The Well-Tempered Ear

Classical music: The Madison Symphony Orchestra announces its 2020-21 season to mark The Beethoven Year. Plus, this Sunday afternoon, the Edgewood Chamber Orchestra also celebrates The Beethoven Year

February 21, 2020
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ALERT: The Madison Symphony Orchestra has just announced its 2020-21 season, which is heavy on works from Beethoven’s mid-career “Heroic” period to mark the Beethoven Year celebrating the 250th anniversary of the birth of the composer (below).

Other composers to be featured include Haydn, Mozart, Dvorak, Tchaikovsky, Rachmaninoff, Ravel, Sibelius, Honegger, Grofé, Kabalevsky and the African-American composer George Walker.

Familiar soloists include pianists Olga Kern and Garrick Ohlsson; violinists James Ehnes and Gil Shaham. Also soloing are retired UW-Madison professor and MSO principal oboe Marc Fink and MSO concertmaster Naha Greenholtz.

The traditional Christmas Concert is in early December.

The “Beyond the Score” program in late January, with actors from American Players Theater in Spring Green,  focuses on Stravinsky’s revolutionary “The Rite of Spring.” And the MSO Chorus will perform in Beethoven’s Symphony No. 9 “Choral” and “Missa Solemnis.”

All concerts will be conducted by John DeMain.

Here is a link to details about the season and how to subscribe: https://madisonsymphony.org/concerts-events/2020-2021-symphony-season-concerts/

Let The Ear know what you think of the new MSO season in the Comment section.

By Jacob Stockinger

This Sunday afternoon, Feb. 23, the Edgewood Chamber Orchestra of Edgewood College presents a special winter concert.

The performance is at 2:30 p.m. in McKinley Performing Arts Center of Edgewood High School, 2219 Monroe Street, on Madison’s near west side.

The conductor is Blake Walter (below, in a photo by John Maniaci) and the guest soloist is violinist David Huntsman.

The concert celebrates the 250th anniversary of the birth of the Ludwig van Beethoven.

The Chamber Orchestra will perform the Symphony No. 2 in D Major, Op. 36, by Beethoven, who seems influenced in this work by Mozart and especially his teacher Haydn but who moved beyond them in this symphony. (You can hear the innovative Scherzo movement, which replaced the traditional minuet, in the YouTube video at the bottom.)

Also on the program are Handel’s Overture to the opera “Semele” and the virtuosic Introduction and Rondo Capriccioso by Camille Saint-Saens, which features soloist David Huntsman (below).

Tickets are $5 for general admission, and admission is free with an Edgewood High School or Edgewood College ID.


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Classical music: The UW Schubertiade last Sunday afternoon explored the influence of Beethoven on Schubert with insight and beauty

February 2, 2020
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ALERT: In early editions of my last post, I mistakenly said that the UW Choral Union and the UW Symphony Orchestra will perform the Verdi Requiem on May 25 and 26. The correct dates are APRIL 25 and 26. The Ear regrets the error.

By Jacob Stockinger

One of the most informative and enjoyable events of the Beethoven Year – 2020 is the 250th anniversary of the composer’s birth – came early.

It took place last Sunday afternoon in the Collins Recital Hall of the new Hamel Music Center at the UW-Madison.

It was the seventh annual Schubertiade, and its theme was “Schubert and Beethoven: Influences and Homages.” A classic contrast-and-compare examination of two musical giants who lived and worked in Vienna in the early 19th century, the concert took place for almost three hours before a packed house. (Schubert is below top, Beethoven below middle, and the sold-out audience below bottom)

The annual event is organized by co-founders and co-directors UW piano professor Martha Fisher and her pianist husband Bill Lutes (below, greeting the crowd), who also perform frequently, especially as outstandingly sensitive and subtle accompanists.

They make the event, with audience members sitting onstage, look easy and informal. But it takes a lot of hard work.

The two sure know how to choose talent. As usual, all the singers and instrumentalists – UW alumni and faculty members (below) — proved very capable. The concert cohered with consistency.

Nonetheless, The Ear heard highlights worth singling out.

Baritone Michael Roemer (below) sang exceptionally in “An die ferne Geliebte” (To the Distant Beloved) by Beethoven (1770-1827). His voice brought to mind the young Dietrich Fischer-Dieskau in the inviting tone and direct delivery of the first song cycle ever composed. It was also the one that inspired the younger Schubert (1797-1828) to compose his own song cycles, and you could hear why.

Soprano Jamie Rose Guarrine (below right), accompanied by Bill Lutes and cellist Karl Knapp (below center), brought warmth, ease and confidence to the lyrical beauty of “Auf dem Strom” (On the River).

Tenor Daniel O’Dea (below) showed how Schubert’s setting of Friedrich Schiller’s “Ode to Joy” – the same Romantic poem made famous in Beethoven’s Ninth Symphony “Choral” – ended up much more lighthearted than the more familiar, serious and intense symphonic version.

Martha Fischer and Bill Lutes, who also sang as well as narrated and accompanied, showed complete blending and tightness in Schubert’s first published composition: “Eight Variations on a French Song.” It was for piano, four-hands – a sociable genre that Schubert favored and wrote a lot of.

Soprano Jennifer D’Agostino (below) sang Schubert’s song “Elysium” in which it is unclear whether it is a pastiche or a parody of Beethoven, who remained a mentor until Schubert died at 31. Could that ambiguity point to Schubert’s maturing sense of himself and his own art as compared to Beethoven’s?

One year after Beethoven’s death – Schubert was a pallbearer — Schubert put on his only formal public concert of his own work. That was when he premiered his Piano Trio No. 2, the bravura last movement of which was played by Bill Lutes with cellist Parry Karp and first violinist David Perry (below), of the UW’s Pro Arte Quartet.

Then all four members of the Pro Arte Quartet (below) – with violist Sally Chisholm and second violinist Suzanne Beia – played the last two movements of Beethoven’s late String Quartet in C-sharp Minor, Op. 131, the work that Schubert requested to hear performed as he lay on his death bed in his brother’s Vienna apartment.

Of course there were other moments that pleased and instructed. There was a set of four songs – one coupling sung by mezzo-soprano Allisanne Apple (below) — in which the same texts were set to music by both Beethoven and Schubert.

We got to hear Beethoven’s final song, “Abendlied unterm gestirnten Himmel” (Evening Song Beneath the Starry Firmament).

Then there was the heart-wrenching “Nachthymne” (Hymn to the Night) by Schubert, again beautifully performed by Jamie Rose Guarrine. (You can hear “Hymn to the Night,” sung by Elly Ameling, in the YouTube video at the bottom.)

So in the end, what were the big lessons, the takeaways from this year’s Schubertiade?

One lesson is that for all his more familiar symphonies and concertos, his string quartets and piano trios, his piano sonatas and his sonatas for cello and violin, Beethoven was also a much more accomplished song composer than the public generally knows.

But for The Ear, the biggest lesson of all is that despite Beethoven’s deep influence, Schubert retained his own special voice, a voice full of unforgettable melodies and harmonies, of lyricism and empathy.

And using a mentor to find, refine and retain one’s own identity is the highest homage any student can pay to a teacher.

 


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Classical music: This Saturday night, UW pianist Christopher Taylor will perform the virtuosic Liszt transcriptions of Beethoven’s Symphonies Nos. 1 and 9

January 28, 2020
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ALERT: The first concert by the Verona Area Community Orchestra is set for this Wednesday, Jan. 29, at 7 p.m. in the Verona Area High School’s Performing Arts Center at 300 Richard St. in Verona. A reception, with a sheet cake, will follow the concert. Admission is FREE.

Thirty-five amateur string orchestra musicians will play selections from: Johann Sebastian Bach (Brandenburg Concerto No. 3), Aaron Copland (“Rodeo”), Sir Edward Elgar (“Serenade for Strings”), Eric Whitacre (“October”), Louis Prima (“Sing Sing with a Swing”), and Peter Warlock (“Capriol” Suite).

By Jacob Stockinger

This coming Saturday, Feb. 1, will see what promises to be one of the most interesting and impressive events of The Beethoven Year in Madison.

At 8 p.m. in the Mead Witter Foundation Concert Hall, in the new Hamel Music Center at 740 University Avenue, the UW-Madison’s virtuoso pianist Christopher Taylor (below) will perform the solo piano transcriptions made by Franz Liszt of Beethoven’s Symphonies Nos. 1 and 9.

When he was just 12, the young Liszt — often considered the greatest pianist who ever lived — performed for and met Beethoven, who gave the boy his blessing.

For the rest of his life, Liszt (below top) promoted Beethoven’s piano sonatas and symphonies through the keyboard. Liszt also studied with Carl Czerny, who studied with Beethoven (below bottom).

These performances mark Taylor’s completion of the ambitious and monumental cycle of Liszt’s Beethoven symphony transcriptions.

The Ninth or “Choral” Symphony – with the famous “Ode to Joy” finale – will also have five singers to perform the solo and choral parts. They are: Mead Witter School of Music faculty members Mimmi Fulmer and Paul Rowe (below top); and graduate students Sarah Brailey (below bottom), Thore Dosdall and Benjamin Liupaogo.

(You can hear the famous Scherzo movement played by Cyprien Katsaris and see the note-filled score for it in the YouTube video at the bottom.)

Tickets are $20, except for music school faculty and students who will be admitted free on the night of the performance if space allows.

For more information about the tickets, parking, the performers and the program, go to: https://www.music.wisc.edu/event/christopher-taylor-and-friends-beethoven-symphony-extravaganza/

To just purchase tickets, go to the Campus Arts Ticketing box office in the Memorial Union, call (608) 265-ARTS (2787) or go to: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=79084672-5D75-4981-B0A3-B135EDB97FF1

For more information about the extraordinary keyboard transcriptions, go to the Wikipedia entry and be sure to read the section on History: https://en.wikipedia.org/wiki/Beethoven_Symphonies_(Liszt)

 


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Classical music: The 7th annual Schubertiade at the UW-Madison is this Sunday afternoon and will explore the influence of Beethoven on Schubert

January 23, 2020
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By Jacob Stockinger

This coming Sunday afternoon, Jan. 26, is the seventh annual UW Schubertiade – named after the evening gatherings of friends (below) where the composer Franz Schubert performed and premiered his own music.

This year’s theme, given that 2020 is the Beethoven Year, is the immense influence that the older Beethoven (below top) 1770-1827) had on the younger Schubert (below bottom, 1797-1828).

The event will begin with a pre-concert lecture by UW-Madison Professor of Musicology Margaret Butler at 2:15 p.m. in the Rehearsal Hall at the new Hamel Music Center, 740 University Avenue, next to the Chazen Museum of Art.

Then at 3 p.m. in the 330-seat Collins Recital Hall in the same building, the two-hour concert will take place.

The concert will close with the usual custom. The audience and performers will join in singing “An die Musik” (To Music). (In the YouTube video at the bottom, you can hear it sung by legendary German soprano Elisabeth Schwarzkopf and legendary British accompanist Gerald Moore.)

A reception will follow the concert in the main lobby.

For more description of the event plus a complete program and list of performers – who consist of UW-Madison graduates and musicians including soprano Jamie Rose Guarrine (below top) and mezzo-soprano Alisanne Apple (below middle) as well as the Pro Arte Quartet (below bottom, in a photo by Rick Langer) – go to: https://www.music.wisc.edu/event/our-annual-schubertiade/

At the site, you will also find information about buying tickets – general admission is $20 with free student tickets on the day of the concert is space is available – and about parking.

The event was founded by and continues to be directed by wife-and-husband pianists Martha Fischer and Bill Lutes (below) who also sing, accompany and play works for piano, four hands.

Lutes sent the following introductory remarks: “Ever since Martha and I presented the first of our annual Schubertiades back in January 2014, we’ve looked for ways to keep our all-Schubert birthday parties fresh and interesting for our audience.

“From time to time we contemplated introducing another composer – maybe even switching our allegiance from the immortal Franz to another of our favorites: perhaps a “Schumanniade.”

“This time, with six years of all-Schubert behind us, we thought we would do the obvious and finally unite Schubert with the composer who probably meant more to him than almost any other – Beethoven, whose 250th birthday is being celebrated this year.

“Once Beethoven moved permanently to Vienna at age 22, he soon became famous and eventually was regarded as the greatest of the city’s composers.

“Schubert, who was born in Vienna five years after Beethoven’s arrival, grew up hearing the older master’s works, often at their premieres. As his genius flowered early, Schubert was often challenged and inspired by Beethoven’s music.

“We bring together these two giants who lived in the same city, knew the same people, attended the same musical events, perhaps met or quite possibly didn’t.

“Yet Beethoven’s presence and example guided Schubert in his own road toward the Ultimate Sublime in music. Our concert of “Influences and Homages” features works where the musical, if not the personal, relationship is there for all to hear.”

Lutes also supplied a list of the song titles in English translation:

“Ich liebe dich” – I love you

“Der Atlas” – Atlas

“Auf dem Strom” – On the River

“Der Zufriedene” – The Contented Man

“Der Wachtelschlag” – The Quail’s Cry

“Wonne der Wehmut” – Joy in Melancholy

“Kennst du das Land?” – Do You Know the Land?

“An die ferne Geliebte” – To the Distant Beloved

“An die Freude” – Ode to Joy

“Gruppe aus dem Tartarus” – Scene from Hades

“Elysium”

“Nachthymne” – Hymn to the Night

“Abendlied unterm gestirnten Himmel” – Evening Song Beneath the Starry Firmament

Have you attended a past Schubertiade (below, in Mills Hall)?

What did you think?

Would you recommend it to others?

The Ear wants to hear.

 


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Classical music: The Beethoven Year in Madison will include complete cycles of string quartets and piano trios as well as many other early, middle and late pieces. Here is a partial preview

September 21, 2019
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By Jacob Stockinger

As you may have already heard, 2020 is a Beethoven Year. It will mark the 250th anniversary of the composer’s birth. (He lived from mid-December of 1770 to March 26, 1827.  Dec. 17 is sometimes given as his birthday but it is really the date of his baptism. No one knows for sure the actual date of his birth.)

Beethoven, who this year overtook Mozart as the most popular composer in a British radio poll, clearly speaks to people — as you can see at the bottom in the YouTube video of a flash mob performance of the “Ode to Joy.” It has had more than 16 million views.

Locally, not all Beethoven events have been announced yet. But some that promise to be memorable are already taking shape. Many programs include early, middle and late works. And you can be sure that, although nothing formal has been announced yet, there will be special programs on Wisconsin Public Television and especially Wisconsin Public Radio.

Here is a partial round-up:

The UW’s famed Pro Arte String Quartet (below, in a photo by Rick Langer), for example, will perform a FREE and complete cycle of Beethoven’s 16 string quartets in six concerts. It will start later this fall.

This is not the first time that the Pro Arte has done a Beethoven cycle. But it is especially fitting since that is the same Beethoven cycle that the Pro Arte was performing in Madison at the Wisconsin Union Theater in May of 1940 when World War II broke out and the quartet was stranded on tour in the U.S. after its homeland of Belgium was invaded and occupied by the Nazis.

That is when the ensemble was invited to become musical artists-in-residence at the University of Wisconsin-Madison and accepted – thereby establishing the first such association in the world that became a model for many other string quartets.

The Bach Dancing and Dynamite Society with the San Francisco Trio (below) plans on performing a cycle of piano trios next summer. No specific dates or programs have been announced yet.

The 20th anniversary of the Ancora String Quartet (below, in a photo by Barry Lewis) will coincide with the Beethoven Year. That is when the Ancorans will complete the cycle of 16 string quartets that they have been gradually programming over the years. Three quartets remain to be performed: Op. 59, No. 2 “Rasumovsky”, Op. 130 and Op. 131.

Adds violist Marika Fischer Hoyt: “We’ll perform Op. 130 in February (with the original final movement, NOT the “Grosse Fuge”), and we plan to do the remaining two quartets in the summer and fall of 2020.”

Here are some other Beethoven dates to keep in mind:

On Nov. 2 in Shannon Hall at the Wisconsin Union Theater, and as part of the WUT’s centennial celebration of its Concert Series, pianist Emanuel Ax (below, in a photo by Lisa-Marie Mazzucco), who since 1974 has played many solo recitals, chamber music recitals and piano concertos in Madison, will play Beethoven’s first three solo piano sonatas, Op. 2.

On Dec. 6 at the Wisconsin Union Theater, the Kalichstein-Laredo-Robinson Piano Trio will perform the famous “Archduke” Trio, Op. 97. Also on the program are works by Felix Mendelssohn and Robert Schumann.

On Feb. 1, UW-Madison pianist Christopher Taylor, who has performed all 32 piano sonatas in Madison, will continue his cycle of Beethoven symphonies as transcribed for solo piano by Franz Liszt. He will perform Symphony No. 1 and the famed Symphony No. 9, the ground-breaking “Choral” Symphony with its “Ode to Joy.” No chorus will be involved, but there will be four solo singers. Taylor said he will then complete the cycle with Symphony No. 2 at some future time.

The Mosaic Chamber Players (below, in a photo by John W. Barker) will perform two all-Beethoven programs: on Feb. 21, a FREE program offers two sonatas for violin and piano (Op. 12, No. 3 and Op. 30, No. 2, and one sonata for cello and piano (Op. 5, No. 1); on June 13, a ticketed program features three piano trios (Op. 1, No. 1; Op. 70, No. 2; and Op. 121a “Kakadu” Variations).

On May 8, the Wisconsin Chamber Orchestra (below top, in a photo by Mike Gorski), under conductor Andrew Sewell (below bottom, in a photo by Alex Cruz), will perform the popular Symphony No. 6 “Pastoral” – a pioneering piece of program music — to commemorate the Beethoven Year.

There is one very conspicuous absence.

You will notice that there is nothing by Beethoven programmed for the new season of the Madison Symphony Orchestra (below, in a photo by Peter Rodgers).

But The Ear hears rumors that music director John DeMain (below, in a photo by Greg Anderson) is planning something special for the following season that might involve both symphonies and concertos, both original Beethoven works and perhaps “reimagined” ones.

(For example, pianist Jonathan Biss, who has just completed recording the piano sonata cycle and who performed with the MSO several years ago, has commissioned and will premiere five piano concertos related to or inspired by Beethoven’s five piano concertos.) Sorry, but as of now only rumors and not details are available for the MSO. Stay tuned!

The Ear would like to hear complete cycles of the violin sonatas and cello sonatas performed, and a couple of the piano concertos as well as the early symphonies and the famed Ninth Symphony with its “Ode to Joy” finale. He fondly remembers when DeMain and the MSO performed Symphonies Nos. 1 and 9 on the same program. Talk about bookending a career!

What Beethoven would you like to hear live?

What are your most favorite or least favorite Beethoven works?

Do you know of other Beethoven programs during the Beethoven Year? If so, please leave word in the Comment section.

And, of course, there is the inevitable question: Can you have too much Beethoven?


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Classical music: Today is the birthday of Martin Luther King Jr. The murdered civil rights leader has become a character in opera, oratorios and musicals as well as popular songs

January 15, 2018
3 Comments

By Jacob Stockinger

Today is the holiday to celebrate the 89th birthday of Martin Luther King (below), the American civil rights pioneer who was born on this day in 1929, won the Nobel Peace Prize and was assassinated in 1968, when he was 39.

For more biographical information, here is the Wikipedia entry:

https://en.wikipedia.org/wiki/Martin_Luther_King_Jr.

There will be many celebrations, including the 38th annual one at noon in the State Capitol of Wisconsin in Madison, which will be broadcast live and recorded by Wisconsin Public Radio (WPR) and Wisconsin Public Television (WPT).

Music is always an important art of honoring King. There will be spirituals and gospel choirs.

But King himself has become a musical, and dramatic, figure.

Maybe you knew that.

The Ear didn’t.

So here are some links to sample from YouTube, which has many of King’s speeches and much of the music done to honor King over the years.

MLK is a character is the opera by Philip Glass called “Appomattox,” which deals with civil rights from The Civil War onwards and was commissioned and performed by the Washington National Opera.

Here is part of it in rehearsal:

And in performance:

And here is the one-hour video called “I Have a Dream”:

Do you know of any other musical works in which Martin Luther King Jr. actually figures and plays a role?

What piece of classical music would you choose to honor King?- Perhaps the poignant aria “Give Me Freedom” from Handel’s opera “Rinaldo” (performed in the YouTube video at the bottom) or Beethoven’s Ninth Symphony with its “Ode to Joy” finale about universal brotherhood.

Let us know in the COMMENT section.

The Ear wants to hear.


Classical music: The music of Beethoven played a major role in modern China. Here’s how

September 3, 2016
1 Comment

By Jacob Stockinger

If you think classical music has lost much of its relevance in modern times, you might want to read or listen to this terrific interview about the importance of Ludwig van Beethoven in modern China.

Below is a photo of the first performance of Beethoven’s Ninth Symphony, the “Choral” Symphony with the famous “Ode to Joy,” done in 1959 by an all-Chinese orchestra with Chinese singers and sung in Mandarin.

Plus, a radio broadcast of Beethoven’s Fifth Symphony also played a major role in modern China following the Cultural Revolution.

Beethoven in China 1959

The interview, with two native Chinese musicians who now teach at Stanford University. was done by NPR or National Public Radio, for its Deceptive Cadence blog. The Ear found it both eye-opening and inspiring.

Perhaps it even helps to explain why these days classical music often seems more vital to the East than it does to the West.

http://www.npr.org/sections/deceptivecadence/2016/08/25/491353170/tracing-the-peoples-republic-of-beethoven

 


Classical music education: The annual FREE Concert in the Park by the Wisconsin Youth Symphony Orchestras (WYSO) marks its 15th anniversary this coming Wednesday night.

August 4, 2016
1 Comment

By Jacob Stockinger

The Ear has received the following announcement to pass along:

“The Wisconsin Youth Symphony Orchestras (WYSO) is proud to be a part of Concert in the Park, hosted by The Gialamas Co., for another season.

“This year’s event will take place this coming Wednesday, Aug. 10, from 5 to 10 p.m. at Old Sauk Trails Park, 1200 John Q. Hammons Drive on the far west side of Madison.

WYSO Concert the Park Tent 4

“For eight consecutive years, WYSO has been invited by The Gialamas Company to be a part of this spectacular event. This special FREE concert is a highlight of the summer for concertgoers young and old.

“This particular year features the Youth Orchestra (below) and will celebrate several special anniversaries: the 50th anniversary of WYSO, the 40th anniversary of The Gialamas Company, and the 15th anniversary of Concert in the Park.

WYSO Concert in the Park, playing under Jim Smith 3

“WYSO’s Youth Orchestra will begin their performance at 7 p.m. The Youth Orchestra, under the direction of WYSO Music Director James Smith, will perform: the fourth movement of Symphony No. 2 in C minor, Op. 17, by Peter Tchaikovsky; Highlights from West Side Story by Leonard Bernstein; Hungarian Rhapsody No. 2 by Franz Liszt, featuring conductor Michelle Kaebisch; the first movement of the Violin Concerto in D Major, Op. 35, by Tchaikovsky featuring Aurora Greane (below top) on violin; “Our Town” by Aaron Copland; the fifth movement of Symphony No. 9 in E flat major, Op. 70, by Dmitri Shostakovich; and an annual rendition of Over the Rainbow by Harold Arlen.

You can hear the Youth Orchestra under Maestro Smith perform Georges Bizet‘s suite from his opera “Carmen” in the YouTube video at the bottom.

Aurora Greane

WYSO Concert in Park 2016 cellos 2

“The evening will also see performances of “A Radiant Spirit,” which was composed in honor of WYSO’s 50th anniversary by Andrew Kinney, and of a stunning arrangement of Ludwig van Beethoven’s Ode to Joy, from his Symphony No. 9 “Choral,” arranged by Donald Fraser.

WYSO Concert in Park 2016 from backstage

“The evening will be capped off with a fireworks display.

“Before the event there will be an instrument petting zoo, face painting and an ice cream social. Tables, food and drinks are available for purchase.

WYSO Concert in the Park kids eating ice cream 2

“For more information, visit www.gialamas.com.

“Be sure to stay after the event for a spectacular fireworks show. Set up lawn chairs, layout blankets and put out your picnic baskets as you enjoy all of the music and activities this FREE event has to offer.

fireworks

“For additional information, please contact WYSO at (608) 263-3320 or e-mail wyso@wysomusic.org.”


Classical music education: Let us now praise WYSO — the Wisconsin Youth Symphony Orchestras (WYSO) as they celebrate their 50th anniversary this Saturday night. The concert is SOLD OUT, which is both good news and bad news

February 17, 2016
5 Comments

ALERT and CORRECTION : The Ear just learned that the WYSO concert will be streamed LIVE on Wisconsin Public Television. View the broadcast live at 7 p.m. on this Saturday, February 20, by clicking on the following link: http://wpt.org/watch/liveevent

By Jacob Stockinger

It seems like one of those situations that put you between a rock and a hard place.

This year, the Wisconsin Youth Symphony Orchestras founded by the late Marvin Rabin, is celebrating the organization’s milestone 50th anniversary. (Below top is a photo of WYSO rehearsing in 1966; below bottom is a photo of WYSO today.)

WYSO Youth Orchestra Marvin Rabin conducting 1966-7

WYSO Youth Orchestra

Plans for the celebration have been ambitious. Events have included: mounting a special art display at Dane County Regional Airport; publishing a special book; undertaking a foreign concert tour; and holding other events, including special receptions and breakfasts as well as playing opportunities for WYSO alumni who are flying in from all over the country.

Perhaps the single biggest event is the special concert that will take place this Saturday night from 7 to 9 p.m. at Overture Hall in the Overture Center.

The concert features five world premieres of pieces commissioned by WYSO for five different groups or ensembles.

Here are the details from WYSO:

“This concert will be the first time all WYSO orchestras are on stage to perform at the same concert. This concert is generously sponsored by Jerome Frautschi and Pleasant Rowland.

“The collage concert will feature the following performing ensembles: Youth Orchestra, Philharmonia Orchestra, Concert Orchestra, Sinfonietta, Brass Choir, Percussion Ensemble and a chamber ensemble.

“Each orchestra along with the Percussion Ensemble will perform a world premiere work that was commissioned especially for them.

“Composers of these commissions include Ben Whalund, Olivia Zeuske, Reynard Burns, Donald Fraser and WYSO alumni Andrew Kinney.

“The Percussion Ensemble (below), under the direction of Vicki Jenks will perform Credo by Ben Whalund. Mark Leiser, conductor of Sinfonietta, will lead his young string orchestra in Sonata for Sinfonietta by Olivia Zeuske, Haydn’s La Chasse, and Duke Ellington’s Don’t Get Around Much Anymore. The Brass Choir, under the direction of Brett Keating will then take the stage.

WYSO percussion Ensemble 2013

“Following the Brass Choir, Concert Orchestra, under the baton of Christine Mata-Eckel, will perform Biciclette by Reynard Burns, and Del Borgo’s Romany Dances. One of WYSO’s chamber ensembles will perform next. Michelle Kaebisch, conductor of the Philharmonia Orchestra, will lead her ensemble as they perform In Time by Donald Fraser and Throne Room Scene from Star Wars by John Williams.

WYSO 50th Photo 1

The Youth Orchestra, led by music director James Smith, will give the penultimate performance of the evening by performing A Radiant Spirit by Andrew Kinney a and Symphony No. 2, Finale: Moderato assai-Allegro vivo by Tchaikovsky.

WYSO 50th Photo 2

“Following these performances the evening will feature a grand finale, arranged by Donald Fraser, with a performance by all nearly 400 members of WYSO, including the WYSO Music Makers Honors Ensembles as they perform Beethoven’s Ode to Joy.

Following the concert, all audience members are invited to attend a post-concert reception in the lobby of Overture Center. This reception will be sponsored by the current WYSO Parent Leader Committee

WYSO rehesrsal Philharmonia Violins

So what is the problem or conundrum The Ear is talking about?

Just this: The main concert by the five orchestras and ensembles with five world premiere commissions is SOLD OUT.

That is good news because the hall and events are expensive to put on, especially at the Overture Center. So congratulations to the hard work that went into such success.

But that is also bad news because The Ear bets that most of the seats understandably went to family, friends and alumni. That, in turn, means that a new public, especially families with young children as potential members, for the ever impressive WYSO – which has trained thousands of middle school and high school students since its inception — will not be reached. And as a provider of music education, the pioneering WYSO simply has no peers in the area. 

So The Ear hopes that CDs and DVDs of the concerts will be available after the event. Maybe it will even be aired on Wisconsin Public Television or Wisconsin Public Radio or some other broadcast outlets. (See the correction at the top: The concert will; be streamed live on Wisconsin Public Television )That would certainly reach a wide public with the inspiring mission and outstanding results of music education through WYSO.

WYSO Logo blue

And if you want to know more information about WYSO and its 50th anniversary celebration, go to:

http://www.wysomusic.org/50th/

In the meantime, The Ear sends hearty and heart-felt congratulations to all the students, teachers, alumni and supporters of WYSO students, who in the YouTube video at the bottom perform the celebratory and triumphant “Great Gate at Kiev” from Modest Mussorgsky’s “Pictures at an Exhibition.”

Cheers to the next 50 years!


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