronation of Poppea” on Nov. 16, 18 and 20; the annual Schubertiade on Jan. 27; the world premiere of a viola sonata by John Harbison on Feb. 17; the Choral Union’s joint performance with the Madison Symphony Orchestra of Mahler’s “Symphony of a Thousand” (Symphony No. 8) on May 3, 4 and 5; and much, much more.
In short, the brochure is an impressive publication that also provides many hours of enjoyable browsing while you educate yourself about the state of music education at the UW-Madison.
The only major shortcoming The Ear perceives is that lack of specific programs by some individuals and groups that must surely know what they are going to perform this season but apparently didn’t report it. Maybe that can be remedied, at least in part, next year.
Still, the brochure is successful and popular, which is why the UW sent out 13,000 copies – up from 8,000 last year. If you want to get one, they will be available at concerts until supplies run out. You can also order one to be mailed to you by emailing music@music.wisc.edu
Do you have the UW music brochure?
What do you think of it?
Do you find it useful? Enjoyable?
What do you suggest to improve the brochure, either by adding something or deleting something or doing it differently?
The Ear wants to hear.
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Classical music: Kyle Knox is the new music director of the Wisconsin Youth Symphony Orchestras
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By Jacob Stockinger
Kyle Knox has been named the new music director of the Wisconsin Youth Symphony Orchestras (WYSO).
Knox (below), who was a clarinetist with the Milwaukee Symphony Orchestras and then studied conducting as a doctoral student at the University of Wisconsin-Madison’s Mead Witter School of Music, will assume his duties on July 1.
Knox, will also conduct the Youth Orchestra (below), the most senior performing group in WYSO.
The move is likely to please many disappointed fans of Knox, who has won praise for conducting the UW Symphony Orchestra, the Madison Opera, the University Opera and the Middleton Community Orchestra but who was passed over as the successor to UW Professor James Smith (below) when Smith retired.
Smith was also the acclaimed longtime music director of WYSO. For the past year Randal Swiggum (below), the music director of the Elgin Youth Symphony Orchestra, has been the interim music director of WYSO and conductor of the Youth Orchestra.
In the latest WYSO newsletter, Knox, a longtime Madison resident who is married to Madison Symphony Orchestra concertmaster Naha Greenholtz, writes:
“I am so looking forward to my first year as Music Director at WYSO, beginning July 1, 1918. Even in the short time I’ve spent at Saturday rehearsals, it is clear this is a first-rate youth orchestra program. Top to bottom, each ensemble offers a special opportunity for music-making and artistic growth. I am lucky to be joining such a vibrant artistic and administrative team.
“Our 2018-2019 season will feature great orchestral and chamber works from all eras. In addition to our stellar roster of sectional and chamber music coaches, the students may have the opportunity to work with world-class guest artists and soloists. It should be an exciting season of music-making.
“As a teenager, music had a transformational effect on my life. I owe much of my personal and professional development to my time playing in youth orchestra and the many wonderful teachers I met as a result.
“Even now, almost 20 years later, the relationships I formed during those years continue to be among the most meaningful in my life. Something about sharing a stage with other people, working toward a collective goal, leaves a special imprint on my mind. (Below is Kyle Knox conducting the UW Symphony Orchestra.)
“For the students, I hope that your time at WYSO is enriching and helps add meaning to your lives, both as artists and people. It is an honor for me to be a small part of that journey.
“I look forward to getting to know everyone in the WYSO family over the coming months.”
For more background and information about WYSO, which is more than 50 years old and has reached thousands of students from more than a hundred communities in south-central Wisconsin, and about the upcoming spring concerts in May, go to:
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Classical music: Get the new UW-Madison brochure for the School of Music concerts, faculty and students. It’s a MUST-HAVE and a MUST-READ, and it is FREE to anyone
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By Jacob Stockinger
Although the UW-Madison officially opened yesterday, today is the first day of instruction. And this weekend will see the beginning of the new concert season at the Mead Witter School of Music.
On Sunday afternoon at 1:30 p.m. in Morphy Hall, faculty soprano Mimmi Fulmer and alumnus pianist Thomas Kasdorf will kick off the season with a FREE concert of music and songs celebrating the 100th anniversary of the independence of Finland.
But that’s just the beginning to an event-filled school year that includes mostly free solo recitals, chamber music, orchestral music, opera, choral music and more.
And this year, there is a new guide to the concert season and the School of Music itself.
The short and usual glossy brochure of listings has given way to a booklet guide. It is 8-1/2 by 11 inches big and has 24 well-filled pages. It is printed on regular paper and has much more information about the events and the people who make them happen. It takes you behind the scenes as well as in the hall and on the stage.
It is less showy, to be sure, but so much more readable and informative. And it feels great in your hands.
On the right hand margin, you’ll find concerts with performers and programs. To the left and in the center, you will find news, biographies and other information about musicians, donors and an update about the new concert hall building.
The new guide, which you can get for FREE, is the brainchild of Kathy Esposito (below), the music school‘s publicist and concert manager.
Here is what Esposito has to say:
“Our School of Music website, which debuted in 2014, required resources that previously had been devoted to multiple print publications.
“So we dropped back to only one, a printed events calendar.
“I’m happy to say that for the 2017-18 academic year, we finally found time to enlarge the printed concert calendar into a true newsletter as well.
“We certainly have enough news to share. Much of what’s in there had not been, or still is not, placed on the website at http://www.music.wisc.edu.
“My personal favorites are the stories from students, both undergrad and grad. As a mom of two young musicians, I can, to some degree, understand both the challenges and the thrills of their careers. Learning about their lives is the best part of my job. Occasionally I can help them, too.
“A couple of other things to give credit where credit is due.
“My assistant, Brianna Ware, who is a graduate student in piano, caught and corrected many errors.
“The brochure was designed by Bob Marshall of Marshall Design in Middleton. He did a masterful job. Bravo!
“Printing was coordinated by the fabulous Sue Lind at DoIT (Division of Information Technology) Printing and Publishing, who helped me to choose a new paper stock, a lightweight matte.
“Lastly, upon request from our older readers, we increased the font size slightly.
“We mailed the brochure to all alumni, national and international. That also was new. And our feedback has been quite positive.
“I’m happy to send readers a FREE copy of this fall’s brochure – with the somewhat humdrum title “Concerts, News and Events” – to those who email their postal addresses to me. I’ll place you on the list for next year, too. Send your name and postal address to kesposito@wisc.edu
About twice a month, we also publish an e-newsletter in the form of a blog, which I also paste into an email for those on a Wisclist, who don’t get the blog. It is the same information, but I think the blog is prettier.
That’s available via this link: https://uwmadisonschoolofmusic.wordpress.com/
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