The Well-Tempered Ear

Classical music: Amateurs who dream of playing with a professional orchestra should listen to this story.

July 19, 2015
6 Comments

By Jacob Stockinger

Violinist Tanesha Mitchell (below in a photograph by Richard Anderson) isn’t alone.

Academy Week  tanesha mitchell CR Richard Anderson

Like her, there are many string and brass players, wind players and percussionists, who have studied music and have become pretty accomplished amateurs.

And many of them, The Ear, suspects, dream of playing even just one concert with a professional orchestra.

Enter the Baltimore Symphony Orchestra (below top) and its famed music director and conductor Marin Alsop (below bottom).

Baltimore Symphony November 20, 2008

Baltimore Symphony November 20, 2008

Marin Alsop big

Talk about community outreach!

Each year, the BSO holds an amateur week – it is called Academy Week — in which 80 talented amateurs get to play with and under the tutelage of professionals in the symphony orchestra and its conductor. Participants get seven rehearsals and a full concert as well as private lessons.

The Ear wonders how much it costs and how they choose participants.

You can hear more about it in a YouTube video from 2011 at the bottom.

It seems kind of like Interlochen summer music camp, but for adults instead of teens.

Here is a story that aired Saturday on NPR or National Public Radio.

For those amateurs with dreams of professional music-making glory – for even just a week – it is a must-hear story.

And it makes you wonder if it could help the future of classical music if more symphony orchestras and chamber orchestras – including the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra – adopted something similar.

What do you think?

The Ear wants to hear

http://www.npr.org/sections/deceptivecadence/2015/07/18/423591573/amateur-musicians-go-pro-with-the-baltimore-symphony


Classical music: NPR discusses famous composers and well-known works that were inspired by real birds.

July 18, 2015
17 Comments

By Jacob Stockinger

Recently, NPR or National Public Radio featured a story that The Ear found very interesting and engaging.

Reporter Wade Goodwin spoke to a bird expert  — Roy Brown, the host of “Talkin’ Birds” — who also possesses a fine knowledge of classical music.

The subject was how certain composers took inspirations from bird songs and even tried to imitate specific bird songs — such as that of the Ceti’s warbler (below) — in certain compositions including Beethoven’s Symphony No. 2.

Ceti's warbler

And when the connection wasn’t specific, the composers still tried to evoke the bird sonically.

The composers cited in the four-minute story were Wolfgang Amadeus Mozart, Ludwig van BeethovenRalph Vaughan Williams (listen to the YouTube video at the bottom with Hillary Hahn and Sir Colin Davis conducting the London Symphony Orchestra) and Ottorino Respighi.

The Ear is sure there are many other examples of composers, works and specific bird species that are all linked. Antonin Dvorak comes to mind immediately.

If you know of any, please leave the names in the COMMENT section.

http://www.npr.org/2015/07/11/422008465/classical-composers-feathered-influences


Classical music: Meet Kirill Petrenko, the unknown name who has just been appointed conductor of the famed Berlin Philharmonic.

July 11, 2015
1 Comment

By Jacob Stockinger

His name is Kirill Petrenko -– not to be confused with conductor Vasily Petrenko in Liverpool, to whom he is no relation.

Chances are you have never heard his name.

Yet the Russian native Kirill Petrenko (below) has just been appointed to succeed Sir Simon Rattle as the music director and conductor of the Berlin Philharmonic, which is often seen as the finest and most prestigious orchestra in the world.

kirill petrenko

Petrenko sounds like a maestro who is worth getting to know.

And Tom Huizenga allows you to do just that in a terrific interview he did with a musician of the Berlin Philharmonic (below) about the new maestro who, it turns out, is publicity shy.

It appeared on “Deceptive Cadence,” the classical music blog that he writes and edits for NPR or National Public Radio.

It will be interesting to see what his initial concert programs and recordings are.

DV177039

But while you wait, here is a link to the interview, which also includes some audio-video clips as samples of Kirill Petrenko’s music-making:

http://www.npr.org/sections/deceptivecadence/2015/07/07/419160254/why-conductor-kirill-petrenko-fits-the-berlin-philharmonic

 

 


Classical music: The Harlem Renaissance opera “Voodoo” is rediscovered and resurrected in performance. Plus, “Music as Medicine” will be streamed LIVE today from the Chazen Museum of Art at 12:30 p.m.

July 5, 2015
1 Comment

A REMINDER: Today at 12:30 p.m., the early music choral group Eliza‘s Toyes (below) will perform “Music as Medicine” at the Chazen Museum of Art. The concert is FREE to attend. It will also be streamed LIVE as a replacement (first Sunday of the month) for the weekly Sunday Afternoon Live From the Chazen that Wisconsin Public Radio cancelled last season after 36 years.

Here is a statement: “Music has been an integral part of our well-being. To this date, many listen to music for its power in relaxation, excitement, and even catharsis. The development of music therapy as a medical profession, as well as increasing research in the physiological and psychological effects of music, signifies our ongoing interest to understand and utilize music. As scientists continue to examine music in an utilitarian light, it is worthwhile for us to rediscover how human beings have historically viewed music and its connection with health.”

Here is a link for streaming the concert:

http://www.chazen.wisc.edu/about/news/in-the-news/elizas-toyes-sunday-afternoon-live-at-the-chazen-on-july-5

Chazen Toyes

By Jacob Stockinger

Over the Fourth of July weekend, we have heard a lot of American music, most of it pretty well-known.

But every once on a while, an important discovery is made. Here is one to read about. It is “Voodoo,” an opera from the Harlem Renaissance that was composed by Harry Lawrence Freeman (below, in a photo from Columbia University in New York City). It was recently rediscovered and revived for a couple of performances.

Henry Lawrence Freeman CR Columbia University

It was featured on NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2015/06/24/417151864/unearthed-in-a-library-voodoo-opera-rises-again

And here is a trailer preview or sampler, with some great photos, on YouTube:


Classical music: Get reacquainted with the harpsichord as a modern instrument through a story on National Public Radio (NPR).

June 26, 2015
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By Jacob Stockinger

Harpsichord (below) or piano?

Historical or modern music?

Well, you don’t really have to choose.

Certainly one young performer sees the benefits in both. (Below is a photo of Trevor Stephenson of the Madison Bach Musicians working at his modern replica of a two-manual harpsichord that Johann Sebastian Bach used.)

Trevor Stephenson marking scores

But he also favors the harpsichord for various reasons, including a curious one: Annoying somebody special! 

Read the interview on National Public Radio (NPR) for yourself.

Here is a link:

http://www.npr.org/sections/deceptivecadence/2015/06/12/413693373/how-to-annoy-your-dad-play-the-harpsichord

And at the bottom, in a YouTube video, listen to a trailer he did about the modernity of the harpsichord and his new recording that uses both old and new works, both Baroque and Minimalist music.


Classical music: Remember the Cellist of Sarajevo from 23 years ago? Now there is a Cellist of Baghdad. Read or hear all about him on NPR.

June 20, 2015
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By Jacob Stockinger

How music persists and endures in even the hardest and bloodiest and most unlikely of circumstances!

Perhaps you remember that during the Balkan wars, when Serbian snipers threatened daily life in Sarajevo, there was Vedran Smailovic (below), better known as the Cellist of Sarajevo, who defied the killers and resisted terror with beauty.

Sarajevo cellist Vedran Smailovic 1992

Now in the midst of the chaos created by religious conflict and the barbarism of ISIS comes The Baghdad Cellist. If you listen to the YouTube video at the bottom, you can hear him playing — and it seems to be music, an excerpt from the solo suites for cello, by Johann Sebastian Bach, perhaps the most universal of composers.

And why the cello in both cases? Perhaps, The Ear thinks, because it so approximates the human voice and seems a perfect stand-in for a human being in such inhuman situations. What do you think?

Cellist of Baghdad 3 at home

Cellist of Baghdad

Read or hear about Karim Wasfi, the extraordinarily brave professional musician who performs at the sites of terrorist car bombings and who was recently featured on NPR or National Public Radio:

http://www.npr.org/2015/06/08/412284066/amid-violence-in-baghdad-a-musician-creates-a-one-man-vigil

 

 

 


Classical music: Metropolitan Opera radio host Margaret Juntwait is dead at 58.

June 6, 2015
2 Comments

ALERT: This month’s “Sunday Afternoon Live From the Chazen” concert will take place tomorrow at 12:30 p.m. in Brittingham Gallery III.

The concert features local violinist Kangwon Kim, violist Micah Behr and cellist Mark Bridges. The program includes a suite for solo viola by Quincy Porter and an arrangement of Johann Sebastian Bach’s famous “Goldberg” Variations for string trio done by Russian violist Dmitry Sitkovetsky.

Admission is FREE. Since Wisconsin Public Radio ended live broadcasts of the concert after 36 years, you can stream it live starting at 12:30. Just go to the Chazen Museum of Art’s website where you will find the necessary link:

http://www.chazen.wisc.edu/about/news/in-the-news/the-goldberg-trio-sunday-afternoon-live-at-the-chazen-on-june-7

By Jacob Stockinger

Her expressive voice became as identifiable with the opera -– with the Metropolitan Opera -– as have some of the world’s great singers.

Her name is Margaret Juntwait (below in a photo by Jonathan Tichler) and she hosted the live radio broadcast from the Met that started in December and ran through May. Every Saturday, she reached more than one million fans worldwide with her commentaries and her outstanding interviews with singers and conductors.

Margaret Juntwait CR jonathan-tichler

This past Wednesday, Margaret Juntwait died at 58 of complications from ovarian cancer, which she had battled with for a decade.

Because today is Saturday, it seems like the perfect day for The Ear to post about her passing.

Here are three stories about Margaret Juntwait and her career plus a very short YouTube video about Puccini’s “La Boheme” that shows her quick wit.

From the Deceptive Cadence blog on National Public Radio (NPR):

http://www.npr.org/sections/deceptivecadence/2015/06/03/411784750/met-opera-and-public-radio-host-margaret-juntwait-dies

From the Metropolitan Opera:

http://metopera.org/metopera/news/features/news-flash/remembering-margaret-juntwait

From the famed radio station in New York City, WQXR and WNYC:

http://www.wqxr.org/#!/story/margaret-juntwait-former-wnyc-host-and-voice-metropolitan-opera-dies-58/

Feel free to leave your thoughts and feelings in the COMMENTS section of the blog.

The Ear wants to hear – and so do others.

 

 


Classical music: Madison native son cellist, blogger and conductor Kenneth Woods has been named to head Colorado MahlerFest, starting in 2016. Plus, the Middleton Community Orchestra plays tonight at 7:30.

June 3, 2015
4 Comments

REMINDER: The Middleton Community Orchestra plays tonight at 7:30 p.m. in the Middleton Performing Arts Center that is attached to Middleton High School. Admission is $10; students get in FREE.

The terrific program includes concertmaster Valerie Sanders in the Adagio from the Violin Concerto by Max Bruch and guest pianist Thomas Kasdorf in the ever-popular Piano Concerto No. 1 in B-flat minor by Peter Ilyich Tchaikovsky (AKA the “Van Cliburn Concerto”). Here is a link to a fuller posting with more information:

https://welltempered.wordpress.com/2015/05/29/classical-music-the-middleton-community-orchestra-closes-out-its-fifth-season-next-wednesday-night-with-music-by-marquez-bruch-brahms-and-the-never-fail-tchaikovsky-piano-concerto-no-1/

By Jacob Stockinger

The Ear has received the following important and impressive news about Kenneth Woods. Woods, you may recall, attended Memorial High School in Madison, played in the Wisconsin Youth Symphony Orchestra (WYSO) and attended graduate school at the University of Wisconsin-Madison School of Music, where he work with Pro Arte Quartet cellist Parry Karp. We can all say Congratulations, Maestro!

Kenneth_Woods

Here is the press release:

Kenneth Woods has been appointed Artistic Director of the Colorado MahlerFest. He is only the second Artistic Director in the festival’s 28-year history and succeeds Founding Artistic Director Robert Olson. Woods will oversee his first festival, MahlerFest XXIX, in May 2016.

MahlerFest poster 1

Of his appointment, Woods remarks: “I’m thrilled and humbled to be invited to steer the festival’s ongoing exploration of one of the greatest composers of all time. I’ve always been impressed by the sophistication of MahlerFest’s programming and presentation, not to mention the musical standards attained by its participants. I must extend enormous congratulations to Bob Olson for everything he has achieved.”

Woods continues: “The complexity and scale of some tasks can only be fully appreciated once you’ve done them yourself, and as someone who has put together a few crazy Mahler projects of my own over the years, I know something about the kind of heroic effort Bob has made to build and sustain this festival. I take very seriously my responsibility to keep the torch he has lit blazing brightly for many years to come.”

Founded by conductor Robert Olson (below in 1988, the Boulder-based Colorado MahlerFest is an annual celebration of the life and music of Gustav Mahler.

Robert Olson is leaving the MahlerFest he founded at the end of this year's performances. He'll stay on as conductor of Longmont Symphony Orchestra. (Greg Lindstrom/Times-Call)

Robert Olson is leaving the MahlerFest he founded at the end of this year’s performances. He’ll stay on as conductor of Longmont Symphony Orchestra. (Greg Lindstrom/Times-Call)

Throughout one week every May, the festival explores Mahler through symposia, exhibits, films and the performance of a major symphonic work by the composer. MahlerFest is currently in the midst of its third cycle of Mahler’s symphonic compositions.

MahlerFest orchestra

In 2005, MahlerFest received the Gold Medal  (below) of the Vienna-based International Gustav Mahler Society, an honor so far bestowed on only one other American organization, the New York Philharmonic.

MahlerFest gold medal

Gustav Mahler’s music has been a lifelong source of inspiration for Kenneth Woods, and has played an important part in his career. He has conducted acclaimed performances of the symphonies and songs across the Americas and Europe.

His first recording of Mahler’s music, Schoenberg’s chamber ensemble versions of Das Lied von der Erde (Song of the Earth) and Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (Somm Records, 2011), received an IRR Outstanding rosette from International Record Review.

Off the podium, Woods (below) is in demand as an essayist and speaker on Mahler’s life and music. He has given talks and participated in panel discussions on Mahler for the BBC and NPR, and was the official blogger of The Bridgewater Hall’s Mahler in Manchester series in 2010-11.

Kenneth Woods

In his native U.S., Woods achieved national media recognition as conductor of the Pendleton-based Oregon East Symphony for staging Redneck Mahler, an event that galvanized the community of a small, western Rodeo town.

With its combination of conducting, symposia, pre-concert lectures, films, community engagement and blog posts, MahlerFest’s format plays perfectly into Woods’ multifarious hands.

“For me,” Woods says, “Mahler has a singular creative voice. His music should be experienced as an immersive, transformative experience.”

You can hear Kenneth Woods conducting Mahler, with UW-Madison baritone Paul Rowe and the UW-Madison Symphony Orchestra, in a YouTube video at the bottom.

PRAISE FOR KENNETH WOODS’ MAHLER

“This is a most important issue, and all Mahlerians should make its acquisition an urgent necessity.” International Record Review

“a richly balanced performance that easily stands out” Gramophone Magazine

“gives Mahler the ride of his life.” The Oregonian

“something that every lover of Mahler should hear.” MusicWeb International

* * * * *

For more information about Kenneth Woods please visit http://kennethwoods.net/blog1/

For more information about the Colorado MahlerFest please visit http://www.mahlerfest.org

About Kenneth Woods

Kenneth Woods is Artistic Director and Principal Conductor of the English Symphony Orchestra, a post he assumed in 2013, succeeding Vernon Handley.

Hailed by the Washington Post as a “true star” of the podium, Woods has worked with many orchestras of international distinction, and has appeared on the stages of some of the world’s leading music festivals. His work on the concert platform and in the recording studio has led to numerous broadcasts on BBC Radio 3, National Public Radio, and the Canadian Broadcasting Corporation.

As Principal Guest Conductor of Stratford-upon-Avon-based Orchestra of the Swan (2010-2014), Woods made numerous acclaimed recordings, including the first-ever cycle of the Symphonies of Hans Gál (AVIE).

Kenneth Woods Schumann 2 Gal cover

Woods’ unique gifts have been widely acknowledged by some of today’s leading conductors. In 2001, he was selected by Leonard Slatkin to be one of four participants in the National Conducting Institute at the Kennedy Center, where he made his National Symphony debut.

Toronto Symphony Music Director Peter Oundjian has praised Woods as “a conductor with true vision and purpose. He has a most fluid and clear style and an excellent command on the podium … a most complete musician.”

kenneth woods conducting english symphony orchestra

A widely read writer and frequent broadcaster, Woods’ blog, “A View from the Podium,” is one of the 25 most popular classical music blogs in the world. He has provided commentary for the BBC Proms, and has spoken on Mahler on NPR’s “All Things Considered” and BBC Radio 4’s “Today” Programme.

 


Classical music: Cellist Joel Krosnick will retire from the Juilliard String Quartet and is one more example of how musicians love their careers and how teacher-performers deserve more respect.

June 2, 2015
4 Comments

By Jacob Stockinger

The Ear knows a lot of musicians.

And he considers them among the most privileged of people and workers.

That’s because he has never met a musician who regretted being a musician, even if they don’t get the job they want or earn as much as they need.

Musicians are happy, The Ear thinks, because they speak a higher language and never get tired of it.

We who listen are envious of those who play.

The latest example of it comes in a wonderful interview with cellist Joel Krosnick (below) that appeared on the Deceptive Cadence blog done by NPR (National Public Radio).

Joel Kroskick1

Krosnick is the longtime cellist of the legendary Juilliard String Quartet (below). He never thought he would retire, but now, after 42 years, he says he will indeed retire at the end of the 2015-16 season, although he will continue to teach at the Juilliard School.

Getting old, he explains, means that he can do one full-time career but no longer two. That should bring new respect to teacher-performers who are too often portrayed more as failed performers who have to teach by default.

Juilliard String Quartet copy

Read or listen to the interview for yourself and see what I mean.

http://www.npr.org/sections/deceptivecadence/2015/05/18/406687266/after-42-years-juilliard-string-quartet-cellist-to-step-down

And here, in a YouTube video at the bottom, is a slow movement from one of the late “Prussian” Quartets that Wolfgang Amadeus Mozart composed for the King of Prussia, who played the cello quite well. So Mozart gave the work a prominent role to the cello.


Classical music: The Minnesota Orchestra made history with its recent visit to Cuba. If you missed it, here are stories to catch up. Plus, fans of great singing should hear the Madison Choral Project under the legendary Dale Warland on Sunday afternoon.

May 30, 2015
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ALERT: The Ear attended an outstanding choral concert Friday night. It was put on by the Madison Choral Project with singers (below) plus UW-Madison trumpeter John Aley (far right), cellist Eric Miller and UW-Madison pianist Martha Fischer, all under the direction of the legendary conductor Dale Warland. The concert “Music of Our Time” will be repeated at 2:30 p.m. on this Sunday at the First Congregational United Church of Christ, 1609 University Ave. You can park in the lot two blocks away at the UW Foundation. If you love choral music, don’t miss it.

Madison Choral Project 5-15 1

By Jacob Stockinger

Yesterday, President Obama made it official. He removed Cuba from the State Department‘s list of outlaw countries that sponsor terrorism.

The economic and cultural thaw is gathering momentum. And just as happened with the Soviet Union, cultural exchanges are going to play a major role.

The Minnesota Orchestra made history with its recent visit to Cuba, where it gave two concerts, played a side-by-side concert with a youth orchestra, played in a cafe informally with Cuban musicians and tutored music students.

Minnesota Orchestra in Cuba with banner

If you missed it, here are stories — and a YouTube video interview with the orchestra’s Finnish-born music director and conductor Osmo Vanska and orchestra players at the bottom — to catch up.

Here is a photo essay put together by Minnesota Public Radio:

http://www.mprnews.org/story/2015/05/18/photos-a-look-back-at-the-orchestras-trip-to-cuba

Here is the story from the Deceptive Cadence blog on NPR (National Public Radio):

http://www.npr.org/sections/deceptivecadence/2015/05/17/406993869/after-thaw-minnesota-orchestra-returns-to-cuba

Here is The New York Times account of the two well received concerts that include the “Eroica” Symphony by Ludwig van Beethoven and the two countries’ national anthems:

http://www.nytimes.com/2015/05/17/arts/music/minnesota-orchestra-in-groundbreaking-cuba-tour-sells-out-house.html?_r=0

And here is The New York Times account of a more informal café get-together:

http://www.nytimes.com/2015/05/18/arts/music/fire-and-ice-minnesotans-join-orquesta-aragon-in-havana.html?src=relcon&moduleDetail=lda-articles-0&action=click&contentCollection=Music&region=Footer&module=MoreInSection&version=WhatsNext&contentID=WhatsNext&configSection=article&isLoggedIn=false&pgtype=article

Finally, here is an account from the orchestra’s hometown Minneapolis Star-Tribune:

http://www.startribune.com/minnesota-orchestra-wins-hearts-in-cuba-as-it-caps-a-historic-trip/304004891/

 


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