The Well-Tempered Ear

Classical music: Broadcasts of operas from the Met and string quartets by the UW-Madison’s Pro Arte Quartet are featured on old media and new media this Saturday and Sunday. Plus, the 89th Edgewood college Christmas Concert is tonight and tomorrow afternoon.

December 2, 2016
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ALERT: Edgewood College will present its 89th Annual Christmas Concerts tonight at 7 p.m. and Saturday afternoon at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.

Now expanded to two performances, the holiday concert features the Edgewood College choirs and Concert Band, along with audience sing-alongs, prelude music by the Guitar Ensemble, and a post-concert reception featuring the Jazz Ensemble.

Tickets are $10, and seating is limited for this very popular annual event. Tickets should be purchased online in advance.

By Jacob Stockinger

Classical music meets old media and new media this weekend through opera and chamber music.

SATURDAY

This Saturday marks the beginning of the LIVE RADIO broadcasts of operas from the Metropolitan Opera (below) in New York City. This will be the 86th season for the radio broadcasts, which educated and entertained generations of opera lovers before there were DVDs, streaming and the “Live in HD From the Met” broadcasts to movie theaters.

Metropolitan Opera outdoors use Victor J. Blue NYT

Met from stage over pit

The performances will be carried locally on Wisconsin Public Radio, WERN-FM 88.7. This Saturday, the starting time for Puccini’s “Manon Lescaut” with Russian superstar soprano Anna Netrebko (below, in a photo by Richard Termine for The New York Times), is 11:30 CST. Other operas will have different starting times, depending their length.

This season runs from Dec. 3-May 15.

Radio has certain strengths, The Ear thinks. For one, it allows the listeners to focus on the music, to be less distracted or less enriched – depending on your point of view – by sets, costumes, lighting, the physicality of the acting and other stagecraft that is left to the imagination.

This season, there will be lots of standard fare including: Verdi’s “La Traviata” and “Aida”; Puccini’s “La Boheme”; Bizet’s “Carmen”; Beethoven’s “Fidelio”; Wagner’s “Tristan und Isolde” and “The Flying Dutchman”; Richard Strauss’ “Der Rosenkavalier” and “Salome”; and Mozart’s “Idomeneo.”

But you can also hear the new music and less frequently staged operas. They include the 2000 opera “L’amour de loin” (Love From Afar) by Finnish composer Kaija Saariaho, which will receive its Metropolitan Opera premiere next week, on Dec. 10.

Here is a link to the complete season along with links to information about the various productions. Starting times are Eastern Standard Time, so deduct an hour for Central Standard Time or a different amount for your time zone:

http://www.metopera.org/Season/Radio/Saturday-Matinee-Broadcasts/

met-manon-lescaut-anna-netrebko-cr-richard-termine-nyt

SUNDAY

On this Sunday afternoon, the Pro Arte Quartet (below, in a photo by Rick Langer), longtime artists-in-residence at the University of Wisconsin-Madison School of Music, will wrap up the first semester of “Sunday Afternoon Live From the Chazen,” which used to air weekly on Wisconsin Public Radio but now is presented once a month, on the first Sunday of the month, directly by the museum.

The program this Sunday features the “Italian Serenade” by Hugo Wolf; the String Quartet No. 3 in F Major by Dmitri Shostakovich; and the String Quartet in A-Flat Major, Op. 105, by Antonin Dvorak.

Pro Arte Quartet new 2 Rick Langer

The FREE concert takes place from 12:30 to 2 p.m. in Brittingham Gallery No. 3 of the Chazen Museum of Art and the University of Wisconsin-Madison.

Donors to the museum can reserve seats. Concerts by the Pro Arte Quartet, kind of the house quartet of the museum, are usually “sold out.”

But the concert can also be streamed live via computer or smart phone by clicking on the arrow in the photo and using the portal on the following website:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen-12-4-16/

sal-pro-arte-12-4-16

You might also want to arrive early or stay late to see the historic and rare First Folio edition (below) of the plays by William Shakespeare that is on display at the Chazen Museum through Dec. 11 to mark the 400th anniversary of the death of the Bard.

First Folio

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Classical music: Music for piano-four hands played a vital historical role in disseminating classical music and also in encouraging amateur musicians and a socially acceptable form of erotic intimacy.

April 1, 2015
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By Jacob Stockinger

First things first — a full disclosure because today is April 1 or April Fool’s Day.

april fools day

But this is no April Fool’s post. The Ear detests using the media, old or new, for April Fool’s stories and pranks. The Ear finds them stupid and reprehensible. They undercut credibility and insult readers or consumers by taking advantage of their gullibility.

So …

Yesterday, you may recall, I posted a preview of the upcoming recital this Saturday night at 7:30 p.m. by pianists Peter Serkin and Julie Hsu at Farley’s House of Pianos.

Here is a link:

https://welltempered.wordpress.com/2015/03/31/classical-music-pianists-peter-serkin-and-julia-hsu-will-play-works-for-piano-four-hands-by-mozart-schubert-schumann-and-brahms-this-saturday-night-at-farleys-house-of-pianos/

But as background, or perhaps an appetizer or teaser, I thought you might like to see a link sent to me by a professor friend at Stanford University. It covers a book by his colleague in German that offers not only history but also the role of four-hand playing in encouraging intimacy, a kind of erotic sensuality and sexuality that was socially acceptable. Then, too, music playing also bridged the worlds of professional and amateur musicians.

Whether or not you attend the concert at Farley’s, it is good to read the overview of the vital role that music for piano-four hands (below is the team of Varshavsky and Shapiro who perform quite often in the area) played in the history of Western classical music. They helped to disseminate into ordinary homes versions of the symphonies by Wolfgang Amadeus Mozart and Ludwig van Beethoven at a time when hearing a real symphony was a rare occasion.

And of course they also encouraged Hausmusik — the playing of music in private homes before commercial concerts became established. A piano was like the CD player or radio or television of its day.

Stanislava Varshavski-Diana Shapiro

Madison hears its fair share of such music. It is always featured at the Schubertiades, held by wife-and-husband pianists Martha Fischer and Bill Lutes at the University of Wisconsin-Madison School of Music in late January.

Schubertiade 2014 stage in MIlls Hall

Such music has also appeared regularly at the free Friday Noon Musicales at the First Unitarian Society of Madison, Sunday Afternoon Live at the Chazen Museum of Art, the annual Karp Family Labor Day Concerts, the summer Bach Dancing and Dynamite Society, Farley’s House of Pianos, and other important series.

The Ear has enjoyed such music – in addition to the many social works by Franz Schubert, I have heard Hungarian Dances by Johannes Brahms, Slavonic Dances by Antonin Dvorak and Polonaises by Franz Schubert, for example — but was never fully aware of what, historically, he was listening to.

So The Ear found the historical essay fascinating and thought you might also appreciate it.

Here is a link to the essay:

http://news.stanford.edu/news/2014/december/piano-monster-daub-120814.html

And here is a link to a YouTube video of the piece that is perhaps the crown jewel of piano-four hand literature — Franz Schubert’s late Fantasy in F Minor, D. 940 — performed by two of my favorite British pianists, Imogen Cooper and Paul Lewis:


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