The Well-Tempered Ear
Classical music: UW Choral Union and UW Symphony Orchestra plus soloists will perform Brahms and Mozart this Saturday and Sunday nights. On Friday night, the Choral Arts Society Chorale performs a holiday program.
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ALERT: The Choral Arts Society Chorale of Madison, under director Mikko Rankin Utevsky, will perform “Frostiana: Songs for a Winter’s Night” this Friday night at 7 p.m. at Trinity Lutheran Church, 1904 Winnebago St. Admission is $15, students $10. The program is: Brahms, “In stiller Nacht”; Barber, “Sure on this shining night”; Lasso, “Matona mia cara”; Victoria, “O Magnum Mysterium”; Gendel, “It was my father’s custom”; Myers, “The Winter’s Night”; Leontovych, “Shchedryk“; and Thompson, “Frosting.”
For more information, go to www.ChoralArtsMadison.org
By Jacob Stockinger
This weekend the UW-Madison campus and community Choral Union and UW Symphony Orchestra (below) will perform the rarely heard “Schicksalslied” (Song of Destiny) by Brahms and the “Great” Mass in C Minor, K. 427, by Mozart.
The performances are in Mills Hall on Saturday night at 8 p.m. and Sunday night at 7 p.m.
Writes conductor Beverly Taylor (below):
The “Schicksalslied,” Op. 54, by Brahms (below) is a heartfelt, 16-minute work that sets Friedrich Hoelderlin’s poem about the yearning and loss of beauty, and suggestion of hope for the future.
“The work starts with gorgeous, muted harmonies; goes into a passionate whirlwind in the middle; and then ends with an orchestral recollection of the opening themes.
“If the work were longer, it might be performed more often. It is a real jewel of Brahms’s repertoire.” (You can hear it in the YouTube video at the bottom.)
Adds Taylor: “The C minor Mass, like the Requiem, was unfinished by Mozart (below) —we are not sure why. It contains vibrant writing for the chorus, including several movements for double chorus, and some of the finest solo music he ever wrote.”
The soloists will be sopranos Sarah Richardson (below top) and Chelsie Propst (below second), tenor Wesley Dunnagan (below third), and baritone Matthew Chastain (below bottom).
Tickets are $15 for the public, $8 for students.
For more information about obtaining tickets and for more about the works and performers, go to; http://www.music.wisc.edu/event/choral-union-symphony-orchestra-2/
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Classical music: The Wisconsin Chamber Choir performs a varied holiday concert of all-classical music this Saturday night
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By Jacob Stockinger
The Ear has received the following notice to post:
The Wisconsin Chamber Choir (below) will perform “O Wondrous Mystery” this coming Saturday night, Dec. 17 at 7:30 p.m. in the Bethel Lutheran Church, 312 Wisconsin Ave., in Madison.
Tickets are $15 (for students, $10) in advance; $20 ($12) at the door. Advance tickets are available from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Orange Tree Imports and Willy Street Coop (East, West and North locations).
Explore the magic and mystery of the holiday season with the Wisconsin Chamber Choir, whose program highlights the beloved Latin chant ”O magnum mysterium” in musical settings by Tomas Luís de Victoria and Francis Poulenc. (You can hear Poulenc’s setting, conducted by the legendary Robert Shaw, in the YouTube video at the bottom.)
Rounding out the performance are the remainder of Poulenc’s Four Christmas Motets along with seasonal works spanning five centuries by William Byrd, Heinrich Schütz, Johannes Brahms, Herbert Howells and Bob Chilcott, plus the world premiere of “Methinks I See a Heavenly Host” by Peter Bloesch (below).
The 50-voice choir will be joined by organist Mark Brampton Smith (below top) of Grace Episcopal Church, and Madison Symphony Orchestra trombonist and program annotator J. Michael Allsen (below bottom, in a photo by Katrin Talbot), who will accompany the Schütz selections on the sackbut, the Renaissance ancestor of the trombone.
Founded in 1998, the Madison-based Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Mozart, and Brahms; a cappella masterworks from six centuries; and world premieres.
Robert Gehrenbeck (below), who heads the choral program at the UW-Whitewater, is the Wisconsin Chamber Choir’s artistic director.
Tags: a cappella, ancestor, Artistic director, Arts, Bach, Baroque, Bethel Lutheran Church, Bob Chilcott, Brahms, Byrd, chant, Choir, choral music, chorus, Christmas, church, Classical music, composer, Early music, Grace Episcopal Church, Heinrich Schütz, Herbert Howells, Holiday, Jacob Stockinger, Johannes Brahms, Latin, Madison, Madison Symphony Orchestra, motet, Mozart, Music, mystery, O magnum mysterium, oratorio, Orchestra, organ, Peter Bloesch, Poulenc, program notes, Renaissance, Robert Gehrenbeck, Robert Shaw, sackbut, Schütz, Singing, Tomas Luis de Victoria, Trombone, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Whitewater, vocal music, Wisconsin, Wisconsin Chamber Choir, wondrous, world premiere, YouTube
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