The Well-Tempered Ear
Starting TODAY, the First Unitarian Society of Madison offers three free, online mini-concerts at noon on Fridays to celebrate Women’s History Month
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By Jacob Stockinger
The Ear has received the following announcement to post about three free, online mini-concerts to celebrate Women’s History Month through the Friday Noon Musicales at the First Unitarian Society of Madison.
The concerts start today:
UPCOMING PERFORMANCES
• To celebrate Women’s History Month, the First Unitarian Society of Madison will present three Friday Noon Musicales during March.
• All three will be guest produced by Iva Ugrcic.
• Iva Ugrcic (below) is Founding Artistic Director of the Madison-based LunART Festival, which supports, inspires, promotes and celebrates women in the arts.
• Each program will feature highlights from past LunART Festival performances.
• Each program will be approximately 45 minutes long.
DATES AND PROGRAMS
Each video will become available at noon on the indicated date, and will remain available for viewing in perpetuity.
This Friday, March 12 — Works by living composers Jocelyn Hagen, Salina Fisher and Missy Mazzoli (below top), as well as Romantic-era composer Clara Schumann (below bottom, Getty Images). Specific titles are not named.
Performers include: Iva Ugrcic, flute; Matthew Onstad, trumpet; Tom Macaluso, trombone; Elena Ross and Todd Hammes, percussion; Kyle Johnson, Jason Kutz, Satoko Hayami and Yana Avedyan, piano; Beth Larson and Isabella Lippi, violin; Karl Lavine, cello (below); ARTemis Ensemble.
Friday, March 19 — Works by living composers Linda Kachelmeier, Elsa M’bala, Doina Rotaru (below top) and Eunike Tanzil, as well as Medieval mystic Hildegard von Bingen (below bottom) and Romantic-era Fanny Mendelssohn-Hensel. Specific works are not named. (In the YouTube video at the bottom, you can hear flutist Iva Ugrcic play Doina Rotaru’s haunting “Japanese Garden.”)
Performers include: Iva Ugrcic, flute; Jose Ignacio Santos Aquino, clarinet; Midori Samson, bassoon; Breta Saganski and Dave Alcorn, percussion; Satoko Hayami (below), Jason Kutz and Eunike Tanzil, piano; ARTemis Ensemble
Friday, March 26 — Alexandra Olsavsky, Edna Alejandra Longoria, Kate Soper and Jenni Brandon as well as post-Romantic era American composer Amy Beach (below bottom). Specific pieces are not named.
Performers include: ARTemis Ensemble; a string quartet with violinists Isabella Lippi and Laura Burns, violist Fabio Saggin, and cellist Mark Bridges (below); Jeff Takaki, bass; Vincent Fuh and Kyle Johnson, piano; Jennifer Lien, soprano; Iva Ugrcic, flute.
THREE OPTIONS FOR ATTENDING
• Website — https://www.fusmadison.org/musicales
• Facebook — https://www.facebook.com/fusmadison
• YouTube — https://www.youtube.com/fusmadison > “Playlists” > “Music at FUS”
ABOUT THE “FRIDAY NOON MUSICALES” RECITAL SERIES
• The Friday Noon Musicales at First Unitarian Society is a free noon-hour recital series offered as a gift to the community.
• Founded in 1971, 2020-2021 is the series’ 50th season.
• The series has featured some of the finest musicians in the Midwest, who flock to perform in the Frank Lloyd Wright-designed Landmark Auditorium.
• The music performed is mostly classical, but folk, jazz and musical theater styles are presented on occasion.
• During the pandemic, the Musicales have largely been on hiatus.
JUSTICE AND MUSIC INITIATIVE (JAM)
• The Justice And Music Initiative (JAM) at the First Unitarian Society of Madison represents a commitment to more socially equitable and earth-friendly music practices.
• This commitment includes music performed on our campus, both for worship and non-worship events.
• To help achieve our goal, we recognize and celebrate recognition days and months with our musical selections, such as Hispanic Heritage Month (9/15–10/15), LGBT History Month (October); Native American Indian Heritage Month (November), Black History Month (February), Women’s History Month (March), and African-American Music Appreciation Month (prev. Black Music Month; June).
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Classical music: This Friday brings a FREE concert at noon of cello and violin sonatas by Beethoven. At night, the Wisconsin Chamber Orchestra explores rarely heard works and composers plus the “Jupiter” Symphony by Mozart
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ALERT: This Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features the Mosaic Chamber Players performing a one-hour, all-Beethoven concert in honor of the Beethoven Year, which celebrates the 250th anniversary of the composer’s birth.
The program is: Cello Sonata, Op. 5, No. 1; and two violin sonatas, Op. 12, No. 3, and Op. 30, No. 2. For more information, go to: http://www.mosaicchamberplayers.com
By Jacob Stockinger
Can you tell the difference between the real Mozart and the “Swedish Mozart”?
You’ll have the chance to find out this Friday night, Feb. 21, if you go to the concert by the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) at 7:30 p.m. in the Capitol Theater of the Overture Center.
That is when you can hear the Symphony in C-Sharp Minor, VB 140, by Joseph Martin Kraus (1756-1791, below), an 18th-century German-born, short-lived composer who, as an exact contemporary of Mozart, spent most of his career at the court in Stockholm, Sweden, and became known as the “Swedish Mozart.”
(You can hear the opening movement of the Kraus symphony, played by Concerto Koln, in the YouTube video at the bottom.)
Here is more about Kraus (below): https://en.wikipedia.org/wiki/Joseph_Martin_Kraus
The Kraus symphony opens the WCO concert.
Then for the purpose of comparison, the concert closes with Mozart’s “Jupiter” Symphony No. 41 in C Major, K. 551. It is often cited as Mozart’s most accomplished work in the symphonic form, and is renowned for its melodies and harmonies, and for the masterful, even spectacular, counterpoint in the last movement.
But that kind of discovery and approach to programming is not unusual for WCO maestro Andrew Sewell (below, in a photo by Alex Cruz), who has a penchant for exposing audiences to rarely heard works and composers as well as to well-known masterpieces.
For this concert, Sewell will be helped by the return of guest violin virtuoso Giora Schmidt (below in a photo by David Getzschman), who has been acclaimed for his technique, tone, lyricism and riveting interpretations. He played the Violin Concerto No. 2 in G Minor by Sergei Prokofiev with the WCO in 2018.
Schmidt will solo in two rarely heard works for violin and orchestra: the 16-minute Violin Concerto, Op. 48, by the Russian composer Dmitry Kabalevsky (1904-1987); and the 8-minute Romance by the Norwegian composer Johan Svendsen (1840-1911).
For more about Kabalevsky (below), go to: https://en.wikipedia.org/wiki/Dmitry_Kabalevsky
For more about Svendsen (below), who was a conductor and violinist as well as a composer, go to: https://en.wikipedia.org/wiki/Johan_Svendsen
To purchase tickets ($10-$77) and to read a detailed biography of soloist Schmidt and find out more about the concert, go to: https://wisconsinchamberorchestra.org/performances/masterworks-ii-5/
Tags: #18thCentury, #All-Beethoven, #AndrewSewell, #BeethovenYear, #BlogPost, #BlogPosting, #CapitolTheater, #CelloSonata, #ConcertoKoln, #CourtMusic, #DmitryKabalevsky, #FacebookPost, #FacebookPosting, #FirstUnitarianSocietyofMadison, #GioraSchmidt, #GuestArtist, #HomeWebsite, #JacobStockinger, #JohanSvendsen, #JosephMartinKraus, #JupiterSymphony, #LudwigVanBeethoven, #MosaicChamberPlayers, #MusicalInterpretation, #NoonMusicale, #NorwegianComposer, #OvertureCenter, #PianoAccompaniment, #PianoAccompanist, #SergeiProkofiev, #SwedishMozart, #TheEar, #ViolinRomance, #ViolinSonata, #Wikipediabiography, #Wikipediaentry, #WisconsinChamberOrchestra, #WolfgangAmadeusMozart, #YouTubevideo, 18th century, 2018, accompany, accomplished, Andrew Sewell, anniversary, Arts, audience, Beethoven, biography, birth, blog, born, Capitol Theater, career, celebrate, cellist, Cello, century, chance, close, comparison, composer, Concert, concerto, Concerto Koln, conductor, contemporary, counterpoint, court, difference, discovery, Dmitry Kabalevsky, exact, exposing, Facebook, First Unitarian Society of Madison, form, forward, free, Friday, German, Germany, Giora Schmidt, guest, guest artist, harmony, honor, hour, information, interpretation, Jacob Stockinger, Johan Svendsen, Joseph Martin Kraus, Jupiter Symphony, Kochel, Kraus, like, link, Ludwig van Beethoven, lyrical, Madison, Maestro, masterpiece, melody, Mosaic Chamber Players, movement, Mozart, Music, musical, Noon Musicale, Norway, Norwegian, online, Orchestra, Overture Center, penchant, performer, Piano, play, post, posting, program, purpose, rare, real, Romance, Sergei Prokofiev, Sewell, share, short, short-lived, solo, soloist, Sonata, Stockholm, Sweden, Swedish, Swedish Mozart, symphonic, symphony, tag, technique, tell, The Ear, tickets, tone, United States, Violin, violinist, virtuoso, WCO, Website, well-known, Wikipedia, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, work, YouTube
Classical music: The Madison New Music Ensemble makes its debut this Friday night. A FREE harpsichord recital is Friday at noon
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ALERT: This Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features harpsichordist Faythe Vollrath (below). She has been hailed by the Wall Street Journal for her “subtly varied tempo and rhythm that sounds like breathing.” Her programs do not focus solely on early music, but also incorporate new music written for historic instruments. The concert runs from 12:15 to 1 p.m. (In the YouTube video at the bottom, you can hear and see her playing the 1993 “Toccata” by Emma Lou Diemer.)
By Jacob Stockinger
On this coming Friday night, April 12, at 7:30 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, the Madison New Music Ensemble will give its debut concert.
Tickets are $10 for adults, $5 for students and seniors. Only cash and personal checks will be accepted at the door.
The program features music by the group’s artistic director and Madison-based composer Joseph Koykkar — the director of music in the Dance Department at the University of Wisconsin-Madison — Robert Muczynski, Ed Martin, Lennon/McCartney and others.
Special guests are The Vine Street Trio, a faculty trio from the University of Wisconsin-Oshkosh, playing works by contemporary composers and saxophonist Peterson Ross.
Members of the Madison New Music Ensemble (below, from left) are: Danielle Breisach; Joseph Koykkar; Monica Jiang; Joseph Ross; Amy Harr; Elena Ross; and Bethany Schultz
For more information about the performers and the group, go to the Madison New Music Ensemble page on Facebook at: https://www.facebook.com/madisonnewmusicensemble/
Tags: #BlogPost, #BlogPosting, #ClarinetMusic, #ContemporaryComposer, #EdMartin, #EmmaLouDiemer, #FacebookPost, #FacebookPosting, #FacultyMember, #FaytheVollrath, #FirstUnitarianSocietyofMadison, #HarpsichordMusic, #JohnLennon, #JosephKoykkar, #MadisonNewMusicEnsemble, #NewMusic, #NoonMusicale, #PaulMcCartney, #PercussionMusic, #PeriodInstrument, #PetersonRoss, #PianoMusic, #RobertMuczynski, #SeniorCitizen, #TheBeatles, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Oshkosh, #VineStreetTrio, #VocalMusic, #WallStreetJournal, #YouTubevideo, adult, alert, antiquity, Arts, audience, Baroque, blog, breathing, cash, Cello, Chamber music, clarinet, Classical music, composer, Concert, contemporary composer, dance, debjt, debut, department, Early music, earlymusic, Ed Martin, Emma Lou Diemer, Facebook, faculty, Faith Vollrath, First Unitarian Society of Madison, flute, free, Friday, harpsichord, historic instrument, Jacob Stockinger, John Lennon, Joseph Koykkar, like, link, Madison New Music Ensemble, Music, New Music, night, Noon Musicale, Oboe, Paul McCartney, percussion, performer, period-instrument, personal check, Peterson Ross, Pianist, Piano, post, professor, program, recital, rhythm, Robert Muczynski, Saxophone, saxophonist, senior, senior citizen, share, Sound, Student, subtle, tag, temp, The Beatles, toccata, United States, University of Wisconsin–Madison, University of Wisconsin–Oshkosh, UW-Oshkosh, varied, Vine Street Trio, Viola, Violin, vocal music, Wall Street Journal, Wisconsin, YouTube
Classical music: The Oakwood Chamber Players perform music that depicts concepts and stories in two concerts this weekend
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ALERT: Today’s Noon Musicale at the First Unitarian Society of Madison has been canceled due to the performer being ill.
By Jacob Stockinger
This coming weekend, the Oakwood Chamber Players (below) continue their season theme of “Vignettes” with rarely performed compositions that depict concepts and stories.
The Oakwood Chamber Players members are: Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szyczs, bassoon; Anne Aley, horn; and Maggie Townsend, cello. They will be joined by guest artists Elspeth Stalter-Clouse, violin; Ariel Garcia, viola; and Joseph Ross, piano.
The program includes works by British, French and American composers drawn from the 18th to the 21st century with styles ranging from light-hearted to deeply felt.
Performances will take place on Saturday night, Jan. 12, at 7 p.m. and on Sunday afternoon, Jan. 13, at 2 p.m. Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.
Tickets can be purchased with cash, credit cards or personal checks at the door: $25 general admission, $20 seniors and $5 students. Visit www.oakwoodchamberplayers.com for more information.
German composer Theodor Kirchner (below) was celebrated for his deft handling of “character pieces.” He studied with Mendelssohn and was friends with Brahms and Schumann. All three admired his miniature musical gems that distilled compositional ideas.
Kirchner published many sets of character pieces depicting ideas and moods. His Character Pieces for Piano Trio, subtitled “Brightly Colored Leaves,” showcase his uniquely creative and expressive approach to music.
American composer Dana Wilson (below) wrote works for chamber ensembles and symphonies that have been performed internationally. A consortium of clarinetists from across the country commissioned Wilson to write AThousand Whirling Dreams in 2014.
This trio for clarinet, viola and piano provides the listener with the thrilling synergy of instruments playing sinuous melodies at high velocity contrasted with moments of hush and mystery.
British composer Thomas Dunhill (below) was a peer of Gustav Holst and Ralph Vaughan Williams and studied with Charles Villiers Stanford. Dunhill was a strong proponent throughout his life of chamber music.
His Quintet for violin, cello, clarinet, horn and piano shows abundant personal artistry and melodic expression but it also resonates beautifully with the impressive influences that surrounded him during an important era in British music.
American composer Ferde Grofe (below) is best known today for his imaginative orchestral piece “Grand Canyon Suite.” However, he had a fulfilling and interesting musical life. He grew up in New York City, studied in Paris, became sought after as an arranger (including George Gershwin’s “Rhapsody in Blue”) and jazz pianist, played viola with the Los Angeles Philharmonic, and wrote for the film industry.
Table d’hôtel – Humoresque is written for the unusual combination of flute, violin and viola. Like a menu of French cuisine conjured up by its title, the piece delivers a palatable and charming musical confection. (You can hear “Table d’hôtel” in the YouTube video at the bottom.)
Also on the program are two brief contrasting works for flute, bassoon and piano. The first, Dialogue Sentimentale, by French composer Paul Lacombe (below top), shows the sweet and expressive melodic writing which his mentor Georges Bizet greatly admired. German-American composer Tim Jansa (below bottom) wrote Three Miniatures for flute, bassoon and piano that possess a serene energy expressing the composer’s concepts of evening.
The Oakwood Chamber Players are a group of Madison-area professional musicians who rehearse and perform at Oakwood Village.
The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation
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Classical music: This week at the UW-Madison highlights choral music
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, featurestwo local musicians: oboist Laura Medisky and pianist Vincent Fuh.
The program features solo works for oboe, oboe d’amore and piano by Johann Sebastian Bach, Grażyna Bacewicz, and Camille Saint-Saens. Food and drink are allowed. The concert runs from 12:15 to 1 p.m. Due to construction, Friday Musicale concerts are being held in the Atrium auditorium through December.
By Jacob Stockinger
Two choral concerts are the big events this week at the University of Wisconsin-Madison’s Mead Witter School of Music.
Here are the details:
FRIDAY
On this Friday night, Nov. 9, at 8 p.m. in Mills Hall, the UW Chorale, under director and conductor of Bruce Gladstone (below in a photo by Katrin Talbot), will present a FREE concert.
The program features “Lament of Gilboa” by Arthur Honegger (below top) and “Into the Silent Darkness” by Elizabeth Alexander (below bottom).
According to the School of Music’s website: “This concert explores opposites in a variety of ways (cold/hot, slow/fast, laughing/crying, life/death), inviting the listener to think about the gray areas in between.”
SUNDAY
On this Sunday afternoon, Nov. 11, at 2 p.m. in Mills Hall, there will be a FREE concert of combined choirs. Participating groups are Masters Singers, University Chorus and Women’s Chorus (below).
The program, to be performed under graduate student conductors Michael Johnson and Andrew Voth, features traditional folk music as well as works by Giovanni Battista Pergolesi, Johann Sebastian Bach, Franz Joseph Haydn, Johannes Brahms (see the YouTube video at the bottom), Ralph Vaughan Williams and Aaron Copland.
For a long listing of specific works to be sung, go to: https://www.music.wisc.edu/event/combined-choirs-concert-masters-singers-university-chorus-and-womens-chorus/
Tags: #AaronCopland, #ArthurHonegger, #BeijingChina, #BlogPost, #BlogPosting, #BruceGladstone, #CamilleSaint-Saens, #ChoralMusic, #ElizabethAlexander, #FacebookPost, #FirstUnitarianSocietyofMadison, #FolkMusic, #FranzJosephHaydn, #GiovanniBattistaPergolesi, #GrazynaBacewicz, #IntotheSilentDarkness, #JohannesBrahms, #JohannSebastianBach, #KatrinTalbot, #LamentofGilboa, #LauraMedisky, #LifeandDeath, #MastersSingers, #MeadWitterSchoolofMusic, #NoonMusicale, #OboeD'Amore, #OboeMusic, #PianoAccompaniment, #PianoAccompanist, #RalphVaughanWilliams, #SeoulSouthKorea, #ShanghaiChina, #SouthKorea, #Sundayafternoon, #TaipeiTaiwan, #TokyoJapan, #TraditionalMusic, #UniversityChorus, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #UWChorale, #VincentFuh, #VocalMusic, #Women'sChorus, #YouTubevideo, Aaron Copland, Arthur Honegger, Arts, audience, auditorium, Bach, Baroque, Beijing, Blog post, blog posting, Bruce Gladstone, Camille Saint-Saëns, China, choral music, Classical music, cold, composer, Concert, conductor, construction, crying, death, director, drink, Early music, earlymusic, Elizabeth Alexander, Facebook, fast, First Unitarian Society of Madison, Folk music, food, Franz Joseph Haydn, free, graduate student, gray, Grazyna Bacewicz, hot, Into the Silent Darkness, Jacob Stockinger, Japan, Johann Sebastian Bach, Johannes Brahms, Katrin Talbot, Korea, Lament of Gilboa, laughing, Laura Medisky, life, life and death, listener, Madison, Masters Singers, Mead Witter School of Music, Music, Noon Musicale, Oboe, oboe d'amore, opposite, opposites, performer, Pergolesi, Piano, Ralph Vaughan Williams, Seoul, Shanghai, singer, Singing, slow, South Korea, Student, Sunday, Taipei, Taiwan, traditional, traditional music, University Chorus, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Chorale, Vincent Fuh, vocal music, Wisconsin, women's chorus, YouTube
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