The Well-Tempered Ear

Classical music: This weekend sees vocal music, band music, woodwind music and orchestral music at the UW-Madison. Plus, a FREE concert of early music for viola da gamba is on Friday at noon

March 9, 2017
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features Eric Miller (below) playing early music for viola da gamba by Le Sieur de Machy, Johann Schenk and Carl Abel. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

This week brings four major public events at the University of Wisconsin-Madison School of Music: one on Friday; two on Saturday; and one on Sunday.

VOCAL MUSIC

On Friday at 5:30 p.m. in Morphy Hall, the students in the studio of soprano and UW-Madison voice professor Mimmi Fulmer (below) will present a FREE concert. Sorry, no word on the program.

For more information, go to: http://www.music.wisc.edu/event/mimmi-fulmer-studio-recital/

WOODWIND-PIANO WINNERS

On Saturday at 4 p.m. in Morphy Hall the four winners of the annual Irving Shain Wood-Piano Duo Competition will give a FREE recital.

The pairs of winners are: bassoonist Chia-Yu Hsu with pianist Kangwoo Jin; and bassoonist Eleni Katz with pianist Rayna Slavova.

The program features music by Noël-Gallon (1891-1966); Henri Dutilleux (1916-2013); Gabriel Grovlez (1979-1944); Eugène Bourdeau (1850-1926); Robert Schumann (1810-1856); Gabriel Pierne (1863-1937); Eugène Bourdeau (1850-1926); and Charles Koechlin (1867-1950)

For more information, including the works on the program and biographies of the performers, go to:

http://www.music.wisc.edu/event/irving-shain-woodwind-piano-duo-winners-recital-2/

BAND MUSIC

On Saturday at 5 p.m. in Mills Hall, there is a FREE concert by University Bands. Conductors are Darin Olson (below), Nathan Froebe and Justin Lindgre. Sorry, no word on the program.

ORCHESTRAL MUSIC

Sunday at 8 p.m. in Mills Hall, the UW Symphony Orchestra will perform with soloist and UW-Madison alumnus, bassoonist Anthony Georgeson  who is Principal Bassoon of the Florida Orchestra. Retiring UW-Madison professor James Smith (below top) will conduct, but the former clarinetist will NOT be a featured performer.

The program is:

Concerto for Bassoon Concerto in B-Flat Major, K. 191, by Wolfgang Amadeus Mozart with alumnus Anthony Georgeson (below bottom) as bassoon soloist. (You can hear Anthony Georgeson talk about music and the cadenzas in Mozart’s Bassoon Concerto in the YouTube video at the bottom.)

“Un Sourire pour Orchestra” (A Smile for Orchestra) by Olivier Messiaen

“Scheherazade” by Nikolai Rimsky-Korsakov

For more information, go to:

http://www.music.wisc.edu/event/uw-symphony-orchestra-5/


Classical music: The Madison Symphony Orchestra performs “Scheherazade” in the dramatic Beyond the Score® mixed media format this Saturday night and Sunday afternoon

January 9, 2017
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By Jacob Stockinger

Here is an announcement from the Madison Symphony Orchestra about two performances of a special concert this coming weekend:

Join the Madison Symphony Orchestra (MSO, below top) and Music Director John DeMain (below bottom, in a photo by Prasad) as they explore one of the most popular orchestral works ever written with Beyond the Score®: Scheherazade this coming weekend in Overture Hall.

The concerts are this Saturday, Jan. 14, at 8 p.m. and Sunday, Jan. 15, at 2:30 p.m. in Overture Hall, 201 State Street.

John DeMain and MSO from the stage Greg Anderson

John DeMain full face by Prasad

Beyond the Score®: Scheherazade is an opportunity for concertgoers to discover Russian composer Nikolai Rimsky-Korsakov’s colorful and exotic Scheherazade in a whole new way.

The first half experience encompasses video, photos, musical excerpts, and  actors Jim DeVita (below top) and Brenda DeVita (below bottom), of American Players Theatre in Spring Green, telling the story.

In the second half, Scheherazade will be performed from start to finish, by the Madison Symphony Orchestra with John DeMain conducting.

Jim DeVita

Brenda DeVita

The captivating music of Scheherazade evokes images and passions with a solo violin representing the intoxicating storyteller, Scheherazade. Based on an ancient Persian legend, Scheherazade staves off her death at the hands of her cruel Sultan husband, by regaling him with stories for 1001 nights until he falls in love with her.

Rimsky-Korsakov evokes the moods of her various tales with memorable and haunting melodies. (You can hear “Scheherazade,” conducted by the Russian conductor Valery Gergiev, in the YouTube video at the bottom.)

Designed for classical music aficionados and newcomers looking to delve deeper into the world of classical music, Beyond the Score explores Scheherazade’s context in history, how it relates to the work of other composers, and the events of Rimsky-Korsakov’s life that influenced its creation. The Chicago Tribune said of the Beyond the Score series, “Seldom has enlightenment proved so entertaining.”

As a young man, Rimsky-Korsakov (below) spent almost three years at sea with the Russian Navy and was exposed to other cultures. With 19th-century readers fascinated by exotic settings and fairy tales, he first conceived of creating an orchestral work based on the tales known as The Thousand and One Nights in 1887, when he was the leading teacher at the St. Petersburg Conservatory.

Rimsky-Korsakov

Single Tickets are $15 to $60 each, available at madisonsymphony.org/beyondthescore, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit madisonsymphony.org/groups.

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students receive 20% savings on advance ticket purchases for seats in select areas of the hall.

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may NOT be combined.

Beyond the Score® is a production of the Chicago Symphony Orchestra. Gerard McBurney, Creative Director for Beyond the Score®.


Classical music: Give the gift of LIVE music. Plus, the Madison Symphony Orchestra and the Wisconsin Union Theater are offering holiday discounts.

December 13, 2016
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By Jacob Stockinger

A lot of holiday gift lists suggest recordings, videos and books related to classical music.

The Ear recently posted a link to the holiday gift guide by critics of The New York Times:

https://welltempered.wordpress.com/2016/11/27/classical-music-here-is-the-new-york-times-holiday-gift-guide-of-classical-music-for-2016/

The Ear also offered the 2017 Grammy nominations for gift suggestions:

https://welltempered.wordpress.com/2016/12/10/classical-music-here-are-the-classical-music-nominations-for-the-2017-grammy-awards-they-make-a-great-holiday-gift-list-of-gives-and-gets/

But The Ear thinks the best gift by far is LIVE music – a ticket to one or more of the many concerts that take place in the Madison area. You can’t beat live music for excitement, insight and enjoyment.

There may be more, but at least two major arts presenters in Madison are offering holiday discounts to make your gift-giving easier and more affordable.

MADISON SYMPHONY ORCHESTRA

Through Dec. 24, the Madison Symphony Orchestra is offering a special deal — two levels of tickets for $20 and $49. That includes values up to $89. Concerts in the next semester include two outstanding pianist soloists (Stephen Hough, below top, playing the Piano Concerto No. 5 “Egyptian” by Camille Saint-Saens and Philippe Bianconi playing the Piano Concerto No. 3 by Sergei Rachmaninoff, or “The Rach 3”) as well as the “German” Requiem by Johannes Brahms, the “Beyond the Score” performance about Nikolai Rimsky-Korsakov’s “Scheherazade” (with actors from American Players Theatre in Spring Green) and Norwegian trumpet virtuoso Tina Thing Helseth (below bottom).

Here are two relevant links:

http://www.madisonsymphony.org/holidaysale

http://www.overture.org/events/madison-symphony-orchestra/

Hough_Stephen_color16

Helseth (c) ColinBell EMI Classics

WISCONSIN UNION THEATER

Through Jan. 8, at the Wisconsin Union Theater will forego the $4 per ticket handling fee for any event, including the classical pianist and improviser Gabriela Montero (below top), the Los Angeles Guitar Quartet and the Milwaukee Symphony Orchestra with its famous outgoing music director Edo de Wart conducting (below bottom).

Here is  a link to shows for the second semester:

https://union.wisc.edu/visit/wisconsin-union-theater/

https://union.wisc.edu/events-and-activities/event-calendar/AdvSearchForm?Locations[329]=329

Gabriela Montero

milwaukee-symphony-orchestra-with-edo-de-waart

And of course discounts are not the only reason to choose a certain program or performer.

Whatever you are looking for — early music or new music, chamber music or orchestral music, art song recitals or choral music — you can find it in Madison, and usually at a very affordable price.

Lots of specific concerts at the UW-Madison and elsewhere are either free or low in price, as is the Middleton Community Orchestra.

Here are two links:

http://www.music.wisc.edu/events/

http://www.middletoncommunityorchestra.org

And you can find numerous other sites by Googling the organization’s name.

Combine a ticket to a live performance with a recording of a work or an artist, and maybe even include an invitation to be a companion, and you have a fine gift package that promises to be truly memorable.

Are there any other holiday deals the Ear hasn’t heard about?

Any suggestions or ideas for giving live music?

Leave word and links in the COMMENT section.

The Ear wants to hear.


Classical music: Madison Symphony Orchestra adds a second Beyond the Score performance of “Scheherazade”

June 14, 2016
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By Jacob Stockinger

The Ear has received the following note: 

Due to popular demand for the Beyond the Score: Scheherazade concert on Sunday, Jan. 15, 2017, at 2:30 p.m., the Madison Symphony Orchestra is adding a second performance Saturday, Jan. 14, at 8 p.m.

The previous Beyond the Score with the MSO (January of 2014, below), which featured the “New World” Symphony by Antonin Dvorak, sold out.

MSO Dvorak

At this time, subscribers to the MSO Season 2016-17 can purchase tickets to either performance or switch their date if they have already purchased Sunday tickets. The public can purchase tickets starting Saturday, Aug. 20.

Beyond the Score: Scheherazade is a multi-media examination of Russian composer Nikolai Rimsky-Korsakov’s colorful and exotic Scheherazade, starring American Players Theatre actors Jim DeVita (below top) and Brenda DeVita (below middle). The experience encompasses video, photos, musical excerpts and a full-performance in the second half of Scheherazade by the Madison Symphony Orchestra (below bottom) with John DeMain conducting.

Jim DeVita

Brenda DeVita

MSO playing

The captivating music of Scheherazade evokes images and passions with a solo violin representing the intoxicating storyteller, Scheherazade. Based on ancient Persian legends, Scheherazade staves off her death at the hands of her cruel Sultan husband, by regaling him with stories for 1001 nights until he falls in love with her. Rimsky-Korsakov (below top) evokes the moods of her various tales with memorable and haunting melodies.

The voice of Scheherazade is given to the solo violin and will be played by MSO concertmaster Naha Greenholtz (below bottom). Listen to the YouTube video at the bottom to sample the violin  solo.

Rimsky-Korsakov

Naha Greenholtz [playing

Designed for classical music aficionados and newcomers looking to delve deeper into the world of classical music, Beyond the Score explores Scheherazade’s context in history, how it relates to the work of other composers, and the events of Rimsky-Korsakov’s life that influenced its creation. The Chicago Tribune said of the Beyond the Score series, “Seldom has enlightenment proved so entertaining.”

As a young man, Rimsky-Korsakov spent almost three years at sea with the Russian Navy and was exposed to other cultures. With 19th-century readers fascinated by exotic settings and fairy tales, he first conceived of creating an orchestral work based on the tales known as The Thousand and One Nights in 1887, when he was the leading teacher at the St. Petersburg Conservatory.

Subscribers to the MSO Season 2016-17 have first-choice advance access to tickets to this special event. Subscriptions can be ordered online or by calling the MSO at (608) 257-3734.

Subscribers who already have Beyond the Score tickets and want to switch their date can call (608) 257-3734 or email info@madisonsymphony.org. Please note: Beyond the Score: Scheherazade is not part of the Season 2016-17 subscription concerts.

The public can purchase tickets ($15-$60 each) starting Aug. 20, at www.madisonsymphony.org/bts, the Overture Center Box Office at 201 State Street, Madison, Wisconsin or by calling the Box Office at (608) 258-4141.

Beyond the Score® is a production of the Chicago Symphony Orchestra with Gerard McBurney, creative director, for Beyond the Score. Major funding for this concert is provided by a good friend of the Madison Symphony Orchestra.


Classical music: The Bach Dancing and Dynamite Society seeks amateur photos from the public for a slide show to accompany Vivaldi’s “Four Seasons” in June. Plus, Mikko Rankin Utevsky gives a FREE viola recital Sunday night

April 9, 2016
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ALERT: Blog contributor and all-round musician — violist, conductor and singer as well as critic — Mikko Rankin Utevsky sends the following word:

Dear friends: I’m giving my senior viola recital this Sunday evening, April 10, the culmination of my four years of study here at the UW-Madison. On the program are a pair of powerful and evocative works from 1919: the Viola Sonata of Rebecca Clarke, and the Suite for Viola and Piano by Ernest Bloch. Pianist Thomas Kasdorf joins me for the program, which is at 7 p.m. at Capitol Lakes, off the Capitol Square, at 333 West Main Street. I hope to see you there!

P.S.: Thomas and I are giving another recital – with me singing this time – on Tuesday, May 10, at 7 p.m., also at Capitol Lakes. On the program are assorted songs by Samuel Barber, Kurt Weill, Charles Ives, Robert Schumann, and Claude Debussy, and the “Songs of Travel” by Ralph Vaughan Williams. If you can’t make this one, see you in a month!

By Jacob Stockinger

Multi-media concerts seem to be catching on, perhaps in an attempt to attract new and younger audiences.

Next season the Madison Symphony Orchestra will do two of them: Gustav Holst’s “The Planets” with a hi-definition film made by NASA for the Houston Symphony Orchestra; and a Beyond the Score with “Scheherazade” by Nikolai Rimsky-Korsakov, accompanied by photographs plus actors Jim DeVita and Brenda DeVita from American Players Theatre in Spring Green.

Doing mutli-media is nothing new for the Bach Dancing and Dynamite Society, which is always experimenting and looking for novel approaches to classical music. But the group is expanding how it is done in an impressively populist way.

Here is an announcement from The Ear’s friends at the Madison-based Bach Dancing and Dynamite Society, which turns 25 this summer:

BDDS silver jubilee logo

SEASONAL PHOTOGRAPHS WANTED FOR A SPECIAL CONCERT AT THE OVERTURE CENTER THIS SUMMER.

Have you taken photos of your favorite time of year?

Visual artist Lisa A. Frank will be creating photographic scenery for this year’s “Bach Dancing and Dynamite Society” concerts at the Overture Center for the Arts.

The program on June 25 will include the “Four Seasons” by Antonio Vivaldi. For this concert, a photo collage of the four seasons – like Frank’s spring image of bird eggs and feathers in a nest and the fall image of gourds – will be projected on a large screen behind the musicians.

(You can get a sense of it from the popular YouTube video at the bottom, which features the “Spring” section of the four string concertos that make up “The Four Seasons.)

Lisa Frank Spring Birds eggs

KONICA MINOLTA DIGITAL CAMERA

KONICA MINOLTA DIGITAL CAMERA

Lisa Frank (below) invites amateur photographers of all ages to participate in this concert by sending up to 5 of your best shots depicting any aspect of any season.

Lisa Frank

The images can be in jpeg, tiff or Photoshop format. If your photograph is included, you may be asked to resend a higher resolution image. (Below is a summer photo of a flower and butterfly.)

Lisa Frank Summer Butterfly

All featured photographers will receive a video of the final result.

Up to 100 photos will be selected.

Send your photographs by Sunday, April 18 to:

lisafrank@lisafrankphotography.com

And here is a link – with information about programs, performers, venues and tickets — to the new summer season of the Bach Dancing and Dynamite Society, which celebrates the group’s 25th anniversary or Silver Jubilee:

http://www.bachdancinganddynamite.org


Classical music: What is your favorite Easter music? There is so much to choose from. Here are two samplers.

March 27, 2016
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By Jacob Stockinger

Today is Easter Sunday, 2016.

Easter Sunday

You don’t have to be a believer to know that the events of Easter have inspired great classical music, especially in the Baroque era but also in the Classical, Romantic and Modern eras.

Easter lily

Of course, there is the well-known and much-loved oratorio “Messiah” by George Frideric Handel, who wrote it for Easter, not Christmas as is so often assumed because of when it is usually performed. (NOTE: The Madison Bach Musicians will perform “Messiah,” with period instruments and historically informed performance practices, at the First Congregational United Church of Christ on Friday and Sunday, April 8 and 10.)

There is a lot of instrumental music, including the gloriously brilliant brass music by the Venetian composer Giovanni Gabrieli and the darker Rosary sonatas for violin by Heinrich Ignaz Franz Biber and the “Lamentation” Symphony, with its sampling of familiar tunes and intended to be performed on Good Friday, by Franz Joseph Haydn.

Heinrich Biber

Easter music cuts across all kinds of nationalities, cultures and even religious traditions: Italian, German, English, Scottish, American, Russian, French and Austrian.

But the occasion — the most central event of Christianity — is really celebrated by the huge amount of choral music combined with orchestral music – perhaps because the total effect is so overwhelming and so emotional — that follows and celebrates Holy Week, from Palm Sunday through Maundy Thursday and Good Friday and then ultimately to Easter and the Resurrection from death of Jesus Christ.

For The Ear, the pinnacle is the music of Johann Sebastian Bach (below), especially his cantatas, oratorios and passions.

Bach1

But today The Ear wants to give you a sampler of 16 pieces of great Easter music, complete with audiovisual clips.

Here is one listing that features music by Johann Sebastian Bach, Thomas Tallis, Nikolai Rimsky-Korsakov, Gustav Mahler, Francis Poulenc and James MacMillan:

http://www.classical-music.com/article/six-best-pieces-classical-music-easter

And here is another listing that features music by Antonio Vivaldi, Hector Berlioz, Gioachino Rossini, Heinrich Ignaz Franz Biber, Franz Joseph Haydn, Ludwig van Beethoven, Bach’s “Easter Oratorio” (rather than his “St. Matthew Passion” or “St. John Passion”) and “The Resurrection” oratorio (other than “Messiah”) by Handel.

http://www.theimaginativeconservative.org/2015/04/ten-classical-music-pieces-for-easter.html

Curiously, no list mentions the gorgeous and haunting “Miserere” (below) by Gregorio Allegri. It was traditionally performed in the Vatican’s Sistine Chapel on the Wednesday and Good Friday of Holy Week, but was kept a closely guarded secret. Publishing it was forbidden. Then a 12-year-old Wolfgang Amadeus Mozart heard it and copied it down from memory.

Finally, The Ear offers his two favorite pieces of Easter music that never fail to move him. They are the passion chorale and final chorus from the “St. Matthew Passion” by Johann Sebastian Bach:

What piece of music is your Easter favorite?

Do you have a different one to suggest that you can leave in the COMMENT section, perhaps with a link to a YouTube video?

The Ear wants to hear.


Classical music: The Wisconsin Chamber Choir will perform an unusual holiday program of several settings of the “Magnificat” as well as two world premieres this Saturday night. Plus, today is the 245th birthday of Ludwig van Beethoven.

December 16, 2015
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ALERT: Today is the 245th birthday of composer Ludwig van Beethoven (1770-1827). You’re sure to hear a lot of Beethoven on the radio. And maybe you will play some Beethoven. Why not let The Ear and other readers know what is your favorite symphony, piano sonata, concerto and string quartet or other chamber music work? Leave your choice in the COMMENT section with a link to a YouTube video, if that is possible.

By Jacob Stockinger

The acclaimed Wisconsin Chamber Choir (below) is known delivering first-rate music in first-rate performance, often with some original twist or take or concept.

Wisconsin Chamber Choir RVW mixed up

This weekend of this holiday season is no different.

On this Saturday night, the critically acclaimed Wisconsin Chamber Choir will perform an ambitious and unusual holiday concert called “Magnificat.”

The performance is Saturday night at 7:30 p.m. in Grace Episcopal Church (below), at 116 West Washington Avenue, where it joins Carroll Street on the Capitol Square, in downtown Madison.

grace episcopal church ext

MBM Grace altar

Tickets are $15 (students $10) in advance; $20 ($12) at the door. Advance tickets are available from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Willy Street Coop (East and West locations) and Orange Tree Imports.

Featured performers include Andy Olson, oboe; Laura Burns, violin; Eric Miller, cello; and Mark Brampton Smith, organ

BACKGROUND AND PROGRAM NOTES

Here is more information from the Wisconsin Chamber Choir:

“My soul magnifies the Lord…”

Marys magnificat

It is how Mary’s song of praise, from the Gospel of Luke, begins. And it is one of the oldest Christian hymns, known as the Magnificat. (The hymn’s title comes from first word of the Latin version, Magnificat anima mea Dominum.

The Wisconsin Chamber Choir will offer Mary’s song in English, Latin, German and Church Slavonic, with music by Heinrich Schütz, Johann Sebastian Bach, Jan Dismas Zelenka, Arvo Pärt, Herbert Howells and two world premieres by the Iowa-based composer, Peter Bloesch.

Widely regarded as the greatest German composer before Bach, Heinrich Schütz’s double-choir “German Magnificat” was his very last composition. In this piece, Schütz (below) brings the vivid imagery of the Magnificat text to life in some of his most inventive and compelling music.

Heinrich Schutz

Czech composer Jan Dismas Zelenka, known as “the Catholic Bach,” was the official church composer to the Catholic court in Dresden. A master of counterpoint like Bach, Zelenka frequently utilized energetic, syncopated rhythms and daring harmonic progressions in his music, qualities on display in his Magnificat in D-major for soloists, choir, and instruments.

jan dismas zelenka BIG use

From Bach himself, the WCC presents three charming, rarely heard movements that Bach inserted into his own “Magnificat” setting for performances during the Christmas season. (NOTE: You can  hear Bach’s complete “Magnificat” with conductor Nikolaus Harnoncourt in a YouTube video at the bottom.)

Bach1

Complimenting these choral works by Bach, Zelenka and Schütz, organist Mark Brampton Smith performs solo organ works by Baroque composers Johann Pachelbel and Johann Kindermann.

Mark Brampton Smith

The spritely Bogoroditse Devo (the Russian equivalent of the Latin Ave Maria) by Arvo Part (below top) opens the second half of the program, followed by a glorious, Romantic version of the “Magnificat” sung in Church Slavonic. The musical setting is composed by César Cui (below bottom), a close associate of Nikolai Rimsky-Korsakov, Modest Mussorgsky and Alexander Borodin.

Arvo Part

Cesar Cui

Representing the Magnificat text in English is the setting for Gloucester Cathedral, composed in 1946 by Herbert Howells (below).

herbert howells autograph

The WCC’s program concludes with a set of seasonal carols by the late Grammy-nominated Stephen Paulus (below top) and Peter Bloesch, a multifaceted composer from Iowa City with extensive experience in choral music, holiday pops arrangements, and film and television scores, including collaborations with Mike Post on TV hits “LA Law” and “Law and Order.”

stephen paulus

The WCC will present two world premieres by Peter Bloesch (below): an original version of the medieval carol, Out of Your Sleep Arise and Wake, and a virtuoso, eight-part setting of the beloved French melody, Ding Dong, Merrily on High.

Peter Bloesch

Founded in 1998, the Madison-based Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Mozart, and Haydn; a cappella masterworks from various centuries; and world-premieres. Robert Gehrenbeck (below), who directs the choral program at the University of Wisconsin-Whitewater, is the artistic director and conductor of the Wisconsin Chamber Choir.

Robert Gehrenbeck new headshot 2013 USE

 


Classical music: Rising star Isabelle Demers opens the Madison Symphony Orchestra’s Overture Concert Organ season this coming Tuesday.

October 2, 2015
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By Jacob Stockinger

The acclaimed Canadian organist Isabelle Demers (below) will open the 11th Overture Concert Organ series for the Madison Symphony Orchestra with an unusual recital this coming Tuesday night, Oct. 6.

The concert, which includes her own transcriptions of orchestral works, is at 7:30 p.m. in Overture Hall of the Overture Center for the Arts, 201 State Street.

Music Department – Isabelle Demers, Organ – Horace Maxile, Theory – Jones Concert Hall – 08/21/2012

In addition to performing works by Johann Sebastian Bach, Sergei Prokofiev, Henry Martin, Max Reger, George Thalben-Ball and Louis Vierne, Demers in her Madison debut will also perform sections of Nikolai Rimsky-Korsakov’s famous orchestral work Scheherazade, which she has transcribed for the organ.

For the specific works on the program, go to: http://www.madisonsymphony.org/demers

Demers (below), who was recently appointed Professor of Organ and head of the Organ Department at Baylor University, has established herself as one of North America’s most virtuosic organists, and is also renowned worldwide as a brilliant performer who consistently enraptures audiences.

She has released recordings including works by Max Reger and Rachel Laurin, which have been praised as “profound and searching” and “superbly produced.” (You can hear Isabelle Demers perform a dramatic work by Rachel Laurin in a YouTube video at the bottom.)

Isabelle Demers 2

General admission for the concert is $20 and tickets can be purchased at www.madisonsymphony.org/demers, the Overture Box Office or (608) 258-4141.

Student rush tickets are $10 day of show with a valid student ID (see http://www.madisonsymphony.org/studentrush.

This performance is sponsored by the Skofronick Family Charitable Trust. Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund. With a gift from Pleasant T. Rowland, the Madison Symphony Orchestra (MSO) commissioned the Klais custom-built Overture Concert Organ (below), which is the stunning backdrop of all MSO concerts.

Overture Concert Organ overview

To see the Overture Concert Organ series of concerts for 2015-16 or to subscribe at a 25 percent savings, visit: www.madisonsymphony.org/organseason15-16 or call (608) 257-3734.


Classical music education: Spring concerts by the Wisconsin Youth Symphony Orchestras (WYSO) start this Saturday and continue on Saturday and Sunday, May 16 and 17.

May 8, 2015
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By Jacob Stockinger

Our friends at the Wisconsin Youth Symphony Orchestras (WYSO) sent this timely reminder:

WYSO philharmonia orchestra

Starting this Saturday, May 9, and continuing on Saturday and Sunday, May 16-17, the Eugenie Mayer Bolz Family Spring Concerts will be held in Mills Concert Hall in the UW George Mosse Humanities Building, 455 North Park Street, Madison.

Tickets are available at the door: $10 for adults and $5 for children under 18 years of age.

On Saturday, May 9 at 1:30 p.m., WYSO will kick off the concerts with performances by its Percussion Ensemble (below top), Brass Choir, and Harp Ensemble (below bottom).

WYSO percussion Ensemble 2013

WYSO Harp Ensemble 2011

The following week, on Saturday, May 16, the Philharmonia Orchestra will start the day at 11 a.m. They will play four different works that morning beginning with Symphony No. 9, op. 95, E minor “From the New World,” movement 4, by Antonin Dvorak.

They will transition to Zoltan Kodaly’s Háry János: Intermezzo followed by two pieces by Wolfgang Amadeus Mozart: The Overture to “The Magic Flute” and the first movement of the Piano Concerto No. 19 in F Major, K. 459. The piano concerto will feature concerto competition winner, Moqiu Cheng. Moqiu (below) is a seventh-grader at Hamilton Middle School and is also a violinist with WYSO.

Moquie Cheng

At the 1:30 p.m. concert, the Concert Orchestra will take the stage with Nikolai Rimsky-Korsakov’s Simpson Dance of the Tumblers from ‘The Snow Maiden’. Hatikvah, a traditional tune arranged by Del Borgo is next followed by Richard Meyer’s, Tales of Vandosar. They will end their set with Robert Sheldon’s Triumph of the Argonauts.

Following the Concert Orchestra, WYSO’s string orchestra, Sinfonietta will end the day’s performances with several pieces including The Abduction from the Seraglio: Overture by Mozart, Richard Meyer’s, Carpe Diem!, and the Allegro from Sinfonia No. 6 in G minor by Johann Christian Bach.

WYSO Concert Orchestra violins

On Sunday, May 17, at 4 p.m., the Youth Orchestra (below top) will take stage at OVERTURE HALL — NOT Mills — along with the Wisconsin Chamber Orchestra (below bottom) in a side-by-side concert. The program will feature five different works showcasing the abilities of both orchestras.

WYSO Youth  Orchestra

WCO lobby

They will start with the Festive Overture by Dmitri Shostakovich’s. Following that Soloist Adam Yeazel (below top), a senior at Middleton High School, will perform the Concertino da Camera for Alto Saxophone by Jacques Ibert.

adam yeazel

That will be followed by the cadenza and fourth movement of Violin Concerto No. 1 by Shostakovich featuring sophomore Maynie Bradley (below bottom) as the soloist.

Maynie Bradley

After a brief intermission the program will continue with Sir Edward Elgar’s Enigma Variations – including Theme I, VII, VIII, IX, XI, Finale and end with Pictures at an Exhibition by Modest Mussorgsky in an orchestration by Maurice Ravel.

This is the third “Side by Side” collaboration between the Wisconsin Chamber Orchestra and WYSO.

According to WCO Maestro Andrew Sewell, “Side by Side” concerts give students “tremendous inspiration and the confidence to play difficult repertoire next to seasoned musicians. We are thrilled to bring this notable musical performance to Overture Hall.”

The public is invited to this free concert. Reservations must be made by calling the Wisconsin Chamber Orchestra office at (608) 257-0638. Please note that places are being reserved for this concert, but there will be no tickets. Seating is General Admission. For more information please visit www.wcoconcerts.org.

These concerts are generously supported by the Eugenie Mayer Bolz Family, along with funds from Dane County, the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of the The Capital Times, W. Jerome Frautschi Foundation, and Pleasant T. Rowland Foundation. This project is also supported in part by additional funds from the Wisconsin Arts Board, the State of Wisconsin, and the National Endowment for the Arts.

 

 

 


Classical music: British razzle-dazzle concert organist Thomas Trotter returns for a fifth appearance in Overture Hall on this coming Tuesday night.

February 13, 2015
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By Jacob Stockinger

On this coming Tuesday night at 7:30 p.m. in Overture Hall, the virtuoso British concert organist Thomas Trotter (below) will return for a fifth recital to mark the 10th anniversary of his unforgettable inaugural recital on the colossal custom-made Klais organ.

Trotter’s performance that night drew a sold-out crowd and he extraordinarily performed “Flight of the Bumblebee” by Nicolai Rimsky-Korsakov — with his feet! (At the bottom, you can hear him play in “The Ride of the Valkyries” by Richard Wagner in a YouTube video.)

Thomas Trotter

Admission is $20.

Buy $20 Tickets Now

Student Rush Tickets: $10 day of concert at Overture Box Office.

Adds the magazine The American Organist: “… Thomas Trotter completely deserves his high repute in the organ world…”

For more information and background about Trotter and the remaining organ concerts on the overture Concert Organ (below) this season, visit:

http://www.madisonsymphony.org/trotter

Overture Concert Organ overview

Here is the program, a mix of old and contemporary music, for Tuesday night:

Charles Villiers Stanford (below, 1852-1924)

Fantasia and Toccata in D minor

Sir Charles Villiers Stanford

John Stanley (1712-1786)

Voluntary in F, Op. 7 no. 6

Andante-Vivace

Johann Sebastian Bach (1685-1750)

Trio Sonata No. 1 BWV 525

Allegro-Adagio-Allegro

Jonathan Dove (below)

The Dancing Pipes (2014)

Jonathan Dove

INTERMISSION

Marcel Dupré (1886-1971)

The World Awaiting the Saviour

(1st movement from Passion Symphony)

William Bolcom (below, b. 1938)

Two Gospel Preludes: Sweet Hour of Prayer; Free Fantasia on “O Zion, Haste” and “How Firm a Foundation”

William Bolcom gesturing.

Paul Dukas (1865-1935)

The Sorcerer’s Apprentice

arranged by Thomas Trotter

Felix Mendelssohn (1809-1847)

Overture to St. Paul

arranged by W.T. Best


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